The grammar of loss. >>Dear Memory.
A different kind of life. >>Dear Memory.
Lost voices from the asylum. >>Said the Dead.
Grateful to live these days. >>Said the Dead.
Love and limerence. >>What Am I, A Deer?
Shyness, obsession, and the joy of karaoke. >>What Am I, A Deer?
Move your head and the picture changes. >>Your Name Here.
Vaim Hotel. >>Vaim.
Strength and agency. >>Ngāti Kuia.
A thing and a half. >>The Renovation.
A place that no longer exists. >>The Renovation.
Radical self-invention. >>Becoming George.
Absurdist realism, queerness, and doppelgängers. >>As If.
Hours of life are lost to writing. >>As If.
“I refuse to be a second-class citizen in my own land.” >>Taiwan Travelogue.
Ecofeminist rollercoaster. >>Hexes of the Deadwood Forest.
Alchemical dreams. >>Hexes of the Deadwood Forest.
Not only theoretical but personal. >>Vocal Break.
Some voices stay with us. >>Vocal Break.
All they will find is sand. >>Ungrounding.
Refraining from ignorance. >>Te Tiriti, Equality, and the Future of New Zealand Democracy.
A free supple life. >>The Daffodil Days.
Written by the light of a lava lamp. >>The Original.
Not enough room in the kitchen. >>A Very Cold Winter.
Easy to join, easy to leave. >>Hyperpolitics.
The change has begun. >>The Beginning Comes After the End.
Loving Dostoyevsky. >>Summer in Baden-Baden.
Celestial navigation. >>The Wayfinder.
A very real experience. >>The Wayfinder.
Behaviour, genetics, and blame. >>Original sin.
A laboratory for understanding what it would be like to be different. >>The Shock of the Old.
Our film recommendation this week: Shoot the Piano Player.
An order of words.
