Read our latest newsletter!
Our annual FICTION REDUCTIONS sale is the solution to your reading resolution!
17 January 2025
Be careful what you wish for! A catch-cry of our present time is a desire to find meaningful connection, to be part of a community within which we are specific and individual. Yet in reality we are more likely to find ourselves awash in a social media sea. In Jennifer Egan’s The Candy House, the desire for authenticity and connection is high and the clever Bix Bouton has the key. Bix is rich and successful. A fast-thinker graduate, his start-up, Mandala, took off, but now he’s out of ideas and craving something of the magic of his younger self. Infiltrating an academic discussion group where they are prying open the social anthropologist Miranda Kline’s theory Patterns of Affinity, kicks off the lightbulb for Bix. And the beautiful cube, Own Your Unconscious, is born. Get yourself a beautiful cube and download your memory — your every moment and feeling: either just for yourself so you can revisit childhood or recall a moment; or upload for the wider community — to The Collective Consciousness — so memories can be shared and information found (sound familiar?). Now Bix is richer, more successful, a celebrity who’s a regular at The White House and loved by many. Life is good. Yet at the edges there is doubt. And not everyone is a believer. There are eluders, those that wipe themselves to escape — pretty much losing their identity for freedom from the technological behemoth. There is Mondrian, an organisation that sees ethical problems within this set-up and offers a way out for those who feel trapped. This novel has connections to her Pultizer Prize-winning A Visit from the Goon Squad. There are characters who exist in both, and actions that are revisited by the curious, in particular the next generation who live with the consequences. There’s the anonymity of the urban and the claustrophobia of suburban landscapes, alongside the openness of the desert and the endless possibilities of the sea. All these landscapes play their role in the interior landscapes (the minds) of the diverse array of characters. This is a novel that does not stay still. There is no straight line in The Candy House. Egan writes explosive short pieces, chapters which connect, disconnect and reconnect (sometimes) in surprising ways. Characters are related in familial and relationship lines, or by deed, or the outsourced memory of deeds. Some we meet once, others on several occasions — they are in turn in all their guises: adults, children, parents, siblings. This may sound disjointed, and at times the narrative may lead you astray, but the thematic pulse runs continuously through. As in her earlier Goon Squad, Egan plays with structure and different narrative styles. There is the 'Lulu the Spy' chapter told in bite-sized dispatch commands — a tensely addictive reading experience; there is a brilliantly cutting e-mail conversation chapter where the narcissistic desires of the correspondents will make you wince; and there is the mathematically genius 'i, Protaganist' in which a man tries to realise his crush through obsessive statistical analysis. Knitted seamlessly into this wonderland of ideas are the concrete desires, fears and concerns of various humans, all achingly searching for authenticity within an illusionary world. An energetically clever novelist, Jennifer Egan’s The Candy House gives you sweet treats, as well as a whirlwind of sugary highs and lows. Put down the cube and pick up The Candy House.
To ‘stay’ in a hotel (as opposed to ‘staying’ home) does not mean to remain but merely to await departure. A hotel is not a home away from home but is the opposite of a home, a place where, as McBride puts it, “nothing is at stake,” a place where action and inaction begin to resemble each other, a place where the absence of context allows or invites unresolved pasts or futures to press themselves upon the present without consequence. There is no plot in a hotel; everything is in abeyance. The protagonist in Strange Hotel is present (or presented) in a series of hotels — in Avignon, Prague, Oslo, Auckland, and Austin (all hotels are, after all, one hotel) — over a number of years in what we could term her early middle age. She spends the narrated passages of time mainly not doing something, choosing not to sleep with the man in the room next door, not to throw herself from the window as she waits for a man to leave her room, not to stay in the room of the man with whom she has slept until he wakes up, not to meet a man at the hotel bar, not to let in the man with whom she has slept and who she almost fails to keep at the distance required by her rigour of hotel behaviour. Her ritual self-removal from the stabilising patterns of her ordinary existence — about which we learn little — in the hotels seems designed to reconfigure herself following the death of her partner without either wearing out the memory she has of him or being worn out by it. Slowly, through the series of hotels, she becomes capable of reclaiming herself from her loss, moving from instances where even slight resemblances to experiences associated with her dead partner close down thought (as with the speaker in Samuel Beckett’s Not I) to a point where memory begins to not overwhelm the rememberer, when the hold on the present of the past begins to loosen, when the path to grief loses its intransigence and coherence and no longer precludes the possibility that things could have been and could be different. McBride’s linguistic skill and introspective rigour in tracking the ways in which her protagonist negotiates with her memories through language is especially effective and memorable. Language is a way of avoiding thought as much as it is a way of achieving it: “Even now, she can hear herself doing it. Lining words up against words, then clause against clause until an agreeable distance has been reached from the original unmanageable impulse which first set them all in train.” Her self-interrogation and her “interrogating her own interrogation” “serves the solitary purpose of keeping the world at the far end of a very long sentence,” but as her ‘hotel-praxis’ (so to call it) starts to erode the structures of her ‘grief-taxis’ (so to call it), language is no longer capable of — or, rather, no longer necessary for and therefore no longer capable of — buffering her from loss: “I do like all these lines of words but they don’t seem to be helping much with keeping the distance anymore.” At the start of the the book she feels as if she has “outlived her use for feeling” and clinically observes that, in another, “sentiment must be at work somewhere, unfortunately”; in Prague she observes of the man whose departure from her room she awaits on the balcony: “She hadn’t intended to hurt his feelings. To be honest, she’s not even sure she has. His feelings are his business alone. She just wishes he hadn’t presumed she possessed quite so many of her own. She has some, naturally, but spread thinly around—with few kept available for these kinds of encounters.” By the end of the process, though — “to go on is to keep going on” — the possibility of feeling begins to emerge from beneath her grief, the present is no longer overwhelmed by actual or even possible alternative pasts, and she begins to sense that she can “turn too and return again from this most fitly resolved past that was never really an option — to the life which, in fact, exists.”
EXCELLENT FICTION AT GREATLY REDUCED PRICES. Make the discoveries that will reset and refresh your reading life.
Our annual fiction sale is the perfect way to stack up the solutions to your reading resolutions.
(Be quick: there are single copies only of most titles at these prices.)
Make 2025 your year of reading!
”Part of the beauty of the art of cooking is that it involves transience, making something delightful that then vanishes, and that in turn involves cherishing the time we spend on perfecting a dish. Cooking yourself something delicious is rewarding, satisfying, cheering. It makes us feel capable, creative, able to take care of ourselves. Cooking for yourself makes you feel spoiled and cherished.” —Michèle Roberts
A unique work of literary and culinary joie de vivre, part food memoir, part recipe book, French Cooking for One is Michèle Roberts' first cookbook, and a personal and quirky take on Édouard de Pomiane's ten-minute cooking classic. Once a food writer for the New Statesman, Roberts was born in 1949 and raised in a bilingual French-English household, learning to cook from her French grandparents in Normandy. Her love of food and cookery has always shone through in her novels and short stories. French cuisine, classic though it is, still holds delicious surprises. From quick bites for busy days to sumptuous main courses for those who enjoy spending more time in the kitchen, the focus throughout this book is on dishes that are simple and fun to prepare, and results that are mouthwatering to contemplate and, of course, to eat. With over 160 delicious recipes, the majority of which are vegetarian, combined with piquant storytelling and feminist wit, French Cooking for One is a working cook's book with French flair, bursting with life and illustrated with the author's original ink drawings, full of charm and humour. More than a handbook of classic French dishes, French Cooking for One also bears testimony to a singular literary life.
A selection of books from our shelves.
Click through to find out more:
Concerning the Future of Souls: 99 Stories of Azrael
…Reading, ready or not!
New books for a new year! Start as you mean to go on.
We can have your copies ready to collect from our door or dispatched by overnight courier.
The Pets We Have Killed by Barbara Else $35
In 1959 a schoolgirl is caught in the rivalry between two male teachers. In 1982 a New Zealander in her thirties is introduced to a snake in San Diego. In 2075 a government official drafts a summary of the first stage in NZ’s new-style elections. These eighteen stories mark Barbara Else’s return to fiction for adults. They are notable for their range in genre and tone, from realism to science fiction and fantasy, from subversive humour and sharp satire to thoughtful and humane contemplation of the human condition. Many are about romantic relationships — fresh and new, would-be, or long gone. All the stories demonstrate how the problems women face change little as time passes.
Granta 168: Significant Other edited by Thomas Meaney $37
Granta's summer issue is devoted to fictions of the 'other'. ‘Significant other' calls up the anodyne invitation from a host who wishes to strip away presumption. But we insist it is a fertile concept. Some significant others we know for much of our lives; others are meteoric: we may see them only once. Fiction includes J.M. Coetzee's story, 'The Museum Guard’, Victor Heringer's 'Lígia’ , and ‘Armance’ by Fleur Jaeggy. Introducing new fiction from Sophie Collins, Kevin Brazil, and Alexandra Tanner. Non-fiction features Mary Gaitskill's 'The Pneuma Method', James Pogue on the mines of Mauritania, and Susan Pedersen on paranormal love in the Balfour family. Christian Lorentzen appraises Daniel Sinykin's Big Fiction. Snigdah Poonam follows a teenager who makes a pilgrimage to Ayodhya, where the BJP's Hindu nationalists have built their dream temple of Ram. Poetry by Najwan Darwish, Zoë Hitzig, Tamara Nassar and Bernadette Van-Huy. Photography by Rosalind Fox Solomon (introduced by Lynne Tillman), Jesse Glazzard (introduced by Anthony Vahni Capildeo) and Debmalya Ray Choudhuri (introduced by John-Baptiste Oduor). Cover art by Simon Casson.
Bothy: In search of simple shelter by Kat Hill $45
Leading us on a gorgeous and erudite journey around the UK, Kat Hill reveals the history of these wild mountain shelters and the people who visit them. With a historian's insight and a rambler's imagination, she lends fresh consideration to the concepts of nature, wilderness and escape. All the while, Hill weaves together her story of heartbreak and new purpose with those of her fellow wanderers, past and present. Writing with warmth, wit and infectious wanderlust, Hill moves from a hut in an active military training area in the far-north of Scotland to a fairy-tale cottage in Wales. Along her travels, she explores the conflict between our desire to preserve isolated beauty and the urge to share it with others — embodied by the humble bothy. [Hardback]
”An intelligent and thoughtful book that will have you reaching for your boots. Hill offers learned and considered reflections on the consolations of retreat, simple living, of finding even temporary shelter when all outside is tempest. It is also a meditation on change: climate change, emotional growth, and the unquenchable nostalgia for a past slipping ever further from view.” — Cal Flyn
Hiroshima: The last witnesses by M.G. Sheftall $40
The stories of hibakusha - Japanese for atomic bomb survivors — lie at the heart of this compelling minute-by-minute account of 6 August 1945 — the day the world changed forever as the Enola Gay dropped its terrible payload over Hiroshima. These survivors and witnesses, now with an average age of over 90, are the last people alive who can still provide us with reliable and detailed testimony about life in Hiroshima before the bombings. In this heart-stopping account they relay what they experienced on the day the city was obliterated, and what it has been like to live with those memories and scars over the rest of their lives. M. G. Sheftall has spent years personally interviewing survivors who were just adolescents at the time but have lived well into their nineties, allowing him to construct portraits of what Hiroshima was like before the bomb, and how catastrophically its citizens' lives changed in the seconds, minutes, days, weeks, months and years afterwards. Fluent in spoken and written Japanese, his deep immersion in Japanese society has given him unprecedented access to the hibakusha in their waning years. Their trust in him is evident in the personal and traumatic depths they open up for him as he records their stories. [Paperback]
”M.G. Sheftall's Hiroshima presents as a master class in eyewitness storytelling. As poignant as it is powerful, this gripping narrative chronicles one of history's darkest nightmare moments-the atomic bombing of Hiroshima in August 1945-and the memories of its surviving eyewitnesses. As the events fade from living memory, Hiroshima is at once a brilliant tribute and a cautionary tale. “ —Annie Jacobsen
Fear: An alternative history of the world by Robert Peckham $33
Fear has long been a driving force — perhaps the driving force — of world history: a coercive tool of power and a catalyst for radical change. Here, Robert Peckham traces its transformative role over a millennium, from fears of famine and war to anxieties over God, disease, technology and financial crises. In a landmark global history that ranges from the Black Death to the terror of the French Revolution, the AIDS pandemic to climate change, Peckham reveals how fear made us who we are, and how understanding it can equip us to face the future. [Paperback]
”Brilliant and breathtakingly wide-ranging. As Peckham shows in gripping and beautifully written detail, fear isn't just the stock in trade of wicked despots; in some circumstances it can be turned to positive effect. Could it, now, be that fear is our friend? Read Peckham and judge for yourself.” —Simon Schama
The Lantern of Lost Memories by Sanaka Hiirage $25
In Mr Hirasaka's cosy photography studio in the mountains between this world and the next, someone is waking up as if from a dream. There is a stack of photos on their lap, one for every day of their life, and now they must choose the pictures that capture their most treasured memories, which will be placed in a beautiful lantern. Once completed, it will be set spinning, and their cherished moments will flash before their eyes, guiding them to another world. But, like our most thumbed-over photographs, our favourite memories fade with age. So each visitor to the studio has the chance to choose one day to return to and photograph afresh. Each has a treasured story to tell, from the old woman rebuilding a community in Tokyo after a disaster, to the flawed Yakuza man who remembers a time when he was kind, and a strong child who is fighting to survive. [Paperback]
Her Secret Service: The forgotten women of British intelligence by Claire Hubbard-Hall $40
Since the inception of the Secret Service Bureau back in 1909, women have worked at the very heart of British secret intelligence, yet their contributions have been all but written out of history. Now, drawing on private and previously-classified documents, historian Claire Hubbard-Hall brings their gripping true stories to life. From encoding orders and decrypting enemy messages to penning propaganda and infiltrating organisations, the women of British intelligence played a pivotal role in both the First and Second World Wars. Prepare to meet the true custodians of Britain's military secrets, from Kathleen Pettigrew, personal assistant to the Chief of MI6 Stewart Menzies, who late in life declared 'I was Miss Moneypenny, but with more power', to Jane Archer, the very first female MI5 officer who raised suspicions about the Soviet spy Kim Philby long before he was officially unmasked, and Winifred Spink, the first female officer ever sent to Russia in 1916. Hubbard-Hall rescues these silenced voices and those of many other fascinating women from obscurity to provide a definitive account of women's contributions to the history of the intelligence services.
The First Friend by Malcolm Knox $38
Even the worst person has a best friend. A chilling black comedy, The First Friend imagines a gangster mob in charge of a global superpower. The Soviet Union 1938: Lavrentiy Beria, 'The Boss' of the Georgian republic, nervously prepares a Black Sea resort for a visit from 'The Boss of Bosses', his fellow Georgian Josef Stalin. Under escalating pressure from enemies and allies alike, Beria slowly but surely descends into murderous paranoia. By his side is Vasil Murtov, Beria's closest friend since childhood. But to be a witness is dangerous; Murtov must protect his family and play his own game of survival while remaining outwardly loyal to an increasingly unstable Beria. The tension ramps up as Stalin's visit and the inevitable bloodbath approaches. Is Murtov playing Beria, or is he being played? The First Friend is a novel in a time of autocrats, where reality is a fiction created by those who rule. It is at once a satire and a thriller, a survivor's tale in which a father has to walk a tightrope every day to save his family from a monster and a monstrous society. Where safety lies in following official fictions, is a truthful life the ultimate risk?
”Crackling with energy, irony, wit and terror, The First Friend is a timely and cautionary reminder of the stifling, murderous logic of strong man politics.” —Tim Winton
“Razor-sharp, wildly imaginative, bold, brilliant and often as dark as the inside of a coffin. Another triumph from a truly extraordinary writer.” —Trent Dalton
“The First Friend is not just a cracking read, it's a masterclass in Machiavellian manoeuvres. This is a magnificent piece of gallows humour, bitingly funny and horrifyingly grim at the same time.” —Kate McClymont
”Bleak, intelligent and fearsomely well-researched — I kept telling myself I shouldn't laugh, but couldn't help it.” —Michael Robotham
War of the Worlds, A graphic novel by H.G. Wells and Chris Mould $45
In 1894, across space, this earth was being watched by envious eyes, and plans were being drawn up for an attack. What seems to be a meteorite falls to earth, but from the debris, unfolds terrifying alien life. A young man called Leon records his observations and sketches. “Those who have never seen Martian life can scarcely imagine the horror,” he tells us. “Even at this first glimpse, I was overcome with fear and dread. The earth stood still as we watched, almost unable to move.” As war descends, Leon and his scientist wife race against the clock to discover the science behind these Martians in the hopes of ending this war of all worlds. [Hardback]
”The exquisite, detailed illustrations convey as much emotion as do words in this remarkable re-imagining of War of the Worlds.” —Susan Price
”An absolute masterpiece.” —Kieran Larwood
A bit on the Side: Reflections on what makes life delicious by Virginia Trioli $40
Virginia Trioli knows that enduring joy is often found not in the big moments but in the small. And as a dedicated, almost obsessive, foodie, she believes that food gives us the perfect metaphor for how to seek, recognise and devour the real flavour of life. When the main course is heavy going or unappetising, the 'bits on the side' make life really delicious. The sweet and the sour; the salty, the bitter - our small, meaningful selections are the ones that make life glorious. A Bit on the Side is an ode to joy, filled with wisdom, stories, memories and recipes. [Hardback]
”A warmly engaging epicurean masterclass on the pleasures of companionship and the table.” —Christos Tsiolkas
When the Bulbul Stopped Singing: A diary of Ramallah under siege by Raja Shehadeh $25
The Israeli army invaded Palestine in April 2002 and held many of the principal towns, including Ramallah, under siege. A tank stood at the end of Raja Shehadeh's road; there were Israeli soldiers on the rooftops; his mother was sick, and he couldn't cross town to help her. Shehadeh kept a diary. This is an account of what it is like to be under siege: the terror, the frustrations, as well as the moments of poignant relief and reflection on the crisis gripping both Palestine and Israel. [New paperback edition]
”In his moral clarity and baring of the heart, his self-questioning and insistence on focusing on the experience of the individual within the storms of nationalist myth and hubris, Shehadeh recalls writers such as Ghassan Kanafani and Primo Levi.” —New York Times
”A buoy in a sea of bleakness.” —Rachel Kushner
Scandinavian Design by Charlotte and Peter Fiell $55
Scandinavia is world famous for its inimitable, democratic designs which bridge the gap between craftsmanship and industrial production, organic forms and everyday functionality. This all-you-need guide includes a detailed look at Scandinavian furniture, glass, ceramics, textiles, jewelry, metalware, and product design from 1900 to the present day, with in-depth entries on 125 designers and design-led companies. Featured designers and designer-led companies include Verner Panton, Arne Jacobsen, Alvar Aalto, Timo Sarpaneva, Hans Wegner, Tapio Wirkkala, Stig Lindberg, Finn Juhl, Märta Måås-Fjetterström, Arnold Madsen, Barbro Nilsson, Fritz Hansen, Artek, Le Klint, Gustavsberg, Iittala, Fiskars, Orrefors, Royal Copenhagen, Holmegaard, Arabia, Marimekko, and Georg Jensen. [New hardback edition]
Songlight by Moira Buffini $33
They are hunting those who shine. Don't be deceived by Northaven's prettiness, by its white-wash houses and its sea views. In truth, many of its townsfolk are ruthless hunters. They revile those who have developed songlight, the ability to connect telepathically with others. Anyone found with this sixth sense is caught, persecuted and denounced. Welcome to the future. Lark has lived in grave danger ever since her own songlight emerged. Then she encounters a young woman in peril, from a city far away. An extraordinary bond is forged. But who can they trust? The world is at war. Those with songlight are pawns in a dangerous game of politics. Friends, neighbours, family are quick to turn on each other. When power is everything, how will they survive? An impressive start to a new YA series. [Paperback]
Read our first newsletter of the new year and find out what we’ve been reading. Make your reading resolutions, and start as you mean to go on.
10 January 2025
A decade ago Ta-Nehisi Coates won the National Book Award with the powerful and profound Between the World and Me. Now he steps outside of American history to confront nationalism, what we think of as truth, and the power of story-telling. The Message, started as a letter to his students on writing, in the style of George Orwell’s essay ‘Politics and English Language’, but soon become something deeper and more personal. Coates uses his personal experiences; his relationships with his parents, his travels to Senegal to connect with his ancestry, his connection with a school teacher in South Carolina to counter the banning of books (his included), and a visit to Palestine in 2023 which broke assumptions he held; to grapple with ideas about the power of stories and how that shapes our concept of reality. The beauty of Coates’s thinking and writing lies in his ability to write for the reader, as he says, ‘to put blood on the page’. He does not seek popularity nor to adhere to prescribed notions, nor does he seek to explain all aspects of a people’s history, making this book, The Message, tightly focused on the addressing, and challenging, concepts of structures, and the ways in which structures dictate the stories we believe and keep power in the hands of oppressors. Written at a dramatic moment in global life, this work eloquently expresses the need to interrogate our myths and liberate our truths.
“Brilliant and timely . . . Coates presents three blazing essays on race, moral complicity, and a storyteller's responsibility to the truth. . . . Coates exhorts readers, including students, parents, educators, and journalists, to challenge conventional narratives that can be used to justify ethnic cleansing or camouflage racist policing.” —Booklist (starred review)
”Ever since his Baldwin-inflected Between the World and Me, Coates has been known for his incisive (and sometimes uncomfortable) cultural and political commentary. Here he journeys from West Africa to the American South to Palestine to examine how the stories we tell can fail us, and to argue that only the truth can bring justice.” —The Boston Globe
Find out more:
What to do when you’re read all of one of your favourite author’s books and there is nothing new on the horizon? Go backwards, of course! When you discover a writer you enjoy, it is usually somewhere mid-stream in their writing journey. They have risen to the top of the publicity machine, or cracked the bestseller list. Or you’ve discovered them via a friend’s or bookseller’s recommendation. Maybe they have made it through the distribution chain, been spied by a bookseller, landed on a shelf, and made it to your hand almost unbidden. Possibly you noted a review or were taken by the jacket design. Whatever myriad way in which you discover new authors, it’s bound to be somewhere in the midst of their writing career. (Unless they are a one-hit wonder!) So going backwards, when forwards is not an option, is often a possibility and adds context to what has come after. I thoroughly enjoy Sheila Heti’s writing. While I appreciate her obvious knowledge of literature and her skill with language, it is her curiosity which is most endearing. A curiosity with her own psyche and with writing as an experiment as well as an experience, paired with her sly wit, make her books thought-provoking and enjoyable. Her work starting with How Should a Person Be? (not her first published work — somewhere in the middle) is based on herself or a fictionalised idea of Heti. One can never be too sure about reality with Heti, but many of her books are described as ‘novels’. Her books are equal parts hilarious, earnest, infuriating, heartfelt, and compelling. This range of responses can be raised on a single page sometimes, and maybe this is what makes her work so interesting. So, to going backwards…
Ticknor, initially published in 2005, is a historical novel of sorts. Inspired by the real-life friendship between the American historian William Hickling Prescott and his biographer, George Ticknor, it’s a novella exploring friendship and scholarly society. Don’t let the unfamiliar names put you off. I knew nothing about these fellows, and it didn’t matter. Ticknor is a study in envy. And also an exercise in form. It’s been compared with Thomas Bernhard’s The Loser, and garnered a bit of attention in literary circles when it was published. And here is one literary circle where the bonds of a one-sided friendship has no opening. For Ticknor, this is a closed circle, one which means more to him than he does to his fellow writers. While his childhood friend climbs the ranks of fame and fortune, Ticknor becomes increasingly psychologically distraught and paranoid. A bitterness seeps in much like the rain that wets him through as he stands outside Prescott’s house deliberating his attendance at a dinner party to the point where it is too late to venture inside! Here is Ticknor, hardly likable, and here are his cronies, even less likable and disagreeably pompous. And yet, this is what Ticknor aspires to, inclusion and feted admiration. Should we sympathise? Heti balances our hand and heart with Ticknor’s absurdities and the ludicrous situation of scholarly jealousies. Here humour, her sly wit, come to the fore, and paired with the taut writing, make Ticknor, the novel, a worthy contender, while Ticknor, the man (in this fictional telling) not a contender at all. This novella isn’t the best of Heti’s work, but I enjoyed the stylitsic form and playful pointedness, and the wit keeps you there. Heti’s writing is always pushing at possibilities and exploring new ways to tackle the novel as form, as well as exploring how we live in the world. Her latest book, Alphabetical Diaries, is a case in point. Experimental work that is amusing, and rich with ideas and curiosity.
He began to think, on the first day of the year, that a sixty-year audit of some sort was now unavoidable even if it was also undesirable, even though he was generally fairly successful at avoiding whatever he deemed undesirable (most things, in fact). He had lately been finding himself increasingly reluctant to do even those things that he certainly wanted to do. He had made avoidance his life’s work, he realised: he had started by avoiding things that were both undesirable and unnecessary, and then moved through avoiding things that were either undesirable but necessary or desirable but unnecessary, and he was currently exercising his avoidance on things that were certainly both desirable and necessary. Why was he doing this? Where would it end? Also, he thought, since when has avoidance become my life’s work? I must have had, or thought I had, some other purpose at some point, or if not purpose then intention or at least inclination, he thought, but my avoidance has been all too effective with regard to something that was not even a necessity, or at least became less of a necessity as I got better at it. He was, he estimated, being soft on himself, at least twenty years behind where his writing would be if his writing was more important to him. Evidently it was less important now than it had been, he realised, otherwise surely he would spend more time actually doing it, or if not actually doing it actually trying to do it. Avoidance was more his line. True, he had avoided writing any number of bad books, more bad books than many accomplished writers had avoided writing, but he wasn’t sure if this was an accomplishment in itself. Being a writer meant that it was always writing that he was not doing, as opposed to all of the other many things that he was also not doing. There were, of course, many fortunate people who did even less writing than he did but it was not for them specifically writing that they were not doing, which must be a relief to them, he thought. So, if he stopped avoiding writing, if he replaced some of the other many things that he did in his life presumably to avoid writing with actual writing, could he make up the twenty years of work that he had just estimated he had lost? If he did this year for year, he estimated, he would be where he could have been now when he got to be the age of Joy Williams, the author of the book that he was reading when he began what has turned out after all to be a sort of involuntary audit. This is encouraging, he thought, but then, he thought, Joy Williams has been on some sort of plateau for well more than twenty years, or if not a plateau then a shallower incline than the one that certainly lay ahead of him and for which he doubted that he had now either the stamina or the strength to ascend. If I write metaphors, I cross them out straight away, he thought, but how can I cross out a thought? Few of the ninety-nine stories in Joy Williams’s Concerning the Future of Souls are more than a page long; many are a single paragraph or even a single sentence. As with the book’s 2016 predecessor, Ninety-Nine Stories of God, the stories in this new book, which is subtitled 99 Stories of Azrael, are written with a spareness and flatness that he admires, in the language of a newspaper report or an encyclopedia entry, trimmed utterly of superfluities, and read like jokes that end up making us cry instead of laugh, or like laments that make us laugh instead of cry. Williams comes at her subjects at unexpected angles, he thought, revealing an inherent strangeness in what we might have thought to be the most ordinary details, and, conversely, making the most bizarre details seem entirely familiar and mundane. Really, he thought, life is like this, in both ways, though we blind ourselves to this as best we can. Joy Williams has the literary gift of being able to shake these scales from our eyes. He had sworn off metaphors decades ago, even metaphors in thought, but sometimes they just sneak out. More than several of the stories in the book concern Azrael, the so-called Angel of Death, who is not Death nor the cause of death, but is more a reluctant functionary, updating the register of the living, writing and erasing the names of the living and helping the souls to move on. But where to? The proximity of an extinction event, so to call it, either or both personal and collective, for the author, for the reader, for everyone and everything, adds a sort of urgency to these stories that makes us hyperaware of each detail as we are in any developing tragedy or disaster. The most tragic is the most ludicrous too, he thought, and vice versa. A good piece of literature has the same effect upon our awareness as a disaster. The 99 stories in this book have the texture of Biblical parables or Aesopian fables, he thought, but they are not parables or fables due to the indeterminacy of their meanings, or they are parables or fables that eschew the lessons and morals usually expected of parables or fables and return the reader instead to the actual. What more could we want from a story? What more could we really want full stop? The title of each story follows the story and often sits at odds with the reader’s experience of the story, forcing a further realignment of sensibilities, he thought. More, again, of what we want. Of what I want. How can such an immense knowledge, experience and learning be packed by Williams into something so simple and immediate, the weight of existence into something so astoundingly light? How can we have time, especially nowadays, for anything that falls short of this? The urgency is upon us all, he thought, or at least he felt it upon himself, and he was uncertain how to respond. Should he perfect his avoidance, or should he clutch, too late, perhaps almost too late, at whatever it was he was attempting to avoid?
HE CANNOT TELL AN AUDIT FROM A REVIEW
A selection of books from our shelves. Click through to find out more:
The festive season is the time for good food and good company. In some households, along with the holiday feasting at Christmas and New Year, there are summer birthdays! So baking is in demand, and while the kitchen may be hot, the temperature is perfect for raising doughs and keeping butters soft. While we can fall back on our true and tested recipes, it’s also wonderful to bring new friends to the mixing bowl. And what better companion than Magnus Nilsson and his Nordic Baking Book. I never feel confident baking cakes, so there is always a degree of trepidation, especially when it is a special birthday. Delving into Nilsson’s book, his recipes and writing about baking, are both precise and relaxed. The sense of humour dotted through the writing and the sureness of approach adds confidence to your baking. I turned to the sponge recipes (of which there are several), read through his explainer on types of cake, and took his advice choosing his go-to recipe for layer cakes. The sponge batter was generous, so I made three, rather than two small sponges, without thinking about the consequences. The planned 3-layer cake became 5! So double the macaroon and more syrup to keep the cake moist! I retreated to the true and tested for the macaroon layers (an excellent Lois Daish recipe), and concocted my own orange and cardamom syrup. (A citrus-flavoured cake was requested.) My vanilla custard cream wasn’t perfect, but good enough.
There is something quite delightful about designing a cake and stacking the elements of a layer cake. And when it all comes together, depsite the trepidation pre-making and the fear of the cake slanting sideways or collapsing post-assembly, it is quite a thing to behold, as well as eat!
Orange & Cardamom Layer Cake
Sliced and not collasped!
New books for a new year! Start as you mean to go on.
These books have just arrived — we can have your copies ready to collect from our door or dispatched by overnight courier.
The Sleepers by Sophie Calle (translated from French by Emma Ramadan) $110
In one of Sophie Calle's first artistic experiments, she invited friends, acquaintances and strangers to sleep in her bed. Twenty-seven people agreed, among them a baker, a babysitter, an actor, a journalist, a seamstress, a trumpet player and three painters. Calle photographed them awake and asleep, secretly recording any private conversations once the door closed. She served each a meal, and, if they agreed, she subjected them to a questionnaire that probed their personal predilections, habits and dreams as well as their interpretations of the act of sleeping in her bed: a curiosity, a game, an artwork, or — as Calle intended it — a job. The result, comprising her first exhibition in 1979, was a grid of 198 photographs and short texts. Unlike the original installation, this artist's book version of The Sleepers contains not only all the photographs and captions but also her engrossing, novellalike narrative, untranslated until now. From the single, liminal mise-en-scène of her bedroom, Calle reports in text and photos, as if in real time, as sleepers arrive, talk, sleep, eat and leave. Their acute and sometimes startling, sometimes endearing particularities merge into something almost like an eight-day-long dream. Many seeds of Calle's subsequent works are embedded in The Sleepers: her exacting and transgressive methods of investigation, her cultivation of intimacy and remove, and her unrelenting curiosity. In this work, as she observes the sleepers, they observe her too — with reciprocal candour. [Clothbound]
Rosarita by Anita Desai $30
A young student sits on a bench in a park in San Miguel, Mexico. Bonita is away from her home in India to learn Spanish. She is alone, somewhere she has no connection to. It is bliss. And then a woman approaches her. The woman claims to recognize Bonita because she is the spitting image of her mother, who made the same journey from India to Mexico as a young artist. No, says Bonita, my mother didn't paint. She never travelled to Mexico. But this strange woman insists, and so Bonita follows her. Into a story where Bonita and her mother will move apart and come together, and where the past threatens to flood the present, or re-write it.
”It's been over a decade since Anita Desai's last work of fiction. She's a writer I've loved since my adolescence, whose sharp observations and elegant sentences I admire increasingly as the years go on. Every new work from her is a gift.” —Kamila Shamsie
”To compare Anita Desai's fiction with that of Chekhov or the short stories of Tolstoy is not extravagant; it is entirely warranted.” —Irish Times
”Anita Desai is one of the most brilliant and subtle writers ever to have described the meeting of eastern and western culture.” —Alison Lurie
Maranga! Maranga! Maranga! The Call to Māori History: Essays From Te Pouhere Kōrero, 1999—2023 edited by Aroha Harris and Melissa Matutina Williams $50
Leading Māori scholars, researchers and writers of history come together in this landmark collection of essays celebrating three decades of Indigenous scholarship. Examining histories that span from moko kauae and reo Māori to the myth of Māori privilege, these essays explore subjects that include the teaching of iwi history, the role of memory and storytelling, and the integration of mātauranga within historical scholarship. Wide-ranging in both form and scope, Maranga! Maranga! Maranga! presents transformative approaches to history and makes a significant contribution to our contemporary understanding of Aotearoa’s past.
Contributors: Alice Te Punga Somerville, Arini Loader, Aroha Harris (editor), Basil Keane, Danny Keenan, Hirini Kaa, Kealani Cook, Megan Pōtiki, Melissa Matutina Williams (editor), Nēpia Mahuika, Pareputiputi Nuku, Peter Meihana, Rachel Buchanan, Rawinia Higgins, Rawiri Te Maire Tau, Te Ahukaramū Charles Royal, Tiopira McDowell.
Taiwan Travelogue by Yáng Shuāng-zi (translated from Mandarin Chinese by Lin King) $48
May 1938. The young novelist Aoyama Chizuko has sailed from her home in Nagasaki, Japan, and arrived in Taiwan. She's been invited there by the Japanese government ruling the island, though she has no interest in their official banquets or imperialist agenda. Instead, Chizuko longs to experience real island life and to taste as much of its authentic cuisine as her famously monstrous appetite can bear. Soon a Taiwanese woman — who is younger even than she is, and who shares the characters of her name — is hired as her interpreter and makes her dreams come true. The charming, erudite, meticulous Chizuru arranges Chizuko's travels all over the Land of the South and also proves to be an exceptional cook. Over scenic train rides and braised pork rice, lively banter and winter melon tea, Chizuko grows infatuated with her companion and intent on drawing her closer. But something causes Chizuru to keep her distance. It's only after a heartbreaking separation that Chizuko begins to grasp what the ‘something’ is. Disguised as a translation of a rediscovered text by a Japanese writer, this novel was a sensation on its first publication in Mandarin Chinese in 2020 and won Taiwan's highest literary honor, the Golden Tripod Award. Taiwan Travelogue unburies lost colonial histories and deftly reveals how power dynamics inflect our most intimate relationships.
Winner of the US 2024 National Book Award for Fiction in Translation.
”Reading the book is like peeling an onion: the smell is at first undetectable; but with each layer you peel, the smell gets more intoxicating, pungent, intense, and at the very end, it brings tears to your eyes." —Christina Ng
Stranger in My Own Land: Palestine, Israel, and one family’s story of home by Fida Jiryis $40
After the 1993 Oslo Accords, a handful of Palestinians were allowed to return to their hometowns in Israel. Fida Jiryis and her family were among them. This beautifully written memoir tells the story of their journey, which is also the story of Palestine, from the Nakba to the present-a seventy-five-year tale of conflict, exodus, occupation, return and search for belonging, seen through the eyes of one writer and her family. Jiryis reveals how her father, Sabri, a PLO leader and advisor to Yasser Arafat, chose exile in 1970 because of his work. Her own childhood in Beirut was shaped by regional tensions, the Lebanese Civil War and the 1982 Israeli invasion, which led to her mother's death. Thirteen years later, the family made an unexpected return to Fassouta, their village of origin in the Galilee. But Fida, twenty-two years old and full of love for her country, had no idea what she was getting into. Stranger in My Own Land chronicles a desperate, at times surreal, search for a homeland between the Galilee, the West Bank and the diaspora, asking difficult questions about what the right of return would mean for the millions of Palestinians waiting to come 'home'.
”Fida Jiryis's story, which at times reads like a thriller, has a unique trajectory which she negotiates with intelligence and eloquence, simultaneously illuminating profound and painful subjects about home and belonging.” —Raja Shehadeh
The Land in Winter by Andrew Miller $38
December 1962, the West Country. In the darkness of an old asylum, a young man unscrews the lid from a bottle of sleeping pills. In the nearby village, two couples begin their day. Local doctor, Eric Parry, mulling secrets, sets out on his rounds, while his pregnant wife sleeps on in the warmth of their cottage. Across the field, in a farmhouse impossible to heat, funny, troubled Rita Simmons is also asleep, her head full of images of a past life her husband prefers to ignore. He's been up for hours, tending to the needs of the small dairy farm he bought, a place where he hoped to create a new version of himself, a project that's already faltering. There is affection — if not always love — in both homes: these are marriages that still hold some promise. But when the ordinary cold of an English December gives way to violent blizzards — a true winter, the harshest in living memory — the two couples find their lives beginning to unravel. Where do you hide when you can't leave home? And where, in a frozen world, could you run to?
”Andrew Miller is known for acute and unnerving historical novels such as Pure and Ingenious Pain, but in The Land in Winter, a study of two young marriages during England's 1962-3 Big Freeze, he may have written his best book yet. The shadows of madness, and of the second world war, extend into a world on the cusp of enormous social change. Miller conjures his characters and their times with a subtle brilliance that is not to be missed.” —Guardian
Reinventing Love: How the Patriarchy sabotages heterosexual relations by Mona Chollet $53
As feminist principles have taken wider hold in society, and basic ideas about equality for women can seem a given, many women still struggle in one of the most important areas of life: love. Whether it's finding a partner, seeking a commitment from one, or struggling in a relationship that is unfulfilling or even potentially abusive, women still find that deeply-engrained notions of gender and behavior can be obstacles to a healthy, loving relationship. In her new book, acclaimed French feminist Mona Chollet tackles some of these long-held and pervasive ideas that remain stumbling blocks for many women in heterosexual relationships. Drawing from popular culture, politics, and literature, Reinventing Love provides a provocative, accessible look at how heterosexual relationships can improve and evolve under a feminist lens. [Hardback]
"In this invigorating study Chollet makes a bold case that love itself is warped by patriarchy and in need of correction. Chollet's prose is both easygoing and erudite, maintaining an effortless flow as she seamlessly folds new thinkers and examples (from bell hooks and Simone de Beauvoir to Sally Rooney and Princess Leia) into her ever-expanding analysis. It's a must-read." —Publishers Weekly
Leaving the Twentieth Century: Situationist Revolutions by McKenzie Wark $47
The Situationist International, who came to the fore during the Paris tumults of 1968, were revolutionary thinkers who continue to influence movements and philosophy into the 21st century. Mostly known for Guy Debord's The Society of the Spectacle as well as other key texts, the group was in fact hugely diverse and radical. In Leaving The 20th Century McKenzie Wark explores the full range of the movement. At once an extraordinary counter history of radical praxis and a call to arms in the age of financial crisis and the resurgence of the streets, Wark traces the group's development from the bohemian Paris of the '50s to the explosive days of May '68, Wark's take on the Situationists is biographically and historically rich, presenting the group as an ensemble creation, rather than the brainchild and dominion of its most famous member, Guy Debord. Roaming through Europe and the lives of those who made up the movement — including Constant, Asger Jorn, Michèle Bernstein, Alex Trocchi and Jacqueline De Jong — Wark uncovers an international movement riven with conflicting passions. She also follows the narrative beyond 1968 to show what happened after the movement disintegration exploring the lives and ideas of T.J. Clark, the Fourierist utopia of Raoul Vaneigem, René Vienet's earthy situationist cinema, Gianfranco Sangunetti's pranking of the Italian ruling class, Alice-Becker Ho's account of the anonymous language of the Romany, Guy Debord's late films and his surprising work as a game designer.
Understanding Brecht by Walter Benjamin $30
The relationship between philosopher-critic Walter Benjamin and playwright-poet Bertolt Brecht was both a lasting friendship and a powerful intellectual partnership. Having met in the late 1920s in Germany, Benjamin and Brecht both independently minded Marxists with a deep understanding of and passionate commitment to the emancipatory potential of cultural practices continued to discuss, argue and correspond on topics as varied as Fascism and the work of Franz Kafka. Faced by the onset of the 'midnight of the century', with the Nazi subversion of the Weimar Republic in Germany and the Stalinist degeneration of the revolution in Russia, both men, in their own way, strove to keep alive the tradition of dialectical critique of the existing order and radical intervention in the world to transform it. In Understanding Brecht we find collected together Benjamin's most sensitive and probing writing on the dramatic and poetic work of his friend and tutor. Stimulated by Brecht's oeuvre and theorising his particular dramatic techniques such as the famous 'estrangement effect' Benjamin developed his own ideas about the role of art and the artist in crisis-ridden society. This volume contains Benjamin's introductions to Brecht's theory of epic theatre and close textual analyses of twelve poems by Brecht (printed in translation here) which exemplify Benjamin's insistence that literary form and content are indivisible. Elsewhere Benjamin discusses the plays The Mother, Terror and Misery of the Third Reich, and The Threepenny Opera, digressing for some general remarks on Marx and satire. Here we also find Benjamin's essay 'The Author as Producer' as well as an extract from his diaries that records the intense conversations held in the late 1930s in Denmark (Brecht's place of exile) between the two most important cultural theorists of the twentieth century. In these discussions, the two men talked of subjects as diverse as the work of Franz Kafka, the unfolding Soviet Trials, and the problems of literary work on the edge of international war.
Eileen: The making of George Orwell by Sylvia Topp $33
In 1934, Eileen O'Shaughnessy’s futuristic poem, ‘End of the Century, 1984’, was published. The next year, she would meet George Orwell, then known as Eric Blair, at a party. ‘Now that is the kind of girl I would like to marry!’ he remarked that night. Years later, Orwell would name his greatest work, Nineteen Eighty-Four, in homage to the memory of Eileen, the woman who shaped his life and his art in ways that have never been acknowledged by history, until now. From the time they spent in a tiny village tending goats and chickens, through the Spanish Civil War, to the couple’s narrow escape from the destruction of their London flat during a German bombing raid, and their adoption of a baby boy, Eileen is the first account of the Blairs’ nine-year marriage. It is also a vivid picture of bohemianism, political engagement, and sexual freedom in the 1930s and ‘40s. Through impressive depth of research, illustrated throughout with photos and images from the time, this captivating and inspiring biography offers a completely new perspective on Orwell himself, and most importantly tells the life story of an exceptional woman who has been unjustly overlooked.
Babel-17 by Samuel R. Delany $25
Babel-17 is a language that can be used as a weapon by enemy invaders during an interstellar war. Chinese starship captain, linguist, poet, and telepath Rydra Wong begins to learn the language. After several attacks have been made by the invaders who speak Babel-17, she soon realizes the potential of the language to change one's thought process and provide speakers with certain powers, and she is recruited by her government to discover how the enemy is infiltrating and sabotaging strategic sites. As her understanding of the language increases, she is able to predict where the next attack will be and gathers a team to go to the predicted location of the attack. Initially Babel-17 is thought to be a code used by enemy agents. Rydra realizes it is a language in and of itself. During their mission, Rydra realizes there is a traitor aboard the ship. After escaping the predicted attack, Rydra and her crew are captured by a pirate ship called a shadow-ship. While on the ship, Rydra meets a man called "The Butcher" who does not use the word "I". After teaching The Butcher the word "I," Rydra, The Butcher, and her crew leave the ship during a battle. Rydra and The Butcher, who already unknowingly spoke Babel-17, are rescued but seem incredibly altered. While their bodies are present, their minds seem elsewhere. Their ability to speak Babel-17 has altered their minds and we learn that it was Rydra who was the traitor on board the ship. Babel-17 is discovered to be a language that not only helps you understand the enemy, but become the enemy. The novel deals with several issues related to the peculiarities of language, how conditions of life shape the formation of words and meaning, and how words themselves can shape the actions of people.
The Outsider by Albert Camus and Ryota Kurumado $40
A manga version of Camus’ existentialist classic. When his mother dies, Mersault refuses to show his emotions simply to satisfy the expectations of others. And when he commits a random act of violence on a sun-drenched beach near Algiers, his lack of remorse compounds his guilt in the eyes of society and the law. Yet he is as much a victim as a criminal.
Darwin and the Art of Botany: Observations on the curious world of plants by James T. Costa and Bobbi Angell $65
Charles Darwin is best known for his work on the evolution of animals, but in fact a large part of his contribution to the natural sciences is focused on plants. His observations are crucial to our modern understanding of everything from the amazing pollination process of orchids to the way that vines climb. Darwin and the Art of Botany collects writings from six often overlooked texts devoted entirely to plants, and pairs each excerpt with beautiful botanical art from the library at the Oak Spring Garden Foundation. [Hardback]
The Bridge Between Worlds: A brief history of connection by Gavin Francis $45
In The Bridge Between Worlds, Gavin Francis explores bridges old and new, human-made or natural, musing on the view from the bridge through history, geopolitics, psychology and literature. Against the ever-growing obsession with national borders in politics and the media, bridges — whether seen as functional, emblematic or aesthetical — both unite and divide us. From Ponte Sant'Angelo to Brooklyn Bridge, from Victoria Falls Bridge to Tavanasa Bridge, The Bridge Between Worlds reflects on the bridges between nations and individuals, how they act as frontiers and reflects on the lives of people either side of the border. [Hardback]
”Gavin Francis has written an exquisite book on a human structure we usually take for granted. This is a fascinating and delightful read.” —Alexander McCall Smith"
”It's rare and interesting to see bridges explored both as metaphors and as structures. The Bridge Between Worlds is a valuable reminder that the physical environment we build has immense social and cultural consequences.” —Sarah Moss
Yours from the Tower by Sally Nicholls $23
Three very different young women make their way through late Victorian England — can they each find true happiness? Tirzah, Sophia and Polly are best friends who’ve left boarding school and gone back to very different lives. Polly is teaching in an orphanage. Sophia is looking for a rich husband at the London Season. And Tirzah is stuck acting as an unpaid companion to her grandmother. In a series of letters, they share their hopes, their frustrations, their dramas, and their romances. Can these three very different young women find happiness?
"Building on her previous historical fiction exploring the restrictions on women in society, the award-winning, always-excellent Sally Nicholls moves to the late Victorian era. This immersive, uplifting book is an absolute delight" —Irish Times
"The novel is heart-warming, intelligent and exciting, and thoroughly recommended for girls (and boys) hovering on the cusp of adolescence. I loved it." —Philip Womack
Freedom: Memoirs, 1954—2021 by Angela Merkel $55
For sixteen years, Angela Merkel was Chancellor of Germany. She led the country through numerous crises, shaping both Germany and international politics with her actions and attitudes. In her memoirs, co-written with her long-time political advisor Beate Baumann, she reflects on her life in two German states — thirty-five years in the German Democratic Republic, thirty-five years in reunited Germany. More intimately than ever before, she talks about her childhood, youth, and studies in the GDR and the dramatic year of 1989, when the Berlin Wall fell and her political life began. She also shares recollections and insights from her meetings and conversations with the world's most powerful people. Discussing significant national, European, and international turning points, she shows how the decisions were made that shaped our times. The book offers a unique insight into the inner workings of power.
An Uneasy Inheritance: My family and other radicals by Polly Toynbee $30
While for generations Polly Toynbee's ancestors have been committed left-wing rabble-rousers railing against injustice, they could never claim to be working class, settling instead for the prosperous life of academia or journalism enjoyed by their own forebears. So where does that leave their ideals of class equality? Through a colourful, entertaining examination of her own family — which in addition to her writer father Philip and her historian grandfather Arnold contains everyone from the Glenconners to Jessica Mitford to Bertrand Russell, and features ancestral home Castle Howard as a backdrop — Toynbee explores the myth of mobility, the guilt of privilege, and asks for a truly honest conversation about class in Britain.[Now in paperback]
”Fascinating. Toynbee has spent a lifetime highlighting the need for social change, and her book fizzes with that continuing purpose.” —Spectator
The Passenger: South Korea $40
Eighty years ago, at the end of a devastating fratricidal war, South Korea was one of the poorest countries in the world, completely dependent on the United States for security and development. Today it's the tenth economy in the world, dynamic and innovative, a lively participatory democracy that nevertheless simultaneously shows both its vulnerability and its strength (as recent news has demonstrated). "Hallyu" — the Korean wave of contemporary entertainment — has reached every corner of the world. This rapid, astonishing transformation inevitably brought with it rifts and contradictions. If global youth look at Korea as previous generations looked at Hollywood and New York, young Koreans, on the other hand, view it as "Hell Joseon": an aging country, an economic system dominated by powerful families, with a fiercely competitive education system, a wide generational gap, and, at the centre of it all, the role of women — one of the keys that The Passenger has chosen to decipher a complex, fascinating country, central to the dynamics of the contemporary world, het little understood. The Passenger’s mix of articles, reportage and photography give insight and background to contemporary issues.
GET READY FOR THE READING SEASON
For new books and book news, read our pre-festive newsletter.
Get your gifts and summer reading sorted!
20 December 2024
Featuring on many ‘best books’ lists around the motu, Damien Wilkins’s Delirious is an outstanding book, variously described by reviewers as ‘a marvel’, ‘a masterpiece’, and ‘a beautifully powerful, wonderful novel’. Wilkins is a subtle and perceptive writer and a crafter of exquisite prose, and has deep empathy for the uncertainties and hidden strengths of his characters.
It’s time. Mary, an ex-cop, and her husband, a retired librarian, have decided to move into a retirement village. They aren’t falling apart, but they’re watching each other — Pete with his tachcychardia and bad hip, Mary with her ankle and knee. Selling their beloved house should be a clean break, but it’s as if the people they have lost keep returning to ask new things of them.
This is an emotionally powerful novel about families and ageing. Delirious dramatises the questions we will all face, if we’re lucky, or unlucky, enough. How to care for others? How to meet the new versions of ourselves who might arrive? How to cope? Delirious is also about the surprising ways second chances come around.
“A charged book. Delirious is an accurate and sympathetic study of change, age and growth. Set on the very edge of land, the novel is poised between rational assessment and the mysteries of the deep.” —David Herkt, NZ Listener
”A New Zealand novel of grace and humanity. How does Wilkins do it? These are flawed and immensely satisfying characters – you close your eyes at the faulty, circuitous routes they take. Delirious is a marvel of a book.” —Witi Ihimaera
Find out more:
Get ready for the reading season! We can dispatch your books by overnight courier — or have them ready to collect from our door in Church Street, Whakatū.
What Kingdom by Fine Gråbøl (translated from Danish by Martin Aitken) $42
Fine Gråbøl’s narrator dreams of furniture flickering to life. A chair that greets you, shiny tiles that follow a peculiar grammar, or a bookshelf that can be thrown on like an apron. Obsessed with the way items rise up out of their thingness, assuming personalities and private motives, the nameless narrator lives in a temporary psychiatric care unit for young people in Copenhagen. This is a place where you ‘wake up and realise that what’s going to happen has no name’, and days are spent practicing routines that take on the urgency of survival — peeling a carrot, drinking prune juice, listening through thin walls. In prose that demands that you slow down, expertly translated by Martin Aitken, What Kingdom charts a wisdom of its own.
”Gråbøl’s eye is unsparing and convincing, her prose vivid and alive. The narrator doesn’t deny that she needs help, but at the same time, she has questions: Why doesn’t anyone wonder about the line between trauma and treatment?... about the relationship between compulsion and compliance?... care and abuse?... between surrender and obliteration?” —Kirkus
”It has been a privilege to read this extraordinary work. The unnamed narrator’s absolute vulnerability is transformed into compelling beauty by the authority and precision of her language. I love the pace of the writing. How, after a passage in which the raw pain and hurt break through into anger, a sentence of clear transcendent poetry can follow. The perfect emotional control is astonishing. It is a very exposing, brave book. It lays open the narrator’s frustration at her inability to be heard, to be considered, within the cold strictures of the institution where she passes her days: ‘the basis of our lives is powerlessness plus capitulation.’ I was riveted by the attention to detail – it demands our attention, in return; the objective way the narrator perceives the confined world she lives in, without a trace of self-pity, compels us to know she is speaking the truth. There is an urgent need for the system to be changed, for an individual to be listened to, not just dealt with. This book makes us listen. —Celia Paul
”In this striking novel, Gråbøl documents daily life in a psychiatric ward for young people in Denmark. Alternately lucid and ecstatic, the novel touches on the welfare system’s focus on bottom lines — ‘benefit rates and supplementary payments, diagnoses and deductibles’ — and challenges the perception of mental illness as an invisible affliction. Gråbøl’s portrait of the residents’ and caretakers’ interconnected lives constructs a communal existence out of individual pain.” —The New Yorker
The White Flower by Charlotte Beeston $40
In contemporary and Edwardian London, two women are grieving the loss of a loved one. Stella, turning thirty, is increasingly isolated after her mother died of cancer; Julia, surrounded by friends, is longing for solitude as she mourns her daughter, a young photographer who died after her return from an expedition in the jungle of Sri Lanka. Mysteriously connected across time and space by a haunting image, each explores, in her own voice, the complexities of the mother-daughter bond and family estrangement. From the banks of the Thames in present-day south-east London to the coast of East Devon and the Sri Lankan rainforest a hundred years earlier, Charlotte Beeston's delicate debut novel moves with aching lucidity between tenderness and raw emotion. Charting the ebb and flow of the grieving process, The White Flower captures the impact of loneliness on the psyche and the permanence of love, art and friendship.
”Sensitively and tenderly written, The White Flower performs the mother-daughter bond as a loving tug-of-war between present and past, forgetting and remembering, loss and joyful reparation.” —Michèle Roberts
”Charlotte Beeston's gorgeous debut novel, The White Flower, is a wonderfully intelligent and sensitively handled portrait of grief, how it leaves us obsessively circling the same moments, scenes and images. Literary in the best sense (language matters) the novel is full of incidental pleasures and deserves to be widely read.” —Andrew Miller
The Book Against Death by Elias Canetti (translated from German by Peter Filkins) $30
In 1937, Elias Canetti began collecting notes for the project that “by definition, he could never live to complete”, as translator Peter Filkins writes in his afterword. The Book Against Death is the work of a lifetime: a collection of Canetti's aphorisms, diatribes, musings and commentaries on and against death — published in English for the first time — interposed with material from philosophers and writers including Goethe, Walter Benjamin and Robert Walser. This major work by the 1981 Nobel Prize in Literature Laureate who dies in 1994 is a reckoning with the inevitability of death and with its politicisation, evoking despair at the loss of loved ones and the impossibility of facing one's own death, while considering death as a force exerting itself upon culture and fiercely protesting the mass deaths incurred during war and the willingness of the despot to wield death as power.
”Rarely has anyone been so at home in the mind, with so little ambivalence. Far from being a source of complacency, this attitude is Canetti's great strength. He is someone who has felt in a profound way the responsibility of words. His work eloquently and nobly defends tension, exertion, moral and amoral seriousness.” —Susan Sontag
Bound: A memoir of making and remaking by Maddie Ballard, illustrated by Emma Dai'an Wright $34
In a new home, relationships shift, and ties fray. Bound: A Memoir of Making and Remaking is a collection of essays about sewing and knowing who you are. Each chapter in this sewist's diary charts the crafting of a different garment. From a lining embroidered with the Cantonese names of her female ancestors to a dressing gown holding the body of a beloved friend, Maddie Ballard navigates love, personal connections, and self-care, drafting her own patterns for ways of living.
“I cut more carefully than usual, bothering to iron first, and lay the fabric out on the flat tiles of the bathroom rather than just the carpet. I trace the pattern off my own shop-bought dressing gown, then add a back pleat so it will float behind her and shorten the sleeves a little so they won’t trail when she’s making her coffee. I cut tiny rectangles of fabric to make belt loops and a loop for hanging. I cut vast pockets, for holding snacks and notebooks and her phone when she needs to flip the pancakes. I remember all the little details I would skim past if I were making this for myself. I stitch care into every seam.”
Maddie Ballard is a writer and editor of mixed Chinese heritage. Born in Syracuse, New York, she grew up in Aotearoa New Zealand and currently lives in Wellington.
The Missing Thread: A new history of the Ancient World through the women who shaped it by Daisy Dunn $40
Spanning 3,000 years, from the birth of Minoan Crete to the death of the Julio-Claudian dynasty in Rome, this new history of the ancient world is told through the lives of women. These pages present Enheduanna, the earliest named author; the poet Sappho; and Telesilla, who defended her city from attack. Here is Artemisia, sole female commander in the Graeco-Persian Wars, and Cynisca, the first female victor at the Olympic Games. Cleopatra may be the more famous, but Fulvia, Mark Antony's wife, fought a war on his behalf. Many other women remain nameless but integral. Through new examination of the sources combined with vivid storytelling Daisy Dunn shows us the ancient world through fresh eyes, and introduces us to an incredible cast of ancient women, weavers of an entire world.
”A brilliant concept, executed with enviable elegance.” —Lucy Worsley
”I loved this radical new take on the familiar stories of the ancient world we all think we know but clearly only know the half. Dunn succeeds magnificently not in erasing men but in bringing out of the shadows some extraordinary women and giving them much more than merely reflected glory. The book sparkles with fresh ideas.” —Anne Sebba
Butter by Asako Yuzuki $43
Gourmet cook Manako Kajii sits in Tokyo Detention Centre convicted of the serial murders of lonely businessmen, who she is said to have seduced with her delicious home cooking. The case has captured the nation's imagination but Kajii refuses to speak with the press, entertaining no visitors. That is, until journalist Rika Machida writes a letter asking for her recipe for beef stew and Kajii can't resist writing back. Rika, the only woman in her news office, works late each night and survives on cheap, convenience store fare, rarely cooking more than ramen. As the visits unfold between her and the steely Kajii, they are closer to a masterclass in food than journalistic research. Rika hopes this gastronomic exchange will help her soften Kajii but it seems that she might be the one changing. With each meal she eats, something is awakening in her body, might she and Kaji have more in common than she once thought? Inspired by the real case of the convicted con woman and serial killer, ‘The Konkatsu Killer’, Asako Yuzuki's Butter is a vivid, unsettling exploration of misogyny, obsession, romance and the transgressive pleasures of food in Japan.
”An unputdownable, breathtakingly original novel. I will be spoon-feeding Butter to every woman I know.'“ —Erin Kelly
”Exuberant, indulgent romp of a novel. Butter is a full-fat, Michelin-starred treat that moves seamlessly between an Angry Young Woman narrative and an engrossing detective drama and back again. Yuzuki has crafted an almost Dickensian cast of fleshy characters, with just as many surprise connections. Let this book bring you under its spell.” —The Sunday Times
The Enemy Within: The Human cost of state surveillance in Aotearoa/New Zealand by Maire Leadbeater $40
Like so many others involved in social justice movements, author Maire Leadbeater was subjected to state surveillance during a long life of activism. With the help of archival material, released SIS files, and other formerly secret material, she has been able to examine the depth of state intrusion into the lives of individuals and movements that challenged the social order. An adverse security record not only harmed those directly affected but also denied the community the valuable contributions of highly talented individuals, many of whose stories feature here. This book explodes the myth that our major intelligence agencies, the SIS and the GCSB, work in our interests. They were set up to work closely with our traditional allies and the ‘Five Eyes’ network. Instead of protecting us from foreign interference, they have compromised our sovereignty and our ability to pursue an independent foreign and defence policy. Tellingly, on the few occasions when New Zealand has experienced terrorist crime, it has been the police working openly and accountably who have taken the key role. The Enemy Within mounts the argument that unaccountable intelligence agencies harm our democracy and should be disbanded, and their work left to the police.
Tropical Modernism: Architecture and independence by Christopher Turner $66
Emerging in the death throes of colonial rule, the story of Tropical Modernism is one of politics and power, decolonisation and defiance. Its leading proponents, British architects Jane Drew and Maxwell Fry, adapted a utopian Bauhaus-derived Modernist aesthetic to hot and humid conditions. After Independence, Tropical Modernism was championed by leaders including Jawaharlal Nehru and Kwame Nkrumah as a symbol of freedom, progressiveness and internationalism in monumental projects such as Chandigarh in Punjab planned by Le Corbusier and Black Star Square in Accra designed by Victor Adegbite. Scrutinising the colonial narratives surrounding Tropical Modernism, and foregrounding the experience of African and Indian practitioners, this book reassesses an architectural style which has increasing relevance in today's changing climate.
The Burrow by Melanie Cheng $38
Amy, Jin and Lucie are leading isolated lives in their partially renovated, inner city home. They are not happy, but they are also terrified of change. When they buy a pet rabbit for Lucie, and then Amy's mother, Pauline, comes to stay, the family is forced to confront long-buried secrets. Will opening their hearts to the rabbit help them to heal or only invite further tragedy?
”How rare, this delicacy-this calm, sweet, desolated wisdom.” —Helen Garner
”Melanie Cheng's The Burrow is stupendously good. This is a novel that deals with the crucial elements of our lives — love and family and grief and guilt and responsibility — and does so without a whiff of sentimentality and does so fearlessly. As in real life, the characters keep surprising us. The power of The Burrow is in the unflinching yet empathetic command of the novelist, in the candid beauty of the language. It's a remarkable work, nuanced and human and adult.” —Christos Tsiolkas
In a Flight of Starlings: The wonder of complex systems by Giorgio Parisi $30
The world is shaped by complexity. In this enlightening book, Nobel Prize winner Giorgio Parisi guides us through his unorthodox yet exhilarating work to show us how. It all starts with investigating the principles of physics by observing the sophisticated flight patterns of starlings. Studying the movements of these birds, he has realised, proves an illuminating way into understanding complex systems of all kinds — collections of everything from atoms to planets to other animals like ourselves. Along the way, Parisi reflects on the lessons he's taken from a life in pursuit of scientific truth — the importance of serendipity to the discovery of new ideas, the surprising kinship between physics and other fields of study and the value of science to a thriving society. In so doing, he removes the practice of science from the confines of the laboratory and brings it into the real world. Complexity is all around us — from climate to finance to biology, it offers a unique way of finding order in chaos.
The Forbidden Garden of Leningrad: A true story of science and sacrifice in a city under siege by Simon Parkin $40
In the summer of 1941, German troops surrounded the Russian city of Leningrad and began the longest blockade in recorded history. By the most conservative estimates, the siege would claim the lives of three-quarters of a million people. Most died of starvation. At the centre of the embattled city stood a converted palace that housed the greatest living plant library ever amassed — the world's first seed bank. After attempts to evacuate the collection failed, and as supplies dwindled, the scientists responsible faced a terrible decision: should they distribute the specimens to the starving population, or preserve them in the hope that they held the key to ending global famine? Drawing on previously unseen sources, The Forbidden Garden tells the remarkable and moving story of the botanists who remained at the Plant Institute during the darkest days of the siege, risking their lives in the name of science.
National Dish: Around the world in search of food, history, and the meaning of home by Anya von Bremzen $28
Anya von Bremzen sets out to investigate the eternal cliche that 'we are what we eat'. Her journey takes her from Paris to Tokyo, from Seville, Oaxaca and Naples to Istanbul. She probes the decline of France's pot-au-feu in the age of globalisation, the stratospheric rise of ramen, the legend of pizza, the postcolonial paradoxes of Mexico's mole, the community essence of tapas, and the complex legacy of multiculturalism in a meze feast. Finally she returns to her home in Queens, New York, for a bowl of Ukrainian borsch - a dish which has never felt more loaded, or more precious. As each nation's social and political identity is explored, so too is its palate.
“A fast-paced, entertaining travelogue, peppered with compact history lessons that reveal the surprising ways dishes become iconic.” New York Times
”This voyage into culinary myth-making and identity is essential reading. Its breadth of scope and scholarship is conveyed with such engaging wit. I couldn't love it more.” —Nigella Lawson
”This dazzlingly intelligent examination of how foods become national symbols is so enlightening as well as so much fun to read. Von Bremzen is a superb describer of flavours and textures — but she also understands that food is never just about food.” —Bee Wilson
”For all its dry wit and vivid descriptions of puttanesca and tortillas, this is a serious book - a skilful blend of academic research and lived experience. It's a sparklingly intelligent examination of, and a meditation on, the interplay of cooking and identity.” —Spectator
Kokoro by Natsume Sōseki $28
In this melancholy and delicately written Japanese classic, a student befriends a reclusive elder at a beach resort, who he calls Sensei. As the two grow closer, Sensei remains unwilling to share the inner pain that has consumed his life and the shameful secret behind his monthly pilgrimages to a Tokyo cemetery. But when the student writes to Sensei after his graduation to seek out advice, the past rushes unbidden to the surface, and Sensei at last reveals the tale of romantic betrayal and unresolved guilt that led to his withdrawal from the world. Set at the end of the Meiji era and rife with subtle, psychological insight, Kokoro is one of Japan's bestselling novels of all time and a meditation on the essence of loneliness.
”Sōseki is the representative modern Japanese novelist, a figure of truly national stature.” —Haruki Murukami
”Kokoro is exactly what you would ask a novel to be. Sōseki manipulates every detail with the same thrilling mastery'' - Spectator
Every Man for Himself and God Against All by Werner Herzog $28
Werner Herzog is the undisputed master of extreme cinema — building an opera house in the middle of the jungle; walking from Munich to Paris in the dead of winter; descending into an active volcano; living in the wilderness among grizzly bears — he has always been intrigued by the extremes of human experience. From his early movies to his later documentaries, he has made a career out of exploring the boundaries of human endurance — what we are capable of in exceptional circumstances and what these situations reveal about who we really are. But these are not just great cinematic themes. During the making of his films, Herzog pushed himself and others to the limits, often putting himself in life-threatening situations. As a child in rural Bavaria, a single loaf of bread had to last his family all week. The hunger and deprivation he experienced during his early years perhaps explain his fascination with the limits of physical endurance. All his life, Herzog would embrace risk and danger, constantly looking for challenges and adventures. Now in paperback.
Thunderhead by Sophie Beer $20
Meet Thunderhead: awkward, music-obsessed and a magnet for bad luck. Their favourite things in life are listening to records and hanging out with their best (and only) friend Moonflower. But Thunderhead has a big secret. And when Moonflower moves schools, they're faced with the reality of surviving the wilderness of high school alone. Make new friends? NOTHANKYOUVERYMUCH. As two big life events approach, Thunderhead posts playlists and heartfelt diary entries as an outlet to try to make sense of their changing world, to try to calm the storm brewing in their brain and to try to find the courage to unfurl their heart. Drawing on Sophie Beer's own experience of hearing loss, this indelible illustrated novel about music, disability, friendship and fandom is immediately engaging and authentic.
”Thunderhead is my new hero: so smart, funny and true. What a good soul. This beautiful and important story deals with so much and is so heartfelt. An absolute cracker of a story.” —Karen Foxlee
Get away from it all on an island.
Click through to find out more:
We will be dispatching books around the motu by overnight courier on Thursday 19th, Friday 20th and Monday 23rd for delivery in time for giving on the 25th (if that’s your thing).
Anything can be collected from our door in Church Street, Whakatū on Thursday 19th, Friday 20th and Monday 23rd, from 10—5.
Just let us know if you’d like the books gift-wrapped (there is no charge for this). If you would like us to send something to someone else on your behalf, we can include a greeting from you on a small card.
If you can’t decide what to choose, just ask our advice — or send a digital gift card straight from our website — or select and give a reading subscription!
PHONE US: 03 9700073
TEXT US: 0211970002