Read our latest newsletter, issued on National Poetry Day.
22 August 2025
“I am inexhaustible on the subject of myself,” states Édouard Levé in this book which is nothing less than an attempt to exhaust everything that he can think of to say about himself, no matter how banal or embarrassing, with relentless objectivity. In one long string of seemingly random declarative statements without style or development or form (other than the form of the list, if a list can be said to be a form), the details accumulate with very fine grain, but the effect is disconcerting: the author comes no closer to exhausting his observations, and the idea that there is such a thing as a 'person' beyond the details seems more and more implausible. The list is not so much an accumulation as an obliteration: facts obscure that which they purport to represent. “I dream of an objective prose, but there is no such thing.” Levé’s style is deliberately and perfectly and admirably flat throughout (all perfect things should be admired (whatever that means)), like that of a police report. “I try to write prose that will be changed neither by translation nor by the passage of time.” The constructions often feel aphoristic but eschew the pretension of aphorisms to refer to anything other than the particulars of which they are constructed. There is no lens formed by these sentences to ‘see through’, no insight, no intimation of personality other than the jumbled bundling of details and tendencies assembled under the author’s name, no ‘self’ that expresses itself through these details or is approachable through these details, because we are none of us persons other than what we for convenience or comfort (or, rather, out of frustration and fear) bundle conceptually, mostly haphazardly, and treat as an entity or ‘person’. The more fact is compounded (or, rather, facts are compounded), the stronger the intimation that any attempt to exhaust the description of a person will approach what we usually think of as a person. “If I look in mirrors for long enough, a moment comes when my face stops meaning anything.” As well as demonstrating the impossibility of the task that it attempts, description also cancels itself by implying for each positive statement a complementary negative statement. Each statement of the self-description of Édouard Levé functions to include those of us among his readers who are similar and to exclude those who are dissimilar. We find each statement either in accord or in disagreement with a statement we could similarly (or dissimilarly) make about ourselves. The reader is charted in the text as much as the author. The reader is continually comparing themselves to the author, finding accord or otherwise, exercising the kind of judgement concealed beneath all social interaction but typically hidden by content and mutuality. In Autoportrait, the author’s self-obsession is matched by our fascination with him, with the kinds of details that may or may not come to light in social interchange. Because the author is not aware of us and is not reciprocally interested in us, or feigning reciprocal interest in us, as would be the case in ‘real life’ social interaction, we feel no shame in our fascination, our fascination is dispassionate, clinical. He is likewise unaffected by our interest or otherwise in him. But as well as bundling together an open set of details that we may conveniently think of as facts (“Everything I write is true, but so what?”) about Édouard Levé (or ‘Édouard Levé’), the text also conjures an inverse Édouard Levé (or inverse ‘Édouard Levé’) who is the opposite to him in every way, the person who nullifies him (in the way that all statements call into being their simple or compound opposites, their nullifiers). Levé’s obsession with identity, facsimile and the corrosive effects of representation reappear throughout the book, and towards the end he mentions the suicide of a friend from adolescence, which would form the basis for Levé’s final book, Suicide (after which Levé himself committed suicide). Édouard Levé was born on the same day as me, but on the other side of the planet. In Autoportrait he writes, “As a child I was convinced that I had a double on this earth, he and I were born on the same day, he had the same body, the same feelings I did, but not the same parents or the same background, for he lived on the other side of the planet, I knew that there was very little chance that I would meet him, but still I believed that this miracle would occur.” We never met.
My poetry reading is eclectic and erratic. I have good intentions. I have poems and poets I have read that resonate years on. A fan of Michael Ondaatje and of Hone Tuwhare in my 20s, I read their collections and their books would travel with me. More recent highlights are Anne Carson’s Wrong Norma and Richard von Sturmer’s Postcard Stories, which both match wit and intellect to great effect. Poetry comes in many shapes and sizes. I have always been attracted to small strange books of words and images usually discovered in second-hand bookshops. Pamphlets and slim collections where words edge at each other; mercurial. Making sense, or not, and altering our senses. The sparsity on the page inviting interjections; encouraging thought. The poetry forms various. Intellect and emotion juggling on the page, or a story in a verse poem contained by the rules, a haiku exacting in tempo — its precision saying or showing up something so much more than its parts. Concrete poems inventively arranged on the page — the space around the words built with intention. On my reading pile right now, I was surprised to find 3 poetry volumes, all different in style. Two from small presses. One chosen for its cover, one a gift, and the third an appealing title.
I could not resist the typography and cover design of The Territory is Not the Map, a chapbook published by Ugly Duckling Presse in NY. It’s bilingual — I can’t read the Spanish, but maybe one day I will. The possibility makes a future. Marilia Garcia’s poems read like a beautiful hum, the pace of the poems lifts off the page, the repetition of lines song-like. You are transported at a glance, on a journey in an unknown geography.
The gift, Little Dead Rabbit is a collaboration between the poet Astrid Alben and the graphic designer Zigmunds Lapsa. A corpse at the side of the road and the question of borders informs this unusual, beautiful publication. With its die-cut abstract illustrations and words floating within space, this is a concrete poem which goes beyond the playfulness of its form, cutting to something which is both challenging and embracing; looking at death and therefore life.
I’m currently reading The Wild Fox of Yemen by Threa Almontaser, written in response to 9/11, to what it feels like to be a Muslim woman in the USA, and how family, tradition, language shape us and both hold and suffocate. Belonging and displacement continue to be issues that we fail to resolve. Exploring mistranslation, the poems are intriguing and thought-provoking.
My poetry books tend to stay on the reading pile for months, sometimes years. I dip in, dip out. They rise to the surface and are submerged by novels, review copies, work reading, articles, the news feed. But they are there marking time, waiting for my attention and they never fail to intrigue. Why do poetry books not get the short shrift like some novels, get abandoned like some non-fiction? There is something admirable about their brevity. Every word counts, and as a reader I respect the work on the page. Somehow they are vital. Have a look at our poetry selection and choose a collection that resonates with you, or be random and make a discovery! Happy Poetry Day!
Friday 22 August is Aotearoa’s National Poetry Day, the day to consider how to get more poetry into our lives (our lives will be better for it!).
The books pictured are just a sampling of our stock of recent Aotearoa poetry.
Makeshift Seasons by Kate Camp
over under fed by Amy Marguerite
/ slanted by Alison Glenny
Liar, Liar, Lick, Spit by Emma Neale (Ockham winner)
Black Sugarcane by Nafanua Purcell Kersel
In the Hollow of the Wave by Nina Mingya Powles
Clay Eaters by Gregory Kan
Hopurangi / Songcatcher by Robert Sullivan (the new Aotearoa Poet Laureate)
Buckley perfectly captures the language we use for thinking, for overthinking, and for avoiding thinking in this precise, enjoyable novel about attempting to come to terms with memory, family, personal agency, guilt and loss while in a context that both denies the past and renders it inescapable.
“Following the death of her father, Teresa returns to the small coastal town in Greece she first visited when her mother died nearly a decade before. From this scenario, tacking between the events of the second trip and memories of the first, Buckley creates a novel of quiet brilliance and sly humour, packed with mystery and indeterminacy. The way in which the book interleaves Teresa’s relationship to her mother, her involvement in an amateur murder investigation, and an account of a love affair, raises questions about grief, obsession, personhood and human connectivity we found to be as stimulating as they are complex.” —2025 Booker Prize judges’ citation
All your choices are good! Take your pick from our selection of books straight out of the carton, and click through to our website to secure your copies. We can dispatch your books by overnight courier or have them ready to collect from our door.
William Blake and the Sea Monsters of Love by Philip Hoare $45
The legacy of William Blake stretches 200 years to today not only through poetry and art but traditions of social, spiritual, sexual and political noncomformity. Philip Hoare drags himself from the company of whales and follows Derek Jarman to follow Paul Nash to photograph the megaliths at Avebury and towards a shared encounter with the luminous William Blake, electrically alive and inspiring to them all. Weaving between the historical, cultural and personal, Hoare reveals a web of creative minds and artistic iconoclasts fired with the unfettered genius of William Blake. Reaching out of his past and into our future, Blake draws together the natural world and metaphysical realms, merging the human and the animal and the spiritual, firing up 20th century artists, filmmakers, poets, writers and musicians with his radical promise of absolute freedom. As Hoare shows, art and poetry still have the power to make change. [Hardback]
”This wild, dreaming book is undoubtedly Hoare's masterpiece.” —Olivia Laing
”Each of Hoare's subjects is affected with a certain wildness, a loosening of societal norms that makes for expressive beauty and eccentricity, giving the author a host of colourful and hyper-connected anecdotes. In doing so, they make him a part of the very tradition he is recording, his own work here reaching ecstatic heights, his prose filled with moments of sudden clarity, his life and passions glimpsed.” —Philip Marsden, Spectator
”Wild, free, exhilaratingly beautiful, and so alive to the past that everyone and everything seems to be happening right now on the page. I cannot think of a more original writer at work today. To look at English art through his eyes is to see more than you ever could before.” —Laura Cumming
>>Look inside.
>>Slumber on the banks.
>>Swimming or drowning.
>>The ecstasy of art.
>>Why William Blake became a queer icon.
Flashlight by Susan Choi $38
One evening, 10-year-old Louisa and her father take a walk out on the breakwater. They are spending the summer in a coastal Japanese town while her father Serk, a Korean émigré, completes an academic secondment from his American university. When Louisa wakes hours later, she has washed up on the beach and her father is missing, probably drowned. The disappearance of Louisa’s father shatters their small family unit. As Louisa and her American mother Anne return to the US, this traumatic event reverberates across time and space, and the mystery of what really happened to Serk slowly unravels. Flashlight moves between the post-war Korean immigrant community in Japan, to suburban America, and the North Korean regime, to tell the astonishing story of one family swept up in the tides of 20th-century history. [Paperback]
”Flashlight is a sprawling novel that weaves stories of national upheavals with those of Louisa, her Korean Japanese father, Serk, and Anne, her American mother. Evolving from the uncertainties surrounding Serk’s disappearance, it is a riveting exploration of identity, hidden truths, race, and national belonging. In this ambitious book that deftly criss-crosses continents and decades, Susan Choi balances historical tensions and intimate dramas with remarkable elegance. We admired the shifts and layers of Flashlight’s narrative, which ultimately reveal a story that is intricate, surprising, and profound.” —Booker Prize judges’ citation
”Flashlight is severely allergic to summary, so watch what you read about it. Even categorizing this story as a mystery risks prematurely exposing the novel’s intricate structure to too much light. It’s catholic in its genre, shifting deftly from domestic drama to international thriller, from academic satire to bildungsroman. But what can be safely revealed is that Choi is writing about people who struggle and fail to find a stable sense of identity in a shifting world conspiring against them. —Washington Post
>>Read an extract.
>>Dropped onto an alien planet.
>>Other books long-listed for the 2025 Booker Prize.
Forgotten: Searching for Palestine’s hidden places and lost memorials by Raja Shehadeh and Penny Johnson $37
Forgotten is a search for hidden or neglected memorials and places in historic Palestine — now Israel and the Occupied Palestinian Territories — and what they might tell us about the land and the people who live on the small slip of earth between the Mediterranean Sea and the Jordan River. From ancient city ruins to the Nabi 'Ukkasha mosque and tomb, acclaimed writers and researchers Raja Shehadeh and Penny Johnson ask: what has been memorialised, and what lies unseen, abandoned or erased — and why? Whether standing on a high cliff overlooking Lebanon or at the lowest land-based elevation on earth at the Dead Sea, they explore lost connections in a fragmented land. Shehadeh and Johnson grapple not only with questions of Israeli resistance to acknowledging the Nakba of 1948, but also with the complicated history of Palestinian commemoration today. [Hardback]
”Shehadeh’s books are like beacons held up against the darkness of Israeli oppression. Forgotten is perhaps the brightest light of all.” —Guardian
>>History embedded in the landscape.
Katherine Mansfield, Illness and Death edited by Aimée Gasston, Gerri Kimber, and Todd Martin $55
During Katherine Mansfield's life she experienced the effects of abortion, miscarriage, gonorrhoea, peritonitis, rheumatism and tuberculosis, and would take up a peripatetic existence constantly in search of more favourable climates. The First World War of 1914—1918 and the influenza pandemic of 1918—20 informed the zeitgeist of her times. This volume of essays explores the extent to which this resonant context of disease and death shaped Mansfield's literary output and her modes of thinking. Illness both stimulated and limited Mansfield's creativity. She would write to fund her medical care while simultaneously limited by her poor health, writing in 1922: “The real point is I shall have to make as much money as I can on my next book my path is so dotted with doctors”. As explored in this volume, her personal writings document the increasing influence of tubercular literary predecessors such as Anton Chekhov and John Keats, while her stories function compellingly as dialogue with loved ones who have been — lost her brother, her mother, her grandmother — endowing them with life in the process. Cover art by Mohua artist Frith Wilkinson. [Paperback]
When the Museum Is Closed by Emi Yagi (translated from Japanese by Yuki Tejima) $38
Rika Horauchi's new part-time job is to converse with a statue of Venus — in Latin — every Monday, when the museum is closed. Initially reluctant, Rika starts to enjoy her strange new job. Recommended by her old university professor for her exemplary language skills, Rika leads an otherwise unassuming life, working the rest of the week in a frozen-food warehouse. As Venus comes to life in the quiet of the museum, they talk about everything. Venus opens up new worlds for Rika, both intellectually and emotionally. They soon fall in love. But when the museum's curator, Hashibami, makes it clear he wants to keep Venus for himself, what will Rika do? When the Museum is Closed is by turns charming, funny and surprising, a surreal take on our most real emotions and concerns — love, loneliness, freedom, perceptions of beauty and how women are seen in society. [Paperback with French flaps]
”I was captivated by Rika's strange, frozen world, filled with movement and passion — a perfectly contained and luminous story that reveals a whole world of desire and possibility, right at the heart of loneliness.” —Rosie Price
>>A conversation between the author and the translator.
Creation Lake by Rachel Kushner $26
Sadie Smith — a thirty-four-year-old American undercover agent of ruthless tactics and bold opinions — is sent by her mysterious but powerful employers to a remote corner of France. Her mission — to infiltrate a commune of radical eco-activists influenced by the beliefs of an enigmatic elder, Bruno Lacombe, who has rejected civilisation, lives in a Neanderthal cave, and believes the path to enlightenment is a return to primitivism. Sadie casts her cynical eye over this region of ancient farms and sleepy villages, and finds Bruno's idealism laughable, but just as she is certain she's the seductress and puppet master of those she surveils, Bruno Lacombe is seducing her with his ingenious counter-histories, his artful laments, his own tragic story. Beneath this taut, dazzling story about a woman caught in the crossfire between the past and the future lies a profound treatise on human history. [New paperback edition]
”The prose is thrilling, the ideas electrifying.” —Booker Prize 2024 judges’ citation, on short-listing the book
“At last I get to say how deeply, madly, irrecoverably I loved Creation Lake. It was all stylish and cool, and then somehow the book struck a blow to my heart.” —Louise Erdrich
>>Read Stella’s review.
Sparks: China’s underground historians and their battle for the future by Ian Johnson $30
The past is a battleground in many countries, but in China it is crucial to political power. In traditional China, dynasties rewrote history to justify their rule by proving that their predecessors were unworthy of holding power. Marxism gave this a modern gloss, describing history as an unstoppable force heading toward Communism's triumph. Nowadays, one of Xi Jinping's signature policies is the control of history, which he equates with the party's survival. But in recent years, a network of independent writers, artists, and filmmakers have begun challenging this state-led disremembering. Using digital technologies to bypass China's legendary surveillance state, their samizdat journals, guerilla media posts, and underground films document a regular pattern of disasters: from famines and purges of years past to ethnic clashes and virus outbreaks of the present. These accounts have underpinned recent protests in China against Xi Jinping's rule. [Now in paperback]
”Johnson's skill lies in demonstrating the philosophical links between China's geography and its political and cultural landscape. It is deeply satisfying to read a book about China that could only have been written after decades of serious engagement with the country.” —The Guardian
Tirzah Garwood: Beyond Ravilious by James Russell $55
Tirzah Garwood (1908-1951) proved herself an artist of rare talent, in a life tragically cut short by illness, yet little of her work has been seen in public since her Memorial Exhibition in 1952. Written by James Russell, author of the bestselling Ravilious (2015), this beautifully illustrated book is published to coincide with the Dulwich Picture Gallery exhibition Tirzah Garwood: Beyond Ravilious, the first exhibition to explore the full range of Garwood's achievements. A witty observer of the human condition, Garwood made her first breakthrough as a wood engraver of rare ability while still in her teens. After marrying Eric Ravilious she became a devoted mother to three children. During this period she took up paper marbling and quickly achieved renown for the dazzling originality of her decorative papers. In her early thirties she suffered the double blow of a breast cancer diagnosis and her husband's death on active service in World War II. Undaunted, she wrote her autobiography Long Live Great Bardfield and began creating a series of strange, beautiful oil paintings and collaged constructions. In Tirzah Garwood: Beyond Ravilious her work is, for the first time, given the public showcase and critical examination it deserves, revealing Garwood's development of a distinctive 'sophisticated naive' approach that subtly transformed innocent subjects to unsettling effect. More than ninety works by Tirzah Garwood — including books, studies and ephemera, almost exclusively from private collections — are accompanied by artworks by Eric Ravilious that set the context in which the artists worked together, exploring the shared interests and techniques of this remarkable creative couple. [Paperback with French flaps]
>>Look inside!
Hark: How women listen by Alice Vincent $40
We're told women are good at listening, but we rarely examine what they're listening to, what their worlds sound like, or how it feels to be expected to listen in a world of noise made by men. Like so many of us, Alice Vincent had become overwhelmed by the sensory overload punctuating our every moment. And then, a baby's heartbeat arrived. A rapid, pulsing whoosh of white noise. An undeniable rhythm. Once again, Alice's life became cacophonous — both with a new child, but also with the societal pressures that motherhood holds. What followed was a personal quest to rediscover sound as something alive and vital and restorative. Beyond music, Alice's journey takes her into new corners of listening: from the phantom crying heard by mothers across the world to the nightingale's song and the crackle of the Aurora Borealis. As our attention spans shrink and our sense of disconnection grows, Alice wants to find out if sound — seeking it, trying to hold on to it, making space for it in her life — can reconnect her not only to lost parts of herself but to a life more consciously lived. Hark is a book for women who feel unheard and a means of listening more deeply in a world that has grown too loud. From the author of Why Women Grow. [Hardback]
“Stimulating and humane, Hark is vibrating with interesting people and fresh ideas.” —Amy Liptrot
”Immersing myself in the beautiful, deeply thoughtful pages of Hark has a profound effect on me. Reading it has been an incredibly emotional experience, and has made me look at, and listen to, my own world in bright new ways. This book is a quiet yet profound kind of miracle.” —Clover Stroud
”A beautiful book, which left me thinking deeply and intimately about my own sonically-charged life. Hark will make you feel more alert to sound, silence and everything in-between and will leave you more curious about what it means to listen and be listened to.” —Amy Key
>>The chorus of motherhood.
>>Soundworlds.
Just Earth: How a fairer world will save the planet by Tony Juniper $39
From soil loss to wildfires, degraded rivers, mass migration and conflict, the environmental crisis is already here — and it's set to get much worse. While billionaires build remote bunkers and make plans for colonies on Mars, climate collapse impacts the most vulnerable among us first and hardest. But what this radical and ground-breaking book proves is that inequality isn't just about who suffers the consequences, it is the main obstacle blocking action — and it has been for decades. How can people lead good lives without ultimately hastening global collapse? The answer lies in fairness. We can't fight the climate and nature crises without addressing the ever-widening gaps between the rich and poor, the powerful and the weak. Drawing upon more than 40 years of experience in research, practical work, campaigning and advocacy, combined with interviews with globally renowned experts, in Just Earth Tony Juniper reveals the system shifts needed to achieve real, lasting change. [Paperback]
”Tony Juniper, as usual, has called this right. He explores a crucial issue with verve and style. Everyone should read this book.” —George Monbiot
”Remarkably well researched, well written and well balanced. Optimistic about the way forward.” —Richard Wilkinson and Kate Pickett, authors of The Spirit Level
”Remarkable, insightful and timely. Juniper sets out an agenda for a just transition and action at all levels.” —Jake Fiennes
Outrage: Why the fight for LGBTQ+ equality is not yet won, and what we can do about it by Ellen Jones $40
Equality for LGBTQ+ individuals should be the norm, yet they still face severe discrimination globally. Despite increased visibility, the community encounters rising violence and legal setbacks. Jones reveals discrimination across various life aspects, including marriage, mental health, education, and more, using poignant personal stories. The book not only identifies issues but also offers actionable solutions for fostering equality and celebrates pioneers making positive changes. Whether you're part of the LGBTQ+ community, an ally, or a human rights advocate, Outrage sheds light on ongoing challenges and paths to progress. [Paperback]
”Invaluable reading for anyone invested in a fairer future.” —Sophie Duker
>>The author recommends!
>>An evening with the author.
Power Metal: The race for the resources that will shape the future by Vince Beiser $40
An Australian millionaire's plan to mine the ocean floor. Nigerian garbage pickers risking their lives to salvage e-waste. A Bill Gates-backed entrepreneur harnessing A.I. to find metals in the Arctic. These people and millions more are part of the intensifying competition to find and extract the minerals essential for two crucial technologies: the internet and renewable energy. Power Metal explores the Achilles' heel of ‘green power’ and digital technology — that manufacturing computers, cell phones, electric cars, and other technologies demand skyrocketing amounts of lithium, copper, cobalt, and other materials. Around the world, businesses and governments are scrambling for new places and new ways to get those metals, at enormous cost to people and the planet. Beiser crisscrossed the world to talk to the people involved and report on the damage this race is inflicting, the ways it could get worse, and how we can perhaps minimise the damage. [Paperback]
A selection of wonderfully self-obsessed literature from our shelves. Click through to find out more:
The Last One (not pictured)
Read our 444th newsletter!
15 August 2025
CHICANES by Clara Schulmann (translated from the French by Naima Rashid, Natasha Lehrer, Lauren Elkin, Ruth Diver, Jessica Spivey, Jennifer Higgins, Clem Clement and Sophie Lewis)
Chicanes is a collection of short pieces about voice and women’s experience. Schulmann dips and pivots, captures, and lets fly. She delves into literature and classics, art and film, exploring how women use their voice and how they are used (or stigmatised) by their voice. Her digressions move against each other, building questions and ideas under the chapter headings ‘On/Off’, ‘Breathing’, ‘Fatigue’, ‘Overflowing’, ‘Speed’, and ‘Irritation’. The essays and snippets are both personal and critical (feminist theory and art critique are bundled here nicely, without being too pointy-headed; in other words, you can take it as you find it or investigate further), angry, and amusing. Taking her watching (cinema) and reading (essays and fiction), Schulmann drives us, never in a straight line, so we can observe her thinking about voice — its physical, emotional and intellectual power — and its cultural significance. How are women through their voice portrayed in films? Are they mostly silent/ screaming/ husky or simpering? How do women use their voices to protest and complain about inequality? Is it subtle? A pointed yet subtle change in mode or a tirade of small irritations (no time, too many family demands, commonplace sexism at work)? There are so many ideas packed into these short pieces, and they point in further directions and diversions. She quotes writers and draws up a map by which we can navigate her thinking out loud — about voice and in voice. In French the title is Zizanies, which translates as discord or disharmony. When we say the word ‘voice’ we are likely to think of harmony or articulation. Yet if we think about the idea of voice as Schulmann has in the context of gender, discord is more than appropriate. The English language title, Chicanes: a sharp double bend, likely with some obstacle; is an apt descriptor also. Interestingly, there are several translators (one for each section), each with their own ‘voice’ interpreting Clara Schulmann’s interpretations. This observation by the author of language and tone (voice) by other writers/artists and then in turn via interpretation gives readers in English another level of voice. And then, in turn, we use our voice in its imperfect way (but probably less imperfectly than a chatbot, as if perfection was even the aim), to reflect our emotional and cultural condition. The book is immersive and curious in the best possible way.
GOOD MORNING, MR. CRUSOE — The Life and Strange Surprizing Adventures of Robinson Crusoe, published in the year MDCCXIX, which for 300 Years has instructed the Men of an Island off the Coast of Mainland Europe to Contemn all Foreigners and Women. by Jack Robinson [Charles Boyle]
When Robinson Crusoe in Daniel Defoe’s novel of the same name discovers the footprint of a stranger on the margins of the island he considers his domain, he builds defences and prepares violence. He wants to keep for himself his table, made with his own hands, his rude bowl, likewise the project of a man who has brought to DIY the gravitas of a spiritual exercise, and his parasol, but even more he wants to keep for himself the puritanical practices of useful labour, useful thought, austerity and self-restraint — he made a very small amount of rum last for ten years! — that are both the expression and the perpetuation of his isolation. He remains resistant to all that is not him. When given the opportunity, upon a suitably disadvantaged other, he shows himself prepared to teach but not to learn. The propagation of Defoe’s novel as an English classic over the centuries has both epitomised and contributed to a particularly noxious strand of Anglo-Saxon masculinity compounded of an arrogance and a superiority complex on the one hand and a concomitant deep insecurity and fear on the other, resulting in an instinct to devise rules, build defences and prepare violence. Jack Robinson, in this quick and subtle little book, not only sketches the deleterious effect upon English society of this thread of Englishness, leading to the Brexit crisis and all that has followed resulting from the projection of threat onto difference, but also traces the literary offspring of Ur-Crusoe, so to call him: Robinsons in books by Franz Kafka, Louis-Ferdinand Céline, Muriel Spark and others, and in the films of Patrick Keillor, each either or both perpetuating or degrading the character with whom they are inescapably associated. ‘Robinson Crusoe’ remains a central topos for reactionary British nativism. It is no coincidence that, in the space of populist disaffection resulting from governments’ austerity policies, a prominent contemporary British fascist has adopted the pseudonym ‘Tommy Robinson’ in his xenophobic campaign for “respect for British heritage, values and tradition.” Robinson Crusoe, despite circumstances that make his attitudes increasingly ridiculous, cannot help but insist, with increasing violence, that he is master of ‘his’ island. Jack Robinson’s quarrel “is less with Defoe than with Crusoe and the uses which the book has been put to.” He observes that “Crusoe has amassed such gravitas — or rather, his emblematic status in British culture became so far-reaching — that the natural development of his descendants was inescapably stunted.” Can this be healed? In Crusoe’s unthinking adherence to “heritage, values and tradition”, he is incapable of change or growth or understanding, incapable of opening himself to new experience, of accepting as an equal anyone different from himself. When Crusoe leaves the island he remains the slaver and misogynist he was when he arrived. All he has done is survived. “Defoe denies Crusoe self-doubt, which is another way of infantilising him. His blind trust in God shuts off all radical introspection.” Without that introspection there is no hope.
The legacy of William Blake stretches 200 years to today not only through poetry and art but traditions of social, spiritual, sexual and political noncomformity. Philip Hoare drags himself from the company of whales and follows Derek Jarman to follow Paul Nash to photograph the megaliths at Avebury and towards a shared encounter with the luminous William Blake, electrically alive and inspiring to them all. Weaving between the historical, cultural and personal, Hoare reveals a web of creative minds and artistic iconoclasts fired with the unfettered genius of William Blake. Reaching out of his past and into our future, Blake draws together the natural world and metaphysical realms, merging the human and the animal and the spiritual, firing up 20th century artists, filmmakers, poets, writers and musicians with his radical promise of absolute freedom. As Hoare shows, art and poetry still have the power to make change.
What’s with the titles? A selection of books from our shelves. Click through to find out more:
All your choices are good! Take your pick from our selection of books straight out of the carton, and click through to our website to secure your copies. We can dispatch your books by overnight courier or have them ready to collect from our door.
Mr. Distinctive by Olga Tokarczuk (translated from Polish by Antonia Lloyd-Jones), illustrated by Joanna Concejo $50
A gorgeously illustrated picture book for adults — with two double-gatefold openings inside. Mr. Distinctive has a memorable, attractive face. He only has to walk down the street, and everyone turns to smile at him. Once he starred in a TV commercial and was praised and congratulated for having a face that sold the product well. Mr. Distinctive is very pleased with himself and loves to take selfies with his cellphone. He posts countless images of himself that are shared all over the internet. One day Mr. Distinctive looks in the mirror and sees that his features have begun to fade, his face has changed into a blur. With every new photo he posts, his distinctiveness dwindles. Determined to regain his flawlessly beautiful face and the adoration it brought him, Mr. Distinctive seeks out an extreme solution. But are the lengths he goes in order to restore his sense of being unique and exceptional worth it? In their new story, Nobel prize in literature winner Olga Tokarczuk and esteemed illustrator Joanna Concejo show us a world of obsession with personal appearance and self-promotion, where ‘happiness’ is an imperative, and the cult of youth rules. [Hardback]
>>Look inside!
Flower by Ed Atkins $30
”I like eating cold, clammy wraps from big pharmacies that are open late and sell just a few foods like protein bars and powders.” Flower is a book of realistic admissions, likes, dislikes, memories and no-brainer observations, treating personal truth as unavailable — something that must be made up and convincing. Taking cues from confessional literature, his daughter's improvised games, poor internet writing, and shitty A.I., Ed Atkins equivocates between inanity and divinity, ease and pain, sentimentality and sterility. An anti-memoir, a list, a listless blur — Flower is a highly original, moving and absurd book by one of the most influential artists of his generation, formally inventive and disturbingly of our time. [Paperback with French flaps]
”I feel like a permanent conduit has been built between my brain and this book. Atkins is relentless, beautiful, hideously and angelically honest. Sometimes it brought me to tears and I’m not even sure why. It’s the stuff most of us leave out, or wouldn’t even know how to articulate. By which I mean this book has made so much other writing feel like propaganda. It’s heroic. I’m not sure I’ll ever recover from it.” —Luke Kennard
”Every sentence in this delightfully bizarre techno-memoir could stand alone on a page and command allure. Like splicing the miniature divulgences of Édouard Levé with the ominous bombast of Jenny Holzer, Flower makes automatic non-fiction feel like sci-fi, and it’s instantly unforgettable.” —Blake Butler
”Flower is propulsive and it doesn’t let up. It’s about vulnerability, sort of, and invincibility: it swings between these poles. It’s about mortality, too, and in that sense humanity. To speak the book back at itself, I confess it did get to me.” —Isabel Waidner
”Ed Atkins is a radical humanist who rediscovers the human in the most inhuman of states, when the usual supports – ego, language, people, technology, media, food – all fail. In Flower Atkins turns that abjection towards us, in a spleeny anti-autofiction that is his own version of Les Fleurs du Mal.” —Hal Foster
in the cracks of light by Apirana Taylor $28
The seventy-three short poems here challenge our conceptions of poetic form. They are minimalist in construction but ambitious in emotional impact. They burst out of their small spaces like gas expanding in a cylinder and pushing a piston. They expertly inhabit both the natural and the political worlds, sometimes simultaneously, because Taylor is wise enough to know that they can't be separated, especially in a colonised land. [Paperback]
”in the cracks of light presents heart-centred poems that are deeply rooted in te taiao. Reading this book will give you the strength both to fight your battles and observe the world around you with fresh insight. These short verses are profound soul nourishment.” —Kiri Piahana-Wong
”Another book by Apirana Taylor, whether poetry or prose, is always good news. He is an originator and accomplished practitioner of what might now usefully be termed a Māori poetics in English, deeply sourced in whaikōrero. It’s no surprise, then, that the poems comprising in the cracks of light nimbly explore and exploit the border line between spoken and written text.” —Tony Beyer
>>Read Tony Beyer’s full review.
Proto: How one ancient language went global by Laura Spinney $40
As the planet emerged from the last ice age, a language was born between Europe and Asia. This ancient tongue, which we call Proto-Indo-European, soon exploded out of its cradle, changing and fragmenting as it went, until its offspring were spoken from Scotland to China. Today those descendants constitute the world’s largest language family, the thread that connects disparate cultures: Dante’s Inferno to the Rig Veda, The Lord of the Rings to the love poetry of Rumi. Indo-European languages are spoken by nearly half of humanity. How did this happen? Laura Spinney set out to answer that question, retracing the Indo-European odyssey across continents and millennia. With her we travel the length of the steppe, navigating the Caucasus, the silk roads and the Hindu Kush. We follow in the footsteps of nomads and monks, Amazon warriors and lion kings — the ancient peoples who spread these languages far and wide. In the present, Spinney meets the scientists on a thrilling mission to retrieve those lost languages: the linguists, archaeologists and geneticists who have reconstructed this ancient diaspora. From the author of Pale Rider. [Paperback]
”Thought-provoking. A lively and fascinating account of how these languages split from their root, developed in different ways, mingled with each other, crossed tracks, flourished and died. I loved it!” —David Bellos
>>Cultural exchange builds a language.
The Evin Prison Bakers’ Club: Surviving Iran’s most notorious prisons in 16 recipes by Sepideh Gholian $27
How do you cheer up a woman who has spent hours cleaning prison toilets with a broken mop? The secret is in a tres leches cake. In Iran’s prisons, women endure horrors — they are beaten, interrogated, and humiliated in a thousand ways. Even a whisper to a fellow inmate can be punished. Yet — in spite of anything and everything — they resist: they bake, they console each other, cry together, dance together. Sepideh Gholian, in prison since 2018, bakes scones for Nazanin Zaghari Ratcliffe’s daughter'; a pumpkin pie for Nobel Peace Prize winner Narges Mohammadi; and madeleines for Marzieh Amiri, serving time for a May Day demonstration in 2019. [Paperback with French flaps]
”Sepideh Gholian's account of life on the women's wards in Bushehr and Evin prisons is a blindsiding blend of horrifying concrete detail, dizzying surrealism and wild optimism.” —Guardian
”My heart broke while reading this book, but it also gave me hope. I read this book filled with outrage against the system that has put Sepideh Gholian and so many like her in jail, torturing them, killing them. But I was filled with hope, amazed by and thankful for those like her, telling the story. They are our beloved guardians of truth.” —Azar Nafisi
>>Like no other recipe book you’ve ever read.
Days of Light by Megan Hunter $50
Easter Sunday, 1938. Ivy is nineteen and ready for her life to finally begin. Her sprawling, bohemian family and their friends gather in the idyllic English countryside for lunch, arranging themselves around well-worn roles. They trade political views and artistic arguments as they impatiently await the arrival and first sight of Frances, the new beau of Ivy's beloved older brother, Joseph. In this auspicious atmosphere of springtime, Ivy's world feels on the cusp of something grand-but neither she nor those closest to her predicts how a single, enchanted evening and an unexpected tragedy will alter the rest of their lives. A philosophical and intimate journey through time, Days of Light chronicles six pivotal days across six decades to tell the story of Ivy's pursuit of answers — to the events of this fateful Easter Sunday and to the shifting desires of her own heart. [Hardback]
”Think One Day written by (and starring) Virginia Woolf… This is a lyrical and captivating book, dropping decade by decade into a single day in the life of the brilliant, headstrong Ivy.” —The Observer
”Days of Light is sublime. Wielding tremendous emotional power, it is a novel that is both raw and reverent, attuned to the intricacies of loss, desire, hope and how to be in the world.” —Hannah Kent
”Megan Hunter writes with such delicacy about how a single moment can shape and echo through a life. Her sentences are sensory events, open to every texture and shadow. A beautiful book.” —Sophie Elmhirst
”What Megan Hunter does in time and space within the confines of this book is amazing. Days of Light has that quality that all Megan's books have, restrained but with so much momentum, an exacting turn of phrase and the ability to make the hair on your arms stand up through beauty and also something much darker.” —Evie Wyld
”It channels Woolf and Mansfield and yet feels completely fresh.” —Mark Haddon
Enemy Feminisms: TERFs, policewomen and girlbosses against liberation by Sophie Lewis $45
Enemy feminisms exist. Feminism is not an inherent political good. We know that leaning in won't make our jobs any more tolerable and that white women have proven to be, at best, unreliable allies. But in a time of rising fascism, ceaseless attacks on reproductive justice, and violent transphobia, we need to reckon with what Western feminism has wrought if we have any hope of building the feminist world we need.Sophie Lewis offers an unflinching tour of enemy feminisms, from 19th century imperial feminists and police officers to 20th century KKK feminists and pornophobes to today's anti-abortion and TERF feminists. Only when we acknowledge that can we finally reckon with the ways these feminisms have pushed us toward counterproductive and even violent ends. And only then can we finally engage in feminist strategising that is truly antifascist. At once a left transfeminist battlecry against cisness, a decolonial takedown of nationalist womanhoods, and a sex-radical retort to femmephobia in all its guises, Enemy Feminisms is above all a fierce, brilliant love letter to feminism. [Paperback]
"A field guide to reactionary archetypes from fascists to TERFs, Enemy Feminisms surfaces a hidden vein of feminist conservatism. A welcome alternative to political history as an accumulation of social media screenshots." —Malcolm Harris
"Where would we be without Sophie Lewis? In a more impoverished political world. This book is mandatory reading for anyone interested in a rough and compelling vision of the feminist past, present, and future. Honest, brutal, historically comprehensive, and brilliant." —Judith Butler
"Enemy Feminisms is a compelling, provocative, ferocious book that shreds one received wisdom after another in a poised balance of incisive argument and elegant writing. Sophie Lewis has become an indispensable thinker for our era." —Torrey Peters
Mouthing by Orla Mackey $26
Ballyrowan is a sleepy corner of rural Ireland where nothing ever happens. Where everyone knows everyone else's business, and everyone has an opinion on it. Where family feuds simmer and intensify across the generations. Where young and old delight in dragging each other down like crabs in a barrel. Following the fortunes of this small community from the mid-20th century to the early 21st, Mouthing is a bittersweet love letter to the pleasures (and frustrations) of village life. [Paperback]
”Engrossing, acerbic and brilliant. Everyone here has a tale to tell. There is a pub and there is a priest. There are secrets and lies. It is by turns funny, horrifying, and all too real. Mackey's structure requires the reader to constantly reassess their opinions of the characters. It is a fascinating magic trick, shimmering with fractal richness: again and again we meet a character, form an opinion, and almost immediately have that wittily torpedoed.” —The Irish Times
The Big Myth: How American business taught us to loathe government and love the free market by Naomi Oreskes and Erik M. Conway $49
The bestselling authors of Merchants of Doubt offer a startling history of one of America's most tenacious and destructive false ideas: the myth of the ‘free market’. In the early 20th century, business elites, trade associations, wealthy powerbrokers, and media allies set out to build a new American orthodoxy: down with ‘big government’ and up with unfettered markets. With startling archival evidence, Oreskes and Conway document campaigns to rewrite textbooks, combat unions, and defend child labour. They detail the ploys that turned hardline economists Friedrich von Hayek and Milton Friedman into household names; recount the libertarian roots of the ‘Little House on the Prairie’ books; and tune into the General Electric-sponsored TV show that beamed free-market doctrine to millions and launched Ronald Reagan's political career. By the 1970s, this propaganda was succeeding. Free market ideology would define the next half-century across Republican and Democratic administrations, resulting in a housing crisis, the opioid scourge, climate destruction, and the baleful US response to the Covid-19 pandemic. Only by understanding this history can we imagine a future where markets will serve, not stifle, democracy. This book is particularly pertinent to New Zealand politics right now. [Paperback]
”Literature on neoliberalism tends to focus either on the intellectual genealogy of neoliberal thought or on the political history of neoliberal policies. The Big Myth adds a third dimension to the story. An immense scholarly feat.” —The New Yorker
”The important and frequently infuriating history of how it is that Americans came to equate the broad concept of freedom with an almost religious belief in the free market.” —The Washington Post
”A persuasive examination of how corporate advocates, libertarian academics, and right-wing culture warriors have collaborated to try to convince the American people that economic and political freedom are indivisible, and that regulation leads inexorably to tyranny. Polemical yet scrupulously researched, this wake-up call rings loud and clear.” —Publishers Weekly
If I Must Die: Poetry and prose by Refaat Alareer $45
"If I must die, let it bring hope, let it be a tale." This compilation of work from the Palestinian poet and professor, Refaat Alareer, brings together his poetry and writing about literature, teaching, politics, and family. Refaat Alareer was killed by an Israeli airstrike in Gaza City alongside his brother, sister, and nephews in December 2023. He was just forty-four years old, but had already established a worldwide reputation that was further enhanced when, in the wake of his death, the poem that gives this book its title became a global sensation. ‘If I Must Die’ is included here, alongside Refaat's other poetry. Refaat wrote extensively about a range of topics: teaching Shakespeare and the way Shylock could be appreciated by young Palestinian students; the horrors of living under repeated brutal assaults in Gaza, one of which, in 2014, killed another of his brothers; and the generosity of Palestinians to each other, fighting to be the one paying at the supermarket checkout. Such pieces, some never before published, have been curated here by Refaat's friend and collaborator Yousef M. Aljamal. [Hardback]
"Compelling. A glimpse into a restless political and literary mind, one that was still rising to the height of its powers." —The Guardian
Mexican Table: 100 recipes, 12 ingredients from the heart of Mexico by Thomasina Miers $65
Mexican cooking centres around 12 staple ingredients: Citrus / Nuts / Tomatoes / Chillies / Beans / Courgettes / Sesame / Herbs / Onions / Eggs / Cinnamon / Chocolate. Chef Thomasina Miers brings vibrant, smart ways to use these ingredients to bring maximum flavour with minimum effort. Taste bold flavours everyday like guajillo prawn burritos with lime slaw, cauliflower and orange salad with turmeric and almond honey dressing, whole roast chicken with Yucatecan almond & garlic mole, waste-less houmous with toasted chillies, sticky dulce de leche & tahini buns, garlic fried courgette tagliatelle, smoky kimchi quesadilla with herb salad, and coconut & tequila sorbet. [Hardback]
>>Look inside.
Salutation Road by Salma Ibrahim $38
23-year-old Sirad Ali is a woman adrift. Abandoned by her father in childhood, she does her best to support her mother and younger brother in their small flat in South London. But she can’t help but wonder if this is the life she really wants. Until one morning, when she boards the bus to work in Greenwich, she finds herself transported to an alternate reality in present-day Mogadishu. There she encounters her double, Ubah — the woman she could have been had her parents never fled to London during the Somali Civil War. And what follows will change both of their lives for ever. [Paperback]
”A bold, intriguing act of imagination. Salutation Road confronts important questions about parallel existences splintered by immigration, the price of survival, and the ways migration and distance reshape blood ties and family.” —Aube Rey Lescure
>>Exploring who we are.
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8 August 2025
"It is a folk art of sorts, always longing to kill oneself but being kept by one’s watchful intelligence from killing oneself, so that the condition is stabilised in the form of lifelong controlled suffering,” wrote Thomas Bernhard in Correction. In the ‘autobiographical’ novel Wittgenstein’s Nephew: A friendship, Bernhard explores the conditions needed for continuing to live in an intolerable world by at once both aligning and contrasting his accommodation of the contradictory impulses for survival and self-destruction with the accommodation or lack of accommodation made between these impulses by his friend Paul Wittgenstein, whose resulting madness periodically incapacitated and ultimately destroyed him. The novel opens with the narrator and Paul both confined to departments in the Baumgartner Höhe hospital in Vienna, “isolated, shunted aside, and written off”: the narrator in the pulmonary department, not expected to live, and Paul in the psychiatric department, receiving brutal electroconvulsive therapy and kept in a caged bed. The two had met at the apartment of a mutual friend at a time when the narrator was afflicted by suicidal thoughts, when at the height of his despair Paul appeared as his “deliverer”, a man who, like the narrator, ''loved and hated human beings with equal passion and equal ruthlessness.” Whereas the narrator writes because “I am forced to defend myself and take action against the insolence of the world in order not to be put down and annihilated by it,” Paul has no such defence. “Paul allowed himself to be utterly dominated by his madness, whereas I have never let myself be utterly dominated by my equally serious madness: one might say that he was taken over by his madness, whereas I have always exploited mine. … Paul had only his madness to live on; I have my lung disease as well as my madness. I have exploited both, and one day I suddenly made them the mainspring of my existence.” Both the narrator and Paul exhibit neuroses (such as “the counting disease”) as a means of resisting the pull of annihilation, and share a passion for music (‘culture’ itself being a neurotic mechanism for collectively resisting the pull of annihilation). All efforts, though, to act as if the intolerable is tolerable are increasingly difficult to maintain. “As we get older we have to employ ever subtler means in order to produce such endurable conditions, resorting to every possible and impossible trick the mind can devise.” The narrator knows that continuing is always only a postponement of the moment at which continuing becomes impossible: “I had behaved towards myself and everything else with the same unnatural ruthlessless that one day destroyed Paul and will one day destroy me. For just as Paul came to grief through his unhealthy overestimation of himself and the world, I too shall sooner or later come to grief through my own overestimation of myself and the world.” Paul is destroyed by their shared madness, but the narrator is not yet destroyed. He survives by, in effect, sacrificing Paul. The narrator at ones both claims and disavows Paul as his alter ego, both emphasises and denies their shared identity (is that not always so with friendships?): “We gradually discovered that there were countless things about us and within us that united us, yet at the same time there were so many contrasts between us that our friendship soon ran into difficulties, into even greater difficulties, and ultimately into the greatest difficulties.” When Paul, debilitated by his bouts of madness and the brutality of his treatment, desperate for some practical demonstration of friendship, invites the narrator to his apartment and the narrator sees in its squalor and hopelessness “the last refuge of a failure,” he feels a sudden revulsion for Paul and flees, leaving Paul weeping on his sofa (the last remaining artefact of his squandered former wealth). The narrator finds despicable what he once found admirable. His own destruction yawns too near his feet and he abandons his friend. He sees Paul as spent, as a man dying. “I myself could naturally not feel the same about Paul’s shadow as I had about the real Paul of earlier days. … I preferred to have a bad conscience rather than meet him [for] we shun those who bear the mark of death.” When the narrator returns from a period overseas he learns of Paul’s death in a mental hospital in Linz a few days after attacking his cousin in his final madness, and of Paul’s lonely, abject funeral. “To this day I have not visited his grave,” he states. Paul’s death could be seen as the narrator’s displaced suicide, as a way in which the narrator has continued to exist. “I had met Paul, I now see, precisely at the time when he was beginning to die,” he says. “It seems to me that I was basically nothing but a twelve-year witness of his dying, who drew from his friend’s dying much of the strength he needed for his own survival.” He goes on: "It is not far-fetched to say that this friend had to die in order to make my life more bearable and even, for long periods, possible." This book is both a tender tribute to a friend, written in guilt, and an unflinching examination of that guilt.
Kirsty Gunn can write, she really can, but do I want to read these stories? Yes, with caution! In Pretty Ugly Gunn confounds us with the sublime and the rot. Here what seems too good to be true is just that. Not good. The opening story, ‘Blood Knowledge’, lets us wander in a beautiful garden with a successful author. We warm to the narrator’s voice, her frustration with her role as wife and mother, as an author with a predictable and highly sort after series. Her next book is overdue and as we read on we sense a festering sore. A scab picked at. This isn’t a nice suburban story, not a success story except in the warped mind of our narrator. Yet it’s compelling in its horror, has catches of humour, and observations that capture society’s double standards. Ultimately it’s horrific, but getting there raises questions which deserve consideration. The human condition examined with the sharp edge of Gunn’s pen leaves us exposed and sometimes guessing — piecing clues, trying to catch the unsaid — reading between the lines; we enter the stories with a sense of innocence and leave with a shudder. Pretty Ugly fits in the New Zealand gothic tradition, with the likes of The Scarecrow (Morrison) and Sydney Bridge Upside Down (Ballantyne). Here the edges press in. Gunn from here and living elsewhere (Scotland) has lost none of the sense of the impending gloom, the darkness of wild and unfettered places, and here she uses nature’s darkness to unsettling good effect, double-dosing not only with environment but with the dark corners of the psyche. Each word is necessary in Gunn’s writing, and each encounter slippery — our narrators unexpectedly draw us in and repel us. Pretty Ugly is intriguing, questionable, and razor sharp.
Is a River Alive? is an exhilarating exploration into an ancient, urgent idea: that rivers are not mere matter for human use, but living beings who should be recognised as such in imagination and law. The book flows like water from the mountains to the sea, over three major journeys. Macfarlane takes readers on these unforgettable journeys teeming with extraordinary people and places: to the miraculous cloud-forests and mountain streams of Ecuador, to the wounded creeks and lagoons of India, and to the spectacular wild rivers of Canada — imperiled by mining, pollution, and dams. Braiding these journeys is the life story of the fragile chalk stream a mile from Macfarlane's house, which flows through his own years and days.
Passionate, immersive and revelatory, Is the River Alive? is Macfarlane’s most personal and political book to date, reminding us what is vital: the recognition that our fate flows with that of rivers — and always has.
‘ A rich and visionary work of immense beauty. Macfarlane is a memory keeper. What is broken in our societies, he mends with words. Rarely does a book hold such power, passion, and poetry in its exploration of nature. Read this to feel inspired, moved, and ultimately, alive.’ — Elif Shafak
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The Welcome of Strangers: A History of Southern Māori by Atholl Anderson $70
This deeply researched and beautifully presented book traces the origins of early Waitaha and Kāti Māmoe, and the later migrations, conflicts and settlements of the hapū who became Ngāi Tahu. Drawing on tribal knowledge, early written records and archaeological insights, he details the movements, encounters and exchanges that shaped these southern regions. He shows how people lived seasonally from the land and sea, supported by long-distance trade and a deep knowledge of place. These were the communities that the first Europeans encountered, as whalers, sealers and missionaries made their way around the coast. New edition, greatly expanded and updated. [Hardback]
”The Welcome of Strangers is, I believe, the best ethnohistory produced in New Zealand to date. Underpinned by whakapapa and methodical research, it provides solid evidence of our Ngāi Tahu past and sets it firmly in its context. The work of an accomplished scholar and longtime associate, the revised edition is strengthened and sharpened with new research, biographical detail and rich imagery of people and place. It is pleasing to have this scholarly yet accessible volume available to a new generation of New Zealanders – and even more so, Ngāi Tahu whānui, both scholars and at the flax roots.” —Sir Tipene O’Regan ONZ, Chair, Te Pae Kōrako; Upoko, Te Rūnaka o Awarua
”With one eye on the universal and the other on the particular, Atholl Anderson reveals how culture and nature shaped one another in southern Te Waipounamu for some five hundred years, down to the mid-nineteenth century. Born from the head of a world-leading archaeologist and the heart of a much-loved son of Kāi Tahu, this is a signally important text in the canon of Māori history.” —Michael Stevens, Professor and Director, Ngāi Tahu Research Centre, Te Whare Wānanga o Waitaha / University of Canterbury
>>Look inside!
Girlbeast by Cecilie Lind (translated from Danish by Hazel Evans) $38
Girlbeast is a fearless, unsettling, and poetic reimagining of the Lolita narrative, where power shifts unpredictably, and desire and coercion become indistinguishable. In a world that fetishises girlhood, it asks whether a girl be blamed for internalising the roles imposed upon her? Can she wield her youth as power in a system designed to render her powerless? With sharp, fast-paced prose and an addictive plot, Cecilie Lind crafts a daring examination of female agency, sexuality, and the complexities of consent. The novel evokes the idea of the girl as animal — a creature conditioned to be both docile pet and wild beast, torn between submission and rebellion, innocence and desire.Brave, provocative, and unflinching, Girlbeast is a gripping, vital novel for our times. [Paperback]
”Girlbeast is a fever dream of a novel that put a knot in my stomach. A provocative, vulgar and tender fable about the uneasy ruin of girlhood.” —Lucy Rose
>>Read an extract!
Lexicon of Affinities by Ida Vitale (translated from Spanish by Sean Manning) $39
With entries as varied as 'elbow', 'Ophelia', 'progress', the painter Giorgio Morandi, 'chess', 'Eulalia' (a friend of the author's aunt), and 'unicorn', Ida Vitale constructs a dictionary of her long and passionately engaged artistic life. Taking the reader by the arm, she invites us to become her confidant, sharing her remarkable 20th century as a member of a storied generation of Latin American writers, of whom she is the last remaining alive. It's a compendium of friendship, travel, reading, and the endless opportunities she found for 'the joyful possibility of creation.' Like every dictionary, Lexicon of Affinities seeks to impose order on chaos, even if in its exuberant, whimsical profusion it lays bare the unstable character of the cosmos. [Paperback with French flaps]
"Vitale's prose is drop dead gorgeous." —Jeremy Garber
"Extraordinary. Giving due attention to Vitale's prose will bring you reassurance and optimism." —Lunate
"A vibrant and playful memoir-in-dictionary-form. A joyous celebration of a life well lived, with entries that range from the simple to the titanic." —Literary Hub
"Indispensable. Vitale's language has a precision that reminds us that memory exists: that today precision is an act of distinction and recognition." —Letras Libre
>>Something of a refuge.
>>”One hundred years don’t weigh me down.”
The Benefactors by Wendy Erskine $38
Three women from very different families are brought together when their sons are accused of assaulting a young woman whose social standing they see as far below their own. Frankie, now married to a wealthy, older man, grew up in care. Miriam has recently lost her beloved husband Kahlil in ambiguous circumstances. Bronagh, the CEO of a children's services charity, loves celebrity and prestige. When their sons are accused of sexually assaulting a friend, Misty Johnston, they'll come together to protect their children, leveraging all the powers they possess. But on her side, Misty has the formidable matriarch, Nan D, and her father, taxi-driver Boogie: an alliance not so easily dismissed. Brutal, tender and intelligent, The Benefactors is a daring, multi-voice presentation of modern-day Northern Ireland. It is also very funny. [Paperback]
”This Belfast novel has the style of Woolf but the heart of Dickens. Erskine — a gifted short story writer — deploys a style closer to Virginia Woolf than to HBO, delivering scattershot glimpses of events through the eyes of a broad cast of characters. For all the formal subtlety and fragmentation of this impressive novel, then, it is amazing to see there is such a warmly conventional heart beating beneath the Woolfian multiple perspectives and the deliberate haziness with which Erskine depicts the novel's central act of class-based injustice.” —Robert Collins, Sunday Times
”This polyphonic portrait of class, power and social exclusion in Northern Ireland is centred on the assault of a teenage girl, and the reactions of the boys' parents. Erskine is a nimble, prodigiously talented author: funny and brutal by turns, with an extraordinary immediacy.” —Guardian
The Story of a Heart by Rachel Clarke $30
The first of our organs to form, the last to die, the heart is both a simple pump and the symbol of all that makes us human: as long as it continues to beat, we hope. One summer day, nine-year-old Keira suffered catastrophic injuries in a car accident. Though her brain and the rest of her body began to shut down, her heart continued to beat. In an act of extraordinary generosity, Keira's parents and siblings agreed that she would have wanted to be an organ donor. Meanwhile nine-year-old Max had been hospitalised for nearly a year with a virus that was causing his young heart to fail. When Max's parents received the call they had been hoping for, they knew it came at a terrible cost to another family. This is the unforgettable story of how one family's grief transformed into a lifesaving gift. With compassion and clarity, Dr Rachel Clarke relates the urgent journey of Keira's heart and explores the history of the remarkable medical innovations that made it possible, stretching back over a century and involving the knowledge and dedication not just of surgeons but of countless physicians, immunologists, nurses and scientists. [Paperback]
Winner of the 2025 Women’s Prize for Non-Fiction.
”The best narrative non-fiction I've read in years. Rachel Clarke has written a profound piece of investigative journalism and wrapped it up in poetry.” —Christie Watson
Juice by Tim Winton $38
Two fugitives, a man and a child, drive all night across a stony desert. As dawn breaks, they roll into an abandoned mine site. From the vehicle they survey a forsaken place - middens of twisted iron, rusty wire, piles of sun-baked trash. They're exhausted, traumatised, desperate now. But as a refuge, this is the most promising place they've seen. The child peers at the field of desolation. The man thinks to himself, this could work. Problem is, they're not alone. So begins a searing, propulsive journey through a life whose central challenge is not simply a matter of survival, but of how to maintain human decency as everyone around you falls ever further into barbarism. [Now in paperback]
”A barnstorming, coruscating work of fiction, a heavyweight literary novel that sits squarely in the growing canon of ‘climate fiction’ and it feels to me to be an instant classic of that genre. I strongly recommend it.” —Emily H. Wilson, New Scientist
”Juice, Winton has said, means ‘human resilience and moral courage’, and there is that in spades in this complex, riveting book already being hailed as a masterpiece..” —Sydney Morning Herald
”This is page-turning stuff, gripping and awfully gratifying. Winton's ending is a masterstroke, the heart-in-your-mouth final chapter one of the best things I've read in a long time.” —Rachel Seiffert, Guardian
The New Age of Sexism: How the A.I. revolution is reinventing misogyny by Laura Bates $40
Step into a world where: Little girls dressed up as women dance for an audience of adult men. A pornographic deepfake image or video of you exists on the internet and you just don’t know it yet. Men create ‘perfect’ AI girlfriends who live in their pocket — customised to every last detail, from breast size to eye colour and personality, only lacking the ability to say no. This isn’t an image of the future. Sex robots, chatbots and the metaverse are here and spreading fast. A new wave of AI-powered technologies, with misogyny baked into their design, is putting women everywhere in danger. In The New Age of Sexism, author and campaigner Laura Bates takes the reader deep into the heart of this strange new world. She travels to cyber brothels and visits schools gripped by an epidemic of online sexual abuse, showing how every aspect of our lives — from education to work, sex to entertainment — is being infiltrated by ever-evolving technologies that are changing the way we live and love forever. This rising tide, despite all its potential for good, is a wild west where women’s rights and safety are being sacrificed at the altar of profitability. [Paperback]
>>Misogyny in the Metaverse.
The Secret Green by Sonya Wilson $25
It's almost a year since Nissa Marshall was found alive after miraculously surviving a month lost in the vast, dense, isolated bush of Fiordland. Strange, magical things happened when Nissa was lost in the wilds but was it actually real? Or had she made it all up in the forest inside her head? When the mysterious forest creatures come for Nissa again, she discovers that Fiordland is under threat. What are the sparks so afraid of? What is the secret they're so desperate to protect? And why do they think a thirteen-year-old kid can save them all? This thrilling sequel to Spark Hunter crackles with the magic of the ancient forest. It's a high-stakes adventure through a vast wonderland with a great green secret hidden from humans for thousands of years. [Paperback]
”Perfectly pitched for middle fiction readers, Spark Hunter weaves history, culture, conservation, humour, tension and adventure into the story of Nissa Marshall, who has always known there is more to the Fiordland bush than meets the eye. While leaning into the fantastic just enough to encourage the imagination, the inclusion of archival excerpts will spark keen readers to hunt out their own discoveries within the mysterious history of this corner of Aotearoa. Making this story's light shine bright is te reo Māori blended throughout and a cast of supporting characters that are easily recognisable as classmates, teachers, and friends.” —New Zealand Book Awards for Children and Young Adults judges’ citation for Sparkhunter
Shakespeare’s Sisters: Four women who wrote the Renaissance by Ramie Targoff $30
In an innovative and engaging narrative of everyday life in Shakespeare's England, Ramie Targoff carries us from the sumptuous coronation of Queen Elizabeth in the mid-16th century into the private lives of four women writers working at a time when women were legally the property of men. Some readers may have heard of Mary Sidney, accomplished poet and sister of the famous Sir Philip Sidney, but few will have heard of Aemilia Lanyer, the first woman in the 17th century to publish a book of original poetry, which offered a feminist take on the crucifixion, or Elizabeth Cary, who published the first original play by a woman, about the plight of the Jewish princess Mariam. Then there was Anne Clifford, a lifelong diarist, who fought for decades against a patriarchy that tried to rob her of her land in one of England's most infamous inheritance battles. [New paperback edition]
I Regret Almost Everything by Keith McNally $42
A memoir by the legendary proprietor of Balthazar, Pastis, Minetta Tavern, and Morandi, taking us from his gritty London childhood to his serendipitous arrival in New York, where he founded the era-defining establishments Odeon, Cafe Luxembourg, and Nell’s. Eloquent and opinionated, Keith McNally writes about his stint as a child actor, his travels along the hippie trail, his wives and children, his devastating stroke, and his Instagram notoriety. [Paperback]
>>The least hospitable man.
Indian Kitchens: Treasured family recipes from across the land by Roopa Gulati $60
Gulati travels through India and celebrates the wonderfully varied food that makes up a nation, making pitstops at the homes of the people who cook it every day. From dals to masalas, and quick and easy suppers to feasts for a crowd, the easy-to-follow recipes are bursting with authentic flavours using ingredients found in your local supermarket. Recipes include aubergine pakoras with onion and tamarind relish, potato and paneer tikki, sweetcorn bhajis, Tandoori sea bass, home-style Punjabi chicken curry, Kashmiri lamb with saffron, cardamom and red chillies, cumin potatoes, Bengali-style butternut squash with tamarind and jaggery, channa dal with spinach, black eye beans in garlic tomato masala, phirni with honey, orange and saffron syrup and pistachio and cardamom biscuits. From the monsoon-washed backwaters of Kerala to the crowded markets of Mumbai, and from remote kitchens in Gujarat, with shelves stacked high with pickle jars, to the old French quarter of Ponducherry, where lunch is served on banana leaves picked fresh from the garden, this celebration of regional cooking will bring the sights, sounds and flavours of India to your table. [Hardback]
”Roopa's masterpiece. I want to make and eat every single thing in it.” —Bee Wilson
>>Look inside.
A Dim Prognosis: Our health system in crisis — and a doctor’s view on how to fix it by Ivor Popovich $38
A gripping expose of New Zealand's failing health system This compelling tell-all reveals the realities of working as a doctor in New Zealand. Fast-paced and darkly funny, it chronicles ten years of working in medicine and sheds a light on where and why the health system is failing. From bullying and toxic culture to under-staffing and mismanaged priorities, this is a clear-eyed account of a health system on its knees. [Paperback]
”Brave, funny and heart-rendingly sad. Every healthcare worker in Aotearoa will feel seen.” —Dr Emma Wehipeihana, author of There's a Cure for This
”A must-read for all who care about the future of publicly funded healthcare in Aotearoa.” —Dr David Galler
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1 August 2025