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Ruins, Child by Giada Scodellaro $38
Set in what may be the future, and centred on six women sharing a space in some sort of crumbling apartment tower, Ruins, Child is remarkable for its irresistible sweep, wit, and prickly splintered truth. With the pulsating sway of its liquid mosaic narrative, Giada Scodellaro's debut novel may recall Virginia Woolf's The Waves, but is entirely its own animal: kaleidoscopic, pointedly disorienting in its looseness, and powered along by snatches of speech from its compelling ensemble cast (often vernacular, often overheard: 'The woman is old, I hear children saying nearby, not in the way we consider all adults to be old, but really old, ancient, she is endless'). It's a book which seems to be drawn from deep wells of Black American reality: her female protagonists push back against authority in the very vivacity of their telling, setting afoot a freeing-up and a mysterious inversion of marginalisation. 'Looseness, that is the thing people fear in a person (in women) and in objects.' Ruins, Child uses the lens of urban infrastructure, social commentary, folklore, choreography, and collective listening to create an ethnography of place and an ode to communal ruins. Winner of the 2024 Novel prize. [Paperback]
”Giada Scodellaro is one of the most astonishing writers of her generation and Ruins, Child is a visionary novel. Scodellaro refracts and redefines the canon of Black culture, the archive of Black experience. The result is a masterpiece that lives and breathes on the page, every sentence shimmering with wit, musicality, brilliance and verve.” —Katie Kitamura
”Giada Scodellaro’s newest masterpiece, Ruins, Child, endows the concept and form of the contemporary novel with new force and meaning. Cinematic and prismatic, like a camera constantly in motion and yet incisive in its close portraitures of a community of Black women and fems surviving and living amidst the future urban, eco-dystopic, queer ruins of our society, Scodellaro’s novel breaks new ground in spectacular fashion.” —John Keene
”Ruins, Child takes us to the crumbling architecture of a future past; a future past that is possibly now. In this work of fractal seeing, we encounter women in lives that are simultaneously lived, reenacted, and observed. Ruins, Child is conceptually rich, prismatic, and choral, embodied, and surreal, cinematic and textual. Giada Scodellaro writes us Black life watching Black life.” —Dionne Brand
”Mesmerising — little by way of plot, but much to offer in terms of beauty. For readers willing to surrender to the sway and creep of Scodallero’s prose, it can feel much like watching an art house film, where, as one of the novel’s characters puts it, ‘we are lost in the potential of this scene’. The result is an arresting work by a writer unbound by constraints of the expected.” —Publishers Weekly
>>Read an excerpt.
>>First the legs, then the fingernails.
>>Small tellings, silence, white space.
All the Lights by Clemens Meyer (tanslated from German by Stuart Evers) $40
A man bets all he has on a horse race to pay for an expensive operation for his dog. A young refugee wants to box her way straight off the boat to the top of the sport. Old friends talk all night after meeting up by chance. She imagines a future together. Stories about people who have lost out in life and in love, and about their hopes for one really big win, the chance to make something of their lives. In silent apartments, desolate warehouses, prisons and by the river, Meyer strikes the tone of our harsh times, and finds the grace notes, the bright lights shining in the dark. [Paperback with French flaps]
'“Take the bare prose of Raymond Carver, apply the bleak outlook of Michel Houellebecq, place characters from an Irvine Welsh book on German streets, and you have something close to this collection of 15 short stories. His tales have an evanescent, impressionistic quality. Meyer thrills and rewards.” —Alex Rayner, The Guardian
’'Meyer tells us about people who normally are not ‘literary subject matter’. Respect to him. He's the real deal. We need storytellers like him.” —Die Zeit
>>Read one of the stories.
Vigil by George Saunders $37
“What a lovely home I found myself plummeting toward. Not for the first time in fact, for the 343rd time.” The eagerly awaited new novel from the author of Lincoln in the Bardo. Jill 'Doll' Blaine finds herself crashing down to earth, head-first, rear-up, to accompany her latest charge into the afterlife. She soon realises however that this man is not quite like the others. For powerful oil tycoon K.J. Boone will not be consoled, because he has nothing to regret. He lived a big, bold life, and the world is better for it — isn't it? As death approaches, a cast of worldly and otherworldly visitors arrive. Crowds of people and animals alive and dead materialise, birds swarm the dying man's room, and associates from decades past show up, all clamouring for a reckoning. In this novel brimming with explosive imagination, George Saunders confronts the biggest issues of our time with his trademark humour and warmth, spinning a tale that encompasses life and death, good and evil, and the inevitable question — who else could we be but exactly who we are? [Paperback]
”Faulkner meets Citizen Kane. Such is Saunders' skill and empathetic imagination that the questions raised by his concocted other world generally prove more mysterious than mystifying.” —Financial Times
”Vigil moves into even more anarchic and funny territory than that 2017 Booker-winning masterpiece, with this new novel's unhinged spirits and pitiful ghosts. A meditation on the manipulative nature of modern language, the novel resonates deeply in our fractious, selfish age.” —Independent
>>How do you really tell the truth about this moment?
Phantom Limb by Chris Kohler $28
One evening, Gillis — a young Scottish minister who technically doesn't believe in god — falls into a hole left by a recently dug up elm tree and discovers an ancient disembodied hand in the soil. He's about to rebury it when the hand beckons to him. He spirits it back to his manse and gives it pen and paper, whereupon it begins to doodle scratchy and anarchic visions. Somewhere, in the hand's deep history, there lies a story of the Scottish reformation, of art and violence, and of its owner long since dead. But for Gillis, there lies only opportunity: to reinvent himself as a prophet, proclaim the hand a miracle and use it for reasons both sacred and profane — to impress his ex-girlfriend, and to lead himself and his country out of inertia and into a dynamic, glorious future. [Now in paperback]
With shades of John Byrne and Alasdair Gray, Phantom Limb is to be treasured.A wonderfully strange, full-of-heart debut.” —Camilla Grudova
”Thrillingly unfettered. Phantom Limb is its own kind of miraculous relic: disturbing and mesmerising, the work of a writer possessed of a rare power and vision.” —Daily Telegraph
”At once playful and deeply moving, ancient and shockingly new, Phantom Limb is a tremendous read: full of wisdom, madness, kindness and action. You won't read anything quite like it.” —Aidan Cottrell-Boyce
”I hear a voice, singing in the wilderness — its sound is strange and it is beautiful. Chris Kohler's Phantom Limb is the Scottish novel I have been waiting on for so long.” —Alan Warner
”Wonderfully farcical and apocalyptic. A novel of considerable charm and energy, summoning a mad world that resembles our own.” —Guardian
>>Watching paint dry.
Restoration by Ave Barrera (translated from Spanish by Ellen Jones and Robin Myers) $40
Propelled by female desire, shaped by the violence of the male gaze, and inspired by the endless vitality of old stories remade anew, Restoration takes on Bluebeard, Salvador Elizondo, Juan Rulfo, Angela Carter, Octavio Paz, Mariana Enriquez, and Amparo Davila to produce a novel of obsession, reclamation, and romance gone very, very wrong.Jasmina has been hired by her maybe-boyfriend to restore his family home, a grubby, abandoned time capsule where a great artist once lived. As she moves from room to room - scrubbing, scraping, plastering over cracks - the stories inhabiting them awaken, and the lives of the women who came before her begin to overlap with her own. Who is the woman in the photograph? And what secrets linger in that last locked room?Restoration is a ghost story with porous borders, between Jasmina and these forgotten women, between the novel and us. And the questions Barrera asks may be about what's behind our own barred door. [Paperback with French flaps]
"Restoration is a thriller, not only thematically but — equally powerful — stylistically: Ave Barrera writes the same way Min engages in her restoration work: taking care of every word, every detail, as if it were a question of 'contradicting death'." —Literal: Latin American Voices
"Barrera delves into the inadequacies, indulgence and regrets that accompany both women of today and the past: love as a construct and sometimes as a kind of sect that demands sacrifices from its most naive members." —Marvin
Somebody Is Walking on Your Grave: My cemetery journeys by Mariana Enriquez (translated from Spanish by Megan McDowell) $38
"Cemeteries have great stories and sometimes I steal some for my books." Mariana Enriquez has been fascinated by the haunting beauty of cemeteries since she was a teenager. She has visited them frequently, a goth flaneur taking notes on her aesthetic obsession as she walks among the headstones, "where dying seems much more interesting than being alive." But when the body of a friend's mother who was disappeared during Argentina's military dictatorship was found in a common grave, Enriquez began to examine more deeply the complex meanings of cemeteries and where our bodies come to rest. In this rich book of essays — "excursions through death," she calls them — Enriquez travels through North and South America, Europe and Australia, visiting Paris's catacombs, Prague's Old Jewish Cemetery, New Orleans's aboveground mausoleums, Buenos Aires's opulent Recoleta, and more. Enriquez investigates each cemetery's history and architecture, its saints and ghosts, its caretakers and visitors, and, of course, its dead. Weaving personal stories with reportage, interviews, myths, hauntology, and more, Somebody Is Walking on Your Grave is memoir channeled through Enriquez's passion for cemeteries, revealing as much about her own life and unique sensibility as the graveyards and tombstones she tours. [Paperback]
>>A place of life and stories.
>>Other books by Mariana Enriquez.
Exposure by Olivia Sudjic $25
An essay on exposure, auto-fiction, internet feminism and the anxiety epidemic. Olivia Sudjic published Sympathy, a novel about surveillance and connection in the internet age. If a debut novel is written by a woman, it is often read and discussed as if it were a memoir. Suddenly Sudjic found herself shoved under the microscope, subject to same surveillance apparatus she had dissected in her novel. In this incisive essay, Olivia Sudjic draws on her experience to examine the damaging expectations that attend any young female artist, as well the strategies by which they might be evaded. [Paperback]
>>Self-surveillance in the internet age.
The Penguin Book of Existentialist Philosophy edited by Jonathan Webber $32
”Existentialist thought is an effort to reconcile the objective and the subjective, the absolute and the relative, the timeless and the historical.” —Simone de Beauvoir. In the aftermath of the Second World War, a group of intellectuals gathered to discuss urgent questions of existence, commitment, racism, colonialism, and feminism. Their ideas would continue to shape those debates throughout the twentieth and twenty-first centuries. This anthology gathers the key texts of existentialism, and those of the movement's nineteenth-century intellectual precursors, along with works previously neglected in overviews and anthologies of the movement. Incorporating the writings of Simone de Beauvoir, Jean-Paul Sartre and Frantz Fanon, alongside selections from Søren Kierkegaard, Friedrich Nietzsche, Sigmund Freud and Martin Heidegger. [Paperback]
”A superb selection of texts, both thorough and adventurous. I can't imagine a better way of meeting the existentialists in all their variety.” —Sarah Bakewell, author of At the Existentialist Cafe
>>See what texts are included in the book.
The Great Bear by Annie Booker $30
Since the dawn of time, the Great Bear has patrolled the oceans, protecting the Earth and her animals and overseeing the delicate balance of life. But now, one creature is changing everything. And the Great Bear is unhappy. Annie Booker's hand-painted illustrations communicate the fragility and strength of the natural world, and call to mind the art and stories of Levi Pinfold and Coralie Bickford-Smith. The Great Bear transports the reader to a world of snowy mountains, towering waves and deep, cold water. It is an tribute to the beauty of our world, and carries a message of hope. This large-format hardback book includes at the end a spread of inspiring information about humanity's ongoing efforts to restore the nature of the Arctic, protect animals from extinction and regenerate the oceans. [Hardback]
”Here's a bear that lives and breathes in your mind long after the story is over. Powerful, majestic, vulnerable, an iconic portrait.” —Michael Morpurgo
”With its epic nature drawings and story of a wise, all-seeing animal asking mankind to change its ways, Annie Booker's The Great Bear feels like a precious folk tale handed down the generations.” —Imogen Carter, The Observer
>>Look inside!
The Killing Age: How violence made the modern world by Clifton Crais $45
What if the movements that built the modern world — the Enlightenment, democracy, the Industrial Revolution — were more catastrophic than we ever imagined? In this radical rethinking of modernity, Clifton Crais argues that the era between 1750 and the early 1900s — seen by many as the birth of the Anthropocene — should instead be known as the Mortecene: the Age of Killing. Killing brought the world together and tore it apart, as violence and commerce converged to create a new and terrible world order that drove the growth of global capitalism. Profiteering warlords left a trail of devastation across Africa, Asia, and the Americas, committing mass-scale slaughter of humans and animals, and sparking an environmental crisis that remains the most pressing threat facing the world today. The Killing Age turns our vision of past and present on its head, illuminating the Mortecene in all its horror: how it has shaped who we are, what we value, what we fear, and the precarious planet we must now confront. [Paperback]
”Synoptic in its reach, overwhelming in its detail, The Killing Age leaves one feeling like Jonathan Swift's Gulliver, who came to prefer the company of peaceable horses to membership of humankind, ‘the most pernicious little race of odious vermin that Nature ever suffered to crawl upon the surface of the earth’." —J. M. Coetzee
”An urgent corrective to grand narratives that naturalise the role of violence in human history. Crais obliges us to confront the naked reality of a modern world order spawned from the barrel of a gun. This is a courageous and highly readable work of scholarship, which lays bare a nexus of forces that — if left unchecked — will surely destroy the future of life on Earth.” —David Wengrow
Cypria: A journey to the heart of Cyprus by Alex Christofi $28
Think of a place where you can stand at the intersection of Christian and Arab cultures, at the crossroads of the British, Ottoman, Byzantine, Roman and Egyptian empires; a place marked by the struggle between fascism and communism and where the capital city is divided in half as a result of bloody conflict; where the ancient olive trees of Homer's time exist alongside the undersea cables which link up the world's internet. In Cypria, named after a lost Cypriot epic which was the prequel to The Odyssey, British Cypriot writer Alex Christofi writes a deeply personal, lyrical history of the island of Cyprus, from the era of goddesses and mythical beasts to the present day. This sprawling, evocative and poetic book begins with the legend of the cyclops and the storytelling at the heart of the Mediterranean culture. Christofi travels to salt lakes, crusader castles, mosques and the eerie town deserted at the start of the 1974 war. He retells the particularly bloody history of Cyprus during the twentieth century and considers his own identity as traveler and returner, as Odysseus was. Cypria combines the political, cultural and geographical history of Cyprus with reflections on time, place and belonging. [New paperback edition]