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The Wax Child by Olga Ravn (translated from Danish by Martin Aitken) $40
It was a black night in the year 1620 when Christenze Krukow made the wax child, when she melted down beeswax and set it in the image of a small human. For days, she carried it tucked beneath her arm, shaping it with the warmth of her flesh, giving it life. She fashioned for it eyes and ears that cannot open, and yet — it watches and listens. It looks on as Christenze is haunted by rumour, it hears what the people whisper. It sees how, in the candlelight, she gazes with love at her friends, and hears the things they say in the shadows. It knows pine forest, misty fjord and the crackle of the burning pyre. It observes the violence in men's eyes and the cruelty of their laws. In time, it begins to understand that once a suspicion of witchcraft has taken hold, it can prove impossible to shake. Based on an infamous seventeenth century Danish witch trial, The Wax Child is a mesmerising, frightening vision of a time when witches and magic were as real to the human mind as soil and seawater. [Hardback]
”Olga Ravn is a master and an alchemist. There's nobody else doing quite what she does.” —Samantha Harvey
”I gulped The Wax Child down and dreamed wild dreams about it. Just brilliant.” —Max Porter
”Addictive and unsettling.” —Claire-Louise Bennett
”An instant classic that feels passed down from centuries ago and yet utterly unique, fresh, and modern. Another stunning, surreal journey from an author who seems to never disappoint.” —Jeff VanderMeer
”The Wax Child has emerged from an imagination that is wild, visionary, and absolutely original. It is beautiful, eerie, sublime, and, like a fingerprint or a snowflake, only one of its kind. Olga Ravn is a roof-raisingly brilliant writer.” —Neel Mukherjee
>>Fragmenting the novel.
>>Witch trials and wax narrators.
>>Everyone asks.
>>Where is the first person?
>>Books by Olga Ravn.
French Cooking for Two: Seasons of Friendship by Michèle Roberts $48
Friendship has its own distinctive seasons, constantly changing and evolving, just as the years revolve. Cooking for a friend, you can show your affection in a direct, practical way. Composing a menu to suit or intrigue a particular beloved person, you are demonstrating how well you understand and appreciate them. This book is divided into three overlapping seasons, following the 1929 classic La bonne cuisine by Madame Saint-Ange. In each section you will find dishes and suggestions appropriate to the season as well as ideas for particular seasonal moments, such as sardine sandwiches à la Colette, designed to be packed into bicycle baskets for picnics. These recipes are designed to be straightforward to follow so you can concentrate on your guest rather than dashing between stove and table. As with Roberts’s first cookbook, French Cooking for One, the book bursts with personal observations and anecdotes and is in itself a good friend to spend time with. [Paperback with French flaps]
Reviews of French Cooking for One:
”An enduring delight for readers and cooks alike.” —Nigella Lawson
”Mussel salad with ravigote sauce. Rabbit with mustard. Steak with bordelaise sauce. So many micro feasts, and every one of them nourishment for body and soul. Most of the recipes, short and uncomplicated, aim to deliver the perfect effort-to-taste ratio; if she has an Elizabeth David-like briskness on the page, she's also a sensualist, a part-time sybarite. But even if you're not in the mood for cooking, simply to read them is to encourage rumination. She is such a noticing writer, and in her hands you find yourself doing the same, a dowdy cauliflower suddenly beautiful, a slab of marbled meat a world unto itself.” —Rachel Cooke, Observer
”This slender volume insists that food for one should be simple yet delicious. Drawing on memories of her French grandmother's cookery, Roberts' recipes are elegant and — mostly — quick to prepare: celeriac croquettes, trout with almonds, or sausages with apples and cider. A delightful little book.” —Constance Craig Smith
>>French Cooking for One.
Autobiography of Death by Kim Hyesoon (translated from Korean by Don Mee Choi) $45
”I thought to myself that I needed to sing death, perform a rite for death, write death, then bid farewell to it. The way to send death away was to sing with my own death all the death in the sky and on the ground.”
The title section of Kim Hyesoon's visceral Autobiography of Death consists of forty-nine poems, each poem representing a single day during which the spirit roams after death before it enters the cycle of reincarnation. The poems not only give voice to those who met unjust deaths during Korea's violent contemporary history, but also unveil what Kim calls “the structure of death, that we remain living in”. Autobiography of Death at once re-enacts trauma and narrates death — how we die and how we survive within this cyclical structure. In this sea of mirrors, the plural 'you' speaks as a body of multitudes that has been beaten, bombed, and buried many times over by history. The volume concludes on the other side of the mirror with 'Face of Rhythm', a poem about individual pain, illness, and meditation. [Paperback with French flaps]
”In the grievous wake of the Sewol Ferry incident of 2014, the Korean poet Kim Hyesoon composed a cycle of forty-nine poems — one for each day the dead must await reincarnation — to produce a harrowing work of shock, outrage, and veneration for the children lost to this disaster. Through Don Mee Choi's extraordinary translations, we hear the clamorous registers of Hyesoon's art — a transnational collision of shamanism, Modernism, and feminism — yield 'a low note no one has ever sung before.' That otherworldly tone may sound like life itself, the poet sings, ‘for even death can't enter this deep inside me’.” —Griffin Prize Judges
>>Knives and carcasses.
>>A will left in the scribbles.
>>The female grotesque.
Garrison World: Redcoat soldiers in New Zealand and across the British Empire by Charlotte Macdonald $70
The pivotal year of 1870 brought down the curtain on the redcoat garrison world at both the metropolitan and colonial ends of the empire. In fewer than forty years, less than a lifetime, Aotearoa had gone from being a Māori world in which rangatira dominated, to a colony in which the settler state was in control of the economy, politics and people’s social destiny. Garrison World explores the lives of soldiers, sailors and their families stationed in Aotearoa New Zealand and across the British empire in the nineteenth century. Spanning the decades from 1840 to 1870, this major new history from Charlotte Macdonald places the New Zealand Wars within the wider framework of imperial power. It shows how conflict and resistance throughout the empire, from rebellion in India to the Morant Bay uprising in Jamaica, were connected to the colonial project in New Zealand. At the centre of this history are the thousands who served in the British military — from rank-and-file soldiers and bluejackets drawn from working-class Britain and Ireland, to officers from elite backgrounds who purchased their commissions. Their presence in New Zealand was vital to the imposition of imperial control, both during times of war and in the intervening years when the garrison underpinned a fragile settler economy and society. Through rich archival detail and personal accounts, Garrison World traces the structures, experiences and legacies of military occupation. Acknowledging the impact on Māori communities and whenua, the book offers a critical and unflinching account of how imperial authority was imposed — and often violently asserted. This is a compelling and significant contribution to understanding the reordering of power that shaped Aotearoa in the nineteenth century. Nicely presented and fully illustrated. [Hardback]
”Garrison World brings together the histories of soldiers, wars and physical violence with the appropriation of land and attacks on Indigenous culture so vital to settlement and colonisation. A story of the exercise of power, vividly told in part through the lives of the ‘redcoats’, those foot soldiers who provided the binding threads of imperial power.” —Catherine Hall, Emerita Professor of History, Chair of the Centre for the Study of the Legacies of British Slavery, University College London
”Charlotte Macdonald deploys formidable scholarship, lucid writing and pertinent images to create a spell-binding exploration of the intersecting lives of soldiers and civilians during the New Zealand wars. The result is a magnificently well-informed, readable and enthralling book.” —Atholl Anderson, Emeritus Professor, Australian National University; Adjunct Professor, Ngāi Tahu Research Centre, Te Whare Wānanga o Waitaha— University of Canterbury
”A large number of imperial soldiers and sailors were stationed in New Zealand in the mid-nineteenth century, but beyond their involvement in fighting, their wider impact has remained little understood — until now. Garrison World brings this history to light through impeccable scholarship and dazzling insight. An essential work for anyone interested in understanding our past.” —Vincent O’Malley, historian and author of The Great War for New Zealand: Waikato 1800–2000
”Richly illustrated and elegantly written, Garrison World is a pleasure to read. It offers a social history of the British army that looks beyond battles, focusing on the everyday lives and worldviews of soldiers and sailors. By tracing their role in New Zealand, India and Jamaica, the book reveals the deep interconnectedness of conquest, settlement and imperial power.” —Sekhar Bandyopadhyay, Emeritus Professor of History, Te Herenga Waka— Victoria University of Wellington
”A compelling account of the soldiers and sailors who were the cutting edge of British colonialism. This richly peopled history immerses the reader in the lives of these military men and illuminates how they reshaped New Zealand, with enduring consequences. It offers a critical new vantage point on our colonial past.” —Tony Ballantyne, Professor of History, Ōtākou Whakaihu Waka—University of Otago
>>Look inside.
Giving Birth to My Father by Tusiata Avia $30
”My father has been chipping himself down since he arrived here, he is half man and half vessel, readying for the journey to Hawaiki.” Giving Birth to My Father is about learning to live with a loss that seems simply too heavy to bear. First, Tusiata Avia tells the imagined story — the one of how things should go — followed by the story of what really happens. As her father travels through his last days and into the arms of his tupu'aga, transformed, the family gathers around him with their love and raw need, and their suffering turns to storm clouds. For Avia, his death is a beginning. Parent and child have switched places as the river carries them downstream, and she sees her father with new eyes. But this is also a time of not knowing to whom she belongs and where she will be welcome now. This is an extraordinarily rich poetic work about grief and renewal that will rearrange its readers. Giving Birth to My Father takes in a world of family and memory, including a sequence of poems about a much-loved brother as he faces a life-threatening injury. It is a book about ways of holding one another even after we are gone. [Paperback]
Minority Rule: Adventures in the Culture War by Ash Sarkar $39
We live under minority rule. But who is the ruling minority? Most of us are getting screwed over. Our world is defined by inequality, insecurity, lack of community and information overload. As the world burns, mega-corporations are reporting record profits. How are they getting away with it? 'Minority rule' is the term Ash Sarkar uses to describe the irrational fear that minorities are trying to overturn and oppress majority populations. In her eye-opening debut, she reveals how minority elites rule majorities by creating the culture wars that have taken over our politics, stoking fear and panic in our media landscape. Because despite what they'll have you believe, antiracist campaigners aren't actually silencing the 'forgotten' working class, immigrants aren't eating your pets, trans-activists aren't corrupting your children, and cancel culture isn't crushing free speech. In Minority Rule, Sarkar exposes how a strategic misdirection of blame over who is really screwing everything up is keeping the majority divided, while the real ruling minority of hedge fund managers, press barons, landlords and corporations remain on top. And it's facilitating one of the biggest power grabs in history. Most crucially, she shows us how what we really have in common is being concealed by a deafening culture of distraction — and that the first step towards a better future is understanding what is happening now, and how we got here. [Paperback]
”One of the boldest and most exciting thinkers of her generation.” —Naomi Klein
”Delivers its message with punch and panache. A joy to read.” —Guardian
”An exegesis of the playbook of the right. Sarkar is one of the most refreshing, salient voices on the left. For many progressives, the last decade has felt like something akin to a slow descent into madness, or falling victim to a collective, large-scale gaslighting campaign. With spectacular clarity and genuine wit, Sarkar puts her arm around their shoulders, offers a little tough love, and invites them to step out of the mist. If leftists feel they have been stumbling around in the darkness, Minority Rule flicks on the light.” —Standard
>>The future of politics.
Out of the Blue: Essays on artists from Aotearoa New Zealand, 1985—2021 by Christina Barton $50
In a collection spanning her career, highly regarded art historian and curator Christina Barton reminds readers of the art writer’s essential quandary: how to put the visual, material, sensory and temporal into words. “The project of art writing is at once argumentative and invested,” she writes, “self-doubting and ambitious, flawed yet with its own beauty (at its best).” Published in partnership with Te Pātaka Toi Adam Art Gallery, Out of the Blue gathers 37 essays devoted to artists from Aotearoa New Zealand. These are artists whom Barton — entering the art-writing fray in the 1980s, a time of widespread intellectual upheaval — has thought about, worked with and written for, from her first piece on artist and filmmaker Claudia Pond Eyley, published in 1985, to a foreword written in 2021 about sculptor Paul Cullen. They form a small but telling subset of her work, and provide readings that not only anatomise the nature of each artist’s work but also demonstrate the ideas that have been in play as art has unfolded here in Aotearoa. Artists discussed include Jim Allen, Edith Amituanai, Billy Apple, Bruce Barber, Shane Cotton, Bill Culbert, Pip Culbert, Julian Dashper, Bill Hammond, Louise Henderson, Frances Hodgkins, Zac Langdon-Pole, Maddie Leach, Vivian Lynn, Julia Morison, Kate Newby, Pauline Rhodes, Marie Shannon, Shannon Te Ao and Ans Westra. [Paperback]
”Out of the Blue offers readers generous insight into the evolution of one of Aotearoa New Zealand’s most respected art writers. What comes through for me – with unequivocal consistency – across the arc of time we travel in these essays, is Barton’s sheer love of art. This book stands as a testament to her enduring commitment to thinking and writing about art, and the complex nature of its entanglement with the world.” —Kirsty Baker
New Zealand Photography Collected: 175 years of photography in Aotearoa by Athol McCredie $90
xpertly curated, and showcasing images taken between 1850 and 2025, this book is an essential reference that honours artistic legacies and explores our identity as a nation. Together these photographs tell stories about life in this country from almost the earliest days of European colonisation and about how the practice of photography has evolved here. When it was first published in 2015, New Zealand Photography Collected was a landmark book, captivating audiences. In this fully revised and enriched edition, of the more than 400 images, almost half are new, reflecting the dynamic and increasingly diverse nature of the collection, allowing for previously unseen treasures, and enabling familiar works to be recontextualised with fresh insights. [Large-format hardback]
>>Look inside!
Hoods Landing by Laura Vincent $35
Rita considered the dead. Shut her eyes. Rolled their names around her brain. Stacked each person in order like folded laundry, warm and crisp from the sun. She wondered how her name would sound amongst them. In the rural reaches of Auckland, the women of the eclectic Gordon family gather for Christmas. They may push each other’s buttons, but know precisely when to offer tea (or a tipple). Rita, the 50-year-old baby of the family, is planning to tell them she has cancer. Drifting between past and present, she considers the lives of women in their community and reckons with what it all means for her future and her family. Featuring elderly lesbians, twins who aren’t twins, and several dogs named Roger, Hoods Landing is about shoddy pasts, ambiguous futures and the imperfect bonds that tie family together. [Paperback]
“This is a deeply affecting book. Vincent seamlessly and skilfully weaves the aesthetics of film, musical, opera, food and the occult to create a work about love and death like no other I can remember. This compelling work breaks new ground in the literary landscape of Aotearoa.” —Pip Adam
>>The best place to read, &c.
The Heretic of Cacheu: Struggles over life in a seventeenth-century West African port by Toby Green $65
In 1665 Crispina Peres, the most powerful trader in the West African slave trafficking port of Cacheu, was arrested by the Inquisition. Her enemies had conspired to denounce her for taking treatments prescribed by Senegambian healers — the djabaks. But who was Peres? And why was the Portuguese Inquisition so concerned with policing the faith of a West African woman in today's Guinea-Bissau? In The Heretic of Cacheu Toby Green takes us to the heart of this conundrum, but also into the atmosphere of a very distant time and place. We learn how people in seventeenth-century Cacheu built their houses, what they wore, how they worshipped — and also the work they did, how they had fun, and how they healed themselves from illness. Through this story, the haunting realities of the growing slave trade and the rise of European empires emerge in shocking detail. By the 1650s, the relationship between Europe, West Africa, and the Americas was already an old one, with slaving entrepots, colonies, and military bases interweaving over many generations. But Cacheu also challenged the dynamic. It was globally connected to places ranging from China and India to Brazil and Colombia, and women like Crispina Peres ran the town and challenged the patriarchy of empire. For the first time, through the surviving documents recording Peres's case, we can see what this world was really like. The Heretic of Cacheu is an extraordinary act of historical recovery. It is the story of a seventeenth-century West African woman, but also of the shifting, sophisticated world in which she lived — its beliefs, values and people. [Hardback]
”A stunning global history of West Africa, The Heretic of Cacheu weaves together the tragic histories of the Inquisition and the Atlantic slave trade. Drawing on archival research in three continents and presenting transformative new arguments in a profoundly moving narrative, with this new tour de force, Green confirms himself as the most innovative historian, writer, and thinker of his generation.” —Ana Lucia Araujo
Herscht 07769 by László Krasznahorkai (translated from Hungarian by Ottilie Mulzet) $40
The Nobel laureate’s breathtaking new novel about neo-Nazis, particle physics, and Johann Sebastian Bach. The gentle giant Florian Herscht has a problem: having faithfully attended Herr Köhler's adult education classes in physics, he is convinced that disaster is imminent. And so, he embarks upon a one-sided correspondence with Chancellor Angela Merkel, to convince her of the danger of the complete destruction of all physical matter. Otherwise, he works for the Boss (the head of a local neo-Nazi gang), who has taken him under his wing and gotten him work as a graffiti cleaner and also a one-room apartment in the small eastern German town of Kana. The Boss is enraged by a graffiti artist who, with wolf emblems, is defacing all the various monuments to Johann Sebastian Bach in Thuringia. A Bach fanatic and director of an amateur orchestra, he is determined to catch the culprit with the help of his gang, and Florian has no choice but to join the chase. The situation becomes even more frightening, and havoc ensues, when real wolves are sighted in the area. Written in one cascading sentence with the power of atomic particles colliding, Krasznahorkai's novel is a tour de force, a morality play, a blistering satire, a devastating encapsulation of our helplessness when confronted with the moral and environmental dilemmas we face. [Paperback]
"Krasznahorkai's work offers, to a degree rare in contemporary life, one of the central pleasures of fiction: an encounter with the otherness of other people. He's a universalist cut loose from the shibboleths of humanism." —Garth Risk Hallberg, The New York Times
"The best new novel I have read this year is written in a single sentence that sprawls over 400 pages. Herscht 07769 by the Hungarian genius Laszlo Krasznahorkai is an urgent depiction of our global social and political crises, rendering our impotent slide into authoritarianism with compassionate clarity. It is also a book whose timeliness derives precisely from the way its unusual style disrupts the ordinary literary mechanics of time. A masterful study in what it means to keep trudging through a world that is always ending but will not end." —Jacob Brogan, The Washington Post
>>Find out more about the Nobel Laureate in Literature.