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Lamento by Madame Nielsen (translated from Danish by Gaye Kynoch) $40
”Love doesn't have a language; it's an animal, it's theatre of cruelty, it's borderline madness, it's the sublime and is incapable of articulation. It's only long afterwards, once all hope is at an end and the two of you in a sense no longer exist, once you are dead, that it can be told.” Lamento is a love story that questions the possibility of reconciling the magic of infatuation with everyday life. The story begins with a fire — an image which permeates the novel. The narrator, a writer, meets a theatre artist; their love feels ecstatic and utopian, completely untouched by the outside world. With the birth of a child, the weight of the everyday turns their passion destructive. The woman fights for every minute she can to write, while the man abandons family life to focus on his art. Their private drama is further confronted by the jagged realities of colonialism and injustice, forcing them to see themselves as part of a violent history they cannot escape. As love turns to hate, we follow their restless search to understand the enigma of love. In a startling act of reverse auto-fiction, Madame Nielsen — a legendary figure of the Danish avant-garde — inhabits the voice of the woman she once loved to interrogate the man she once was. The result is an unsparing reconciliation of gender and memory, a lament that strips away self-pity to expose the narcissistic cost of creative obsession, and a meditation on how gender alters our experience of the world. [Paperback]
‘Reading Madame Nielsen’s masterfully written and haunting novel Lamento is like drowning in honey with a flail in your mouth.’ —Christian Kracht
‘Lamento: all one could ask from prose, and so much more. Razor-sharp, devastating, lucid – what a voice, what a generous gift to the English readers.’ —Maria Stepanova
‘In this searing work of autofiction, celebrated in the original Danish and now in a luminous English translation by Gaye Kynoch, Madame Nielsen places the artist’s life in a crucible and turns up the heat. By turns defiant and vivid, smouldering and tender, Lamento will captivate any reader who has ever had the misfortune to fall in love.’ —Nancy Campbell
‘A first-person novel about how it may have been to be married to the man she once was. Lamento is a genuinely sorrowful book, both self-obsessed and self-tormenting.’ —Information
>>AMy-former-self-as-not-my-former-self.
>>Who can say who I am and who you are?
>>The nameless man.
plastic by Matthew Rice $33
Set during a single twelve-hour night shift in a factory, plastic is a book-length poem exploring the life of the industrial worker turned poet. Bringing together memoir, ekphrasis and satire, plastic is based on Matthew Rice's experience working in a plastic moulding factory for ten years. Illustrating alienated twenty-first-century Irish labour in poetic form, plastic engages with the inflictions and implications of a 'post-industrial', 'post-Troubles' society, all while weaving in depictions of factory work from literature, film and the visual arts. Time-stamped to highlight the claustrophobia of the worker's experience, this is a poem about feeling a calling while being submerged in the world of menial labour — making plastic airplane parts by night, making poetry by day, uniting what Jacques Rancière calls the 'labourers in love with the intellectual nights' and those 'intellectuals in love with the toilsome and glorious days of the labouring people.' plastic's evocation and lucidity moves with grace through working class realities and hopeful imaginings. [Paperback with French flaps]
'In Matthew Rice's furiously everyday and erudite book, all senses of plastic are in play, but this is first of all a (seemingly autobiographical) study of the rigours of work in a plastics factory in the poet's native Northern Ireland.... In the end, [plastic] is also a poem about knowledge and art: the words and music and imagery that live alongside the night's labour, that make it bearable and at the same time highlight its violence.' — Brian Dillon, 4Columns
'This sardonic, bleakly moving book interrogates ideas of working-class masculinity and intergenerational trauma, with "hell as an idea of what work could be"; there are glimpses of hope in poetry itself, "the treasure buried in my father's field".' —Jennifer Lee Tsai, Guardian
'Whether Rice is observing the enforced machine-order of the production line, evaluating his own thoughts about cinema, music and literature, or empathising with the other workers, each individual short poem is a cherished fragment of perception seeking a moment of freedom from the tyranny of its time-stamp. The poems in plastic both honour and transcend their traditional factory setting, and remind us of how much there could be to gain in the dawning digital era.' —Carol Rumens, Guardian
'With cutting, spare elegance, passages of the long poem tangle with the complex and violent implications of petrochemical supply chains. I kept returning to this line, so apt for plastics: “I wonder for a moment if preservation means perishing in increments.”' —Frieze
>>Hell as an idea of what work could be.
>>Stealing time.
>>The poetry of labour.
And the Waves by Luoyang Chen $33
”Is poetry writing labour? Perhaps I am so damaged that I don't consider writing poetry labour. Every weekend I replenish myself by collapsing and every week I work within a system that is hideous and greasy, that remains ineffective in dealing with whatever it claims to tackle. Imagine this book is about Labour, imagine Labour is being seductive, alienating, and out of control, imagine being f**ked by Labour 24/7, imagine poetry is not Labour... Imagine this book is about 'and' and this book is about 'the waves'. I am essentially the system: ineffective, hideous, greasy... confused. I profit from the work I do, from the system that I am. Then I confront myself. Then I turn to poetry. And if I am successful, I want my poetry to resemble the way my body labours, like the waves, coming and keep coming. There seems no beginning nor end in labour. Across borders of gender, language, immigration, language, experience, and the lyric 'I', I position myself as a non-Subject that confronts Capitalism in my own turn/term.” Divided into five sections, And the Waves investigates the ethics of producing/'labouring' poetry. [Paperback]
On the Couch: Writers analyse Sigmind Freud edited by Andrew Blauner $40
W. H. Auden described Sigmund Freud as “a whole climate of opinion / Under whom we conduct our differing lives.” The controversial father of psychiatry and psychoanalysis, Freud charted the human unconscious, brought us the talking cure, and wrote books that now rank among the classics of world literature. In On the Couch, the analyst is analysed by some of today's writers and thinkers, who help us understand the man who has helped us understand ourselves as much, if not more, than anyone else, ever. The result is a fresh, multifaceted reassessment of Freud's continuing relevance and influence on ideas, literature, culture, science, and more. Here, Colm Tóibin writes about Freud, World War I, Henry James, and Thomas Mann; Adam Gopnik explores Freud's Civilisation and Its Discontents; Susie Orbach considers Freud's 'ordinary unhappiness' and D. W. Winnicott's 'good enough'; Jennifer Finney Boylan reflects on penis envy and gender identity; Peter Kramer describes how new science and drugs have revolutionised psychology since Freud; Susie Boyt, one of Freud's great-granddaughters, spends the night at the Freud Museum in London; Siri Hustvedt examines Freud's divided reception today; and there's much more. On the Couch offers an original and nuanced portrait of Freud as a complex figure who, for all his flaws, forever changed how we see ourselves and the world. Original contributions by Andre Aciman, Sarah Boxer, Jennifer Finney Boylan, Susie Boyt, Gerald Early, Esther Freud, Rivka Galchen, Adam Gopnik, David Gordon, Siri Hustvedt, Sheila Kohler, Peter D. Kramer, Phillip Lopate, Thomas Lynch, Daphne Merkin, David Michaelis, Rick Moody, Susie Orbach, Richard Panek, Alex Pheby, Michael S. Roth, Casey Schwartz, Mark Solms, Colm Toibin, Sherry Turkle. [Paperback]
Your Life Without Me by James Meek $38
Mr Burman is unmoored. Still reckoning with the death of his wife Ada, and struggling to understand his grown-up daughter Leila, he finds himself on a train to London, at the invitation of the police. He is to meet Raf, a young man suspected of trying to blow up St Paul's cathedral — and a man once intimately connected with the Burman family. Have the police laid a trap? This compelling and compassionate novel follows Mr Burman's journey towards the mystery of a radical act and into the true nature of his own family. It asks what a person leaves behind when they've gone, and how much of the past we can carry with us into the future. The long-awaited new novel from the author of The People’s Act of Love. [Paperback]
”James Meek is one of our most consistently brilliant and thought-provoking writers. This is his best novel yet — a dark and unsettling meditation on marriage, fatherhood and architecture. Every page rings with deep truth.” —Alex Preston
”Unsettling and boasting a haunting twist, this is one of our great prose writers on guilt, complicity and forgiveness.” —Observer
”James Meek is a master of the art of the stealthy narrative, and his keen intelligence and alertness are evident on every page of his new novel. Heart-breaking.” —Rupert Thomson
”our Life Without Me follows a retired schoolteacher as he tries to discover whether it was his influence that landed a favourite former pupil in prison for a radical act of destruction. A novel that is a profound and unsettling take on modern life by a writer at the top of his game.” —Kirsty Lang
>>The links between personal trauma, family dysfunction, and political violence.
Awake Awake by Fiona Mozley $38
Mary is struggling with her memory. She does not have too few recollections but too many, including some that are downright absurd. She has many memories of her childhood: going to parties and on school trips, walks with her father and family dinners. She remembers world events too: the falling of the Twin Towers and the Iraq War. But the most concerning memories she has are about her Jewish grandfather and his role in the death of Adolf Hitler. She feels sure — almost completely sure — that what she has been told can't be true, that she must have imagined the whole thing. But there is a doubt. To decipher fact from fiction, Mary goes back over her life, sorting through her childhood and adolescence with her three friends in York, through an adulthood accustomed to tragedy. Guided by her family and friends, Mary attempts to figure out what is real, both in history and her own life, all the while wondering if her mind has conjured everything. [Paperback]
”An incredible achievement, a story of friendship, memory, loss, and moral duty unlike any I've read before . Every character and storyline could be its own novel and yet they come together so thunderously and convincingly. It blew me away.” —Dina Nayeri
”A unique, visionary novel about the toll of memory and the power and fragility of the human heart and mind. Fiona Mozley gives a masterclass in the novel form, showing just how much room for invention we still have. I couldn't put it down.” —Kim Sherwood
”A warm, kindly and beautifully written novel about growing up in a family and in history, about inconvenient memory and haunted repression.” —Sarah Moss
”On the one hand, a clarion call — a clear-eyed view of contemporary moral and political failure in the UK — and on the other, an assembly of engrossing philosophical and metaphysical engagements with the nature of memory. A fascinating read.” —M John Harrison, Guardian
>>In pursuit of false memories.
Borrowed Land: A Highland story by Kapka Kassabova $55
rom the powerful rivers that bring life and prosperity; to the Pictish cairns, undisturbed for centuries; to the meadows of bluebells, where deer emerge, God-like, in a flash, Kapka Kassabova reveals a world that has been abused, but remains achingly beautiful and alive. In the Highlands, centuries-old connections between the land, nature and people have been, and continue to be, shaken by the forces of colonialism, industry, depopulation, and private property speculation. Borrowed Land tells the stories of those who are working against this disconnect: the last true Highlanders fighting to preserve their home. An extraordinary portrait of the Scottish Highlands, this is an epic and urgent story of destruction and renewal, told through encounters with some of the last true Highlanders. [Hardback]
”Combines the detail and intimacy of boots on the ground reportage with the universality of a dark fable. This is a Highland story, but also a global story — a poetic and haunting anatomy of what happens when a world is addicted to extraction.” —James Crawford
”To read Borrowed Land by Kapka Kassabova is to understand what it means to slip one's skin and become a river, a forest or a mountain. This mesmeric and intimate testimony becomes a defiant dreamlike thrum of resistance to corporate greed. Brilliant, daring and urgent.” —Sally Huband
”This is a hugely important, and timely, book. It has filled me with anger and despair, as well as a good deal of hope.” —Angus Peter Campbell
”Essential and revelatory reading. It's full of quiet rage on behalf of the old land — and the health and dignity of the humans that live there — being destroyed by industrial capitalism. It's a wake-up call that exposes the great lie of a profit-driven corporate decarbonisation. Kapka's writing is ferocious and instinctive, and my copy is full of underlined passages and folded corners, so much is there to treasure.” —Kerry Andrew
Digging Deep: Women on New Zealand’s goldfields by Julia Bradshaw $60
The goldfields of nineteenth-century Aotearoa New Zealand have long been talked and written about as almost exclusively male places. Many historians have either ignored women completely or mentioned them only as wives or as prostitutes. But they could and did make their way to these tough, unforgiving environments, often very early on, and not just as the givers of sexual favours, either via marriage or for money, but as adventurers, entrepreneurs and, most of all, as survivors. Until now too little has been known about these remarkable women, who journeyed to Golden Bay, Otago, Marlborough, the wild West Coast and the Thames — or, in the case of Maori, were often already on the fields. But this ground-breaking book changes all that. Based on 30 years of extensive research, Digging Deep tells the stories of the women who set up stores, ran (and often owned) hotels and became wealthy businesswomen, who worked as barmaids and dancers, who raised their children in challenging conditions, sometimes as widows or deserted wives, and who were miners themselves. There were characters aplenty, including Porpoise Maria, Sugar Annie, Dirty Mary and the notorious Mrs Swords, but also many women who were victims of alcoholism and illness or suffered the trauma of rape and the shame of unwanted pregnancy. In Digging Deep Julia Bradshaw has given a voice to the fascinating and forgotten women of the New Zealand goldfields. This lively account, rich in memorable images, fills a long-neglected and significant gap in the social history of our country. Fully illustrated. [Flexibound]
>>Look inside.
Salt Quilt by Airini Beautrais $30
Salt Quilt is a portrait of an uneasy stretch of time. The poet looks back at various episodes of her life and then far ahead, to other lives and ways of seeing. She sheds cynicism, celebrates some constraints and rejects others, and keeps rewriting the endings. Poetry has saved her more than once. On the inside maybe she is becoming a 1980s self-help guy. Many of these poems are a lyric archive of the times and places that still hold their charge. Many are about the aliveness of things we take for granted. Out of the wild medley of experience, and all of this living, dying and losing, comes something fertile and growing. [Paperback]
‘Beautrais writes with a luminous, matter-of-fact intelligence about life’s disappointments, and also life’s consolations, with a level of care and attention that is in its own way a kind of liberation.’ —Noelle McCarthy
>>A relic from the Depression.
The House With Nobody In It by Jon Klassen $25
Here are all the things in this house: a chair, a clock on the wall, a stool, a lamp. And more. What’s missing from this house? Somebody. This is the house with nobody in it. Well, there might be something . . . A saitisfying board board book, this story takes young ones through a recognisable, cosy house, while die cuts introduce just a hint of precarity. This is the house with nobody in it—or is it? Very gently spooky fun [Board book]
>>Look inside the house!
Rome: Classic Recipes from the Eternal City by Lucia Tersigni and Audrey Cosson, with photography by Emanuela Cino $60
Italian food is consistently ranked one of the most popular cuisines in the world and this book contains many of the classics Italian food is known for, from bruschetta al pomodoro to spaghettoni à la carbonara and penne all'arrabiata. The book also has stunning photography of Rome and its environs. With the inclusion of every essential, authentic recipe made easier than ever before, and restaurant recommendations off the traditional tourist path, Rome transports readers to all the delicious sights, smells and flavours of Italy's oldest city.
>>Look inside.