BOOKER PRIZE 2025 — The short list!
Read what the judges said about each of the books on this year’s short list, and then click through to our website to find out more and to get your copies. We will dispatch your books by overnight courier or have them ready to collect from our door in Church Street, Whakatū.
Flashlight by Susan Choi
Judges’ citation: ”Flashlight is a sprawling novel that weaves stories of national upheavals with those of Louisa, her Korean Japanese father, Serk, and Anne, her American mother. Evolving from the uncertainties surrounding Serk’s disappearance, it is a riveting exploration of identity, hidden truths, race, and national belonging. In this ambitious book that deftly criss-crosses continents and decades, Susan Choi balances historical tensions and intimate dramas with remarkable elegance. We admired the shifts and layers of Flashlight’s narrative, which ultimately reveal a story that is intricate, surprising, and profound.”
The Loneliness of Sonia and Sunny by Kiran Desai
Judges’ citation: ”This novel about Indians in America becomes one about westernised Indians rediscovering their country, and in some ways a novel about the Indian novel’s place in the world. Vast and immersive, the book enfolds a magical realist fable within a social novel within a love story. We loved the way in which no detail, large or small, seems to escape Desai’s attention, every character (in a huge cast) feels fully realised, and the writing moves with consummate fluency between an array of modes: philosophical, comic, earnest, emotional, and uncanny.”
Audition by Katie Kitamura
Judges’ citation: ”This novel begins with an actress meeting a young man in a Manhattan restaurant. A surprising, unsettling conversation unfolds, but far more radical disturbances are to come. Aside from the extraordinarily honed quality of its sentences, the remarkable thing about Audition is the way it persists in the mind after reading, like a knot that feels tantalisingly close to coming free. Denying us the resolution we instinctively crave from stories, Kitamura takes Chekhov’s dictum — that the job of the writer is to ask questions, not answer them – and runs with it, presenting a puzzle, the solution to which is undoubtedly obscure, and might not even exist at all.”
The Rest of Our Lives by Benjamin Markovitz
Judges’ citation: ”When Tom Layward’s wife cheated on him, he stayed for the children but promised to leave when his youngest turned eighteen. Twelve years later, Tom drops his daughter off at college, but instead of driving back to New York he heads west. What follows is a remarkably satisfying road trip full of strangers, friends, and self-discovery. It’s clear author Ben Markovits has spent time teaching. This novel speaks like a much-loved professor, one whose classes have a terribly long waitlist. It’s matter of fact, effortlessly warm, and it uses the smallest parts of human behaviour to uphold bigger themes, like mortality, sickness, and love. The Rest of Our Lives is a novel of sincerity and precision. We found it difficult to put it down.”
The Land in Winter by Andrew Miller
Judges’ citation: ”In the depths of Britain’s coldest winter, two neighbouring women forge a friendship in the countryside. It’s 1962 and they have both just become pregnant. Around them, the men are struggling: maimed by father figures, haunted by the past, hampered by the destructiveness of their own desires. As a winter storm wreaks havoc on their lives, these characters become pivotal figures in a community precariously balanced between history and future: between the damage wrought by the war and the freedom for women that lies ahead. In beautifully atmospheric prose, Andrew Miller brings suspense and mystery to this seemingly inconsequential chapter in British history.”
Flesh by David Szalay
Judges’ citation: ”David Szalay’s fifth novel follows István from his teenage years on a Hungarian housing estate to borstal, and from soldiering in Iraq to his career as personal security for London’s super-rich. In many ways István is stereotypically masculine – physical, impulsive, barely on speaking terms with his own feelings (and for much of the novel barely speaking: he must rank among the more reticent characters in literature). But somehow, using only the sparest of prose, this hypnotically tense and compelling book becomes an astonishingly moving portrait of a man’s life.”
