The Republic of Consciousness Prize recognises the vital role of small presses (those with fewer than five employees) in bringing excellent and often sidestream fiction to publication. There are always new and satisfying discoveries to be made on this list. Small presses enlarge the gene-pool of literature, allowing new possibilities and evolutions. Read what the judges have to say about the short-listed books this year, and make your selection. Books can be dispatched by overnight courier or collected from our door.
CÉLINA by Catherine Axelrad, translated by Philip Terry (Les Fugitives) $38
“Célina is a quiet book, written with great integrity. It tells the story of a young woman, born into poverty, who works as a maid in the household of Victor Hugo. In restrained and unsentimental prose it illuminates lives forgotten by history.”
In the late 1850s, Célina, a young girl aged fifteen, takes up work as a maid for the Hugo family in Guernsey. There she encounters the delicate balance between the professional and the personal, and the obligations upon her as her livelihood is at stake. Célina navigates a life of hardship and loss, but not without crucial moments of pleasure and pride. In a voice full of the innocence of youth, yet studded with fine observations about her surroundings, her perspective offers a nuanced, potentially challenging portrait of the man and the artist. Axelrad's fictional account is based on cryptic notes found in Victor Hugo's diaries as well as letters from his wife.
”Pitch-perfect, and so light yet so profound. All of Axelrad's books have at their centre a silent, vulnerable young woman, but also one who is tough and resilient, totally unsentimental but deeply responsive and actually very intelligent. How such a person emerges out of such apparent silence is the wonder of her work. Célina is as quiet and devastating a novel as I have read in a long time. Unforgettable.” —Gabriel Josipovici
”Living in exile in the Channel Islands, the irrepressibly philandering author of Les Misérables went through what is called his ‘Chambermaid Period’. In this moving short novel, Catherine Axelrad gives us the great man and his retinue, his house and his mania for Gothic décor, the island and the threatening sea, all through the eyes of a chambermaid—not a fantasy maid, but the real girl from Alderney whose death in 1861 saddened the whole Hugolian establishment. The poverty, ill-health and exploitation of working folk and especially of the young girls who are brought to life here deepen the understanding of what Hugo’s great novel was really about. In this lively translation by Philip Terry, Axelrad’s portrait of a normal yet unique Victorian household seen from ‘downstairs’ is a true gem.” —David Bellos
HOW TO LEAVE THE WORLD by Marouane Bakhti, translated by Lara Vergnaud (Divided Publishing) $40
“An urgent, bleakly funny, fragmentary account of displacement, queer desire, and finding a place in the world. Using a collage technique, Bakhti has produced an outstanding novel about identity and endurance.”
Everyone is asking about his identity. Gay? Muslim? French? Moroccan? Instead of choosing a side, he writes a book. A book about the forest and the city, Paris and Tangiers, shame and forgiveness, dating apps and spiritual discovery. A book about growing up as a diaspora kid in rural France, with desires that want to emerge at any cost. Told in mesmerising prose, How to Leave the World is a beautiful non-answer.
THERE’S A MONSTER BEHIND THE DOOR by Gaëlle Bélem, translated by Karen Fleetwood and Laëtitia Saint-Loubert (Bullaum Press) $42
“A rollicking, sardonic picaresque set on the French outpost of La Réunion in the. 1980s. The novel has important things to say about colonialism and society, but it’s also tremendous fun — darkly funny, acerbic, energetic. There’s scarcely a dull moment on the page, and the translation is remarkably slick.”
The name Dessaintes is one to reckon with. A bombastic, violent and increasingly dangerous clan, little do they know that their downfall is being chronicled by one of their own. This is La Reunion in the 1980s: high unemployment and low expectations, the legacy of postcolonialism. One little girl makes a bid for escape from her sadistic parents' reign of terror and turns to school for salvation. Rich in the history of the island's customs and superstitions, and driven by a wild, offbeat humour, this picaresque tale manages to satirize the very notion of freedom available in this French territory, and perhaps even the act of writing itself and where it might lead you. Also listed for the 2025 International Booker Prize.
”A tour-de-force as volcanic as the little island of La Reunion, a tiny sliver of France marooned in the Indian Ocean, ‘a heap of rubble on the edge of the world’. The narrator of Gaëlle Bélem's novel, a little girl no-one wanted, the unloved daughter of the Dessaintes, is determined to be someone, to tell the story of her family, and through them the story of an island founded on slavery, poverty, cruelty and superstition with a caustic wit and a keen eye. It is a tragi-comedy worthy of Zola, candid and unflinching, yet shot through with humour and poignancy and even a glimmer of hope. Belem's novel is a joyous discovery and in Laetitia Saint-Loubert and Karen Fleetwood she has found translators alert to the nuances of French and Creole and to the poetry threaded through this startling debut.” —Frank Wynne
INVISIBLE DOGS by Charles Boyle (CB Editions) $36
“An offbeat, elegantly written tale about two authors marooned an exchange programme in an unnamed totalitarian country. The narrative voice is great company, by turns droll, plaintive and ruminative. It’s whimsical but controlled, and surprisingly compulsive for a largely plotless novel.”
Invisible Dogs is the travel diary of an English writer invited to a country in which there are no dogs – but he keeps seeing them, vanishing around corners. There are rumours of dogs gathering in the mountains, preparing for an assault on the city.
”Invisible Dogs is such a direct, lucid text that the reader might mistake it for a simple record of a visit to an authoritarian country. But Boyle’s wry and wiry prose, an invisible dog in itself, makes an eye contact you can’t break and produces thereafter a quietly deadly picture of the viewed and the viewer, the destination and the traveller.” —M. John Harrison
”Funny, sinister, thought-moving like light, subtly then increasingly terrifying. Its intelligence reads like relief. Its determination not to language- or life-launder leaves it and the experience of reading it clean and cleansing re the shining and the very dark and the strangeness of us.” —Ali Smith
MOTHER NAKED by Glen James Brown (Peninsula Press) $38
“Set in the fifteenth century and narrated by an irrepressible bard called Mother Naked, this novel is bawdy, funny and tragic. The voice of Mother Naked is entirely authentic. Both an entertaining read and a serious work of historical fiction.”
The City of Durham, 1434. Out of a storm, an aging minstrel arrives at the cathedral to entertain the city's most powerful men. Mother Naked is his name, and the story he's come to tell is the Legend of the Fell Wraith: the gruesome 'walking ghost' some say slaughtered the nearby village of Segerston forty years earlier. But is this monster only a myth, born from the dim minds of toiling peasants? Or does the Wraith - and the murders - have roots in real events suffered by those fated to a lifetime of labour? As Mother Naked weaves the strands of the mystery — of class, religion, art and ale — the chilling truth might be closer to his privileged audience than they could ever imagine. Taking its inspiration from a single payment entered into Durham's Cathedral rolls, 'Modyr Nakett' was the lowest-paid performer in over 200 years of records. Set against the traumatic shadow of the Black Death and the Peasant's Revolt, Mother Naked speaks back from the margins, in a fury of imaginative recuperation.
”Exhilarating, freewheeling, brilliantly plotted and politically scathing, Mother Naked is a tour de force of language and style, and absolutely a novel for our times.” —Preti Taneja
