Planet Earth needs us and we need it. In the news every day there are stories of climate devastation, whether this is the latest storm to tear through a community, refugees searching for environmental and economic stability, food insecurity, or the decline of animal, insect, or plant species. This is the world young people face and this can be overwhelming. The books selected here are antidotes: each is a positive and engaging call to action that embraces nature and our relationship with it.

For teens and upwards, Elizabeth Kolbert’s H is for Hope investigates climate change in an A-Z format. Kicking off with Arrhenius who created the world’s first climate model in 1894 to Z associated with the familiar term Ground Zero and what this means, this book is packed with information, history, facts and ideas. In between A and Z there are O for Objections, P for Power, U for Uncertainty, W for Weather, and of course, H is for Hope. Kolbert’s knowledgable and enquiring text is matched with super illustrations by Wesley Allsbrook. This publication is ideal for 12 up and right through to adult readers. Inspiring and alarming, these 26 pieces are accessible, lightly written without losing gravitas, and empowering.

If you are looking for something a little less confronting for younger readers, The Big Book of Belonging provides a delightful child-centric observation of us and our place in the natural world. Here on the page, a child can see themselves as a person that belongs on the planet along with animals, insects and plants.
Yuval Zommer in word and image allows a child to see how nature works, the similarities between humans and other species, why community and home matter, the wonders of the natural world, and the importance of celebrating as well as nurturing this relationship with the Earth. Sweet, gentle and quietly advocating for cooperation, The Big Book of Belonging, ideal for 4-7 years, is perfect for the next generation of environmentalists.

And if rewilding is your jam, you can’t go past Steve Mushin’s Ultrawild. Winner of the Elsie Locke Non-Fiction Award in 2024, this is the best climate change/science/natural history book that I have come across in publishing in Aotearoa, ever!
So much fun, so inspiring and as the subtitle says — audacious. Part-graphic novel, part-infometrics, completely packed with ideas, facts, action and inventions, Ultrawild is inspiring, zany, and creative. This is the book that every kid (and a few adults, too!) should have under their arm, by the bed, on the sofa, and out in the wild (urban wilderness, suburban scape, backyard or apartment deck) every day, everywhere, problem-solving for a better future. Genius!

Graphic novels are an excellent way not only into books for children, but also into social issues and history. With excellent illustrations and styles of drawing to please a variety of tastes, we are always on the lookout at VOLUME for graphic novels that will engage young people in the world, in narrative, and in the wonder of the written word and art on the page.
Here’s a selection of recent titles to pique your curiosity:

Song of a Blackbird, from Dutch author and illustrator Maria van Lieshout, is a skillfully told story of famlly history, the trials of surviving World War II in Europe, and an emotional journey for a young woman trying to help her Oma. Armed with only a few photographs of buildings in Amsterdam, Annick (in 2011) must unpick the mystery of her Oma’s childhood to save her life. A two-handed story, the other strand of this story is set in wartime Holland. It’s 1943 and everything is changing for Emma as she embarks on a dangerous mission right under the noses of the Nazi soldiers. Song of a Blackbird has striking two-tone illustrations with splashes of colour complemented by black-and-white historic photographs. This is a powerful story of courage, compassion and resistance.

Taking another episode from history is Pearl by Sherri L. Smith and Christine Norrie — another dual-time novel. This time we are in Japan in the 1940s with Amy, a Japanese American girl born in Hawaii, sent to visit her ailing great-grandmother. After Pearl Harbour is bombed Amy is stuck in Japan, where she is conscripted by the military to be a Monitor Girl listening in and translating U.S. radio messages. The other story thread is the one her great-grandmother tells her: the Japanese annexation of the Ryukyu Kingdom in Okinawa in 1879. Both are stories of survival and hope, and for Amy, identity, the conflict of being both Japanese and American. Christine Norrie’s illustrations capture the confusion and emotion of the situation, and the sharp singular colour palette has great impact.

Young Hag is another wonderful publication from the pen and wit of Isabel Greenberg. This delightful coming-of-age story takes us into history, into the drama of Arthurian legend. Here we will encounter tales of tales of Merlin, the Lady of the Lake, King Arthur, Morgan le Fay, and Lancelot. Here there is a changeling that needs returning to the Otherworld. The Ancient Crone has left a door open. The magic is leaking through. Young Hag, one of the last real witches in Britain, must find her magic to reverse a wrong. But can she do it? With glorious illustrations, an irrepressible heroine, and a wonderful feminist retelling of Arthurian legends, who could resist this book?

Oliver Wormwood is struggling to find a Trade. His five older sisters are all amazing. One is a mage, another a lawkeeper, Willow is a ranger, another a blacksmith and the first-born an explorer. All roles his father admires. Oliver isn’t great at any of them. The Calling day is not going well, and the last option presents itself with the late arrival of the librarian. Oliver’s life is about to change. It’s not the most daring Trade. Or so he thinks…. Day one in the Library, the head librarian drops dead in mid-sentence, there are cats that appear from nowhere, and the books seem to have a life of their own! This job may not be as dull as Oliver thought! And in fact a bit more dangerous than anticipated. But can he survive the day!
There are strange comings and goings, complicated enquiries, and much to learn about the returns system, the bookworms (large and hungry) who come out at night, the bats, and the hoovering books! Luckily, Oliver isn’t completely on his own. There’s a girl called Agatha who lives in the library and knows her way around, willing to give Oliver a helping hand. Yet there’s something odd about her. One moment she’s there right beside him, and at other times nowhere to be seen. There are also the cats, all with their distinct personalities and, as Oliver finds out, usefulness. One is a great guard cat, another adept at being ferocious (handy for beasts that accidently come out of books, and a pesky firedrake!), while others are great company. Even as Oliver settles into his daily tasks, things are far from plain sailing. There are thieves sneaking through the aisles, powerful books to protect, and other books that need to be handled very carefully. In this library what it says on the cover really does count; — Death by a Thousand Papercuts, anyone?
When several murders happen in or near the library, it’s time for Oliver to put his mind to the task, and solve the mystery. But who can he trust? Is the murderer in his midst? Where does Agatha dissappear to? Who is the stranger Simeon Golightly and what is he looking for? Why are some of Oliver’s sisters popping in to see him at the library? Just being friendly, or is there something else afoot? Or has a magical creature escaped its covers and gone on the rampage?

This is a highly enjoyable, amusing tale with plenty of twists and turns, with an excellent cast of brilliant characters, both human and animal. Oliver is the best friend for anyone who has ever doubted themselves, as he discovers talents he least expected and that being yourself is a good thing. If you like a book set in a library with cats, daring escapades, and magical books, The 113th Assistant Librarian will be perfect!

From adventures across untamed landscapes, to shapeshifting creatures, to kids finding their way and their culture, here is a selection of best-sellers from VOLUME for 9-14 year olds. These engaging books light the fire of the imagination. They encourage curiosity, understanding and empathy. Some are standout adventures, while others quietly reveal.

Award-winning author Stacy Gregg won the Margaret Mahy Book of Year at last year’s children’s book awards for her superb Nine Girls. This was an important book for Gregg and was a departure from her highly polished pony club titles. Here the author has skin in the game; — it’s her childhood, and her journey in te ao Māori which resonates on every page giving this adventure story that extra bite. But it is the protaganist, Titch, who will stay with you. It’s the late 1970s and Dad has been made redundant. It’s time to pack up and move from Remuera to Ngāruawāhia — a culture shock for TItch and her sister, but also the stuff of holidays and relatives with tall tales. One tall tale takes hold: Gold!
Nine Girls is a coming-of-age story about family, culture and friendship. It takes on big issues like racism, the emotional challenges of illness, and facing death. And with the brilliant Titch at the centre and Gregg’s masterful story-telling this is an absolute winner.

I can’t stop recommending Brown Bird by Jane Arthur. I love this book. Rebecca is the best timid character and Brown Bird has flown straight into the realm of a VOLUME Favourite. Why? One: there’s a map! Two: there’s the wonderful Rebecca and the delightful Chester. Three: Brown Bird is a story about friendship. Four: It’s a spot-on depiction of that moment in childhood — Rebecca is eleven — when things change, emotionally and physically. Five: It deals with emotions with honesty and care. Rebecca’s anxiety and frustration is all there and well articulated, but so too is her kindness and tenacity. Six: I love the quietness of Brown Bird. It’s a book that draws you in, lets you think, and also makes you smile. And Seven: It’s sweetly written. Brown Bird is an excellent book for anyone who’s taken a while to believe in themselves.

The Mapmakers’ Race by Eirlys Hunter is a superbly well-paced adventure. Meet the Santander family - explorers and mapmakers. When Ma misses the train, Sal, the twins Joe and Francie, along with young Humphrey, are on their own, making their way to Grand Prospect as entrants in the Great Mapmakers' Race, a competition to map a railway route through the uncharted wilderness from Grand Prospect to the port at New Coalhaven. The fastest team wins the prize, and the best map, the grand prize, will become the new railway. And all this needs to be done in 28 days!
A highly enjoyable read-aloud or keep-to-yourself. The Mapmakers’ Race will have some children reaching for ink and paper to become wondrous mapmakers, and others out in the wilderness, exploring and making tracks. Charming, exciting and just a little dangerous.  
And there’s a sequel! The Uprising brings us more daring;—this time high up in the mountains of Cruxcia with villians and unlikely heroes, and an environmental scam to scupper!

Ella loves horses. She loves her gran Grizzly and her home in a southern rural town. She’s most at home on her pony Magpie cantering across the hills, especially at her favourite time of the day — the grimmelings — a time when magic can happen.
The Grimmelings is a gripping story of a girl growing up, of secrets unfolded, and a vengeful kelpie. Like her equally excellent previous children’s book, Red Rocks (now an exciting TV series), King cleverly entwines the concerns of a young teen with an adventure story steeped in mythology. In Red Rocks, a selkie plays a central role, here it is the kelpie. The beauty of The Grimmelings lies in its adventure and in the courage of a girl and her horse, who together may withstand a powerful being, and maybe even break a curse! Laced with magical words, intriguing mythology, and plenty of horses, it’s a compelling and emotional ride.

There are new children’s books arriving at VOLUME every week. Here are a few we think you might like.

You will love Clive. He’s adorable. Friendly and gentle, Clive loves playing with his friends and exploring the world. It’s all about hats and plenty of imagination in this boardbook, Clive and his Hats. A sunny yellow hat for wearing in the sandpit, a pointy black magic hat for showing his tricks to Moshi the cat, or out in the rain in his best red fire-hat-and-coat set complete with red gumboots! There’s dress-ups and party hats, a special hat for the art gallery, and delightful tall-eared hats for when you being a rabbit. The Clive books by Jessica Spanyol are gentle and affectionate. They avoid gender stereotypes and celebrate diversity, encourage sharing and the joy of play.

A goodnight book about dreaming and the wonders of a world at night. With its atmospheric colour palette of bluey green with little flashes of contrasting orange, Mr Moon Wakes Up captures a warm gentle night with a full moon perfectly. Here are the long shadows and soft shapes, here are magical creatures in the garden and in the sky. A child bemoans the fact that Mr Moon is always asleep. Too sleepy to do puzzles, play hide-and-seek, or hear exciting adventure stories. But what if Mr Moon is awake when you’re asleep? And so begins a wonderful night of magic and mazes, and of seeing the world anew. This charming story, written and illustrated by Jemima Sharpe captures a similar mood as the classic The Moon Jumpers — it is dreamily illustrated and sweetly written.

How to be a champ when you’re not like the others? Iranian author Payam Ebrahimi started writing stories when he was five, and kept writing through school and study, and work, and various occupations, and luckily for us still keeps writing stories. And luckily for us this one, Champ, is ably translated by Caroline Croskery and illustrated by internationally recognised artist Reza Dalvand. Abtin is the misfit of the Moleski family. Every single member of the family is a champion obsessed with sports and winning. Their portraits hung on the wall, medals adorn their chests. They eat heartily and train all day. Abtin isn’t interested in winning, and his dreams are quite different. The excellent illustrations by Davland add further layers to the humour and pathos of Ebrahimi’s text. This is a powerful story about being yourself in the face of adversity and the pressure to conform. Perfect for the champ in us all, and when we need a little courage!

There are new children’s books arriving at VOLUME every week. Here are a few special ones we think you might like.

Let’s Go Ruru! , written and illustrated by Kate Muir, is a bilingual sturdy board book with lift-the-flaps, bright colours, and bold images perfect for a small one. The text uses repetition and rhythm to keep small ones engaged, and there’s a handy pull-out pronunciation guide. Join the sweet ruru to get dressed ready to venture out.

Little Pea is adorable (the brainchild of Davide Cali, charmingly illustrated by Sébastien Mourrain). In this story, Little Pea, the great artist of postage stamps, opens a drawing school. Creatures come from far and near to study in the hollow of a large tree. Some have no drawing experience, others are confident, some are hestitant. Cricket is careful, worm more free-flowing, while Tarantula just draws dots — no matter what the assignment! The end of year exhibition is approaching and a surprise awaits! Little Pea’s Drawing School is a book that celebrates individuality, learning from each other, and the joy of creativity.

The Magic Cap is absolutely wonderful! With its beautiful illustrations by Charlotte Parent and its charming story by Mireille Messier, this is a standout picture book. It is kind and gentle, intriguing and magical, and compliments these characteristics with a hint of humour. It has a folktale atmosphere, set in a forest with sweet woodland creatures, and the rumour of magical beings. When the children’s pet hedgehog Crispin falls ill, Isaura and Arlo do everything they can to make him better. Nothing works. Magic is what they need! They have to find a gnome! Into the forest they go bowl of milk in their hands. The woodland creatures like it. They try wild berries, but a greedy toad eats them all. What’s left to forage? A mushroom — that’s all! Will it work?

Gavin Bishop’s books have been adored by generations of children. With numerous awards to his name and books ranging from Look!, for tiny tots, to Aotearoa, suitable for the whole family, his superb illustrations and excellent stories are delightful and informative. So it’s wonderful to see some of his earlier books back in print in this collection, The Gavin Bishop Treasury.

Here you will find picture book classics like Bidibidi, the adorable Little Rabbit and the Sea, the excellent Rats! and the incorrigible Mr Fox. Mix in some Gavin Bishop-esque fairy tales and you have a perfect book for gifting, reading, and enjoying together…

Rainbows for Bidibidi

Deaming with Little Rabbit

Rapscallion Claw to the rescue

Mischief with Mr Fox!

…Because we think this is a book you should have in your household, we are offering you a $5 sweetener. Use the code TREASURE for this special discount. This week only! Offer ends Sunday 9th February.

Every good book experience starts with the simplest of things. An excellent board book can open a young mind to the world and their own experience in it. At VOLUME, we are always looking for interesting picture books that will surprise and delight. Board books for the very youngest start the journey of a reading life. Here are a few recently published titles:

Titiro/Look is a bilingual first words book. Another excellent title from Aotearoa children’s author and Illustrator Gavin Bishop. The design is excellent, with its arresting illustrations and clear visual information. There’s a great range of subjects, creating plenty of opportunities to expand vocabulary and create conversations, making it a perfect book for looking at, and interacting with, for parent (or grandparent) and child.

So excited to see a new addition to the playful series from creator Antonia Pesenti. Party Rhyme! is as much fun as Rhyme Cordial and Rhyme Hungry. With hairy bread and party bats it will be hard to keep the laughter and rhyming under control. But not to worry, there will be a bear hug to keep everyone feeling cosy at the end. The lift-the-flap formula works brilliantly with Pesenti’s books, and they are robust and create just the right amount of anticipation.

If you are after a sweet bedtime book, look no further than Good Night Belly Button. Reminiscent of the classic Good Night Moon, the youngster in this story is being tucked into bed, from the tips of the toes up to the chin, all snug and sleepy. This long format board book slowly raises the blanket with each turn of the page. Good night little feet, good night little calves, good night little knees…

And here’s a wonderful title now available as a board book. Press Here by designer Hervé Tullet is brilliant. It’s all about colours and movement. It is clever and interactive without any moving parts, but plenty of lateral thinking. Highly enjoyable and endlessly fascinating! It is magic?

If you are interested in a Book Subscription for a young reader, we have designed some perfect book packages. For the youngest, we recommend WELCOME TO THE WORLD OF BOOKS. We create reading subscriptions for all ages and can adjust to fit your requirements.
Not sure which appeals the most? —Use the ENQUIRE button or just email us to start a conversation.

Welcome back Raccoon, Badger, Fox, Bear, and Crow!  Raccoon is reading a great book. It’s a wonderful adventure. It’s so exciting, he decides it’s time for his own expedition;— a journey around the world! For that he will need a boat, and he knows where he can find one. His friend, Badger, is just the fellow. Badger has everything, and all in their allotted places. Check out his storage shelves — so orderly! Badger also thinks he will be the perfect companion for this journey. Everyone needs a friend on such a journey. Boat and paddles in hand, they are ready to go. Setting off for the river, they meet Fox at the market selling her eggs. What about food? I better come along with you, insists Fox. The three friends are now prepared for their journey around the world. Bear is out fishing and reminds them about sea monsters and jellyfish. You’ll need a bear on your crew. Off to the river the four friends go. Crow flies past, and exclaims, I’ll be the look-out. Of course, they need a look-out for such a grand adventure. All together, they get under way. It’s a beautiful day for a journey down the river to the ocean. What a great adventure! Philip Waechter’s Around the World With Friends, like his previous picture book about our five wonderful friends ( A Perfect Wonderful Day with Friends), captures us. The five friends are adorable, their joyful and positive interactions irresistable, and the story moves at just the right pace, and with a gentleness that is sometimes missing in picture books. The illustrations are delightful and there is always more to see with each reading. Each of the friends has their special talent and all this comes in handy on their adventure down the river. An adventure which mostly goes to plan, but isn’t always plain sailing, so there will be some problem-solving along the way. There will be games on a sandy bank, scrambled eggs and oh dear! — rain. Exciting adventures are wonderful, especially with friends, but what about Fox’s chickens, and Bear needs his teddy at night, and Raccoon forgot to bring his book. Heading home is just fine — especially when there are plans for a new adventure very soon! A perfectly charming picture book for young adventurers. Recommended for gift-giving and inspiring summer adventures, filled with imagination and delight.

Love children’s books? Did you know we have dedicated Children’s Book Subscriptions? Share the world of reading with a special child in your life with a VOLUME Book Subscription. Choose here or let us know if you have a special request. We individually select books for a child’s reading level and interests. No two subscriptions are the same! Need to know more, you can book a ZOOM consultation.

The 2024 Winner of the Margaret Mahy Book of the Year is Stacy Gregg (Ngāti Mahuta, Ngāti Pūkeko, Ngāti Maru Hauraki) with her latest book, Nine Girls. Gregg is a household name in New Zealand, and in the UK, with over 30 pony books to her name, numerous awards, along with commercial success. Nine Girls is a departure from the pony stories. Gone is the pony, but in its place is a talking eel. Titch and her whanua have moved to Ngāruawāhia. Adjusting to a small town where she feels out of place is no easy feat, but with a best friend, Tania, the lure of hidden treasure and the unexpected encounter with her eel connecting Titch to her past, adventure is never far away.

In Nine Girls Stacy Gregg draws on her own childhood, and being an outsider; she explores issues of colonisation, racism and striving to find yourself and connect with your heritage. With Gregg’s expert story-telling this coming-of-age story balances humour, adventure, and emotion — the perfect ingredients for a standout book that embraces important themes and history for both Māori and Pākehā readers.

Find out more:

• The Daunting Prospect of writing Nine Girls

• The Margaret Mahy Book of the Year

• The Judge and the Winner: An Interview

• Read an Extract

• The 2024 Winners

These wonderful books have just won their categories at the 2024 NEW ZEALAND BOOK AWARDS FOR CHILDREN AND YOUNG ADULTS.
Read what the judges had to say, and then click through to our website to grab your copies (or to get us to send them to the children or young adults of your choice). These books are selling fast, but more stock of all of them is on its way!

MARGARET MAHY BOOK OF THE YEAR

Nine Girls — Written by Stacy Gregg (Ngāti Mahuta, Ngāti Pūkeko, Ngāti Maru Hauraki) (Published by Penguin Books)

In Nine Girls Stacy Gregg masterfully weaves comedy, fantasy and history together in a profound exploration of the complexity of identity in Aotearoa New Zealand through the experiences of a young Māori girl finding her place in the world. Historical events are woven into the fabric of the story, grounding her personal journey in a broader socio-political context. Vivid characters animate a fast-paced, eventful narrative with plot twists and emotional highs and lows.
This book celebrates Māori identity, pays tribute to Aotearoa’s rich history, and testifies to the power of storytelling. Nine Girls is a taonga for readers of all ages, resonating long after the final page is turned.

CATEGORY WINNERS

PICTURE BOOK AWARD

Paku Manu Ariki Whakatakapōkai — Written by Michaela Keeble with Kerehi Grace (Ngāti Toa Rangatira, Ngāti Porou), and illustrated by Tokerau Brown (Published by: Gecko Press)

Paku Manu Ariki Whakatakapōkai is groundbreaking, deeply creative, and completely original. The story comes from the mouth of a child, and the illustrations are a direct window to the imagination, or maybe to the reality of a child’s mind as they make sense of their identity, whānau, culture, and other big questions.
This is a sophisticated picture book that can be enjoyed by all ages. An inspirational read that will encourage our tamariki and mokopuna to tell their own stories, with their own voices, it deserves to become an Aotearoa bookshelf classic.

• Look inside!

WRIGHT FAMILY FOUNDATION ESTHER GLEN AWARD FOR JUNIOR FICTION

Nine Girls — Written by Stacy Gregg (Ngāti Mahuta, Ngāti Pūkeko, Ngāti Maru Hauraki) (Published by: Penguin, Penguin Random House)

Using the thread of storytelling, Nine Girls weaves together an exploration of the complexity of identity, the resonance of history, and the transformative power of friendship. Comic action, magical realism, and social history are skilfully combined in this captivating coming-of-age story. Vivid and well-developed characters populate a fast-paced, eventful narrative as we follow the young protagonist’s journey to discovering her Māori identity. Te ao Pākehā and te ao Māori are equally uplifted as the text explores our bicultural history.
Poignant and profound, affirming and authentic, this book is rich with themes of identity, friendship, and cultural heritage – a taonga from a masterful storyteller.

YOUNG ADULT FICTION AWARD

Catch a Falling Star — Written by Eileen Merriman (Published by: Penguin Books)

Catch a Falling Star is a masterclass in writing that bravely tells the story of Jamie Orange, a complicated and endearing young man who struggles with mental health issues while juggling school work, relationships, and performing in the local musical.
Eileen Merriman has skilfully and sensitively captured Jamie’s journey, allowing readers to step in and experience it alongside him. The result is a remarkably authentic portrayal of his escalating problems, fraught with frenetic energy and leading to a horrifying climax. This book is significant for teens today who may relate to the issues Jamie faces, and better understand them through reading his story.

ELSIE LOCKE AWARD FOR NON-FICTION

Ultrawild: An Audacious Plan to Rewild Every City on Earth — Written and illustrated by Steve Mushin (Published by: Allen & Unwin)

In Ultrawild, Steve Mushin leads us on a deadly serious quest to design our way out of climate change. He presents out-there concepts that are ingenious, technically plausible and often humorous – but it’s the way they are communicated that gives this book the wow factor. Pages are filled to the brim with detailed illustrations of his designs, speech bubbles, arrows, calculations, and full-page spreads that show what these rewilded cities could look like. This book about futuristic design is itself an object of outstanding design.
Ultrawild encourages readers to see the explicit connection between creativity and science, and as Steve Mushin puts it, to think ludicrous thoughts and have revolutionary ideas.

• Look inside!

RUSSELL CLARK AWARD FOR ILLUSTRATION

Patu: The New Zealand Wars — Illustrated and written by Gavin Bishop (Tainui, Ngāti Awa) (Published by: Puffin Books)

In Patu: The New Zealand Wars, Gavin Bishop has brought everything in his considerable artistic arsenal to bear on this most difficult and fundamental part of our colonial history, with the ambition and control of an illustrator at the height of their mastery.
A complex and wide-ranging story is told clearly and accessibly at least as much through the illustrations as it is through the words, and most importantly it is told with power. In what is not just a historical recounting, the stark compositions and limited colour palette speak to a deeply personal tale; one of mamae discovered, mamae long felt, and mamae yet to be healed.

• Look inside!

WRIGHT FAMILY FOUNDATION TE KURA POUNAMU AWARD FOR TE REO MĀORI

Nani Jo me ngā Mokopuna Porohīanga — Written by Moira Wairama and illustrated by Margaret Tolland (Published by: Baggage Books)

Nani Jo me ngā Mokopuna Porohīanga is a beautifully written story about the special memories and bonds that are made when we are intentional in our relationships. Opening with childlike bubbly energy and using repetitive language to capture younger audiences, Nani Jo and her mokopuna guide us through the spiritual and emotional experiences of life.
This taonga uses inclusive language to convey the significance of stories, their role in helping us make sense of our world, and the importance of poroporoaki to the grieving process. It is in itself a journey of creating and sharing stories that will live on in generations to come.

N.Z.S.A. BEST FIRST BOOK AWARD

Tsunami — Written and illustrated by Ned Wenlock (Published by: Earth’s End Publishing)

As a graphic novel Tsunami is exemplary, with the language of comics intrinsic to its understanding and impact. The toy-like characters with their clean simple lines invite readers to identify with them, even as their diagrammatic performance of the story's central tragedy distances readers from them – thus seamlessly reflecting the book's themes of alienation and the need for connection.
Tsunami respects the ability of its audience to handle ambiguity, to rise to meet its challenges and to find its rewards, however unsettling the journey may be. This is a book that lingers after the reading, and seems destined to be studied and discussed for a long time to come.

• Look inside!

The finalists have been announced celebrating the best in Aotearoa’s children’s and teen books. There are some exceptional gems, and some of my personal favourites from the past year have made the cut. A finalist for the Young Adult Fiction Award and the NZSA Award for Best First Book is Tsunami.

This excellent graphic novel from Paekakariki-based illustrator, animator, and comic maker Ned Wenlock deals with bullying, being an outsider, and that awkward transition from childhood to adulthood, with raw honesty and clarity.

Meet Peter, a target for the school bullies. His commitment to truth and being right isn’t always the best fit for your final days of primary school. Being twelve is never easy and, for Peter, life is just too much. Peter’s parents are too busy bickering to notice his despair, his nemesis Gus and his cronies are on his case, and there’s a new girl at school just as much a misfit as him. But she’s a badass, and it’s difficult for Peter to navigate her motives. It all feels overwhelming to Peter — like a tsunami is coming and he isn't sure he can stop it.

Told in Ned’s unique and beautifully pared-down style, Tsunami is a taut page-turner, a coming-of-age story, and nuanced examination of early teenage alienation and the unpredictable consequences of our actions. 
Another example of superb publishing from Earth’s End.

Grace keeps centred with martial arts. Jeet Kune Do is her lifesaver, but will it be enough to get her through the summer? Can the words of Bruce Lee hold the world steady when everything is about to change? Grace is eighteen, working cleaning motel rooms, hoping she can save enough to go to uni, worried about her Mum, and watching out for her Gran. She’s a teen with more responsibility than most, and when her childhood friend, Charlie, jumps out of a suitcase (literally!) unexpectedly in front of her, life’s going to get a little more chaotic. Fall back a few years. Charlie and Grace met when they were five and were inseparable. Grace, a small Asian overprotected child, and Charlie, with his achondroplasia, are drawn to each other instantly and share a curiosity for the world and a fierce loyalty to each other. When Charlie’s academic mother gets a posting overseas, Grace feels abandoned, and has never forgiven Charlie for not keeping in touch. Now he’s back, their friendship is rekindled and it’s not what either of them expected. If this was the most complex issue in Grace’s life, no problem. But there are greater mysteries. Frustrated by her mother’s refusal to tell her anything substantial about her birth in Taiwan or her father who died, Grace is determined to find out more. A DNA test comes back with a surprising result, but her Mum’s in a precarious state, especially after Gran dies. Grace wants to confront her, but doesn’t want to tip her over the edge. Mandy Hager’s Gracehopper is brilliant; she writes about PTSD, bullying, relationships, drugs, trauma, and difference with sensitivity and honesty. Grace and Charlie are complex and compelling characters, who you can’t help but like. This is a novel for older teens about love, acceptance and forgiveness. Highly recommended.

Everyone needs to brave sometimes. Rebecca would rather be invisible. Looking down seems a good option. In Jane Arthur’s Brown Bird, we meet the kind and quiet Rebecca. She’s eleven, an excellent baker, and loves to have her head buried in a book. It’s the holidays and her plans are about to be disrupted by the whirlwind called Chester. What will Rebecca find out about herself, and is Chester as carefree as he seems? Jane Arthur, award-winning poet, perfectly captures the voice of eleven-year-old Rebecca, and expresses the uncertainties, awkwardnesses and hopes that we all experience, in her debut children’s book.

• Read Stella’s review.

• “I do love a good funnysad novel.”

• Personal histories are everywhere.

• Birth, death, and love poems.

• Calamities!

• Craven

Rebecca is the best timid character to grab my attention this year, and Jane Arthur’s Brown Bird has flown straight to a VOLUME Favourite. Why? One: there’s a map! For me, it was reminiscent of my childhood readings and rereadings of Milly Molly Mandy — I loved those maps showing the village (despite being a million miles away from my childhood experience in Aotearoa — no thatched roofs in any direction). This map is more akin to the small avenue of  my childhood. Brown Bird takes place on Mount Street — a small no exit of twelve houses. And each of these houses and their inhabitants will have a part to play. Two: there’s the wonderful Rebecca and the delightful Chester. Rebecca doesn’t like to be noticed and her preference for an excellent day is reading and baking. She’s a whizz at both. The school holidays mean Mum’s at work a lot, and Rebecca visits Tilly, their neighbour. Rebecca has it all planned. She’s got her stack of books ready to go. But then there’s Chester. A ball of energy that disrupts her calm (not that she is really calm — in fact, she’s often quite anxious and overly aware of her surroundings). And Chester has a plan. A plan that involves knocking on doors, meeting people and offering their services doing odd jobs. To Rebecca, Chester doesn’t have a care in the world and is all exuberance. It’s exhausting, nerve-wracking but also exhilarating. Three: Brown Bird is a story about friendship. Chester isn’t like her, but for the first time since they moved to their new place, Rebecca has a friend. They sleep in the tent, eat treats and laugh, but also disagree and work out what’s important. Chester may be full of vim, but his life is far from plain sailing. Four: It’s a spot on depiction of that moment in childhood — Rebecca is eleven — when things change, emotionally and physically. Rebecca’s anxiety and frustration is all there and well articulated, but so too is her kindness and tenacity. She’s the perfect companion for anyone who feels awkwardly at odds with the world. Five: I love the quietness of Brown Bird. It’s a book that draws you in (without shouting you into the action or screaming nonsense), lets you think, and also makes you smile. It’s warm-hearted and you’ll be backing Rebecca and Chester to be the lovely and brave humans they are. Six: It’s also sweetly written. You’re in the story before you know it, and Arthur has a knack for quirky humour popping up in just the right places, alongside the more daunting prospects for the protagonists, as well as feeding in issues of diversity and difference without being heavy handed. Highly recommended for 9+. Excellent for anyone who’s taken a while to believe in themselves. Here’s hoping we meet Rebecca again.

For the shy, and the brave and the thoughtful. Let’s start with the shy…

Mole has been invited to Rabbit’s Moon Harvest Party. It’s a dilemma. Mole wants to go, but what if they don’t know anyone apart from Rabbit? Mole knows Rabbit likes cream puffs, but what if no one else does? Mole decides they will go. They make the cream puffs, wrap them up and tie the gift box of goodies with a beautiful yellow bow. Mole starts on the journey underground, not very sure they will get there. Maybe it would be better to just go home and try again another time. Mole makes a deal with themself: if they get past sleeping Snake, they will carry on. Snake sleeps and Mole is both pleased and apprehensive all at once. Maybe I should go home, Mole thinks. I wish I had stayed home exclaims Mole as they continue along the tunnels. In spite of the desire to turn back, and the endless deliberation, Mole finds themself popping up from underground at Rabbit’s place. Apprehensively, with the gift clutched in their paws, they venture above ground. But wait, there's someone else there! Hiding in the bushes. A someone just as shy as Mole. This is the cutest picture book I’ve come across recently. It’s sweet, without being saccharine, and delightfully illustrated. The depictions of the characters’ personalities are spot on; from the wonderfully shy Mole, to timid Skunk, clever Rabbit, and the more adventurous animal friends. There’s a charming picture of the walk to Rabbit’s house. Here is Raccoon pushing a cake on a cart, followed by Chipmunk playing a tune, Bear clutching some tasty drink, Fox with a fresh baguette, and rounding off the line, Hedgehog with a bunch of balloons. Below them, you can’t see Mole, but there’s some distinctly Mole-ish mumblings popping up in speech bubbles. And if you look carefully, you might spy Skunk. Maya Tatsukawa’s illustrations are joyful, brimming with humour and delightful detail. Check the books in Mole’s home — Moomins by the bed, the History of Burrows and Tunnels 101 on the reference shelf, to mention just a few. Mole is Not Alone is a lovely story about being unsure, of trying new things, and most of all, about being comfortable with who you are. The illustrations and the text fit together well and work seamlessly to give depth of understanding with subtlety and quiet humour.

And now a complete contrast. Things in the Basement is the latest graphic novel for kids from Ben Hatke. Milo has twin siblings, the household is busy, and the babies are crying. One of them is missing a pink sock and Milo has been sent to the laundry to find it. The laundry is in the basement. The pink sock is there somewhere, along with something else. Or many something elses! In Milo’s search for the pink sock, he will find stairs that keep going down, much further down than in any ordinary house, secret doors, trapdoors, strange cracks in the walls, rooms that open on to other rooms, and a world that is both fascinating and strange, and a little bit terrifying. Milo’s determined to get the sock back, so in spite of his fear he ventures forth. Not all things in the Basement World are foe, there are friends to help as well. Hatke’s murky colour palette adds to the feeling of imminent danger and contrasts nicely with the shining torches, glimpses of pink wool and humorous moments. The curious, if nervous, Milo is our guide through this underworld and don’t worry he’ll get you back to the world above with a pink sock, of sorts. This is aimed at 7 years up, but not for the faint-hearted. It’s wonderfully imaginative and magical, and an excellent graphic novel for those that like their stories with a spooky edge.

And as thinking is a wonderful pastime, here is the latest from the excellent pen of Shinsuke Yoshitake. Here, our protagonist, Akira, wonders about growing up — “When I’m big..,” ; is frustrated by having to rely on others — parents; and imagines themselves being super competent! Well, doesn’t everyone? In I Can Open It For You, we have screwed up faces, too tight jars, packages that won’t release their yummy food contents, tantrums and just plain old frustration. When you’re too little to manage, you have to ask for help. But when you grow up, you’ll be running about in demand: open this, that and everything else. Akira imagines all the things he will be able to open — jars, packets, houses, the earth, purses, suitcases, bottles and animal cages — when he’s bigger. Luckily, while he’s small, there’s always someone to help and show Akira all the wonderful ways to open boxes, packets, windows to views and a box with a new pet. A book about growing up, being open to new experiences and finding out together. Funny, thoughtful and enjoyable for small children who will instantly relate to Akira’s dilemma, and enjoy the experience of opening a book together.

Ella loves horses. She loves her gran Grizzly and her home in a southern rural town. She’s most at home on her pony Magpie and cantering across the hills, especially at her favourite time of the day — the grimmelings — a time when magic can happen. Yet she’s lonely and wishes for a friend for the summer. Mum’s busy, and grumpy, looking after everyone and running the trekking business; Grizzly’s getting sicker, although she still has time to tell Ella and her little sister Fiona strange tales and wild stories of Scotland; and the locals think they are a bunch of witches. Ella knows there is power in words and when she curses the bully, Josh Underhill, little does she know she will be in a search party the next day. With Josh missing, and a strangely mesmerising black stallion appearing out of nowhere, this is not your average summer. When Ella meets a stranger, she strikes up an unexpected friendship. Has her wish come true? Why does she feel both attracted and wary of this overly confident boy, Gus? With Josh still missing, Mum’s made the lake out of bounds. That’s the last place Dad was seen six years ago. The lake with its strangely calm centre is enticing. What lurks in its depths — danger or the truth? Rachael King’s The Grimmelings is a gripping story of a girl growing up, of secrets unfolded, and a vengeful kelpie. Like her equally excellent previous children’s book, Red Rocks, King cleverly entwines the concerns of a young teen with an adventure story steeped in mythology. In Red Rocks, a selkie plays a central role, here it is the kelpie. King convincingly transports these myths to Aotearoa, in this case, the southern mountains, and in the former novel, the coast of Island Bay. There are nods to the power of language in the idea of curses, but more intriguing, and touching, are the scraps of paper from Grizzly with new words and meanings for Ella — and for us, the readers. Words are powerful and help us navigate our place in the world and ward off dangers when necessary. Yet the beauty of The Grimmelings lies in its adventure and in the courage of a girl and her horse, who together may withstand a powerful being, and maybe even break a curse. Laced with magical words, intriguing mythology, and plenty of horses, it’s a compelling, as well as emotional, ride.

If you are interested in making up stories, playing games, and looking for an alternative to the screen, you need one of these brilliant myriorama storytelling card games. With their great graphics — there are different illustrators for each set; archetypal characters — there’s a wolf in the woods, a mad scientist experimenting in the lab, and a butler lurking in the hall; and numerous paths to take the possibilities are endless. Your imagination is the only impediment and the key. In The Shadow World, the graphic designer Shan Jiang's two-tone palette of black and yellow with a hint of metallic blue creates an underworld industrial park meets steampunk meets science lab with a hint of mad obsession as a scientist delves into a theory that may have disastrous implications. Anything could happen in this underworld where space and time meet chaos. The Mystery Mansion recalls 1920s glamour with a splash of country gentry and Agatha Christie. Foul play is at hand, the butler is grumpy, revenge is in the air and there are too many accidents. The game is afoot. Lucille Clerc’s illustrations are charming and cleverly detailed leaving a trail of clues. Make your own rules and invent your mystery in this grand country house. If howling at the moon is more your style, then a walk in The Hollow Woods is on the cards. Rohan Daniel Eason’s excellent black and white pen illustrations are apt for these fairytale-inspired storytelling cards. Beware! On your journey, you may encounter a giant, a wolf, or a fire-breathing dragon. Sinister shadows abound, so keep moving and keep to the path. The most beautiful in this series so far is The Endless Odyssey. The stunning drawings are the work of award-winning illustrator Marion Dechars. Inspired by the Greek myth, here the Minotaur will roar, the warrior endure, magical creatures race across the landscape, and gods and goddesses help or hinder your journey. Fire up your imagination and let the telling of tales begin.

Let me introduce you to a wonderful bedtime story. It’s not your usual “goodnight, sleep tight” tale. In fact, it is possible it could you keep awake with thinking or make you dream of elusive blue rhinoceroses. Ludwig and the Rhinoceros: A philosophical bedtime story by Noemi Schneider and Golden Cosmos is an amusing gem of a book. Let’s start with the illustrations. The bold colour palette and drawing style call to mind a combination of 1930s Soviet children’s books and 1960s pop art, but with their own twist the duo who are Golden Cosmos give the book an energetic pulse. Those pinks, yellows, and blues bounce off each other and require action on the part of the characters to search and announce, while the darker blue pages perfectly fit the more reflective nature of the night and the concept at the centre of this book. For this is a story of a rhinoceros who is and isn’t there.  This is a picture book about the philosopher Ludwig Wittgenstein and his discussion with Bertrand Russell about the limits of language. There is a nice explainer at the end about their difference of opinion, as well as information about Wittgenstein and a 'What is a philosopher' paragraph. So plenty of room for further discussion. Yet the charm of the book is in the straightforward and lively text. The back and forth of the child Ludwig and his parent as they disagree on whether the rhinoceros is in the room. Enjoyable for children and adults alike. What’s there not to like about a philosophical bedtime story?

Moominsummer Madness by Tove Jansson

Reading aloud is always a pleasure and listening is even better, especially when you are revisiting a favourite book. I first discovered the Moomins in the sale bin of the Stoke Library (when it was housed in the little wooden building). It was a 5-cent book and I thought it was magical. I knew nothing at that time about the Moomin series nor the author Tove Janssen, and didn’t know I would meet someone who had grown up on these Finnish classics, and that then I would discover the rest of the Moomin books. My copy of Moominsummer Madness was a well-read paperback with the usual library markings of a deaccessioned book, some dog ears, a few pages taped in, and the usual library stamps declaring cancelled. The copies we keep in stock at VOLUME are lovely hardbacks with the original illustrations, wonderful Moomin Valley maps, and gorgeous endpapers. In Moominsummer Madness, the family wakes up to a flooded valley and the water keeps rising. They move to the roof and make a getaway in the boat, along with the table and chairs, a supply of tea, and a few provisions. Fortunately, they come across a new home to make into a temporary abode. It’s a rather strange place. One wall is missing. Here hallways come to dead ends and some doors open to nowhere. There are moving curtains and painted scenery that changes unexpectedly and mysterious rooms filled with things that don’t quite work as one would expect. There is a strange sound coming from one corner of the main room and the owner of the mumbling voice won’t show themselves. Despite all this, the Moomin family, along with the irrepressible Little My, her scolding sister the Mymble’s daughter, the lamentable Misabel, and the philosophical Womper, make the best of the situation. All is going along well, until Little My falls through the trapdoor and disappears into the water, Moomintroll and the Snork Maiden are left abandoned in a tree during an overnight camping expedition, and the strange building floats away after the contemptuous stage manager Emma heaves out the ‘anchor’. As the Moomins find out about theatres and acting and plan a play, Moomintroll and the Snork Maiden make their way to land, only to be arrested for a crime they didn’t commit. The culprit of this ‘crime’ has just taken on 24 small woodies and rescued Little My. The culprit being the freewheeling Snufkin. Keep an eye out for glowing Hattifattners, dramas on the water and on the stage, and wonderful characters who will become your best friends. If you haven’t read the Moomin stories yet, you are missing out. And yes, it all works out well for everyone, almost.