List #1: FICTION
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"Anuk Arudpragasam's masterful novel is an attempt to come to terms with life in the wake of the devastation of Sri Lanka's 30-year civil war. As Krishan makes the long journey by train from Colombo into the war-torn Northern Province to attend a family funeral, so begins an astonishing passage into the innermost reaches of a country. At once a powerful meditation on absence and longing, and an unsparing account of the legacy of Sri Lanka’s 30-year civil war, this procession to a pyre ‘at the end of the earth’ lays bare the imprints of an island’s past, the unattainable distances between who we are and what we seek." —Judges' commendation on short-listing the book for the 2021 Booker Prize.
Troy has fallen and the Greek victors are primed to return home, loaded with spoils. All they need is a good wind to lift their sails. But the wind does not come. The gods are offended — the body of Priam lies desecrated, unburied — and so the victors remain in uneasy limbo, camped in the shadow of the city they destroyed. The coalition that held them together begins to fray, as old feuds resurface and new suspicions fester. Largely unnoticed by her squabbling captors, erstwhile queen Briseis remains in the Greek encampment. She forges alliances where she can — with young, rebellious Amina, with defiant, aged Hecuba, with Calchus, the disgraced priest — and she begins to see the path to revenge. The sequel to the acclaimed The Silence of the Girls.
Winner of the Jann Meddlicott Acorn Prize for Fiction at the 2021 Ockham New Zealand Book Awards. On awarding the prize, the judges said, "Casting a devastating and witty eye on humanity at its most fallible and wonky, this is a tightly wound and remarkably assured collection. Atmospheric and refined, these stories evoke a strong sense of quiet unease, slow burning rage and the absurdly comic." We agree!
Written in 1954, five years after The Second Sex, the novel of the intense relationship between two girls who grow up together and then grow apart was never published in Simone de Beauvoir's lifetime. This first English edition includes an afterword by her adopted daughter, who discovered the manuscript hidden in a drawer, and photographs of the real-life friendship which inspired and tormented the author.
"Bernstein’s precise, cool, devastating prose takes on a Cuskian quality in highly memorable passages balancing dismissal, sympathy and unsparing humour. Her prose prickles." —Thomas
After leaving the man with whom she'd been living, an unnamed protagonist in an unnamed university city is working unspectacularly on the poet Paul Celan. The abiding feeling in the city is one of paranoia; the weather has been deteriorating and outside her office window she can hear police helicopters circling, looking for the women who have been disappearing. She is in self-imposed exile, hoping to find dignity in her loneliness. But when she meets Clara — a woman who is exactly her opposite — her plans begin to unravel.
"Bernstein’s pessimism evokes the likes of Arthur Schopenhauer and Thomas Bernhard, chiming all too well with the current discourse around issues of male privilege." –Spectator
"Enjoy this novel for the satire it is and the sheer hilarity of watching this highly unlikable family turn tighter and tighter circles to patch up their wrongs—until it all comes crashing down." —Stella
The Echo Chamber is a satiric helter-skelter, a dizzying downward spiral of action and consequence, poised somewhere between farce, absurdity and oblivion. The Cleverley family live a gilded life, little realising how precarious their privilege is, just one tweet away from disaster. George, the patriarch, is a stalwart of television interviewing, a 'national treasure' (his words), his wife Beverley, a celebrated novelist (although not as celebrated as she would like), and their children, Nelson, Elizabeth, Achilles, various degrees of catastrophe waiting to happen. Together they will go on a journey of discovery through the Hogarthian jungle of the modern living where past presumptions count for nothing and carefully curated reputations can be destroyed in an instant.
An unnamed woman in her late twenties navigates unemployment, boredom, chronic illness and online dating. Her activities are banal — applying for jobs, looking up horoscopes, managing depression, going on Tinder dates. ‘I want to tell someone I love them but there is no one to tell,’ she says. ‘Except my sister maybe. I want to pick blackberries on a farm and then die.’ She observes the ambiguities of social interactions, the absurd intimacies of sex and the indignity of everyday events, with a skepticism about the possibility of genuine emotion, or enlightenment. Like life, things are just unfolding, and sometimes, like life, they don’t actually get better.
"The writing is compelling, the prose poised and the content both farcical and unsettling. It will make you squirm." —Stella
From the author of the 'Outline' trilogy, a fable of human destiny and decline, enacted in a closed system of intimate, fractured relationships. A woman invites a famed artist to visit the remote coastal region where she lives, in the belief that his vision will penetrate the mystery of her life and landscape. Over the course of one hot summer, his provocative presence provides the frame for a study of female fate and male privilege, of the geometries of human relationships, and of the struggle to live morally between our internal and external worlds. With its examination of the possibility that art can both save and destroy us, Second Place is both deeply affirming and deeply scathing of humanity.
>>Read our reviews.
>>Read our reviews.
Written against the backdrop of contemporary Argentina, The Dangers of Smoking in Bed is populated by unruly teenagers, crooked witches, homeless ghosts, and hungry women. A woman is sexually obsessed with the human heart; a lost, rotting baby crawls out of a backyard and into a bedroom; a pair of teenage girls can't let go of their idol; an entire neighbourhood is cursed to death when it fails to respond correctly to a moral dilemma.
"The stories walk the uneasy line between urban realism and horror, but with a resounding tenderness toward those in pain, in fear and in limbo. As terrifying as they are socially conscious, the stories press into the unspoken - fetish, illness, the female body, the darkness of human history - with bracing urgency." —Judges' citation on the book's short-listing for the 2021 International Booker Prize
When Olga's friend Lara becomes a grandmother, Olga helps out whenever she can. After all, it's a big imposition on Lara, looking after her bereaved daughter and the baby. And the new mother is not exactly considerate. But smoldering beneath Olga's sensible support and loving generosity is a deep jealous need to be the centre of Lara's attention and affection-a need that soon becomes a consuming, dangerous and ultimately tragic obsession. Winner of the 2020 Michael Gifkins Prize.
Crossroads by Jonathan Franzen $35
Franzen's acute and often hilarious observations on the dynamics and dysfunctions of family life reach a sort of apogee in this unsparing but strangely warm and nuanced novel, set in 1971 as the family of American suburban pastor Russ Hildebrandt feels the pressure of change and starts to lose its acceptable veneer.
>>Read Stella's review.
"Warm, expansive and funny – a pure pleasure to read." —Guardian
"Crossroads is Franzen's finest novel yet. He has arrived at last as an artist whose first language, faced with the society of greed, is not ideological but emotional, and whose emotions, fused with his characters, tend more toward sorrow and compassion than rage and self-contempt. —BookForum
Twins Jeanie and Julius have always been different. At 51 years old, they still live with their mother, Dot, in rural isolation and poverty. Their rented cottage is simultaneously their armour against the world and their sanctuary. Inside its walls they make music, in its garden they grow (and sometimes kill) everything they need for sustenance. But when Dot dies suddenly, threats to their livelihood start raining down. At risk of losing everything, Jeanie and her brother must fight to survive in an increasingly dangerous world as their mother's secrets unfold, putting everything they thought they knew about their lives at stake. This is a thrilling novel of resilience and hope, of love and survival, that explores with dazzling emotional power how the truths closest to us are often hardest to see.
1618, in the German duchy of Württemberg. Plague is spreading. The Thirty Years' War has begun, and fear and suspicion are in the air throughout the Holy Roman Empire. In the small town of Leonberg, Katharina Kepler is accused of being a witch. Katharina is an illiterate widow, known by her neighbors for her herbal remedies and the success of her children, including her eldest, Johannes, who is the Imperial Mathematician and renowned author of the laws of planetary motion. It's enough to make anyone jealous, and Katharina has done herself no favors by being out and about and in everyone's business. So when the deranged and insipid Ursula Reinbold (or as Katharina calls her, the Werewolf) accuses Katharina of offering her a bitter, witchy drink that has made her ill, Katharina is in trouble. Her scientist son must turn his attention from the music of the spheres to the job of defending his mother. Facing the threat of financial ruin, torture, and even execution, Katharina tells her side of the story to her friend and next-door neighbor Simon, a reclusive widower imperiled by his own secrets. Drawing on actual historical documents but infused with the intensity of imagination, sly humor, and intellectual fire for which Rivka Galchen is known, Everyone Knows Your Mother Is a Witch is the story of how a community becomes implicated in collective aggression and hysterical fear. It is a tale for our time.
Winner of the 2021 Booker Prize.
Galgut won the 2021 Booker Prize for this superb novel exploring the relationships between members of a decaying Afrikaans family in South Africa’s transition from Apartheid. Distilled into accounts of four funerals, each a decade apart, Galgut provides deep insights into the complexities of ethical and personal failings, and the unfortunate resilience of injustice notwithstanding social change and notwithstanding stated intentions — in this case a promise of land owed to a former servant, a promise that is always deferred and never fulfilled.
"The Promise is fully rooted in contemporary South Africa, but the novel's weather moves into the elemental while attending also to the daily, the detailed and the personal. The book is close to a folktale or the retelling of a myth about fate and loss, about three siblings and land, a promise made and broken. The story has an astonishing sense of depth, as though the characters were imagined over time, with slow tender care." —Colm Toibin
Longer than a traditional short story and shorter than a novella, the long story is a form that both compresses and sprawls, expands and contracts, and which allows us to inhabit a world in one sitting. The emerging and established writers in this anthology break new territory in character, setting and storytelling.
"Endlessly curious and achingly beautiful." —Stella
This remarkably fluid combination of essay and autofiction splices together the stories of an Irish noblewoman who wrote a remarkable poem on finding her husband murdered by English soldiers in 1773, and a young mother today who narrowly avoids tragedy in her own life and feels spoken to directly across the centuries through the poem.
"An extraordinary book that braids the past and present, self and other into a new kind of poetry. Doireann Ní Gríofa writes with a magical kind of knowledge of herself and the world, and of the remembered and imagined, Eibhlín Dubh. This is a book about life, its wonder and its pain, written with hunger and grace, every line a charm." —Emilie Pine
>>Read Stella's review.
>>Read Stella's review.
"What would Beethoven have done with another seven years of life, and where, in the 1830s, might he have gone? The answer, in this audacious but exacting extension of the composer’s late period, is America, where an oratorio, Job, is completed (and performed) in Boston. Suffering and revelation are the subject-matter, but in Paul Griffiths’ hands, the Biblical sorrow undergoes a lasting modulation into a new key of delight in friendship, communication, and creativity." —Judges' citation shortlisting the novel for the Goldsmiths Prize
Matrix by Lauren Groff $35
Cast out of the royal court by Eleanor of Aquitaine, deemed too coarse and rough-hewn for marriage or courtly life, seventeen-year-old Marie de France is sent to England to be the new prioress of an impoverished abbey, its nuns on the brink of starvation and beset by disease. At first taken aback by the severity of her new life, Marie finds focus and love in collective life with her singular and mercurial sisters. In this crucible, Marie steadily supplants her desire for family, for her homeland, for the passions of her youth with something new to her: devotion to her sisters, and a conviction in her own divine visions. A historical novel from the author of the outstanding (and very contemporary) Fates and Furies.
Restless, ambitious Ilyas was stolen from his parents by the Schutzruppe askari, the German colonial troops in East Africa. After years away, he returns to his village to find his parents gone, and his sister Afiya given away. Hamza was not stolen, but was sold; he has come of age in the army, at the right hand of an officer whose control has ensured his protection but marked him for life. Hamza does not have words for how the war ended for him. Returning to the town of his childhood, all he wants is work, however humble, and security and the beautiful Afiya.
"A remarkable novel, by a wondrous writer, deeply compelling, a thread that links our humanity with the colonial legacy that lies beneath, in ways that cut deep." —Philippe Sands
"A remarkable novel, by a wondrous writer, deeply compelling, a thread that links our humanity with the colonial legacy that lies beneath, in ways that cut deep." —Philippe Sands
"To read Afterlives is to be returned to the joy of storytelling. The story of Hamza and Afiya is one of simple lives buffeted by colonial ambitions, of the courage it takes to endure, to hold oneself with dignity, and to live with hope in the heart." —Aminatta Forna
In the dying days of the American Civil War, newly freed brothers Landry and Prentiss find themselves cast into the world without a penny to their names. Forced to hide out in the woods near their former Georgia plantation, they're soon discovered by the land's owner, George Walker, a man still reeling from the loss of his son in the war. When the brothers begin to live and work on George's farm, the tentative bonds of trust and union begin to blossom between the strangers. But this sanctuary survives on a knife's edge, and it isn't long before the inhabitants of the nearby town of Old Ox react with fury at the alliances being formed only a few miles away.
"Better than any debut novel has a right to be." —Richard Russo
Something is drawing Jena Benedict's family to darkness. Her mother, father, brother and baby sister are killed in a barn fire, and Grandmother Rose banishes Jena from the farm. Now, twenty years on Rose is dying, and Jena returns home with her boyfriend Cade in tow. Jena wants answers about why she was sent away and about what really happened the night of the fire. Will, Rose's live-in caregiver, has similar questions. He hunts for the supernatural, and he knows something sinister lurks in the Benedict homestead. Like Rose, Will has experienced childhood tragedy. Soon, Jena and Will unearth mysteries: a skull, a pocket-watch, a tale of the Dark Man and a tiding of magpies. The duo learn Rose's secrets and confront an evil entity that has been set loose.
Kurangaituku is the story of Hatupatu told from the perspective of the traditional ‘monster’, Kurangaituku, the bird woman. In the traditional story, told from the view of Hatupatu, he is out hunting and is captured by a creature that is part bird and part woman. The bird woman imprisons him in her cave in the mountains. Hatupatu eventually escapes and is pursued by Kurangaituku. He evades her when he leaps over hot springs, but Kurangaituku goes into them and dies. In this version of the story, Kurangaituku takes us on the journey of her extraordinary life – from the birds who sang her into being, to the arrival of the Song Makers and the change they brought to her world, and her life with Hatupatu and her death. Through the eyes of Kurangaituku, we come to see how being with Hatupatu changed Kurangaituku, emotionally and in her thoughts and actions, and how devastating his betrayal of her was.
A hugely empathic AI, Klara is bought as an Artificial Friend for a girl suffering from an undefined illness. As the full extent of the girl's predicament becomes apparent, Klara, with her wonderful mixture of naivety and capacity, does all she can for the girl, and makes us question what it is to be human. Ishiguro's first novel since being awarded the Nobel Prize in Literature in 2017.
"People will absolutely love this book, in part because it enacts the way we learn how to love." —Anne Enright
>>Read Stella's review.
>>Read Stella's review.
Short-listed for the 2021 Women’s Prize for Fiction, this well written multi-generational novel coils its way through issues of race, class and gender in a Barbados where poverty and misogyny lurk under the surface and where a cautionary folk tale takes on multiple meanings for three very different women.
Chasing Homer by László Krasznahorkai (translated by John Batki), illustrated by Max Neumann, with music by Szilveszter Miklós $45
A hunted being escapes certain death at breakneck speed. Faster and faster, escaping the assassins, the protagonist flies forward, blending into crowds, adjusting to terrains, hopping on and off ferries, always desperately trying to stay a step ahead of certain death—the past did not exist, only what was current existed—a prisoner of the instant, rushing into this instant, an instant that has no continuation. Krasznahorkai's mesmeric prose is accompanied by unsettling paintings by Neumann, and Miklós's percussive accompaniment is accessed via QR codes in each section. Remarkable.
"Allusive and acerbic: a brilliant work that proves the adage that even paranoiacs have enemies." —Kirkus
When We Cease to Understand the World by Benjamin Labatut $23
The great mathematician Alexander Grothendieck tunnels so deeply into abstraction that he tries to cut all ties with the world, terrified of the horror his discoveries might cause. Erwin Schrodinger and Werner Heisenberg battle over the soul of physics after creating two equivalent yet opposed versions of quantum mechanics. Their fight will tear the very fabric of reality, revealing a world stranger than they could have ever imagined. Using extraordinary, epoch-defining moments from the history of science, Benjamin Labatut plunges us into exhilarating territory between fact and fiction, progress and destruction, genius and madness.
"A monstrous and brilliant book." —Philip Pullman
"Wholly mesmerising and revelatory. Completely fascinating." —William Boyd
Julian Lawndsley has renounced his high-flying job in the City for a simpler life running a bookshop in a small English seaside town. But only a couple of months into his new career, Julian's evening is disrupted by a visitor. Edward, a Polish émigré living in Silverview, the big house on the edge of town, seems to know a lot about Julian's family and is rather too interested in the inner workings of his modest new enterprise. When a letter turns up at the door of a spy chief in London warning him of a dangerous leak, the investigations lead him to this quiet town by the sea... What happens when public duty and private morals are irreconcilable? This is the last novel from this master of intrigue, whose insider knowledge of the secret service gave his novels a powerful veracity.
"Both clever and moving, both piercingly funny and reassuringly sad, the book is is both about the bodilessness of the internet and about bodies in the world, about both isolation and intimacy, and about the burden that language bears—and the possibilities language offers—connecting or attempting to connect all these." —Thomas
Lockwood's remarkable novel is both clever and moving, both painfully funny and deeply sad, it is about the bodilessness of the internet and about bodies in the world, about both isolation and intimacy, and about the burden that language bears connecting all these.
>>Read Thomas's review.
>>Read Thomas's review.
The world’s climate is in crisis and New Zealand is being divided and reshaped by privileged immigrant wealthugees. Thirty-something Alice has a near-genius IQ and lives at home with her mother with whom she communicates by Morse code. Alice’s imaginary friend, Simp, has shown up, with a running commentary on her failings. The last time Simp was here was when Alice was seven, on the night a fire burned down the family home. Now Simp seems to be plotting something. When Alice meets a wealthugee named Pablo, she thinks she’s found a way out of her dull existence. But then she meets Pablo’s teenage daughter, Erika – an actual genius full of terrifying ambition.
"A claustrophobic eco-thriller with a gloriously unreliable narrator, She’s a Killer is tense and sharp, and feels unnervingly prescient." –Brannavan Gnanalingam
"Equipped with an exhilaratingly badly-behaved protagonist, She’s a Killer builds from a slice of very strange life into a thriller by way of a succession of stunning comic set pieces. You’ll laugh—a lot. And then you’ll cry and be really surprised about it since you were laughing so much." —Elizabeth Knox
Marshall's own selection from the many collections of short stories that have established him as a master of the portrayal of the complexities of small lives, the workings of small minds, and the insularity of small towns (no matter how large).
"I very much envy Marshall's ability to lay things down in such a way that each one has its natural weight and place, without any straining and heaving." —Maurice Gee
Maxwell's remarkably raw and direct stories and spare, effective style evoke a childhood in a whānau marked by deprivation, misfortune and strength.
"I write because my stories bruise my brain until they’re written. They fell out of my fingers one day after I had been nostalgic remembering my childhood and my aunties, my nanny and my koro, and all my cousins."
“Kat Maxwell writes vividly and with raw emotion. She’s inside her world, she knows how it works, her stories are brave and bare.”—Maurice Gee
Mahmood Mattan is a father, a chancer, a petty thief. Many things, in fact, but he is not a murderer. So when a shopkeeper is brutally killed and all eyes fall on him, Mahmood isn’t too worried — secure in his innocence in a country where justice is served. But as the trial nears, it starts to dawn on him that he is in a fight for his life — against conspiracy, prejudice and the ultimate punishment. In the shadow of the hangman’s noose, he realises that the truth may not be enough to save him. Short-listed for the 2021 Booker Prize.
This collection of poetry, fiction and essays by emerging writers is the first-ever anthology of Asian New Zealand creative writing. A Clear Dawn presents a new wave of creative talent. With roots stretching from Indonesia to Japan, from China to the Philippines to the Indian subcontinent, the authors in this anthology range from high school students to retirees, from recent immigrants to writers whose families have lived in New Zealand for generations. Some of the writers – including Gregory Kan, Sharon Lam, Rose Lu and Chris Tse – have published books; some, like Mustaq Missouri, Aiwa Pooamorn and Gemishka Chetty, are better known for their work in theatre and performance. The introduction outlines New Zealand's long yet under-recognised history of immigration from Asia.
Desperate for some respite from her teenage son during a period of quarantine in England's Peak District, a woman goes for a short walk on the moors. When she falls and injures herself, this triggers a mountain rescue effort and a recalibration of the participants' relationships with nature and with each other, during which the myriad anxieties of contemporary life are brought to the fore. A document of the inner life of our times from the author of Summerwater.
"Memoir-ish pieces maybe, but more another realm to explore writing, where it takes us and how far, and how it happens. Simple and complex in equal measure." —Stella
The eight stories in this new book are all told in the first person by a classic Murakami narrator. From memories of youth, meditations on music, and an ardent love of baseball, to dreamlike scenarios and invented jazz albums, together these stories challenge the boundaries between our minds and the exterior world. Occasionally, a narrator may or may not be Murakami himself.
>>Read Stella's review.
>>Read Stella's review.
"If we want to understand what has been lost to time, there is no way other than through the exercise of imagination—imagination applied with delicate rather than broad strokes." Nakajima portrays men and women beset by cultural amnesia and unaware of how haunted they are—by fragmented memories of war and occupation, by fading traditions, by buildings lost to firestorms and bulldozers, by the spirits of their recent past.
"These impressive stories bridge past and present, the familiar and the otherworldly, the lost and the found." —David Mitchell
"A perfect introduction to the quiet, subtle brilliance of Kyoko Nakajima." —David Peace
"A magical book — a charming fable about the pleasures of literature and books." —Stella
Bookish high school student Rintaro Natsuki is about to close the secondhand bookshop he inherited from his beloved grandfather. Then, a talking cat named Tiger appears with an unusual request. The cat needs Rintaro’s help to save books that have been imprisoned, destroyed and unloved. Their mission sends this odd couple on an amazing journey, where they enter different labyrinths to set books free. Through their travels, Tiger and Rintaro meet a man who locks up his books, an unwitting book torturer who cuts the pages of books into snippets to help people speed read, and a publisher who only wants to sell books like disposable products. Then, finally, there is a mission that Rintaro must complete alone...
>>Read Stella's review.
>>Read Stella's review.
A woman in a post-election tailspin discovers that her boyfriend is an anonymous online conspiracy theorist in this provocative and subversive novel that examines social media, sex, feminism, and fiction, the connection they've all promised, and the lies they help us tell.
"Fake Accounts is a novel about the enigmatical spectacle of our extremely online world that is itself both enigmatic and spectacular – a dark comedy about a dark time, and a prismatically intelligent work of art. Brilliant." —Guardian
In this strange, darkly playful and hugely inventive fantasy, the patriarchal Master draws his magical power from the body of God, buried beneath the city. When Nathan Treeves's mother sells him to the Master it becomes apparent that Nathan has a power of his own, one that could destroy all that the Master has wrought—if only Nathan can find out how to use it.
"Mordew is a darkly brilliant novel, extraordinary, absorbing and dream-haunting. That it succeeds as well as it does speaks to Pheby’s determination not to passively inhabit his Gormenghastly idiom but instead to lead it to its most extreme iteration, to force inventiveness and grotesqueness into every crevice of his work." —Guardian
The Death of Francis Bacon by Max Porter $17
"Porter is obsessed, splicing himself into the mind of the painter as he lies on his death-bed, the words worked wet on the page." —Thomas
"Mordew is a darkly brilliant novel, extraordinary, absorbing and dream-haunting. That it succeeds as well as it does speaks to Pheby’s determination not to passively inhabit his Gormenghastly idiom but instead to lead it to its most extreme iteration, to force inventiveness and grotesqueness into every crevice of his work." —Guardian
"Porter is obsessed, splicing himself into the mind of the painter as he lies on his death-bed, the words worked wet on the page." —Thomas
Madrid. Unfinished. Man Dying. A great painter lies on his deathbed. Max Porter (author of Lanny and Grief is the Thing With Feathers) translates into seven extraordinary written pictures the explosive final workings of the artist's mind.
"Reads like a private communion with the painter." —Guardian
Theo Byrne is an astrobiologist. He is also the widowed father of a most unusual nine-year-old. Robin is loving, funny and full of plans to save the world. He is also about to be expelled, for smashing his friend’s face in with a metal thermos. What can a father do, when the only solution offered is to put his boy on psychoactive drugs? What can he say, when his boy asks why we are destroying the world? The only thing to do is to take the boy to other planets, while helping him to save this one.
"My favourite book of the year." —Thomas
The crew of the Six-Thousand Ship consists of those who were born, and those who were made; those who will die, and those who will not. When the ship takes on a number of strange objects from the planet New Discovery, the crew is perplexed to find itself becoming deeply attached to them, and human and humanoid employees alike start aching for the same things: warmth and intimacy, loved ones who have dies, shopping and child-rearing; our shared, far-away Earth, which now only persists in memory. Gradually, the crew members come to see their work in a new light, and each employee is compelled to ask themselves whether they can carry on as before — and what it means to be truly living. Structured as a series of witness statements compiled by a workplace commission, Ravn's crackling prose is as chilling as it is moving, as exhilarating as it is foreboding. Wracked by all kinds of longing, The Employees probes into what it means to be human, emotionally and ontologically, while simultaneously delivering an overdue critique of a life governed by work and the logic of productivity.
Valdin is still in love with his ex-boyfriend Xabi, who used to drive around Auckland in a ute but now drives around Buenos Aires in one. Greta is in love with her fellow English tutor Holly, who doesn’t know how to pronounce Greta’s surname, Vladisavljevic, properly. From their Auckland apartment, brother and sister must navigate the intricate paths of modern romance as well as weather the small storms of their eccentric Māori–Russian–Catalonian family. This novel by Adam Foundation Prize winner Rebecca K Reilly owes as much to Shakespeare as it does to Tinder. Greta and Valdin will speak to anyone who has had their heart broken, or has decided that they don’t want to be a physicist anymore, or has wondered about all of the things they don’t know about their family.
"Riviere has a keen sense of the ridiculous, and a keen sense of how closely the ridiculous lies to the ordinary, a keen sense that in fact the ridiculous is only the ordinary logically extended." —Thomas
A glorious and hilarious rant against the pretensions of the 'poetry scene', so to call it, and against pretty much everything else that falls under the author's notice, Dead Souls is also a metaphysical mystery and an exploration of the dual pitfalls of plagiarism and invention — a novel with a similar palette of barbs and pleasures to those of Thomas Bernhard.
>>Read an extract.
>>Read an extract.
A hugely successful young novelist is having trouble writing her third book. She meets Felix, who works in a distribution warehouse, and asks him if he'd like to travel to Rome with her. In Dublin, her best friend Eileen is getting over a break-up, and slips back into flirting with Simon, a man she has known since childhood. Can these people find or remember or create what is supposed to be good about being alive in this world? The eagerly awaited third novel from the author of the hugely successful Conversations with Friends and Normal People.
In 1920s Montana, wild-hearted orphan Marian Graves spends her days roaming the rugged forests and mountains of her home. When she witnesses the roll, loop and dive of two barnstorming pilots, she promises herself that one day she too will take to the skies. Years later, after a series of reckless romances and a spell flying to aid the British war effort, Marian embarks on a treacherous flight around the globe in search of the freedom she has always craved. She is never seen again. More than half a century later, Hadley Baxter, a troubled Hollywood starlet beset by scandal, is irresistibly drawn to play Marian Graves in her biopic, a role that will lead her to probe the deepest mysteries of the vanished pilot's life. Short-listed for the 2021 Booker Prize.
"Thoroughly clever." —Guardian
When the stars were rhinestones. When your car was a blue Holden god. When kisses spread to your back teeth, marathons of sucking. When we pashed through jokes, through tunes, through homework, through the leftovers we shovelled out our schoolbags. When you let me tattoo you with talk. Thirty-one new stories from the author of Deleted Scenes for Lovers.
"If Slaughter is writing from the black block in her chest, she is also speaking directly into yours." —Charlotte Graham-McLay
A remarkable graphic novel,
"This brilliant debut collection explores the intensity of teenage ennui and female friendship, with a deft feel for its slights and tensions. Almost without exception, the gorgeous, clever short stories in Lizzy Stewart’s It’s Not What You Thought It Would Be are preoccupied with girlhood, as seen through the eyes of women who are now old enough and wise enough to understand all the stuff that was once beyond their comprehension. Several touch on place and the idea of escape, and at least one explores, quite brilliantly, how women are both seen, and not seen, out in the world. The very best of them, however, encompass both teenage boredom, the fretful ennui that we tend to mourn as adults even as we recall how we longed to escape it, and the special intensity of female friendships, particularly those that go all the way back to the awkward, geeky years before we reinvented ourselves." —Rachel Cooke, The Guardian
The first English-language publication of a legend of Japanese science fiction and a countercultural icon. In a future where men are contained in ghettoised isolation, women enjoy the fruits of a queer matriarchal utopia—until a boy escapes and a young woman’s perception of the world is violently interrupted. The last family in a desolate city struggles to approximate twentieth- century life on Earth, lifting what notions they can from 1960s popular culture. But beneath these badly learned behaviours lies an atavistic appetite for destruction. Two new friends enjoy drinks on a holiday resort planet where all is not as it seems, and the air itself seems to carry a treacherously potent nostalgia. Back on Earth, Emma’s not certain if her emotionally abusive, green-haired boyfriend is in fact an intergalactic alien spy, or if she’s been hitting the bottles and baggies too hard. And in the title story, the tyranny of enforced screen-time and the mechanisation of labour foster a cold-hearted and ultimately tragic disaffection among the youth of Tokyo. Nonchalantly hip and full of deranged prescience, Suzuki’s singular slant on speculative fiction would be echoed in countless later works, from Neuromancer to The Handmaid’s Tale. In these darkly playful and punky stories, the fantastical elements are always grounded in the universal pettiness of strife between the sexes, and the gritty reality of life on the lower rungs, whatever planet that ladder might be on.
Workplace bullying, online relationships and stoned friendships — with a good dose of Wonderland added in.
“Aljce in Therapy Land is both hilarious and distressing. It captures workplace relationships and power imbalances like few novels from Aotearoa do. Tawhai was already one of the best short story writers around, but she has written a one-of-a-kind novel.” —Brannavan Gnanalingam
“This book will sneak up on you. Aljce in Therapy Land is as much about the way small towns wax and wane as it is about how workplaces can take what ought to be good practice into some very bad places. Tawhai’s skill is in ignoring the three-act structure but still making the reader ultimately side with the titular character.” —Murdoch Stephens
Tóibín brings his immense sympathies and verbal prowess to bear upon the life of Thomas Mann, a writer forced to cope with the turmoil of both public and private life because of war, exile and suicide. Mann's re-evaluation of his relationship to his homeland and his family underlies his novels, and Tóibín reveals the many layers and contradictions of a complex genius.
"This is not just a whole life in a novel, it's a whole world." —Katharina Volckmer
"The Magician is a remarkable achievement. Mann himself, one feels certain, would approve." —John Banville
"The Magician is a remarkable achievement. Mann himself, one feels certain, would approve." —John Banville
In the mid-eighteenth century, as new ideas begin to sweep the continent, a young Jew of mysterious origins arrives in a village in Poland. Before long, he has changed not only his name but his persona; visited by what seem to be ecstatic experiences, Jacob Frank casts a charismatic spell that attracts an increasingly fervent following. In the decade to come, Frank will traverse the Hapsburg and Ottoman empires, throngs of disciples in his thrall as he reinvents himself again and again, converts to Islam and then Catholicism, is pilloried as a heretic and revered as the Messiah, and wreaks havoc on the conventional order, Jewish and Christian alike, with scandalous rumours of his sect’s secret rituals and the spread of his increasingly iconoclastic beliefs. The Nobel Prize in Literature laureate writes the story of Frank through the perspectives of his contemporaries, capturing Enlightenment Europe on the cusp of precipitous change, searching for certainty and longing for transcendence.
"A visionary novel. Tokarczuk is wrestling with the biggest philosophical themes: the purpose of life on earth, the nature of religion, the possibility of redemption, the fraught and terrible history of eastern European Jewry. With its formidable insistence on rendering an alien world with as much detail as possible, the novel reminded me at times of Paradise Lost. The vividness with which it’s done is amazing. At a micro-level, she sees things with a poetic freshness. The Books of Jacob, which is so demanding and yet has so much to say about the issues that rack our times, will be a landmark in the life of any reader with the appetite to tackle it." —Marcel Theroux, Guardian
Aotearoa is a land of extraordinary queer writers, many of whom have contributed to our rich literary history. But you wouldn’t know it. Decades of erasure and homophobia have rendered some of our most powerful writing invisible. Out Here will change that. This landmark book brings together and celebrates queer New Zealand writers from across the gender and LGBTQIA+ spectrum with a generous selection of poetry, fiction, creative nonfiction and much much more.
How can you save your friend's life if she doesn't want to be rescued? In a tranquil neighbourhood of Tokyo, seven teenagers wake to find their bedroom mirrors are shining. At a single touch, they are pulled from their lonely lives to a wondrous castle filled with winding stairways, watchful portraits and twinkling chandeliers. In this new sanctuary, they are confronted with a set of clues leading to a hidden room where one of them will be granted a wish. But there's a catch—if they don't leave the castle by five o'clock, they will be punished. As time passes, a devastating truth emerges—only those brave enough to share their stories will be saved.
He is a renowned Swedish filmmaker and has a plan for everything. She is his daughter, by the actress he directed and once loved. Each summer of her childhood, the daughter visits the father at his remote Faro island home on the edge of the Baltic Sea. Now that she's grown up — a writer, with children of her own — and he's in his eighties, they envision writing a book together, about old age, language, memory and loss. She will ask the questions. He will answer them. The tape recorder will record. But it's winter now and old age has caught up with him in ways neither could have foreseen. And when the father is gone, only memories, images and words — both remembered and recorded — remain. And from these the daughter begins to write her own story, in the pages which become this book.
"Linn Ullmann has written something of beauty and solace and truth. I don't know how she managed to sail across such dangerous waters." —Rachel Cusk
"Compulsively attractive writing. A vivid portrayal of growing up in the 1980s." —Stella
The beautifully written new novel from the author of The Diver's Clothes Lie Empty. Teenage Eulabee and her alluring best friend, Maria Fabiola, own the streets of Sea Cliff, their foggy, oceanside San Francisco neighborhood. They know the ins and outs of the homes and beaches, Sea Cliff's hidden corners and eccentric characters-as well as the swanky all-girls' school they attend. Their lives move along uneventfully, with afternoon walks by the ocean and weekend sleepovers. Then everything changes. Eulabee and Maria Fabiola have a disagreement about what they did or didn't witness on the way to school one morning, and this creates a schism in their friendship. The rupture is followed by Maria Fabiola's sudden disappearance—a potential kidnapping that shakes the quiet community and threatens to expose unspoken truths.
Winner of the 2021 Goldsmiths Prize ("for fiction at its most novel").
Aspiring writer Sterling is arrested one morning, without having done anything wrong. Plunged into a terrifying and nonsensical world, Sterling — with the help of their three best friends — must defy bullfighters, football legends, spaceships, and Google Earth tourists in order to exonerate themselves and to hold the powers that be to account. Sterling Karat Gold is Kafka's The Trial written for the era of gaslighting, a surreal inquiry into the very real effects of state violence and coercion on gender-nonconforming, working-class, and Black bodies.
"A sublime, mesmerising feat. The world feels all the better for it." —Irenosen Okojie
"Sterling Karat Gold reminds me of nothing else. With atypical inventiveness Waidner steers us thorugh a marvellous spinning parade of matadors, red cards, time travel and cataclysm. A beautifully elegant miracle of a book." —Guy Gunaratne
"A sublime, mesmerising feat. The world feels all the better for it." —Irenosen Okojie
"Sterling Karat Gold reminds me of nothing else. With atypical inventiveness Waidner steers us thorugh a marvellous spinning parade of matadors, red cards, time travel and cataclysm. A beautifully elegant miracle of a book." —Guy Gunaratne
Watson's remarkable project evokes, to often hilarious effect, the thought processes of its character through the course of a day. Beneath the world of demarcated fridge shelves, office politics, clock-watching and WhatsApp notifications emerges a instance of sexual violence that has shaken and disordered the character's existence.
"little scratch reads like the cinders settling in the air after an explosion. The silent and enraged inner testimony of a character trying to maintain 'normalcy', little scratch is daring and completely readable." —Colin Barrett
"Playful precise and insightful, Rebecca Watson's writing bursts with enormous energy." —Nicole Flattery
>>Read Thomas's review.
>>Read Thomas's review.
"Wallow in its humour but watch out for the bite that comes with this joyous bark!" —Stella
A sharp, intelligent, playfully transgressive novel-of-ideas that explores the way power, gender and tradition shape modern motherhood. Nightbitch's protagonist, an artist-turned-fulltime-parent, is home with her two-year-old son, struggling with solitude, exhaustion and monotony, even while she feels profound love for her child. Then, over the course of the summer, she experiences a strange metamorphosis (the clue is in the title) which complicates her situation in outrageous ways, whilst also setting her free.
"Graceful, funny and unnerving as hell." —Jenny Offill