NEW RELEASES
Scented by Laurence Fearnley          $38
Can a person's life and identity by captured or constructed by the careful creation of a signature perfume? What would a novel be like if it was constructed according to the sense of smell? A new novel from the author of The Hut Builder, Edwin and Matilda and The Quiet Spectacular

T Singer by Dag Solstad           $28
Singer, a thirty-four-year-old recently trained librarian, arrives by train in the small town of Notodden to begin a new and anonymous life. He falls in love with Merete, a ceramicist, and moves in with her and her young daughter. After a few years together, the relationship starts to falter, and as the couple is on the verge of separating a car accident prompts a dramatic change in Singer's life. T Singer is a novel about self-erasure, indomitable loneliness and other such existential questions.
"An utterly hypnotic writer." —James Wood
"Mad, sad and funny. Thrilling." —Geiff Dyer
"The drama exists in his voice." —Lydia Davis
The Loser by Thomas Bernhard          $23
Three aspiring concert pianists — Wertheimer, Glenn Gould, and the narrator — have dedicated their lives to achieving the status of a virtuoso. But one day, two of them overhear Gould playing Bach's Goldberg Variations, and his incomparable genius instantly destroys them both. They are forced to abandon their musical ambitions: Wertheimer, over a tortured process of disintegration that sees him becoming obsessed with both writing and his own sister, with whom he has a quasi-incestuous relationship culminating in death; and the narrator, instantly, retreating into obscurity to write a book that he periodically destroys and restarts. New edition, with an afterwords and cover art by Leanne Shapton. 
>>Read Thomas's review
Woodcutters by Thomas Bernhard           $25
One of Bernhard's finest and most incisive books, featuring the narrator's streams of internal invective against everyone at an artistic gathering, but, ultimately, exposing the narrator to the scrutiny of the reader. As always in Bernhard, all loathing is primarily self-loathing and only secondarily loathing of the world as it is distilled in the loather. New edition, with an afterword by Anne Enright and cover by Leanne Shapton.
>>Read Thomas's review
Wittgenstein's Nephew: A friendship by Thomas Bernhard       $25
It is 1967. Two men lie bedridden in separate wings of a Viennese hospital. The narrator, Thomas Bernhard, is stricken with a lung ailment; his friend Paul, nephew of Ludwig Wittgenstein, is suffering from one of his periodic bouts of madness. As their friendship quickens, the two men discover in each other an antidote to their feelings of despair on the unexpected strength of what they share — a symmetry forged by their love of music, black humour, disgust for bourgeois Vienna, and fear of mortality. New edition, with an afterwords by Ben Lerner and cover by Leanne Shapton.
"'Furious, obsessive, scathing, absolutely hilarious and oddly beautiful." —Claire Messud
Te Hei Tiki by Dougal Austin          $60
Of all Maori personal adornments, the human figure pendants known as hei tiki are the most highly prized and culturally iconic. This book showcases photographs of a large selection of hei tiki, most from the taonga Maori collection at Te Papa. 


The Anarchy: The relentless rise of the East India Company by William Dalrymple         $33       Hardback: $40

One of the best-known historians of British India turns his attentions to the corporation that defeated the Mughal emperor with a private army in 1765 and installed a new regime in which the company transformed itself into an aggressive colonial power, levying taxes and by the early nineteenth century controlling most of the Indian subcontinent and parts of South East Asia with a private army twice the size of the British Army.  


What Happened? by Hanif Kureishi                 $45
A collection of Kureishi's most insightful essays and stories, on everything from David Bowie to Georges Simenon to Keith Jarrett.
"No one else casts such a shrewd and gimlet eye on contemporary life." —William Boyd


Fifteen Million Years in Antarctica by Rebecca Priestley         $40
When Priestley visited Antarctica in 2011, it fulfilled a life's dream but also brought her anxieties to the fore. She has visited twice since, spending time with Antarctic scientists including paleo-climatologists, biologists, geologists, glaciologists exploring the landscape, marvelling at wildlife from orca to tardigrades, and occasionally getting very cold. Her anxiety has been her constant companion, anxiety both for herself and for the future of the continent and the planet. 
In Waves by A.J. Dungo          $30
In this outstanding graphic novel, surfer and illustrator A.J. Dungo remembers his late partner, her battle with cancer, and their shared love of surfing that brought them strength throughout their time together.
Hauturu: History, flora and fauna of Te Hauturu-o-Toi/Little Barrier Island by Lyn Wade and Dick Veitch      $60
Exemplary social and natural history, and well illustrated. 



Renia's Diary by Renia Spiegel           $38
Renia Spiegel was shot dead by the Nazi's after escaping the Warsaw ghetto and hiding in an attic. For seventy years, her diary has lain in a bank vault. It has now been published. 
And How Are You, Dr. Sacks? A biographical portrait of Oliver Sacks by Lawrence Weschler     $45
Lawrence Weschler began spending time with Oliver Sacks in the early 1980s, when he set out to profile him for The New Yorker. Almost a decade earlier, Dr. Sacks had published Awakenings but the book had hardly been an immediate success, and the rumpled clinician was still largely unknown. Over the ensuing four years, the two men worked closely together until Sacks asked Weschler to abandon the profile, a request to which Weschler acceded. The two remained close friends, however, across the next thirty years and then, just as Sacks was dying, he urged Weschler to take up the project once again.
Poems from the Edge of Extinction: An anthology of poetry in endangered languages edited by Chris McCabe       $35

Texts in the original languages and in English translation.
Women in Art: 50 fearless creatives who inspired the world by Rachel Ignotofsky       $35
Charmingly illustrated and informative. 
The Silver Spoon for Children by Harriet Russell       $35
Quick, wholesome, easy-to-make Italian recipes. 
The Father of Octopus Wrestling, And other small fictions by Frankie McMillan          $28
Darkly comic, surreal and full of explorations of human vulnerability and eccentricity.
Outgrowing God by Richard Dawkins          $38
Dawkins marshals science, philosophy and comparative religion to interrogate the hypocrisies of all the religious systems and explain to readers of all ages how life emerged without a Creator, how evolution works and how our world came into being.
You Can Change the World: The kids' guide to a better planet by Lucy Bell         $33
Clear, practical and hopeful, with plenty of things to do. 
We Are the Weather: Saving the planet begins at breakfast by Jonathan Safran Foer            $38
Examines the link between farming animals and the climate crisis. 
Promises, Promises: 80 years of wooing New Zealand voters by Claire Robinson           $60
A history of political advertising and the sorts of subtle or clumsy ways in which political parties have attempted to influence public opinion. 
>>Those were the days








VOLUME BooksNew releases

Night Boat to Tangier by Kevin Barry   {Reviewed by THOMAS}   

On the far side. What if it’s just…
Noise?


The dead are necessarily unaware that they are dead in the same way that the characters of a novel are necessarily unaware of their fiction. In either case, voices call out, unable to free themselves from their pasts, disembodied at the moment of their calling, unable to be silent, unable to stop moving on, unable to relinquish their attenuated existence. The voices of the dead differ in no regard from the voices of fiction. Fiction is, before all else that it is, a form of haunting. In Kevin Barry’s novel, two decrepit Irish crooks in their fifties wait at the ferry terminal in Algeciras in the belief that Dilly, the estranged daughter of one of them (and it becomes eventually unclear which), will pass through the terminal to cross the strait that divides Europe from Africa (or, symbolically, by my reading, the land of the living from the land of the dead). Like some virtuoso outcome of a collision between Waiting for Godot and Lincoln in the Bardo, the voices of Charlie and Maurice bear the novel through its progression, or non-progression, their waiting for Dilly: immediate, perfectly pitched, colourful, rude and hugely funny. Charlie and Maurice are old friends and rivals, deeply damaged, attached to and afflicted by each other, not given to introspection other than to regret, crass, violent, pinned to life but through with life, unable to pass on or to cease, each bearing the wound of the other, all the while lumbered by the ungainly physicality of an Adidas holdall. “The past will not relent.” Interspersed with their dialogic co-dependence are flash-backs, or, more accurately, tethers to periods of their pasts, their business in the import of hashish, their slowly revealed relationship with each other and with Maurice’s wife Cynthia, their tales of destruction and self-destruction, their very human weaknesses and failings, the instances of the past that will not relinquish them now. “There are only seven true distractions in life,” says Maurice, namely want of death, lust, love, sentimentality, grief, pain (“mental and physical divisions”), avarice — it is these aspects of their pasts that tie the characters to existence, and form the generous human scope of the novel. At one point Maurice is described as “more than possessed by his crimes and excesses — he was the gaunt accumulation of them.”

You know what I get to wondering, Maurice?
Tell me, Charlie.
About death, Moss.
Here we go.
Is it as raw a deal as they make it out to be?


Barry’s writing moves effortlessly from crass banter to poetically beautiful descriptions of place, and is studded with memorably surprising turns of phrase (“Beneath Charlie’s left eye there was a tic of nervous fluttering, as if a tiny bird were trapped beneath the skin.”) and existential humour (“The fear of turning into our parents, she said, is what turns us into our fucking parents.”). How long will they wait? Waiting becomes a state without object. “Would you say there’s any end in sight, Charlie?” says Maurice in the opening line of the novel. On the last page, after their wretched lives have been pinned out, replayed, again replayed, Charlie asks, “Is there any end in sight, Maurice?” And perhaps there is. A paragraph ends abruptly, without a punctuating mark. Then

I think it’s stopping, he says.
VOLUME BooksReview by Thomas
Our Book of the Week is Kevin Barry's astounding new novel, Night Boat to Tangier. Borne on by the conversation between two fading Irish gangsters waiting at the ferry terminal in the Spanish port of Algeciras, the book is a deeply sympathetic (and riotously funny) exploration of human failings. 
>>"Like the result of a collision between Waiting for Godot and Lincoln in the Bardo." —Read Thomas's review
>>"I want to get that thread of menace." 
>>"The blank spaces seem to signify accumulated pain." —Nicole Flattery in the LRB
>>"Fascinating hybrid of poetry, drama and ferocious prose."
>>"The old weird Ireland is still out there." 
>>Dark lies the island
>>Read Thomas's review of Beatlebone
>>Other books by Kevin Barry
>>Click and collect
VOLUME BooksBook of the week




























 
Doxology by Nell Zink    {Reviewed by STELLA}
A story of Pam, Daniel and Joe playing punk music (badly) in the late 80s New York may not sound like a premise that leaves much room for play, but in typical Nell Zink fashion this is more and so much more. Pam, a wannabe musician and computer programmer, meets Joe, an unassuming misfit who accepts everyone at face value and sees the good (or the beautiful) in most situations, on the city streets. They strike up an unlikely friendship and when Pam realises he can play almost any instrument a band is formed, with the third link being the attractive Daniel, a young graduate (who works as a translator at night) who thinks starting a record company is his prescribed future. While Pam and Daniel get together and in a short time are young parents to baby Flora, Joe is noticed and picked up as a cult celeb musician. Laced through this story of girl-meets-boy, girl-makes-a-band, are the characters' respective childhoods and coming-of-age stories in 1980s America. This is Jonathan Franzen territory with cultural context building layers of meaning, but Zink is more biting and funnier. The first half of this novel reminded me of Jennifer Egan’s excellent A Visit From the Goon Squad, with its references to cultural icons. Into this Zink brings the political realities of America in the Middle East during the Gulf War, and the changing cultural landscape with the introduction and growing use of the internet. It feels, understandably, like a different time, but for most of us — our time. The second half of the book focuses on Flora’s story. When 9/11 happens Daniel packs up his family and they decamp to Pam’s parents in Washington State. Flora, used to traipsing around the streets and going to gig venues with her parents or being babysat by atypical Joe, is charmed by suburbia and decides to stay with her grandparents when Pam and Daniel return to the city. The 9/11 terror attack is a turning point in the book: not only does Flora seek out a different lifestyle, but her parents are also surprisingly content to shape their lives without an ‘everyday’ child in it and Joe has died due to an accidental overdose, leaving a gap in their triangle. As we follow Flora through her teen years as a dedicated student and on to university, graduating in soil sciences and an eco-consciousness, it is no surprise to find her wrapped up in the political landscape of 2016 as a volunteer campaigner for the Greens. If you have read Meg Wolitzer’s The Female Persuasion, you will recognise the themes of eco and gender politics. As Flora is embracing with optimism (and increasing doubt) the world that could be (and experimenting with relationships), Pam is increasing cynical about the political and social landscapes of contemporary America. So, while we are reading and knowing the outcome of that general election, Doxology reminds us that no one (apart from a few — in this case, the jaded strategist Bull Gooch) expected Trump. Nell Zink’s Doxology is clever. An apparently straightforward plot following the lives of this family group laid across the landscape of America from the late 80s to recent years, it’s deceptively cutting of acceptable behaviour in society and lays bare the hypocrisy of politics and human actions. And it’s very funny. There are observations of human behaviour that will make you, as a reader, stop mid-paragraph to laugh and then wonder why and how you can laugh at these small tragedies. If you haven’t read Zink previously (and you like your fiction sharp, hilarious and provocative)  do so now and there is plenty more to discover (Nicotine and Mislaid are my favourites).
VOLUME BooksReview by Stella

NEW RELEASES


Lost and Somewhere Else by Jenny Bornholdt       $28
Jenny Bornholdt has the remarkable capacity to draw the subtlest insights out of the most everyday details. Her poetry is marked by the fine-grained quality of her noticing, by her sprightly wit, and by the generous access she provides to very precise states of feeling.  How does she achieve all this? 
>>Book now to hear Jenny Bornholdt in conversation with Clare Marcie at the VOLUME MAPUA LITERARY FESTIVAL


The Absolute Book by Elizabeth Knox       $35
The much-anticipated new novel from Elizabeth Knox is an epic fantasy that draws us deep into actuality, and is a book powerful on many levels. 
"An angelic book, an apocalyptic book, an astounding book." —Francis Spufford
"The master is present. To read Knox on such a huge canvas – to be immersed in her worlds, wrapped in her intelligence and craft so completely – is an experience not to be missed. Lessing, Le Guin, Knox – books where the best hearts meet the best minds meet the best imaginations are few and far between. The Absolute Book is a triumph of fantasy grounded in the reality and challenges of the moment we live in." —Pip Adam
>>Continuing
Always Song in the Water: An oceanic sketchbook by Gregory O'Brien       $45
Gregory O’Brien takes his metaphorical dinghy to the edges of New Zealand—starting with a road trip to the far North—and then voyages out into the Pacific, to lead us into some under-explored territories of the South Pacific imagination, art and literature. O’Brien uses the work of Janet Frame, Ralph Hotere, Robin White, John Pule, Epeli Hau’ofa and others to see whether we can re-imagine ourselves as an oceanic people on a small island in a big piece of water. O’Brien is invariably good company, and it is a pleasure to share his musings, discoveries and observations is this beautifully produced and illustrated volume. 
>>Book to hear Gregory O'Brien talk with Steve Austin at the VOLUME MAPUA LITERARY FESTIVAL
Ducks, Newburyport by Lucy Ellmann          $40
An Ohio mother bakes pies while the the world bombards her with radioactivity and fake facts. She worries about her children, caramelisation, chickens, guns, tardigrades, medical bills, environmental disaster, mystifying confrontations at the supermarket, and the best time to plant nasturtiums. She regrets most of her past, a million tiny embarrassments, her poverty, the loss of her mother, and the genocide on which the United States was founded. Lucy Ellmann's scorching indictment of the ills of modern life is also a plea for kindness, a remarkable virtuoso sentence, and an unforgivably funny evocation of the relentlessness of one person's thoughts. 
"A triumph." —Guardian
>>Lucy Ellmann does not care about what male reviewers think about having to read such a long book written about a woman.
>>Read the rest of the 2019 Booker Prize short list
The Testaments ('The Handmaid's Tale' #2) by Margaret Atwood      $48
Unfortunately, the dystopia of Margaret Atwood’s novel The Handmaid’s Tale seems more plausible now than it was when the book was first published in 1985. The recent television series and the graphic novel are now followed by this sequel written by Atwood to further explore the workings of Gilead and to disclose what happens to Offred after the van door slams at the end of the first book. Atwood is one of the sharpest observers of power imbalances in human relationships and of injustice in society, and her books provide liberating ways of thinking about these issues. One of the most anticipated books of the year. 
>>Read an extract.
>>Read the rest of the 2019 Booker Prize short list
The Tenderness of Stones by Marion Fayolle         $55
Marion Fayolle’s beautifully strange graphic novel is an exploration of a family’s attempts at grappling with the grief and loss of a loved one bears a surreal, fairy-tale quality. The graphic novel depicts the father figure of this particular family succumbing to an undisclosed illness with a focused yet fragile sense of retrospective narration. Parts of the father's body are gradually and carefully stripped away from him — starting with one of his lungs, he proceeds to lose his mouth, his nose, and ultimately rescinds into a childlike state. With the narrator’s father now trapped in a permanently pre-pubescent form, Fayolle’s narrative and visual style come into full play as her introspective storytelling and whimsical yet enlightened art carry the graphic novel’s emotions to the end.
"Handsome, delicate, masterful." —Starburst
Screen Tests by Kate Zambreno         $38
Zambreno’s wonderful book consists of 58 “stories”, some of them as short as a sentence, some as long as a few pages, followed by five “essays”, written a few years earlier, somewhat longer. The “essays” are easy and pleasurable to read, he thinks, even if not quite as easy and pleasurable to read as the “stories”, which are written with such lightness and quickness that they are already inside the reader’s mind, fully formed, claiming space, before the reader is aware that their beauty is snide, prickly, misanthropic, resonant with misery and failure. Both the “stories” and the “essays”, are commonly about, or “about”, writers, artists, actors, filmmakers, photographers and others, engaged in a doomed, and therefore, perhaps, heroic, or, if not heroic, then pathetic, or, if such a thing is possible, both heroic and pathetic struggle with the forces of entropy, age, boredom, depression, addiction, AIDS, poverty, prejudice, and so forth, forces that both work against and enable their practice. 
>>Read Thomas's 'review'
>>An interview with Kate Zambreno
>>Read Thomas's review of The Book of Mutter
Listening In by Lynley Edmeades        $28

Edmeades's poems show, often sardonically, how language can be undermined: linguistic registers are rife with uncertainties, ambiguities and accidental comedy. She shuffles and reshuffles statements and texts, and assumes multiple perspectives with the skill of a ventriloquist. These poems probe political rhetoric and linguistic slippages with a sceptical eye, and highlight the role of listening or the errors of listening in everyday communication.
Craven by Jane Arthur        $25
Winner of the 2018 Sarah Broom Poetry Prize. 
"She seems to me a poet of scale and embodiment. Her moments are informed by awe and intelligence – quick and seamless. They don’t have to try so hard. I felt novels and films in these poems. I thought: this is a poet of capacity." — Eileen Myles
The Adventures of Tupaia by Courtney Sina Meredith and Mat Tait        $35
An exquisite illustrated book telling the story of Tupaia, Tahitian priest navigator, who sailed on board the Endeavour with Captain Cook on his first voyage to Aotearoa. Follow Tupaia as he grows up in Ra'iatea, becoming a high-ranking 'arioi and master navigator. Join him as he meets up with Cook in Tahiti and sails as part of the crew on the Endeavour across the Pacific to Aotearoa. Witness the encounters between tangata whenua and the crew as the ship sails around the coast, and discover the important role Tupaia plays as translator and cultural interpreter.
>>Watch the trailer!
The Grammarians by Cathleen Schine       $40
The Grammarians are Laurel and Daphne Wolfe, identical, inseparable redheaded twins who share an obsession with words. They speak a secret "twin" tongue of their own as toddlers; as adults making their way in 1980s Manhattan, their verbal infatuation continues, but this love, which has always bound them together, begins instead to push them apart. Daphne, copy editor and grammar columnist, devotes herself to preserving the dignity and elegance of Standard English. Laurel, who gives up teaching kindergarten to write poetry, is drawn, instead, to the polymorphous, chameleon nature of the written and spoken word. Their fraying twinship finally shreds completely when the sisters go to war, absurdly but passionately, over custody of their most prized family heirloom: Merriam Webster's New International Dictionary, Second Edition.
Moth Hour by Anne Kennedy          $25
Kennedy's brother Philip 'Moth' dies when he was 22. In this book Kennedy takes a poem he wrote and makes multiple versions of her own: a gripping, emotional arm-wrestle with tragedy.  


The Jewish Cookbook by Leah Koenig         $80

 Features more than 400 home-cooking recipes for everyday and holiday foods from the Middle East to the Americas, Europe, Asia, and Africa - as well as contemporary interpretations by renowned chefs including Yotam Ottolenghi, Michael Solomonov, and Alex Raij. A definitive compendium of Jewish cuisine, introducing readers to recipes and culinary traditions from Jewish communities throughout the world. 
Auē by Becky Manawatu         $35
Auē is the sound of sorrow. Sorrow resonates through this multivocal novel about damaged childhoods and the strength that gets children through them. 
Auē is a novel I could not stop reading” —Renée


The Collection by Nina Leger         $25
A woman builds a 'memory palace' from her anonymous sexual encounters with random men in this novel which inverts the objectification of women's bodies in many novels. 
"Rare and revolutionary." —Lauren Elkin, Guardian
The Ancient Guide to Modern Life by Natalie Haynes       $29
How modern are our lives? Or are we still living the lives our ancestors lived? It's time for us to re-examine what the Greeks and Romans have given us in politics and law, religion and philosophy and education, and to learn how people really lived in Athens, Rome, Sparta and Alexandria.
The Fens: Discovering England's ancient depths by Francis Pryor       $48

A fascinating account of a complex, human-made landscape by archaeologist Francis Pryor who has dug and worked its soil for almost 40 years. Combining archaeology, history and personal experience, he evokes and explains the East of England's marshy and mysterious Fens.



Ornament and Crime by Adolf Loos        $26
"The lack of ornament is a sign of intellectual power." A collection of essays and manifestos on design, aesthetics and materialism from the pioneer Modernist architect. 
Quichotte by Salman Rushdie           $37
Rushdie's riff on Don Quixote sees a modern-day Quichotte travel across America with his imaginary son Sancho on a quest for love. Unfortunately, his daily diet of reality TV, sitcoms, films, soaps, comedies and dramas has distorted his ability to separate fantasy from reality.
>>Read the rest of the 2019 Booker Prize short list
We Need New Stories: Challenging the toxic myths behind our age of discontent by Nesrine Malik           $38
We should hardly be surprised by the political crises much of the world the world finds itself in today — the current situation is the culmination of slow but most effective processes that have been undermining liberal democracies for years (and, in fact, often precede them). Malik's clear analyses improve our understanding of the current state of the world. 
"Insightful and persuasive." —Guardian





VOLUME BooksNew releases







































 

Women in the Field, One and Two by Thomasin Sleigh  {Reviewed by STELLA}
Ruth Bishops is an independent woman in her mid-30s attempting to shape a place for herself in the art world of London in the 1950s. Always interested in drawing, and encouraged by her aunt, she has attended the Slade Art School thanks to a small inheritance. Her time there is disrupted by the war, but she finishes her in the late 40s, her talents being in writing about art and critiquing her fellows’ work. With a small amount of attention garnered from a book she has written on contemporary art, she gains a position at the Fisher Gallery as a keeper: to catalogue the collection, research, and assist with exhibitions. Here, she finds herself in a role she loves, but also in a patriarchal institution where she has to prove herself over and above her male counterparts and is often relegated to overlooked or plainly ignored when it comes to input and meetings. When a retiring director makes her the English advisor* (partly out of spite for his nemesis) to the National Art Gallery of New Zealand, things take an unexpected turn in her rather planned and predictable life. At an exhibition opening she is introduced to an eccentric Russian emigre, Irina Durova, who, on hearing of her role as an advisor, starts to badger Ruth about viewing her work. Eventually, Ruth gives in and arranges to visit Irina’s studio, where she finds a vast array of work spanning several decades. Drawn to two paintings from Irina’s final days in Russia (she migrated to London in 1913), she suggests these to committee at the National Art Gallery, having little hope that they will take her advice. Yet, despite controversy, they do. Irina and Ruth’s relationship develops as they plan the process of getting the works to New Zealand, and surprisingly Irina insists they accompany the works to Wellington. Ruth, who is having difficulties at the Fisher due to petty jealousies and office politics, as well as class and gender prejudices, is happy to have a change of scene, and finds herself on the way to the southern climes. Thomasin Sleigh has written a compelling novel, cleverly blending factual details into this fictional work. The historical references are light-handed, sometimes sharply amusing and fitting, placing this story well in its period. Her prose style is apt: the tone and language feel just right for the time. The two female leads are both convincing: Irina - a hive of conflicting impulses and an off-handedness that points to a deception; and Ruth -  a seemingly naive yet highly observant individual who has grit at her core. Yet this is more than a story of two women making their mark on the page, more than a story of two paintings and their meaning: Sleigh is talking about colonisation, immigration, class and gender. As an art writer, she brings insight and knowledge to this interesting period and shows how art can be a catalyst for changing attitudes. Women in the Field, One and Two (a wonderfully playful title) is a novel that is both thoughtful and provocative, a missive about the art world and creative female practice now, as much as it is about the 1950s. Issues of paternalism, prejudice and favouritism still abound. What does it take and what do you give up to be free and creative? As Irina states: “I kept going and I wouldn’t go back. I had to make it work, because...because that was all I could do. I didn’t know that there were special rules, a special game, about whose art gets seen and whose art is remembered.” The most compelling New Zealand novel I have read this year: clever, witty and engaging.  

 
(*the gallery had English advisors until 1972.)

Thomasin Sleigh will be talking with Stella at the VOLUME MAPUA LITERARY FESTIVAL on 21 September. >>Book your tickets now
  



























 
These Possible Lives by Fleur Jaeggy  {Reviewed by THOMAS}
The desire to understand must not be confused with the desire to know, especially in biography. Too often and too soon an accretion of facts obscures a subject, plastering detail over detail, obscuring the essential lineaments in the mistaken notion that we are approaching a definitive life. Such a life could not be understood. Instead a whittling is required, a paring from the mass of fact all but those details that cannot be separated from the subject, the details that make the subject that subject and not another, the details therefore that are the key to the inner life of the subject and the cause of all the extraneous details of which we are relieved the necessity of acquiring (unless we find we enjoy this as sport). Jaeggy, whose brief fictions, such as those in I am the Brother of XX, remain as pleasant burrs in the mind long after the short time spent reading them, has here written three brief biographies, of Thomas De Quincey, John Keats and Marcel Schwob, each as brief and effective as a lightning strike and as memorable. Jaeggy is interested in discovering what it was about these figures that made them them and not someone else. By assembling details, quotes, sketches of situations, pin-sharp portraits of contemporaries, some of which, in a few words, will change the way you remember them, Jaeggy takes us close to the membrane, so to call it, that surrounds the known, the membrane that these writers were intent on stretching, or constitutionally unable not to stretch, beyond which lay and lies madness and death, the constant themes of all Jaeggy’s attentions, and, for Jaeggy, the backdrop to, if not the object of, all creative striving. How memorably Jaeggy gives us sweet De Quincey’s bifurcation, by a mixture of inclination, reading and opium, from the world inhabited by others, his house a place of “paper storage, fragments of delirium eaten away by dust”, and poor Keats, whose “moods, vague and tentative, didn’t settle over him so much as hurry past like old breezes,” and Schwob, with his appetite for grief tracing and retracing the arcs of his friends’ deaths towards his own. These essays are so clean and sharp that light will refract within them long after you have ceased to read, drawing you back to read again. Is the understanding you have gained of these writers something that belongs to them? Too bad, you will henceforth be unable to shake the belief that you have gained some access to their inner lives that has been otherwise denied.

NEW RELEASES

Doxology by Nell Zink          $33
No-one's sanity is safe from the pen (or, plausibly, keyboard) of novelist Nell Zink. This novel tackles the 90s music scene, hipsterdom, climate change and political misadventures on the minimal and maximal scale. It is hugely funny, audacious, sharp and indelible (as you would expect). 
"Doxology is superb. In terms of its author’s ability to throw dart after dart after dart into the center of your media-warped mind and soul, it’s the novel of the summer and possibly the year. It’s a ragged chunk of ecstatic cerebral-satirical intellection. It’s bliss." —The New York Times
>>"I am afraid I have to tell you, Nell, you have no subconscious mind." 
>>"Post-sensitive is not a bad description of Zink’s Weltanschauung."
>>He started playing ukulele soon after his mother died.”
Vivian by Christina Hesselholdt         $36
On the surface, Vivian Maier lived a quiet life as a loving, firm and feisty nanny for wealthy families in Chicago and New York. But throughout four decades, she took more than 150,000 photos, mainly with Rolleiflex cameras. The pictures were only discovered in an auction shortly before she died, impoverished and feasibly very lonely. In a time when self-obsession and representation are at an all-time high, Vivian Maier holds a particular fascination. Who was this eccentric person? Hesselholdt's novel seeks to penetrate the enigma. 
>>Read an excerpt
>>Finding Vivian Maier
>>Read Thomas's review of Hesselholdt's Companions
The Man Who Saw Everything by Deborah Levy         $37
Levy's new novel is both subtle and audacious, exposing power play on both personal and epochal levels in the story of a man hit twice by cars on the same crossing but in different decades, causing his life to turn under itself like a Möbius strip.
"Brilliant." —Sam Byers, Guardian
>>Levy talks about the book
>>Other books by Deborah Levy
>>In her writing shed
The Broken Estate: Journalism and democracy in a post-truth world by Mel Bunce         $15
In the age of Trump, fake news and clickbait headlines, it is easy to despair about the future of journalism. The New Zealand and global media are in upheaval: the old economic models for print journalism are failing, public funding has been neglected for decades, and many major news organisations are shedding journalists. 


Moonlight Travellers by Will Self and Quentin Blake       $40
A remarkable collaboration between an outstanding illustrator and an outstanding writer. When Self saw Blake's slightly macabre illustrations of people making their ways across moonlit landscapes in eccentric vehicles, he went home and wrote a set of similarly baroquely strange and moon-saturated texts. This astounding book contains both. 
Poems from Hotel Middlemore by Michael Morrissey      $20
Hotel Middlemore, aka Middlemore Hospital, "is the smallest country on earth / tinier than the Vatican / yet more secure / you couldn't escape in a laundry basket / or by disguising yourself as a psychiatrist". "Everyone who is here deserves to be / no possibility of a mistake / doctors do not err / a privilege to know I am a participant / in an enterprise which cannot commit a blunder". Michael Morrissey's 12th book of poetry casts a wry but compassionate eye on life in a New Zealand psychiatric ward: "I'm in the best hotel in the world / grandest view / hot and cold running / but it's a psychiatric ward / everyone mad except me / and I too am mad / as a butchered snake / ram-raided by delusion / I have bipolar disorder which comes / and goes / of its own free will." From Hotel Middlemore Michael Morrissey, "God's blue astronaut / lonely but unafraid", takes us on a journey from a psychiatric ward to "beyond infinity / and back again".
Uncollected Poems by R.A.K. Mason, edited by Roger Hickin      $38
Many of the poems written after 1962's Collected Poems, and those excluded from that collection, have not been published before. 
"As all good writing has to, his writing came from his life. Each poem  belonged to the life, like dark threads pulled away from the frayed sleeve of an old coat. I call that quality authenticity." —James K. Baxter, Landfall 99
Karl Wolfskehl: A poet in exile by Friedrich Voit         $40
Disturbed by the rising anti-Semitism Wolfskehl had left Germany for Switzerland and Italy in 1933. When Italy began to adopt anti-Jewish legislation he fled Europe for distant New Zealand which he had heard was an ‘island of racial equality’. For ten years he found asylum here and the peace to go on writing. Though almost blind, the open-minded and curious German-Jewish poet soon became engaged in the social and cultural life of the country, befriending and influencing many of the leading younger writers, such as R. A. K. Mason, Frank Sargeson, A.R.D. Fairburn and Denis Glover. 
>>Writings by Wolfskehl
 Native Son: The writer's memoir by Witi Ihimaera          $40
The second volume of memoir from Ihimaera, following Maori Boy and telling of his experiences as a young writer making his way in a pakeha world, trying to find a place and a voice, exploring his identity and sexuality, and trying to put a secret in his past behind him. 


The Language of the Universe: A visual exploration of mathematics by Colin Stewart and Ximo Abadía    $40

Did you know that mathematics can be beautiful and that it is used in nature every single day? Have you ever wondered how prime numbers can protect us, or why bees use hexagons in their hives? 
Someone's Wife by Linda Burgess        $37
A collection of very personal essays exploring childhood, marriage, life as an All Black wife, and a poignant and strikingly honest reflection on the death of her first born, Toby.
"Lind Burgess can make you laugh and break your heart, often in the same sentence. Clear-eyed and wise, these essays are the stories we share to survive." —Diana Wichtel
>>Burgess talks with Lynn Freeman
My First Words in Māori by Stacey Morrison, illustrated by Ali Teo and John O’Reilly       $20
Equips your whanau with the first words you need to speak te reo at home together.


Māori at Work: The Everyday Guide to Using te Reo Māori in the Workplace by Scotty Morrison          $35
Simple, practical and engaging. From the author of the spectacularly popular and useful Maori Made Easy and Maori at Home


The Marae Visit by Rebecca Beyer, Linley Wellington and Nikki Slade Robinson        $20
A good introduction to what to expect on a visit to a marae, in te reo Maori, English and Mandarin. 
The Unsettling of Europe: The Great Migration, 1945 to the present by Peter Gatrell         $75
Europe and its relationship with the rest of the world have always been defined by cumulative effects of migrations within and beyond its edges, and migrants have always stood at the heart of the European experience. This book explores the experiences of those seeking a safer or better life, and the effects of their migration upon both the societies they leave and those into which they are welcomed (or not). 
"Gatrell’s eye for detail and sensitivity make this a compelling account that challenges the 'us'-and-'them' framing into which much discussion of migration is forced. Its great strength is that it treats the emotional and cultural aspects of the subject with as much respect as the historical facts and figures." —Guardian
Student Political Action in New Zealand by Sylvia Nissen      $15
Exploring the terrain between activism and apathy, Sylvia Nissen considers what it means to be a political actor from the perspective of students today. Drawing on in-depth interviews with New Zealand tertiary students, she traces their 'desires' for different types of politics, the 'demands' they experience at university, and the 'doubts' that underscore their political engagement.


Archipelago: An atlas of imagined islands edited by Huw Lewis-Jones      $55
Ever since Crusoe was cast away (and probably well before that), distant islands have been scattered across our collective imagination. In this wonderful book, Lewis-Jones, who brought us the wonderful The Writer's Map, allows eighty of the world's leading illustrators to draw a map of an island that really ought (or perhaps ought not) to exist. Includes islands by Christ Riddell, Edward Carey, Aina Bestard, Coralie Bickford-Smith, Tom Gauld, Isabel Greenberg, William Grill, Daniel Reeve (NZ), Herve Tullet, and Takayo Akiyama. 
Frog and Toad: The complete collection by Arnold Lobel         $45
Once upon a time there were a frog and a toad who were very good friends. Frog was always enthusiastic — Toad wasn't so sure. All four deeply loved 'Frog and Toad' books now appear in one lovely hardback volume. 



To the Island of Tides: A journey to Lindisfarne by Alistair Moffat      $50
Lindisfarne, famous for its monastery, home to Saints Aidan and Cuthbert and the place where the celebrated Lindisfarne Gospels were written, is an island rich in history: the Romans knew it as Insula Medicata, it reached the height of its fame in the dark ages, and survived Viking raids before being abandoned after Henry VIII's dissolution of the monasteries. Moffat walks cross-country and through history. 
>>Things we know: Derek Jarman's The Tempest was filmed on Lindisfarne. 
The Seafarers: A journey among birds by Stephen Rutt       $40
Rutt travels to the remotest edges of the British Isles in search of the seabirds that make their homes there. In the face of a looming environmental crisis, his investigation is both personal and passionate. 


 The Exiles: Actors, artists and writers who fled the Nazis for London by Daria Santini        $44

Demonstrates the cultural enrichment that results from an influx of refugees. 
There Are Bugs Everywhere by Britta Teckentrupp        $28
A beautifully illustrated introduction to the lives of insects. 



Modern Sourdough by Michelle Eshkeri     $50
A clear guide to the successful making of sourdough leavened pastries and sweet doughs as well as more traditional breads.
East: 120 vegan and vegetarian recipes from Bangalore to Beijing by Meera Sodha         $50
From the author of Fresh India



Speak by Laurie Halse Anderson and Emily Carroll          $25
Melinda is an outcast at Merryweather High. Something happened over the summer - something bad - and now nobody will talk to her, let alone listen. So what's the point in speaking at all? Through her work on an art project, Melinda is finally able to face what really happened that night. But before she can make peace with the ghosts of the past, she has to confront the reality of the present - and stop someone who still wishes to do her harm. Only words can save her. She can't stay silent. Not any more.
An excellent graphic novel version of Laurie Halse Anderson's classic empowerment story. 
A Honeybee Heart Has Five Openings by Helen Jukes        $27
A year spent keeping bees is a year spent learning about yourself and your place in the world. 
''Finely written and insightful'' —Guardian
''A mesmeric, lovely, quietly powerful book. A gentle but compelling account of the redemption that comes from relationship and attention.'' —Charles Foster, author of Being a Beast
''A profound, funny and sometimes deeply moving book that describes a year of inner city bee keeping, while dancing between the history of bees and us and what it means to be human in our modern world.''  —Julia Blackburn, author of Threads: The Delicate Life of John Craske
This Is Not Propaganda: Adventures in the war against reality by Peter Pomerantsev       $33
When information is a weapon, everyone is at war. We live in a world of influence operations run amok, a world of dark ads, psy-ops, hacks, bots, soft facts, ISIS, Putin, trolls, Trump. We've lost not only our sense of peace and democracy — but our sense of what those words even mean.
The Gobbledegook Book: A Joy Cowley anthology illustrated by Giselle Clarkson      $40
An endlessly enjoyable large hardback collection of Cowley's best poems and stories. Absolutely both giveable and haveable.








PRE-PUBLICATION ORDERS are being accepted now for these books (use the 'click and collect' button on our website to reserve your copies):

The Testaments ('The Handmaid's Tale' #2) by Margaret Atwood      $48
Available Tuesday 10 September
>>Read an extract
The Absolute Book by Elizabeth Knox         $35
Released Thursday 12 September









VOLUME BooksNew releases







































 

Asymmetry by Lisa Halliday       {Reviewed by STELLA}
Opening with a bored young woman sitting on a bench in New York — bored with waiting for something to happen, bored with her book and bored with herself — Asymmetry cleverly lets you into a sliver of Alice’s mind. Actually, not even that much. A well-known older writer sits down and starts a conversation — one that finally gets around to his ‘line’. “Are you game?” (A line that later will reappear with hand-clapping irony!) Lisa Halliday’s debut novel riffs on the greats of American modern fiction — the male novelists that is. It’s fairly obvious that our older writer, Ezra Blazer, is based on a somebody or an amalgam of ‘someones’, and it won’t come as a surprise when you discover that Halliday had a relationship with Philip Roth when she was in her early twenties. Cue the novel-as-life, life-as-novel moment. Yet Halliday gives us a double (or maybe even a triple) twist in this captivating novel of three parts. Part one — 'Folly' — details Alice’s affair with the older author Blazer. She’s an editorial assistant at a publishing house who is easily won over by the dynamic and controlling Blazer. She’s a willing participant, and although we are never given the last damaging scene — the breakup — we are well aware that the end will come in this affair, one in which Alice is both unhappy (really) but content (sort of) with the money that is lavished on her, the account at the ritzy department store and the crack in the door to a ‘better’ life, which she is sometimes allowed through. In return she will be kind to the ailing writer with his bad back and declining libido, fetch and carry for him as necessary, and listen to his opinions. The text's style here is snappy and wry. While we don’t discover too much about Alice’s internal life, we can enjoy the voyeuristic pleasures of watching through the keyhole, and there are some great sardonic moments — ‘peppercorns’ (piquant and spicy) of literary references and cultural textures (baseball and music). Layered under this ‘folly’ are the machinations of politics and social structures of the 2000s, topics that will come to the fore in part two — 'Madness'. We are suddenly thrown out of Alice’s world into Amar’s. Born on a plane coming to America, he is an American Iraqi. We meet him at border control, in London 2009, en route to Kurdistan (to visit his brother). Not surprisingly, he’s been pulled out of the queue and is answering a long series of questions from Denise, the immigration officer. Between numerous and repetitive questions and waiting in the holding cell, we get close and personal with Amar: his life growing up in the US, his time studying in London, his immediate family and the connections to his relatives in Iraq. Unlike Alice, with Amar Ala Jaafari we are given a full story, childhood, parents and a sibling (Sami), his failed relationship with Maddie (who his younger self scorned for her ambition to be a doctor), and his own academic crisis moving from doctoring to economics. Much of the story centres on his adult years — travelling back to an increasingly dangerous Baghdad with his parents to visit relatives, and his time in London where he becomes friends with a jaded war correspondent. We circle around the politics of the middle east, the American invasion of Kuwait, and the bombing of Baghdad and subsequent war in Iraq. Immersed in Amar’s story, as a reader I was wondering where and how Alice’s life would overlap. How would they meet? What was the connection? Yet the two parts stood separate and disconnected in all ways, aside from some themes that are played out quite differently. While in 'Folly' we are voyeuristic, in 'Madness' we are completely engaged — moved to be involved. Yet Halliday does not leave it there, and the final and brief third part, 'Ezra Blazer’s Desert Island Discs', a recorded interview for BBC radio, gives us the connecting lines so we can join the dots. Asymmetry is an enjoyable and clever novel, one that plays with the idea of the novel and questions the role of the author and imagination. It's a consciously delicious demonstration of fiction.
  





































































 

Screen Tests by Kate Zambreno    {Reviewed by THOMAS}
He finishes the book and draws up the green table to write his review. He takes a slip of paper from between the pages of the book, his reading notes, he calls such slips upon which he usually notes down quotes from the book he is preparing to review, or ideas he may have had during reading the book, which may or may not have arisen from the book, reading notes which are intended to make the writing of each week’s review a little easier for him, though ease is not exactly his aim in writing the reviews, in fact, if he wanted ease, he wouldn’t write reviews at all, or he would just say, Read this book. I enjoyed it and I think you will too. Or words to that effect. He looks at both sides of the slip of paper, but the only thing he has written on it this week seems to be a sentence that is presumably a quote from the book Screen Tests by Kate Zambreno. “When one writes, one is already someone else.” Fair enough, he thinks. That is the sort of thought he might think if he thought thoughts, he thinks, but more likely it is the sort of thought he would copy out of a book, though this sense of the word ‘copy’ seems more appropriative than he is comfortable with, perhaps, he thinks, revealing something shamelessly (or shamefully, he can’t decide) acquisitory about his reading. Appropriative and not appropriate. Kate Zambreno’s book consists of 58 “stories”, some of them as short as a sentence, some as long as a few pages, followed by five “essays”, written a few years earlier, somewhat longer. In fact, the only real difference between the “stories” and the “essays”, he thinks, is their length. The “essays” are more obviously the result of sustained effort, that sense of essaying, he thinks, though they take no real effort to read, they are easy and pleasurable to read, he thinks, even if not quite as easy and pleasurable to read as the “stories”, which are written with such lightness and quickness that they are already inside the reader’s mind, fully formed, claiming space, before the reader is aware that their beauty is snide, prickly, misanthropic, resonant with misery and failure. Both the “stories” and the “essays”, he thinks, are commonly about, or “about”, writers, artists, actors, filmmakers, photographers and others, engaged in a doomed, and therefore, perhaps, heroic, or, if not heroic, then pathetic, or, if such a thing is possible, both heroic and pathetic struggle with the forces of entropy, age, boredom, depression, addiction, AIDS, poverty, prejudice, and so forth, forces that will strip them of the benefit of their intellectual labour and convert it into intellectual capital that can be appropriated by someone else. He doesn’t know if this intellectual labour/ intellectual capital model is useful, even of itself, though it has been something he has been thinking a bit about lately, suspicious as he is of the workings of intellectual capital just as he is of those of financial capital, and, anyway, it is too heavy and clumsy a tool with which to grasp the poignant evanescences of Screen Tests. When he does write his review, he thinks, if he actually manages to write a review, he will instead say something about the way in which Zambreno’s intense interest in, he will probably call it obsession with, her subject matter identifies her, in her own mind, with another precarious, tentative creative person unable to distinguish a tightrope from a tripwire. “Can one’s obsession be a form of autobiography?” she asks, and it soon becomes evident, he will write, that the unfiltered openness of an obsession allows an immeasurable quantity of cross-contamination between the parties, or, if not so much between the parties, between the obsessor and the idea she has of the other with whom she is obsessed, to the extent that the two can no longer be usefully distinguished. All Zambreno’s pieces in the book are in the first person, he has noted, though this note is mental and not on the almost empty slip of paper that pretends to be his reading notes, all Zambreno’s pieces are I pieces, all her obsessions are self-obsessions, indeed surely all obsessions must be self-obsessions, for reasons already roughly sketched, all Zambreno’s obsessions are self-obsessions but what better access to the experience of another could be provided than through the aperture of obsession? Is this not what literature is for? For Zambreno, as for us all, he thinks, identity is porous, she is the people she writes about, she writes to be them, she writes to somehow exist, to survive, to enact, as they do, a “revolt against disappearance.” She is someone else in order to be herself, he thinks, maintaining the first person but destabilising its referent, in much the same way, he thinks, as he might write in the third person to give the impression that he is not writing about himself, to deflect the eye of a reader but also to destabilise the third person referent, for, he thinks, it must be the case that obsession transgresses identity in both directions. When Zambreno has writer’s block when working on one of her essays she says to herself, “I am unsure of what is the use of all this first person anymore,” and when he similarly has reviewer’s block when faced with reviewing Screen Tests, a book about which it would perhaps be better if he merely wrote, Read this book, I enjoyed it and I think you will too, or words to that effect, he finds himself unable to proceed because he fears that, even if he writes in the third person it might seem as if he is writing about himself instead of about the book Screen Tests by Kate Zambreno even though he really is writing about the book Screen Tests. He would not like people to think he was writing about himself, especially when he was not, and, even worse, he would not like them to think that he was expecting them to be interested in his writing about himself when he certainly would never expect them to be so interested, even if he was writing about himself, which he was not. This is the nature of my reviewer’s block, he thinks. I cannot proceed because I do not wish to be present in the text but I cannot proceed without being present in the text. He drinks his fourth cup of coffee and stares at the blank screen of his computer, the screen upon which he was to compose his review. I have still made no progress, he thinks, though, he supposes, four cups of coffee are in themselves a form of progress. 
Our BOOK OF THE WEEK challenges us to rethink political structures and consider the possibility of moving beyond systems that effectively merely further the economic advantage of the already advantaged. 
NEW FORMS OF POLITICAL ORGANISATION, edited by Campbell Jones and Shannon Walsh, is published by Economic and Social Research Aotearoa as a means to stimulate debate about "new forms of politics and new ways of understanding politics."
>>Visit the ESRA.
Read some extracts:
>> 'Nation destroying: Sovereignty and dispossession in  Aotearoa New Zealand' by  Ben Rosamond
>> 'Land, housing and capitalism: The social consequences of free markets' by  Shane Malva
>> 'Political organisation and the environment' by  Amanda Thomas
>> 'The resurgence of the radical left in Europe' by  David Parker 
>> 'Why we need a new left wing party' by Sue Bradford
>> 'Constitutional Transformation and the Matike Mai Project', a  kōrero between  Moana Jackson and Helen Potter.  
>> Other ESRA research.

NEW RELEASES
New Forms of Political Organisation edited by Campbell Jones and Shannon Walsh         $20
Could politics be anything other than the administration of the economy in the interests of the already privileged? This volume collects innovative thinking about new forms of politics, new forms of political organisation and new ways of thinking politics. Contributions include 'Nation destroying: Sovereignty and dispossession in Aotearoa New Zealand' by Ben Rosamond, 'Land, housing and capitalism: The social consequences of free markets' by Shane Malva, 'Political organisation and the environment' by Amanda Thomas, 'The resurgence of the radical left in Europe' by David Parker, 'Why we need a new left wing party' by Sue Bradford, 'Constitutional Transformation and the Matike Mai Project' a kōrero between Moana Jackson and Helen Potter. 

Fierce Bad Rabbits: The tales behind children's picture books by Clare Pollard         $37
What is The Tiger Who Came to Tea really about? What has Meg and Mog got to do with Polish embroidery? Why is death in picture books so often represented by being eaten? The best picture books are far more complex than they seem — and darker too. Interesting. 
Memories of Low Tide by Chantal Thomas (translated by Natasha Lehrer)        $33
Raised near the beaches of Arcachon, Chantal inherits from her mother a deep love of swimming in the sea. Through her young eyes, Thomas vividly evokes the sensory pleasures of the beach: the smell of seaweed on the shore, the first sharp touch of cold water. With her parents' troubled marriage in the background, the young Chantal roams the maritime landscape freely. In a series of short chapters, Thomas depicts her growing sense of independence through her developing connection to her environment. 
Flora Tristan: Feminism in the age of George Sand by Sandra Dijkstra      $27
A fascinating biography of the early Victorian feminist and social activist Flora Tristan, who chronicled the conditions of women and labour from the sugar plantations of Peru to the mills of industrial England. 
Becoming Beauvoir by Kate Kirkpatrick         $44
"One is not born, one rather becomes, a woman." Similarly, one is not born, one rather becomes, Simone de Beauvoir. In this important new biography, drawing on new primary sources. Kirkpatrick sheds light on some of the more complex corners of de Beauvoir's life and gives a remarkably lively reassessment of her relevance to modern feminism and autofiction (so to call it). 
The Weil Conjectures: On maths and the pursuit of the unknown by Karen Olsson        $40
When Olsson came across the letters between the mathematician André Weil and his sister, the philosopher Simone Weil, she was struck by the way in which, between them, they grappled with the differences (and similarities) between abstract thought and practical approaches to life. What is the relationship between analytical and creative thought? 
Blueprint by Theresia Enzensberger        $38
A novel set in 1920s Germany, where an ambitious young woman learns about love, feminism and modern architectural design at the Bauhaus. Enzenberger's book is also an introduction to the aesthetic and political debates of the modernist avant-garde, and an examination of the opportunities and challenges for female artists in Weimar Germany.
The Shamer's Daughter ('The Shamer Chronicles' #1) by Lene Kaaberbøl      $19
Dina has unwillingly inherited her mother's gift: the ability to elicit shamed confessions simply by looking into someone's eyes. To Dina, however, these powers are not a gift but a curse. Surrounded by fear and hostility, she longs for simple friendship. An excellent new series from the author of 'Wildwitch'. 


Life Finds a Way: What evolution teaches us about creativity by Andreas Wagner         $43
A beguiling symmetry links Picasso struggling through forty versions of Guernica and the way evolution transformed a dinosaur's claw into a condor's wing. How does the existing become the new? 
It Rained Warm Bread by Gloria Moskowitz-Sweet, Hope Anita Smith and Lea Lyon                  $33
A novel in verse for children, telling the true story of Moishe Moskovitz, who was thirteen when he was sent to Auschwitz in 1939. Nearing despair near the end of the war, Moishe was saved by an act of kindness. That was the day it rained warm bread. 


Our Women on the Ground: Arab women reporting from the Arab world edited by Zahra Hankir        $40
A growing number of intrepid Arab and Middle Eastern sahafiyat — female journalists — are working to shape nuanced narratives about their changing homelands, often risking their lives on the front lines of war. The nineteen essays here show that, from sexual harassment on the streets of Cairo to the difficulty of travelling without a male relative in Yemen, their challenges are unique — as are their advantages, such as being able to speak candidly with other women at a Syrian medical clinic or attend an exclusive beauty contest for sheep in Saudi Arabia.
Fundamental: How quantum and particle physics explains everything (except gravity) by Tim James      $38
J. B. S. Haldane once said, "Reality is not only stranger than we imagine — it's stranger than we can imagine." Who better to guide us towards the mind-bending fundamentals of physics than the ever lively Tim James (author of Elemental: How the periodic table can explain (nearly) everything). PS: The Higgs boson is not the end of the story.
Mysterium by Susan Froderberg          $30
Inspired by the true story of Nanda Devi Unsoeld’s 1976 death while climbing her namesake mountain, Susan Froderberg’s novel tells the tale of a courageous woman’s ascent to the summit of India’s highest peak to honor her fallen mother.
"The book offers the unusual combination of an intellectual challenge coupled with a brutal but ecstatic story." —Publishers' Weekly


Sardine: Simple seasonal Provençal cooking by Alex Jackson     $50

A unique French provincial cuisine with Italian and North African inflections. 
Two for Me, One for You by Jörg Mϋhle    $20
Can the bear and the weasel learn to share? 


On the Marsh: A year surrounded by wildness and wet by Simon Barnes         $40

An account of the rewilding of three-and-a-half hectares of marshland in Norfolk set against parallel with that of a family finding the benefits of living closer to nature. 


Promise of a Dream: Remembering the sixties by Sheila Rowbotham        $27
Captures well the excitement, challenges and obstacles experienced by women breaking the rules of politics, sex, relationships and their place in the world. 
Lost in the Spanish Quarter by Heddi Goodrich       $33


A novel of two students searching for love and belonging in the Spanish Quarter of Naples. The author (who, strangely, shares a name with the protagonist) lives in New Zealand. 
The Writing on the Wall: How one boy, may father, survived the Holocaust by Juliet Rieden       $38
In 1938, as the Nazis were marching on Prague, a Jewish couple made  a heartbreaking decision that would save their eight-year-old son's life but destroy their family. Years later, that son's daughter finds her family name repeated many times over on the Holocaust memorial on the wall wall of the Pinkas Synagogue in Prague. She traces the grim fate of cousins and aunts and uncles through the archives of Auschwitz and Theresienstadt.


Awatea and the Kawa Gang by Fraser Smith         $25
Can Awatea and his friends foil the poachers during their school holidays? The exciting sequel to Awatea's Treasure


The New Populism: Democracy stares into the abyss by Marco Revelli        $27
The word 'populism' has come to cover all manner of sins. Yet despite the prevalence of its use, it is often difficult to understand what connects its various supposed expressions. From Syriza to Trump and from Podemos to Brexit, the electoral earthquakes of recent years have often been grouped under this term. But what actually defines 'populism'? Is it an ideology, a form of organisation, or a mentality? Marco Revelli seeks to answer this question by getting to grips with the historical dynamics of so-called 'populist' movements. While in the early days of democracy, populism sought to represent classes and social layers who asserted their political role for the first time, in today's post-democratic climate, it instead expresses the grievances of those who had until recently felt that they were included. Having lost their power, the disinherited embrace not a political alternative to -isms like liberalism or socialism, but a populist mood of discontent. The new populism is the 'formless form' that protest and grievance assume in the era of financialisation, in the era where the atomised masses lack voice or organisation. 
Superheavy: Making and breaking the periodic table by Kit Chapman        $33
Creating an element is no easy feat. It's the equivalent of firing six trillion bullets a second at a needle in a haystack, hoping the bullet and needle somehow fuse together, then catching it in less than a thousandth of a second — after which it's gone forever. From the first elements past uranium and their role in the atomic bomb to the latest discoveries stretching our chemical world, this book reveals the stories lurking at the edges of the periodic table.




VOLUME BooksNew releases

NEW RELEASES
Night Boat to Tangier by Kevin Barry         $33
Two middle-aged Irish gangsters in a Spanish port await a ferry from Tangier in their search for the wayward daughter of one of them. Barry is brilliant at catching the voices of the two, and at capturing lives that resonate with both pathos and humour. Charlie and Maurice are Barry's equivalents of Beckett's Vladimir and Estragon, opening depths of humanity despite their limitations as persons. 
Long-listed for the 2019 Booker Prize
"A true wonder." —Max Porter
"Visionary. What distinguishes the book beyond its humour, terror and the beauty of description is its moral perception." —Guardian
"Brilliantly funny and terrifying at once, I was completely lost inside its dark craziness. Barry blends glorious voluptuous prose with entrancing storytelling." —Tessa Hadley
>>Read Thomas's review of Barry's Beatlebone.

Imminence by Mariana Dimópulos      $30
Another wonderfully disconcerting, perfectly structured novel from the author of All My Goodbyes. When her son is born, the mother is unable to feel a bond with him, and we are led through a fugue-like account of her history of willful emotional detachment and (often failed) performative social roles. 
"Mariana Dimópulos's writing, with its delightfully strange perspectives, its selfishness, its iciness and its passion, its power and its vulnerability, seems somehow to condense the poetry of mathematics. Imminence posits an elegant formula for the experience of contemporary womanhood." —El País 
>>Read Stella's review of All My Goodbyes
28 Paradises by Patrick Modiano and Dominique Zehrfuss         $20
"The grand boulevard of palm trees led to the cloakroom of the angels". This is a tiny treasure of a book: 28 dreams exquisitely painted by Dominique Zehrfuss with texts by her husband Patrick Modiano (who won the Nobel Prize in Literature in 2014). 
Girl, Woman, Other by Bernadine Evaristo         $40
A novel in which twelve interconnected stories chart the lives and experiences of black women in contemporary Britain.   
Long-listed for the 2019 Booker Prize.
"Bernadine Evaristo can take any story from any time and turn it into something vibrating with life." —Ali Smith
"Bernadine Evaristo is one of those writers who should be read by everyone, everywhere. Her tales marry down-to-earth characters with engrossing storylines about identity and the UK today." —Elif Shafak


Interior by Thomas Clerc         $0

What kind of story can be told from a careful description of a house and all its contents? This is the way to give the most rounded and exhaustive possible account of a still elusive life. Full of verbal tricks and unexpected references, Clerc's clever piece of sociology-posing-as-pseudo-sociology is an experiment with the potentials of the novel. Shelve with Life, A User's Manual by Georges Perec and A Journey Around My Room by Xavier de Maistre. 
Small in the City by Sydney Smith          $28
Being small can be overwhelming in a city. People don't see you. The loud sounds of the sirens and cyclists can be scary. And the streets are so busy it can make your brain feel like there's too much stuff in it. But if you know where to find good hiding places, warm dryer vents that blow out hot steam that smells like summer, music to listen to or friends to say hi to, there can be comfort in the city, too. We follow our little protagonist, who knows all about what its like to be small in the city, as he gives his best advice for surviving there. 
Sour: The magical element that will transform your cooking by Mark Diacono     $50
Sour foods have never been more fashionable, with the spotlight falling on foodstuffs as disparate as Belgian sour beer and Korean kimchi. But what is it that makes sourness such an enticing, complex element of the eating experience? And what are the best ways to harness sour flavours in your own kitchen?





Granta #148           $28
New fiction from Andrew O'Hagan, Elif Shafak, Adam Foulds, David Means, Jem Day Calder, Magododi OuMphela Makhene, Caroline Albertine Minor, Thomas Pierce, Adam O'Fallon Price, Amor Towles. And Tom Bamforth on the refugee camp in Bangladesh known as 'Cox's Bazaar'.

Manchester Happened by Jennifer Nansubuga Makumbi      $27
Vibrant, kaleidoscopic stories from the author of Kintu, re-imagining the journey of Ugandans who choose to make England their home.
Winner of the 2018 Windham Campbell Prize. 


The Japanese Table: Small plates for simple years by Sofia Hellsten     $40

Based on the ichijuu-sansai tradition — which literally means 'one soup, three dishes' — uncomplicated, delicious small plates are served with steamed rice, and can be enjoyed any time of day. 


Zed by Joanna Kavenna         $37
An ironic dystopia novel satirising our era of big-tech hyperconnectedness and ensuing corporate management of our personal interactions. 
"Zed is a novel that takes our strange, hall-of-mirrors times very seriously indeed. It is a work of delirious genius." —Guardian
The Unpunished Vice: A life of reading by Edmund White       $25
Literary icon Edmund White made his name through his writing but remembers his life through the books he has read. For White, each momentous occasion came with a book to match: Proust's Remembrance of Things Past, which opened up the seemingly closed world of homosexuality while he was at boarding school in Michigan; the Ezra Pound poems adored by a lover he followed to New York; the biography of Stephen Crane that inspired one of White's novels. But it wasn't until heart surgery in 2014, when he temporarily lost his desire to read, that White realized the key role that reading played in his life: forming his tastes, shaping his memories, and amusing him through the best and worst life had to offer.
Super Sourdough by James Morton     $45
An excellent guide through the science of sourdough and around its pitfalls, with more than 40 recipes for making superb bread at home. 
The Basis of Everything: Rutherford, Oliphant and the coming of the atomic bomb by Andrew Ramsey        $45
The intriguing story of the New Zealander and the Australian who met at the University of Cambridge's Cavendish Laboratory, collaborated on pivotal experiments using a particle accelerator, and, all in the name of science, happened to lay the groundwork for the development of nuclear weapons. 
The Immortal Jellyfish by Sang Miao       $28
When a young boy's grandfather dies suddenly, he feels overwhelmed and confused. They will never see each other again. To his delight, they meet again in a dream, where his grandfather takes him to Transfer City, where departed loved ones live on through our memories. In this modern telling of the afterlife, death is not an ending, but a new start to life, just like the Immortal Jellyfish which is constantly maturing and then regressing, staying as present as our deceased loved ones do in our memories.
First Map: How James Cook charted Aotearoa New Zealand by Tessa Duder and David Elliot        $50
Beautifully written, illustrated and presented, this book would be ideal as a family gift. 
>>Hear Tessa Duder speak about the book! Thursday 12 September, 6:15. Elma Turner Library, 27 Halifax Street


On Reading, Writing and Living with Books        $15
A compact collection of little pieces assembled by The London Library from the writings of past members such as Virginia Woolf, Charles Dickens, George Eliot, EM Foster, and Leigh Hunt.
>>Visit the London Library

VOLUME BooksNew releases

















 

No-One is Too Small to Make a Difference by Great Thunberg   {Reviewed by STELLA}
Greta Thunberg has been in the news constantly over the last few weeks as she sails to America to present at the Climate Action Summit in New York on 23 September and the UN climate conference in Santiago in early December. In fact, she has been the focus of news stories, positive and negative, for over a year. Why is a sixteen-year-old from Sweden so newsworthy? Several reasons. She spear-headed the Schools Strike, not through organising them but by being an example to other young people with her FridaysforFuture action. She has a clear message about climate change and she has spoken at the UN, the European Parliament and several high-profile demonstrations. And she is seen as a threat by those who do not want to see changes that may mean losing their ability to profit from the planet. The speeches recorded in this small book, No One Is Too Small To Make a Difference, are direct, frightening (she doesn’t mince her words), and passionate. She calls on the powers that be to ACT NOW, to follow the recommendations of scientists and the recommendations of successive climate findings from international organisations—recommendations that international bodies and governments agree with, but have not acted on. Her main message is that we must stop our reliance on fossil fuels, decrease carbon emissions dramatically by 2020 (next year), and that we have less than 12 years to make it count. Her message is to the adults who have not acted on scientific evidence, to the corporations that continue to believe in on-going growth economics, and to young people everywhere to take the initiative to make change happen. Greta Thunberg inspires not only the young, but reminds us all that the time to act and to change is now. An essential read for us all.