ECCENTRIC ORBITS POETRY COMPETITION. Our challenge was to 'translate' the poem an alien would write to send home to convey their experience of Earth, and we received a large number of excellent and thoughtful submissions from both established and aspiring poets of all ages from all over the motu — many thanks to you all! The winner was Elizabeth M. Williams for a formally inventive and original entry that was at once scientifically rigorous, philosophically speculative — and deeply poignant. >>Read Elizabeth's winning entry. 
VOLUME Books

 

Book of the Week. One of the great novels of isolation, Susanna Clarke's haunting and unusual novel PIRANESI has just been awarded the 2021 Women's Prize for Fiction. Piranesi is the sole living human inhabitant of a house of infinite dimensions: a labyrinth of rooms filled with statues, oceans, storms, jetsam, and birds. How does he make sense of his world, and why must he report his 'findings' twice a week to The Other—the only person he has ever seen? What happens when Piranesi's known world is shaken by an intrusion from beyond its lonely, austere beauty? 
>>Winning the 2021 Women's Prize for Fiction
>>A triumphantly unusual winner
>>"Women have such marvellous, varied stories."
>>Bound in one place by illness. 
>>The beauty of The House. 
>>Book trailer. 
>>"Write the way you can."
VOLUME BooksBook of the week

NEW RELEASES

Koro by Gavin Bishop              $18
The child and their koro explore the day – they go for a walk, collect food from the garden, eat, tell stories, and snuggle up for a rest to finish. A beautiful, simple board book in te reo Māori.
>>Also available in English as Pops
Things I Learned at Art School by Megan Dunn               $35
A hilarious and personal collection of essays from a distinctive and resonant voice. Things I Learned at Art School tells the story of Dunn's early life and coming-of-age in New Zealand in the ‘70s, ‘80s and ‘90s. From her parents’ split-up to her Smurf collection, from the mean girls at school to the mermaid movie Splash!, from her work in strip clubs and massage parlours (and one steak restaurant) to the art school of the title, this book has been eagerly anticipated—and very much worth waiting for. Chapters include: The Ballad of Western Barbie; A Comprehensive List of All the Girls Who Teased Me at Western Heights High School, What They Looked Like and Why They Did It; On Being a Redhead; Life Begins at Forty: That Time My Uncle Killed Himself; Good Girls Write Memoirs, Bad Girls Don’t Have Time; Videos I Watched with My Father; Things I Learned at Art School; CV of a Fat Waitress; Nine Months in a Massage Parlour Called Belle de Jour; Various Uses for a Low Self-esteem; Art in the Waiting Room; and Submerging Artist. We sold out our first shipment in two days—secure your copy from the next shipment now.
Water Statues by Fleur Jaeggy              $32
Even among Fleur Jaeggy's singular and intricate works, The Water Statues is a shiningly peculiar book. Concerned with loneliness and wealth's odd emotional poverty, this early novel is in part structured as a play: the dramatis personae include the various relatives, friends, and servants of a man named Beeklam, a wealthy recluse who keeps statues in his villa's flooded basement, where memories shiver in uncertain light and the waters run off to the sea. Dedicated to Ingeborg Bachmann and fleshed out with Jaeggy's austere yet voluptuous style, The Water Statues—with its band of deracinated, loosely related souls (milling about as often in the distant past as in the mansion's garden full of intoxicated snails)—delivers like a slap an indelible picture of the swampiness of family life.
Atua: Māori gods and heroes by Gavin Bishop          $40
Beautifully presented and endlessly fascinating, Bishop's new book belongs on every child's and every adult's bookshelf. Lively illustrations and text tell the unique stories of Aotearoa's gods, demigods and heroes.  
>>Other books by Gavin Bishop

The Women of Troy by Pat Barker          $37
Troy has fallen and the Greek victors are primed to return home, loaded with spoils. All they need is a good wind to lift their sails. But the wind does not come. The gods are offended — the body of Priam lies desecrated, unburied — and so the victors remain in uneasy limbo, camped in the shadow of the city they destroyed. The coalition that held them together begins to fray, as old feuds resurface and new suspicions fester. Largely unnoticed by her squabbling captors, erstwhile queen Briseis remains in the Greek encampment. She forges alliances where she can — with young, rebellious Amina, with defiant, aged Hecuba, with Calchus, the disgraced priest — and she begins to see the path to revenge. The sequel to the acclaimed The Silence of the Girls

Stranger to the Moon by Evilio Rosero          $32
Stranger to the Moon portrays a world that seems to exist outside history and geography, but taps into the dark myths and collective subconscious of Colombia's harrowing inequality and violence. A parable of pointed social criticism, with naked humans imprisoned in a house to serve the needs of 'the vicious clothed-ones', the novel describes what ensues when a single 'naked-one' privately rebels, risking his own death and that of his fellow prisoners. Each subsequent section of the book adds further layers to the ritualistic and bizarre social order that its characters inhabit. Trained insects and reptiles spy on all the naked-ones, and only the most fortunate reach old age (often by taking up strategic spots near the kitchen and grabbing for the fiercely contested food).
The Country of Others by Leïla Slimani          $33
Alsace, 1944. Mathilde finds herself falling deeply in love with Amine Belhaj, a Moroccan soldier, billeted in her town, fighting for the French. After the Liberation, Mathilde leaves France, following Amine to Morocco. But life here is unrecognizable to this brave and passionate young woman. Where she she once danced, bickered with her sister, her life is now that of a farmer's wife - with all the sacrifices and vexations that brings. Suffocated by the heat, by her loneliness on the farm, by the mistrust she inspires as a foreigner and by the lack of money Mathilde grows restless. As Morocco's own struggle for independence grows daily, Mathilde and Amine find themselves caught in the crossfire.
"Compelling." —Guardian
The Pink Jumpsuit: Short fictions, tall truths by Emma Neale          $35
A woman meets up with an ex-lover after twenty years, to be told an outrageous secret; a mother takes her ailing son to a doctor for an undocumented condition; a bride is left at the altar; a brother and sister reel from a family tragedy decades after the event; a children’s birthday party turns all Queen of the Flies; a hidden family legacy appears in a grand-daughter’s strange affliction. From everyday realism to the speculative and imaginary, recurring motifs in these stories (the scientist father; the mystery of identity even within families; what we can’t know about even those closest to us) toy with the boundaries between memory and the unknown: the blending of the real and the invented.
The Verso Book of Feminism: Revolutionary words from four millennia of rebellion edited by Jessie Kindig          $25
Throughout written history and across the world, women have protested the restrictions of gender and the limitations placed on women's bodies and women's lives. People-of any and no gender-have protested and theorized, penned manifestos and written poetry and songs, testified and lobbied, gone on strike and fomented revolution, quietly demanded that there is an 'I' and loudly proclaimed that there is a 'we'. The Book of Feminism chronicles this history of defiance and tracks it around the world as it develops into a multivocal and unabashed force.   Global in scope, The Book of Feminism shows the breadth of feminist protest and of feminist thinking, moving through the female poets of China's Tang Dynasty and accounts of indigenous women in the Caribbean resisting Columbus's expedition, British suffragists militating for the vote and the revolutionary petroleuses of the 1848 Paris Commune, the first century Trung sisters who fought for the independence of Nam Viet to women in 1980s Botswana fighting for equal protection under the law, from the erotica of the 6th century and the 19th century to radical queer politics in the 20th and 21st.  
The Book of Difficult Fruit: Arguments for the tart, tender, and unruly by Kate Lebo                $40
Inspired by twenty-six fruits, essayist, poet and 'pie lady' Kate Lebo expertly blends the culinary, medical and personal. A is for Aronia, berry member of the apple family, clothes-stainer, superfruit with reputed healing power. D is for Durian, endowed with a dramatic rind and a shifty odour – peaches, old garlic. M is for Medlar, name-checked by Shakespeare for its crude shape, beloved by gardeners for its flowers. Q is for Quince, which, fresh, gives off the scent of ‘roses and citrus and rich women’s perfume’ but if eaten raw is so astringent it wicks the juice from one’s mouth. In this work of unique invention, these and other difficult fruits serve as the central ingredients of twenty-six lyrical essays (and recipes!) that range from deeply personal to botanical, from culinary to medical, from humorous to philosophical. Delightful. 
"A beautiful, fascinating read full of surprises – a real pleasure." —Claudia Roden
Japanese Creativity: Contemplations on Japanese architecture by Yuichiro Edagawa                  $75
Edagawa sets out to try to determine the roots of a particularly Japanese architectural style by analyzing a wide variety of exemplary buildings from the sixth century to the present. Developing his theory out of close observation and practical knowledge and constantly shifting between historical and more recent examples, Edagawa isolates what he considers to be the distinctive characteristics of Japanese architectural creativity and composition: intimacy with nature, importance of materials, bipolarity and diversity, asymmetry, devotion to small space and an appreciation for organic form. He finds these qualities across Japanese design, and from these extrapolates a theory of Japanese architectural creation. 
The Hero's Way: Walking with Garibaldi from Rome to Ravenna by Tim Parks         $40
In 1849 Giuseppe Garibaldi fled Rome in the face of defeat by the French army, and struggled to Ravenna with a dwindling number of troops, hoping to reach Venice, which was still resisting the Austrian forces. Losing not only all his troops but his pregnant wife as well, Garibaldi escaped overseas to prepare himself for his successful campaign a decade later. Parks follows Garibaldi's footsteps across the Apennines and blends past and present in this well-written account. 
Ill Feelings: Stories of unexplained illness by Alice Hattrick            $35
In 1995 Alice’s mother collapsed with pneumonia. She never fully recovered and was eventually diagnosed with ME, or Chronic Fatigue Syndrome. Then Alice got ill. Their symptoms mirrored their mother’s and appeared to have no physical cause; they received the same diagnosis a few years later. Ill Feelings blends memoir, medical history, biography and literary non-fiction to uncover both of their case histories, and branches out into the records of ill health that women have written about in diaries and letters. Their cast of characters includes Virginia Woolf and Alice James, the poets Elizabeth Barrett Browning and Emily Dickinson, John Ruskin’s lost love Rose la Touche, the artist Louise Bourgeois and the nurse Florence Nightingale. Suffused with a generative, transcendent rage, Alice Hattrick’s genre-bending debut is a moving and defiant exploration of life with a medically unexplained illness.
"Ill Feelings is a deeply personal and deeply political reckoning with the nature of illness, inheritance, time, silence, bodies and invisibility. Alice Hattrick offers both a radical redefinition of the dominant narratives surrounding health and pain, and the knowledge we need in order to name, understand and resist them. Hattrick has found a voice and form which open up new and exciting possibilities for writing the self and making sense of the collective past: I read this remarkable book with outrage, fascination and immense admiration." — Francesca Wade
>>Collecting / recollecting. 
Handmade: A scientist's search for meaning through making by Anna Ploszajski          $38
From atomic structures to theories about magnetic forces, scientific progress has given us a good grasp on the properties of many different materials. However, most scientists cannot measure the temperature of steel just by looking at it, or sculpt stone into all kinds of shapes, or know how it feels to blow up a balloon of glass. Handmade is the story of materials through making and doing. Material scientist Anna Ploszajski journeys into the domain of makers and craftspeople to comprehend how the most popular materials really work. With knowledge accumulated over generations through hands-on trial and error, these experts understand the materiality of objects differently from a scientist. 
Snow Country by Sebastian Faulks          $37
1914;: Young Anton Heideck has arrived in Vienna, eager to make his name as a journalist. While working part-time as a private tutor, he encounters Delphine, a woman who mixes startling candour with deep reserve. Entranced by the light of first love, Anton feels himself fortunate—until his country declares war on hers. 1927: For Lena, life with a drunken mother in a small town has been impoverished and cold. She is convinced she can amount to nothing until a young lawyer, Rudolf Plischke, spirits her away to Vienna. But the capital proves unforgiving. Lena leaves her metropolitan dream behind to take a menial job at the snow-bound sanatorium, the Schloss Seeblick. 1933: Still struggling to come terms with the loss of so many friends on the Eastern Front, Anton, now an established writer, is commissioned by a magazine to visit the mysterious Schloss Seeblick. In this place of healing, on the banks of a silvery lake, where the depths of human suffering and the chances of redemption are explored, two people will see each other as if for the first time.
The Boy Who Tried to Shrink His Name by Sandhya Parappukkaran      $28
When Zimdalamashkermishkada starts a new school, he is sure he has to do something about his long name. ​ When no amount of shrinking, folding or crumpling works, he simply settles for Zim – but deep down, it doesn’t feel right. It’s not until a new friend sees him for who he truly is that Zimdalamashkermishkada finds the confidence to step boldly into his long name.






VOLUME BooksNew releases

 

“There was once a dad who had a little boy. It was a bit of a waste for this dad to have a boy, because he was much too interested in work.” Luckily for the boy—and luckily for the dad—the boy knew how to make things up, and tell some very good stories. Our Book of the Week this week is The Boy Who Made Things Up by Margaret Mahy, beautifully illustrated by Nelson illustrator Lily Emo. 
>>Read Stella's review
>>Lily won the 2020 Margaret Mahy Illustration Prize
>>How does Lily make her illustrations? 
>>People doing their best in a crisis. 
>>Visit Lily's website
>>Margaret Mahy was one of New Zealand's most significant and deeply loved writers
>>The real Margaret Mahy
>>How did Mahy write her stories? 
>>Virtual play in the Margaret Mahy Playground
>>The event due to be held on 4 September at the Nelson Public Library has been postponed
>>We have a few signed copies left!

[Photograph by Martin Emo]

 


>> Read all Stella's reviews.























 

The Boy Who Made Things Up by Margaret Mahy, illustrated by Lily Emo    {Reviewed by STELLA}
Margaret Mahy’s The Boy Who Made Things Up has just been republished by Hachette NZ with gorgeous new illustrations from local artist Lily Emo. Lily was awarded the 2020 Margaret Mahy Illustration Prize, an annual prize for an unpublished illustrator, launched by Hachette NZ and The Mahy Estate in 2019. Not only does it give an illustrator a wonderful opportunity, but we also get to have more of Mahy’s fantastic picture books in print. Mahy’s books, from her well-known picture books (A Lion in the MeadowBubble Trouble) to her magical and sometimes edgy books for older readers (Kaitangata TwitchThe Tricksters), are all excellent. Her storytelling, sometimes zany, sometimes unsettling, often charming and filled with humour, also explores our relationships with each other and our place in the world. The Boy Who Made Things Up is a delightful dive into the magic of storytelling and how the world can be imagined anew. From the first lines, you will be hooked. “There was once a dad who had a little boy. It was a bit of a waste for this dad to have a boy, because he was much too interested in work.” The boy, Michael, finds his own way to enjoy himself — he makes things up. When the car breaks, a walk home is a wondrous adventure. Michael knows how to tell a story, and Dad is initially perplexed by utilising his imagination, but he gets the hang of it. Lily Emo’s illustrations capture the wonder and joy in storytelling, and she adds another layer to this tale with her delightful imagery. On every page there is more to discover as creatures are drawn right into the boy's and Dad’s walk home, as the neighbourhood becomes vibrant and full of animals — and even a beach. Dad can’t quite believe that the brightly coloured path leads to the sea until Michael reminds him about making it up. As they venture onto the path, look around and see a girl and a bear having a party, a boy reading, a cat painting, kites flying and balloons floating up in a very Mahy style (the bunch of the balloons reminds me of her multi-coloured story-telling wigs), golden rabbits running free, a hot air balloon, a ballerina, a juggler, and a wizard. And that’s just one page! At the sea, you can spy a ghost ship, a mountain woman, a mermaid, buried treasure, a sea serpent, and wondrously coloured fish, as well as watching out for what the crabs are up to. And what did Dad finally make of all this making things up? Well, he can’t understand why there’s sand in his shoes and that he’s a little sunburnt, but he can understand that working less and making up stories might be just about the best thing one could do. 

 

 >> Read all Thomas's reviews. 


















 

These Possible Lives by Fleur Jaeggy (translated by Minna Proctor)     {Reviewed by THOMAS}
The desire to understand must not be confused with the desire to know, especially in biography. Too often and too soon an accretion of facts obscures a subject, plastering detail over detail, obscuring the essential lineaments in the mistaken notion that we are approaching a definitive life. Such a life could not be understood. Instead a whittling is required, a paring from the mass of fact all but those details that cannot be separated from the subject, the details that make the subject that subject and not another, the details therefore that are the key to the inner life of the subject and the cause of all the extraneous details of which we are relieved the necessity of acquiring (unless we find we enjoy this as sport). Jaeggy, whose fictions remain as burrs in the mind long after the short time spent reading them, has here written three brief biographies, of Thomas De Quincey, John Keats and Marcel Schwob, each as brief and effective as a lightning strike and as memorable. Jaeggy is interested in discovering what it was about these figures that made them them and not someone else. By assembling details, quotes, sketches of situations, pin-sharp portraits of contemporaries, some of which, in a few words, will change the way you remember them, Jaeggy takes us close to the membrane, so to call it, that surrounds the known, the membrane that these writers were all intent on stretching, or constitutionally unable not to stretch, beyond which lay and lies madness and death, the constant themes of all Jaeggy’s attentions, and, for Jaeggy, the backdrop to, if not the object of, all creative striving. How memorably Jaeggy gives us sweet De Quincey’s bifurcation, by a mixture of inclination, reading and opium, from the world inhabited by others, his house a place of “paper storage, fragments of delirium eaten away by dust”, and poor Keats, whose “moods, vague and tentative, didn’t settle over him so much as hurry past like old breezes,” and Schwob, with his appetite for grief tracing and retracing the arcs of his friends’ deaths towards his own. These essays are so clean and sharp that light will refract within them long after you have ceased to read, drawing you back to read them again. Is the understanding you have gained of these writers something that belongs to them? Too bad, you will henceforth be unable to shake the belief that you have gained some access to their inner lives that has been otherwise denied.

 NEW RELEASES

The Magician by Colm Tóibín            $38
Tóibín brings his immense sympathies and verbal prowess to bear upon the life of Thomas Mann, a writer forced to cope with the turmoil of both public and private life because of war, exile and suicide. Mann's re-evaluation of his relationship to his homeland and his family underlies his novels, and Tóibín reveals the many layers and contradictions of a complex genius. 
"This is not just a whole life in a novel, it's a whole world." —Katharina Volckmer
"The Magician is a remarkable achievement. Mann himself, one feels certain, would approve." —John Banville
Clairvoyant of the Small: The life of Robert Walser by Susan Bernofsky          $60
"Susan Bernofsky's deep and decades-long involvement with Robert Walser's work has resulted in a meticulously researched, lively narrative and astute critical study of this complex and appealing writer. Clairvoyant of the Small is one of the best biographies I've read in a long time." —Lydia Davis
>>Some books by or about Walser (mostly translated by Bernofsky). 
How I Became a Tree by Sumana Roy            $50
"I was tired of speed. I wanted to live tree time." Drawn to trees' wisdom, their nonviolent way of being, their ability to cope with loneliness and pain, Roy movingly explores the lessons that writers, painters, photographers, scientists, and spiritual figures have gleaned through their engagement with trees—from Rabindranath Tagore to Tomas Tranströmer, Ovid to Octavio Paz, William Shakespeare to Margaret Atwood. Her stunning meditations on forests, plant life, time, self, and the exhaustion of being human evoke the spacious, relaxed rhythms of the trees themselves.
København: Urban architecture and public spaces by Eva Herrmann, Sandra Hofmeister, and Jakob Schoof            $130
This book reveals Copenhagen's enviable quality of life to be inseparable from the quality if its built spaces. It leads its readers on a tour of exploration, visiting architecture projects and surprising districts between Ørestad and Nordhavn. A total of over 25 exceptional buildings, urban squares and public spaces created in the past 10 years are presented. Documented with photographs, general plans and texts, these projects paint an image of a generation of architects and planners who are not afraid to employ novel solutions.
The Eloquence of the Sardine: The secret lives of fish and other underwater mysteries by Bill François        $38
Humans have identified just a fraction of the 2.2 million species living in the sea. Roughly 91% of all marine species remain unknown: myths still to be written, discoveries still to be made, blank pages with room to dream. François invites us on a whistle-stop global tour to reveal the mysteries of the sea, beginning with the simple eloquence of the sardine. He unpicks the sound of the sea - an underwater symphony orchestra voiced by a choir of fish - and deciphers the latest scientific discoveries on the immunity of coral and the changing gender of wrasses. We visit the depths of underwater Paris as François delves into the mysterious world of the eel and explore an extraordinary three-generational friendship between humans and killer whales, and the role a shoal of herrings played in Cold War tensions. Throughout, François brings the inner workings of fish to life - their language, their emotions, their societal rituals. He also makes a case for why we should look to the sea for inspiration for improving society and investigates the shocking journey from sea to plate.
The Red Deal: Indigenous action to save our Earth by The Red Nation           $35
An interesting and informative look at efforts towards decolonisation in North America, with parallels to those in contemporary Aotearoa. The Red Deal is a political program for the liberation that emerges from the oldest class struggle in the Americas—the fight by Native people to win sovereignty, autonomy, and dignity. As the Red Nation proclaims, it is time to reclaim the life and future that has been stolen, come together to confront climate disaster, and build a world where all life can thrive. One-part visionary platform, one-part practical toolkit, The Red Deal is a call to action for everyone, including non-Indigenous comrades and relatives who live on Indigenous land. Offering a vision for a decolonised society, The Red Deal is an affirmation that colonialism and capitalism must be overturned for this planet to be habitable for human and other-than-human relatives to live dignified lives; and a pact with movements for liberation, life, and land for a new world of peace and justice that must come from below and to the left. The Red Nation is dedicated to the liberation of Native peoples from capitalism and colonialism and centers Native political agendas and struggles through direct action, advocacy, and education.
Te Kuia me te Pūngāwerewere / The Kuia and the Spider by Patricia Grace and Robyn Kahukiwa (translated by Hirini Melbourne)                $20
Who's the best at weaving, the kuia or the spider? They decide to ask their grandchildren... The beloved 1981 story is now available in a dual reo Maori and English text. 
Te Tuna Wātakirihi me ngā Tamariki o Te Tiriti o Toa / Watercress Tuna and the Children of Champion Street by Patricia Grace and Robyn Kahukiwa (translated by Hirini Melbourne)            $20
What special gifts does the magical Tuna bring the children of Cannon's Creek? Since its publication in 1984, this wonderful, joyous story about a magical eel that presents cultural treasures to a group of Maori, Pasifika and Pakeha children, who then use their gifts to enrich their neighbourhood, has been essential to any child's library.
Lost in Work: Escaping Capitalism by Amelia Horgan             $38
 For young people today, the old assumptions are crumbling; hard work in school no longer guarantees a secure, well-paying job in the future. Far from equating to riches and fulfillment, 'work' increasingly means precarity, anxiety and alienation. Amelia Horgan poses three big questions: what is work? How does it harm us? And what can we do about it? Along the way, she explores the many facets of work under Capitalism: its encroachment on our personal lives; the proliferation of temporary and zero-hours contracts; burnout; and how different jobs are gendered or racialised. While abolishing work altogether is not the answer, Lost in Work shows that when workers are able to take control of their workplaces, they become less miserable, and become empowered to make change throughout society. 
Take Me With You When You Go by David Levithan and Jennifer Niven         $21
Ezra Ahern wakes up one day to find his older sister, Bea, gone. No note, no sign, nothing but an email address hidden somewhere only he would find it. Ezra never expected to be left behind with their abusive stepfather and their neglectful mother—how is he supposed to navigate life without Bea? Bea Ahern already knew she needed to get as far away from home as possible But a message in her inbox changes everything, and she finds herself alone in a new city—without Ez, without a real plan—chasing someone who might not even want to be found.   As things unravel at home for Ezra, Bea will confront secrets about their past that will forever change the way they think about their family. Together and apart, broken by abuse but connected by love, this brother and sister must learn to trust themselves before they can find a way back to each other.
The Dawn of Language: How We Came to Talk by Sverker Johansson           $38
Drawing on evidence from many fields, including archaeology, anthropology, neurology and linguistics, Sverker Johansson weaves these disparate threads together to show how our human ancestors evolved into language users. The Dawn of Language provides a fascinating survey of how grammar came into being and the differences or similarities between languages spoken around the world, before exploring how language eventually emerged in the very remote human past. Our intellectual and physiological changes through the process of evolution both have a bearing on our ability to acquire language. But to what extent is the evolution of language dependent on genes, or on environment? How has language evolved further, and how is it changing now, in the process of globalisation? And which aspects of language ensure that robots are not yet intelligent enough to reconstruct how language has evolved?
The Tiny Explorers by Kat Macleod            $30
If you were very very small, the back garden would be full of wonderful discoveries. In this beautifully illustrated book, some tiny children explore and find them. 
Flower: Exploring the world in bloom by Anna Pavord and Shane Connolly            $90
A journey across continents and cultures to discover the endless ways artists and image-makers have employed floral motifs throughout history. Showcasing the diversity of blooms from all over the world, Flower spans a wide range of styles and media — from art, botanical illustrations, and sculptures to floral arrangements, film stills, and textiles — and follows a visually stunning sequence with works, regardless of period, thoughtfully paired to allow interesting and revealing juxtapositions between them.



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>> Read all Stella's reviews.























 

A Year of Simple Family Food by Julia Busuttil Nishimura     {Reviewed by STELLA}
Lockdown sees you reaching for the tried and true recipes — the Edmonds Cookbook is the go-to for biscuits, and your favourite chefs are on call for inspiration as you look to see what you have left in the fridge and what clever recipes will require the least ingredients. And being in the winter season for vegetables, it’s always interesting to see which of your cookbooks is best at creating dishes from these sometimes seemingly uninspiring staples. Like last year, when Ostro became a favourite inspiration for home cooking, Jula Busuttil Nishimura's recipes are being made and consumed in our household, and her second collection, A Year of Simple Family Food, is making it onto the kitchen table on a regular basis. Firm favourites are anything pie! I never imagined that I would be a great fan of pies, but her pastries are perfect every time (ditto her focaccia bread recipes) — just the right proportions and clear instructions for getting the right texture for your dough. In Ostro, the Leek and Potato Pie is now a regular dish (and it doesn’t matter what cheese you have — I have used cheddar, feta, a combo of parmesan and other, and it’s always been delicious). In A Year of Simple Family Food, the pumpkin pie  (there is plenty of pumpkin right now!) was surprisingly light — that great pastry again —  and tasty (herbs and spices, as well as filling). And it looked excellent — that wonderful orange glow. Arranged around the seasons, the cookbook is easy to navigate, allowing us to match recipes to ingredient availability across savoury to sweet. While rhubarb was missing from our stash, that didn’t hold us back from consuming the Spiced Rhubarb Crumble Cake. Substituting frozen berries (thank you freezer!) for the rhubarb worked a treat, and the orange zest in the cake base lifted this out of ordinary crumble shortcake style territory. With recipes from her Maltese heritage making an appearance and the influence of her Japanese partner coming through, there is a wonderful variety, from pies, crumbles, and pasta (both lighter spaghetti-and-sauce style and hearty baked dishes) to noodles and Japanese breakfast. There are also hearty meat dishes with Mediterranean, as well as Asian influences. And a good smattering of fish and seafood. What stands out about her cookbooks is the sheer pleasure Busuttil Nishimura has for food, both its preparation and its eating. 

 


 >> Read all Thomas's reviews. 




















































 

The Coming Bad Days by Sarah Bernstein    {Reviewed by Thomas}
“The truth is that sometimes we just want the worst to happen,” she writes, he supposes because there is no other way that we can be conclusively relieved of our fear that the worst may happen. Until such relief arrives, he thinks, we attempt to suppress our fear with whatever means we have at our disposal. “When we probed underneath everyday life,” she writes. “When we pressed on to the other side of the ordinary, did we not after all conclude that boredom was a form of anxiety, if not of sheer terror? When one acted out of boredom, it was an effort to forestall the worst taking one by surprise.” We learn very little about the narrator of this book, he thinks, we learn very little and the very little that we do learn is eventually taken away. The narrator sheds rather than accrues character, the things that happen to her are either without consequence or with no consequence other than being later undone, the narrator ends up less connected to any of the other characters, so to call them, than she was when she had not yet met them, she continuously makes observations and intimations but these observations and intimations are strangely devoid of content, they are structures with no core. The nameless narrator takes a post at a nameless university in a nameless city prone, seemingly, to flooding. Someone puts portentous notes under her door, but don’t expect to learn why or who. She develops an enduring fascination with Clara, the wife of the Department Chair, who leaves her husband, who knows why, and moves into the narrator’s cottage, who knows why, and then moves out again, who knows why and who knows where, certainly the narrator doesn’t seem to know why or where. “Our turning towards each other … might best be understood as an orientation towards an ideal, and it is for that very reason that the whole enterprise suggested devastation from the start. It contained within it the seeds that made its own realisation impossible,” she writes. It is unclear what the relationship between Clara and the narrator could be, the narrator doesn’t seem able to relate to anyone on any level, the two are almost complete opposites in every way, but, judging from hurts that the narrator is intent upon receiving from this relationship, if it even is a relationship, we could do worse than to speculate that Clara, one of only two characters who have been given a name, is mostly a projection of the narrator, a masochistic fantasy, a tool for self-harm. “Clara suggested that I had allowed myself to descend further and further into the realms of abjection in an effort to make myself interesting. Perhaps, she said, it was for the best that I could not write, for if I could not write, I would not then compromise myself in the ways that I had previously described to her — that is, in ways that were, when one looked closely, actually relatively shameful. … Although I may at one point have been a good thinker, this was evidently no longer the case.” After Clara leaves, something happens to her, there have been intimations of physical threats towards women throughout the novel, though we don’t know exactly what. “I did not want to think about what had happened to Clara. I did not want to think about what had happened. I did not want to think that what had happened to me had happened to her.” This is the only time that the narrator hints at a reason behind her evident self-loathing and abjection. Some unfaceable trauma has left her believing that abjection is her due, left her without faith in the possibility of any continuity or reciprocation, “sure to be found out for transgressions I did not recall having committed but was nonetheless guilty of.” She believes herself fated to endless loss and misfortune, “merely because one found oneself in the wrong place at the wrong time. Merely because, increasingly, it seemed to me, there was no right place or right time, still less did the two together exist anywhere, hard though one looked.” The narrator is unable to achieve anything or believe in anything closer than an immense distance between herself and her material, the sort of distance a narrator might maintain from the details of the story of another character in another book or of the story or some other personage unknown to them but narrated by another character, but in this book the material from which this degree of remove is maintained is herself. There is no past, and there is hardly any present either, and, turned upon itself, the narrator’s text sometimes almost eliminates any excuse for its production. At other times, often when taking a more casual attachment to the material, such as the story of a woman sitting on a park bench in Helsinki, perhaps when the material itself is at sufficient remove, Bernstein’s precise, cool, devastating prose takes on a Cuskian quality in highly memorable passages balancing dismissal, sympathy and unsparing humour. Bernstein’s sentences often have an aphoristic quality, sometimes unsettlingly at odds with their purported content. Her prose prickles. “What was absolute was not necessarily unconditional.”

 

Our Book of the Week is Zarah Butcher-McGunnigle's Nostalgia Has Ruined My Life,  a very enjoyable book of vignettes concerning a depressed young woman’s heroic efforts to achieve not very much and the degrees of shortness to which those efforts fall. The book is at once funny and pathetic and terribly sad. 
>>Read Thomas's review
>>There must be more to life than who to blame
>>"Hi" sounds so passive-aggressive. 
>>From the discomfort of my own home. 
>>Wearing neutral colours
>>"You don't seem like and INFP."
>>"You don't look sick."
>>Usually the practitioner sits in the seat closest to the door.
>>Other things to read. 
>>Autobiography of a Marguerite
>>Instagram has ruined my life
>>Your Nostalgia Has Ruined My Life

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VOLUME BooksNew releases

 


>> Read all Stella's reviews.































 

Nightbitch by Rachel Yoder    {Reviewed by STELLA}
Being a mother of an active and non-sleeping toddler who refuses to sleep in his own bed can drive the best of us into a frenzy of frustration and hopelessness. Combine this with a husband who as the bread-winner is claiming a special dispensation from the trials of day-to-day care and you start to see a picture emerge. Add in the fact that the mother has abandoned her plan to be a multi-tasking goddess who can work, create and nurture all in one gulp and you have the perfect storm. Yoder isn’t telling us anything new about motherhood, but she is providing a hilarious take on the soul-destroying tiredness of parenthood. When the mother notices a rough patch of hair at her nape, a pointed sharpness to her teeth and a certain canine fascination, she is at first disturbed, then embraces it, dubbing herself Nightbitch. Embracing her feral self gives new dimensions to her mothering and her role as a wife, much to her husband’s surprise. There are some excellent and very funny moments in this novel. Embracing her doggy-ness gives her, and by extension her son, a playfulness in her interactions with the world and her child. They bark, chase, tumble and playfight to their hearts’ content. Her appetite for meat, red meat, is endless and there is an excellent scene at the local cafe. Nightbitch piles up her plate with meaty treats and starts eating, initially with her fork, then with her hands, until in full animal mode she is face down, chomping up her lunch. It’s all a glorious game to her young son. Yet this isn’t a novel with only hilarity: even while Yoder cleverly pokes fun at the middle classes, the ‘mummy sets’ and the social mores perpetuated by media and peer pressure, not to mention familial expectations, there is always an undercurrent of the danger. The monster or more precisely the beast within, and depending on your take of this situation whether you read Nightbitch as ‘real’ or an animalistic psychological state, the beast outed, is liberating and controlling. It gives the mother a sense of freedom but also expels her from part of herself, and her relationship with her son and husband is on the brink of disaster on several occasions.  Nightbitch is not for the faint-hearted. Think fluffy cats and innocent bunnies. Violence is never too far from the heart of the mother’s new persona—a violence born out of anger and desperation. Anger at the curtailed life of clean, wash, tidy and constant care of a small human, who she does adore. And desperation at her seeming failure to keep all her ambitions, particularly her independence and creative practice, alive. Like a Kafkaesque exploration, yet more in line with some of Angela Carter’s feminist writing, Nightbitch is ambitious with its desire to come to grips with the female psyche under pressure. The ability to find a way out of the mayhem is at the core of the changing roles of women as they confront the wall that demarks the moment of before and after motherhood. Enjoy and wallow in its humour but watch out for the bite that comes with this joyous bark!

 

 

 >> Read all Thomas's reviews. 














































































 

The Cheap-Eaters by Thomas Bernhard (translated by Douglas Robertson)   {Reviewed by THOMAS}
Not so much a mental cripple, as Douglas Robertson has translated whatever Thomas Bernhard wrote in German, not so much a mental cripple as an intellectual cripple, he thought, not someone who is crippled mentally as the phrase mental cripple might imply but someone who is a physically crippled intellectual, perhaps even someone physically crippled by their intellectuality, crippled by their mentality, maybe the translation is alright, someone who has allowed themselves to be physically crippled, in the instance of Koller in this book The Cheap-Eaters, someone who could be thought to have willed, if unconsciously willed, if that is a possibility, or whose fate rather accords somewhat with their will, which is the best we can be sure of, that a dog has mauled their leg to such an extent that it has had to be amputated, the dog of an industrialist, no less, in Koller’s case, in order to secure a settlement from the said industrialist which enables them to live, exclusively, the life of the mind, so to call it, to pursue, without the interruption of quotidian or practical concerns, his intellectual interests “to their utmost limits”, in Koller’s case a treatise on physiognomy, not that there is any interest these days in a treatise on physiognomy, not that Koller has even begun to write his treatise on physiognomy, though, he tells the unnamed narrator of the book, he is now ready to do so, having observed over many years a group of individuals who, like him, order only the cheapest food at the Vienna Public Kitchen, which observation will inform the central chapter of his treatise on physiognomy when he comes to write it, not that we learn anything about the physiognomy of these cheap-eaters or about any way in which Koller’s observation of these cheap-eaters or their physiognomies, if these can be distinguished, could inform any part of a treatise on physiognomy, even though Koller summons the narrator to meet him at the narrator’s regular café, the God’s Eye, to expound on the contents of the said central chapter of his yet-to-be-written treatise on physiognomy Koller never even begins to expound on this as he fills the entire period at the God’s Eye expounding and ranting on the circumstances that led him to be in a position to write his treatise on physiognomy, the treatise he never actually writes and of which we and the narrator receive not the slightest inkling of its thrust or what it might contain. Neither Koller nor the narrator consider that they may have mistaken Koller’s obsession for genius. “His existence had also always been a more perilous one than mine, the abysses into which he had gazed were undoubtedly always deeper, the altitude at which he existed had always been a much loftier one and a vertiginous one most of the time, an altitude for which I had always lacked each and every basic qualification.” The narrator, who is writing as a way of making “Koller’s communications clear to myself, in other words, of recollecting his recollections,” has known Koller since their high-school days, they had met at a pharmacy when picking up prescriptions, in the narrator’s case for a sore throat, in Koller the visionary’s case for inflamed eyes, but their relationship has always been been a very unequal one and the narrator had always been in awe of Koller: “I had to reconcile myself to the fact that from the moment at which he entered my life onward I would always have to be second best. … From my perspective, his presence very soon ceased to be able to have any other function than to weaken me, whereas he, thanks to the fact of my availability, had been able to climb higher and higher, and to the same extent that I had been weakened, to strengthen himself.” The narrator, an ordinary, well-balanced person, an unremarkable person, possesses none of the qualities that he mistakes for genius in Koller. “Koller had never wanted to be a different person, whereas I had very often wanted to be a different person. I had very often wanted to be him, but he had never wanted to be me. All his life he had remained himself, just as I had remained myself, but he had always remained himself more consistently though just as logically as I remained myself. … In point of fact he had never been a victim of his own insecurity, whereas I for my part had very often been a victim of my own insecurity.” And possibly it is only this insecurity that saves us from the monomania which has isolated and ultimately destroyed Koller without even granting him his desperate impossible treatise on physiognomy. Thought expends itself and leaves nothing. “These people who are preoccupied with their thoughts and who actually exist only through their thoughts descend little by little into total isolation, in which they think their train of thought and intensify it and ignore everything but this train of thought until they are overwhelmed and asphyxiated and annihilated. … Koller was an exemplary practitioner of such a lethal procedure. Finally everything within him and having to do with him was no longer anything but thought and intolerability.” But for Koller there was no alternative to his obsession: “To salvage so important an singular an essay as my Physiognomy, the writer of such an essay must under certain circumstances gradually withdraw from all people, must renounce all ties, must cut himself off completely, must cease to exist except on his own, so he said. … Anybody who did not from a very early age devote the majority of his energy to pushing back against the madness of the masses would ineluctably fall victim to feeblemindedness, so he said. … Life or existence was nothing other than the unceasing and actually uninterrupted and hopeless attempt to extricate oneself from everything in every possible department and drag oneself into the future, a future that time and again had nothing to offer but a renewal of this selfsame unending lethal process.” The individual may struggle against the masses but they will ultimately fail and be reabsorbed by those masses, they will ultimately fail and until their failure is incontrovertible they will pay the price of utter isolation in order to make a difference that is no difference other than the appearance of a difference. We learn from Koller that either we surrender to our own annihilation or we struggle against it and are annihilated nonetheless, but, really, this is the wrong lesson. The narrator is a person capable of friendship whereas Koller was not capable of friendship. The narrator may not be capable of writing a world-shaking treatise on physiognomy or whatever but Koller was ultimately also incapable of doing so and paid an unbearable price for what was ultimately nothing. This is possibly the wrong lesson, too. 

Meticulously researched, beautifully designed, and full of important information, our Book of the Week is He Ringatoi o ngā Tūpuna: Isaac Coates and his Māori portraits by Te Tau Ihu historians Hilary and John Mitchell. Between 1841 and 1845 Coates painted portraits of 58 Māori in the Nelson, Marlborough and Wellington areas. This superb book reproduces the portraits and provides whakapapa and biographical details of the subjects, as well as new information on Coates's own story.
>>Find out more about the book
>>Hilary and John discuss the book on Radio NZ
>>Some of the portraits
>>Dawn Smith was instrumental in identifying Coates as the artist behind many of the portraits
>>Read the authors' speeches that were to be given at the book's launch (which was cancelled due to the pandemic): >Hilary's speech. >John's speech

 NEW RELEASES

He Ringatoi o ngā Tūpuna: Isaac Coates and his Māori portraits by Hilary and John Mitchell             $80
Isaac Coates was an Englishman who lived in Wellington and Nelson between 1841 and 1845. During that time he painted watercolour portraits of 58 Māori from Nelson, Marlborough, Wellington, Waikanae and Kapiti. Some of these portraits have been well-known for nearly 180 years, although their creator was not definitively identified until 2000. The discovery in 2007 of a Coates book of portraits in the Pitt Rivers Museum at Oxford University added many previously unknown images to his body of work. The portraits depict Māori men and women from chiefly whakapapa, as well as commoners and at least one slave. Coates's meticulous records of each subject's name, iwi and place of residence are invaluable, and his paintings are strong images of individuals, unlike the more stereotyped work of some of Coates's contemporaries. Whānau, hāpu and iwi treasure Coates's works because they are the only images of some tūpuna, and they are reminders of those who risked their lives to bring their people to a better life in the Cook Strait regions of Kapiti coast, Wellington, Nelson and Marlborough. In He Ringatoi o ngā Tūpuna Te Tau Ihu historians John and Hilary Mitchell unravel the previously unknown story of Isaac Coates, as well as providing biographical details and whakapapa of his subjects, where they can be reliably identified. Meticulously researched and beautifully presented.
I Couldn't Love You More by Esther Freud           $33
"Freud’s ninth novel is about mothers, daughters and secrets, telling the story of three generations of women: the men they love and the choices they make. There’s Aoife, in contemporary Cork, who relates to her dying husband Cashel the story of their long marriage; pregnant Rosaleen in 60s London, in love with bohemian sculptor Felix; Kate, an artist 30 years later, with a difficult partner, a small daughter and a desperate desire to know where she has come from. 'How do we even know we’re not dead?' little Freya asks Kate. This book is how. We know we’re alive because of the stories we tell each other, and the things we make, and the people we love, and that’s all we ever get. Freud knows that, and it is good in this bleak year to be reminded." —Guardian
>>"I didn't learn to read until I was about ten."
The Inheritance by Armin Greder               $33
A powerful picture book calling out the greed of those contributing most to the destruction of nature. "All this will soon be yours, respect what I have built and make it prosper." These are the last words of the old industrialist before dying. While the three brothers discuss how to fulfil their father's wishes, the sister lists for them the disastrous consequences that would follow: disease; marine pollution; deforestation; the destruction of the landscape; pollution of skies and rivers.
>>Some other picture books by Greder

Seek You: A journey through American loneliness by Kristen Radtke           $50
Shameful to talk about and often misunderstood, loneliness is everywhere, from the most major of cities to the smallest of towns. In this remarkable graphic memoir, a wide-ranging exploration of our inner lives and public selves, Radtke digs into the ways in which we attempt to feel closer to one another, and the distance that remains. Through the lenses of gender and violence, technology and art, Radtke ushers us through a history of loneliness and longing, and shares what feels impossible to share. Ranging from the invention of the laugh-track to the rise of Instagram, the bootstrap-pulling cowboy to the brutal experiments of Harry Harlow, Radtke investigates why we engage with each other, and what we risk when we turn away. 
>>Read an extract
The Child by Kjersti A. Skomsvold          $28
A young mother speaks to her newborn child. Since the drama of childbirth, all feels calm. The world is new and full of surprises, even though dangers lurk behind every corner; a car out of control, disease ever-present in the air, the unforgiving speed of time. She tells of the times before the child was born, when the world felt unsure and enveloped in darkness, of long nights with an older lover, of her writing career and the precariousness of beginning a relationship and then a family with her husband, Bo. A portrait of modern motherhood, The Child is a story about what it means to be alive and stay alive, no matter how hard the journey.
Wayward Lives, Beautiful Experiments: Intimate histories of riotous Black girls, troublesome women, and queer radicals by Saidiya Hartman               $28
At the dawn of the twentieth century, black women in the US were carving out new ways of living. The first generations born after emancipation, their struggle was to live as if they really were free. These women refused to labour like slaves. Wrestling with the question of freedom, they invented forms of love and solidarity outside convention and law. These were the pioneers of free love, common-law and transient marriages, queer identities, and single motherhood - all deemed scandalous, even pathological, at the dawn of the twentieth century, though they set the pattern for the world to come. 

Things Are Against Us by Lucy Ellmann          $26
Bold, angry, despairing and very funny, these essays cover everything from matriarchy to environmental catastrophe to Little House on the Prairie to Agatha Christie. Ellmann calls for a moratorium on air travel, rails against bras, and pleads for sanity in a world that hardly recognises sanity when it (occasionally) appears.
"Joyously electric." —Guardian
>>Read Thomas's review of Ducks, Newburyport
Outrageous Horizon by Adrien Bosc           $33
March 1941. A converted cargo ship, the Paul-Lemerle, left Marseille on a voyage to the Caribbean, fleeing Vichy France and the devastation of the war. The ship was filled with immigrants from the East, exiled Spanish Republicans, Jews, stateless persons and decadent artists. Among them were Claude Levi-Strauss, the painter Wifredo Lam, the writers Anna Seghers and Andre Breton, and the Russian revolutionary Victor Serge. Mixing the documentary techniques of history, the imaginative leaps of fiction and the cool analysis of the essay, Bosc takes us from Marseille to Casablanca to Martinique and on to New York, to tell an evocative story of migration, cultural crisis and the intellectual cost of the rise of fascism.
"Outrageous Horizon is an erudite, brilliantly imagined odyssey into exile that weaves historic narrative, psychological writing, and cultural history. With his immersive portrait of a distinguished cast of mid-20th century refugees, Adrien Bosc guides us into the choppy seas of our own present moment where catastrophe, once again, meets opportunity." —Kapka Kassabova
The Cookbook of Common Prayer by Francesca Haig              $33
A heart-rending tale of a family in turmoil after the death of a child is kept secret from one of his siblings. When their eldest son drowns overseas, Gill and Gabe, desperate to protect their unwell teenaged daughter from the news, decide they must hide the truth from her at all costs - a decision that has ripple effects throughout their family. Told through alternating perspectives, with frequent flashbacks to the past, the story unfurls, revealing the key moments that have shaped each character into the people they are today. 
Neither Vertical Not Horizontal: A theory of political organisation by Rodrigo Nunez             $43
A decade ago, a wave of mass mobilisations described as "horizontal" and "leaderless" swept the planet, holding the promise of real democracy and justice for the 99%. Many saw its subsequent ebb as proof of the need to go back to what was once called "the question of organisation". For something so often described as essential, however, political organisation remains a surprisingly under-theorised field. In this book, Rodrigo Nunes proposes to remedy that lack by starting again from scratch. Redefining the terms of the problem, he rejects the confusion between organisation and any of the forms it can take, such as the party, and argues that organisation must be understood as always supposing a diverse ecology of different initiatives and organisational forms. Drawing from a wide array of sources and traditions that include cybernetics, poststructuralism, network theory and Marxism, Nunes develops a grammar that eschews easy oppositions between "verticalism" and "horizontalism", centralisation and dispersion, and offers a fresh approach to enduring issues like spontaneity, leadership, democracy, strategy, populism, revolution, and the relationship between movements and parties.
The Labyrinth by Amanda Lohrey             $37
Erica Marsden's son, an artist, has been imprisoned for homicidal negligence. In a state of grief, Erica cuts off all ties to family and friends, and retreats to a quiet hamlet on the south-east coast near the prison where he is serving his sentence. There, in a rundown shack, she obsesses over creating a labyrinth by the ocean. To build it - to find a way out of her quandary - Erica will need the help of strangers. 
Winner of the 2021 Miles Franklin award. 
"A deeply meditative book. Lohrey's writing here is beautifully layered, rich in imagery and meaning, without ever being laboured. The Labyrinth offers a pull towards the unknown and a comfort in solitude. It is a sharply tuned novel, a sprawling narrative that resists rigid expectations, instead allowing those who inhabit the pages to surrender themselves to the mode of 'reversible destiny' that it is constructed around." —Guardian
The Last Man Takes LSD: Foucault and the end of revolution by Mitchell Dean and Damiel Zamora        $43
In May 1975, Michel Foucault took LSD in the desert in southern California. He described it afterwards as the most important event of his life, and it led him to turn away from his critique of power relations and focus instead on the experiments of subjectivity, and the care of the self. Through this lens he would re-evaluate his political positioning and incline towards the apparent mechanisms of autonomy inherent in a new force on the French political scene: neoliberalism(!).
"Michel Foucault saw neoliberalism as an opportunity to think about the revitalisation of civil society. The authors Daniel Zamora and Mitchell Dean explain why he lost sight of its authoritarian dimension." - Woz
Patented: 1000 deign patents edited by Thomas Rinaldi        $70
An unprecedented, essential field guide to more than a century of fascinating product and industrial design. From legendary classics to anonymous objects that are indispensable in homes and offices, this collection of original patent documents celebrates the creative genius of designers, inventors, creators, innovators, and dreamer, including Eero Saarinen, Charles Eames, Isamu Noguchi, Ettore Sottsass, Raymond Loewy, and George Nelson, alongside everyday designs for tape dispensers, pencil sharpeners, food processors, desk fans, and drink bottles.

China Room by Sunjeev Sahota            $35
Mehar, a young bride in rural 1929 Punjab, is trying to discover the identity of her new husband. She and her sisters-in-law, married to three brothers in a single ceremony, spend their days hard at work in the family's ‘china room’, sequestered from contact with the men. When Mehar develops a theory as to which of them is hers, a passion is ignited that will put more than one life at risk. Spiralling around Mehar's story is that of a young man who in 1999 travels from England to the now-deserted farm, its ‘china room’ locked and barred. In enforced flight from the traumas of his adolescence — his experiences of addiction, racism, and estrangement from the culture of his birth — he spends a summer in painful contemplation and recovery, finally finding the strength to return home.
What Artists Wear by Charlie Porter             $30
In the hands of artists, garments reveal themselves to be tools of expression, storytelling, resistance and creativity. In What Artists Wear, style luminary Charlie Porter takes us on an invigorating, eye-opening journey through the iconic outfits worn by artists, in the studio, on stage, at work, at home and at play. From Yves Klein's spotless tailoring to the kaleidoscopic costumes of Yayoi Kusama and Cindy Sherman; from Andy Warhol's signature denim to Charlotte Prodger's casualwear, Porter's roving eye picks out the magical, revealing details in the clothes he encounters, weaving together a new way of understanding artists, and of dressing ourselves. 

The Promise by Damon Galgut              $37
A taut and menacing novel that charts the crash and burn of an Afrikaans family, the Swarts. Punctuated by funerals that bring the ever-diminishing family together, each of the four parts opens with a death and a new decade of South African history. As we traverse the decades, Galgut interweaves the story of a disappointed nation from apartheid to Jacob Zuma.
"The Promise is fully rooted in contemporary South Africa, but the novel's weather moves into the elemental while attending also to the daily, the detailed and the personal. The book is close to a folktale or the retelling of a myth about fate and loss, about three siblings and land, a promise made and broken. The story has an astonishing sense of depth, as though the characters were imagined over time, with slow tender care." —Colm Toibin
Great Circle by Maggie Shipstead      $37
In 1920s Montana, wild-hearted orphan Marian Graves spends her days roaming the rugged forests and mountains of her home. When she witnesses the roll, loop and dive of two barnstorming pilots, she promises herself that one day she too will take to the skies. Years later, after a series of reckless romances and a spell flying to aid the British war effort, Marian embarks on a treacherous flight around the globe in search of the freedom she has always craved. She is never seen again. More than half a century later, Hadley Baxter, a troubled Hollywood starlet beset by scandal, is irresistibly drawn to play Marian Graves in her biopic, a role that will lead her to probe the deepest mysteries of the vanished pilot's life."Thoroughly clever." —Guardian
What a Submarine Sees: A fold-out journey under the waves by Laura Knowles and Vivian Mineker        $28
This charming concertina book follows the journey of a little submersible on a voyage beneath the waves, down into the deep ocean and back again. Folding out to nearly 2.5 metres, children can look at all the different things the sub sees on its way, as it travels past a shipwreck, through a coral reef, near to a pod of orcas hunting for their lunch, past a leatherback turtle feasting on jellyfish, and past some rather strange fish as the ocean gets deeper and darker.
The Bedside Book of Birds: An avian miscellany edited by Graeme Gibson          $95
Sumptuously illustrated and ranging through literature, mythology and natural history, The Bedside Book of Birds is an unexpected and fascinating treasure trove of paintings, drawings, essays and scientific observations. It conveys the hope, the longing and the enchantment that birds have evoked in humans in all cultures and all times. With an introduction by Gibson's widow, Margaret Atwood. 

The Sweetness of Water by Nathan Harris             $35
In the dying days of the American Civil War, newly freed brothers Landry and Prentiss find themselves cast into the world without a penny to their names. Forced to hide out in the woods near their former Georgia plantation, they're soon discovered by the land's owner, George Walker, a man still reeling from the loss of his son in the war. When the brothers begin to live and work on George's farm, the tentative bonds of trust and union begin to blossom between the strangers. But this sanctuary survives on a knife's edge, and it isn't long before the inhabitants of the nearby town of Old Ox react with fury at the alliances being formed only a few miles away.
"Better than any debut novel has a right to be." —Richard Russo
"Gardening, then, is a practice of sustained noticing." In this collection of essays, fourteen writers go beyond simply considering a plot of soil to explore how gardening is a shared language, an opportunity for connection, something that is always evolving. Penelope Lively trains her gardening eye on her gardens past and present; Paul Mendez reflects on the image of the paradisal garden; Jon Day asks whether an urban community garden can be a radical place; and Victoria Adukwei Bulley considers the power of herbs and why there is no such thing as a weed.
A Town Called Solace by Mary Lawson              $37
Clara's sister is missing. Angry, rebellious Rose had a row with their mother, stormed out of the house and simply disappeared. Eight-year-old Clara, isolated by her distraught parents' efforts to protect her from the truth, is grief-stricken and bewildered. Liam Kane, newly divorced, newly unemployed, newly arrived in this small northern town, moves into the house next door – a house left to him by an old woman he can barely remember — and within hours gets a visit from the police. It seems he's suspected of a crime. At the end of her life Elizabeth Orchard is thinking about a crime too, one committed thirty years ago that had tragic consequences for two families and in particular for one small child. She desperately wants to make amends before she dies. Set in Northern Ontario in 1972, A Town Called Solace explores the relationships of these three people brought together by fate and the mistakes of the past.
 Adam Sedgwick was a priest and scholar. Roderick Murchison was a retired soldier. Charles Lapworth was a schoolteacher. It was their personal and intellectual rivalry, pursued on treks through Wales, Scotland, Cornwall, Devon and parts of western Russia, that revealed the narrative structure of the Paleozoic Era, the 300-million-year period during which life on Earth became recognisably itself.
"A joyful collision of science, history and nature writing, The Greywacke shines a light on the almost superhuman feats of endurance, the unglamorous physical realities, the many, many hours of patient labour that the science of geology is built upon." —Helen Gordon
The comparative study of the southern Polynesian islands and Rapa Nui provides a thematic examination of movement and migration, adaptation and change, and development and expansion to offer an optimal means of understanding Polynesia during this period, in an account that incorporates oral traditions, historical analysis and archaeology.





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