Book of the Week: PRAISEWORTHY by Alexis Wright

WINNER: Miles Franklin Literary Award 2024
WINNER: The Stella Prize 2024
WINNER: The James Tait Black Prize – Fiction 2024
WINNER: University of Queensland Fiction Book Award, Queensland Literary Awards 2023
WINNER: ALS Gold Medal 2024
SHORTLISTED: The Dublin Literary Award 2024
SHORTLISTED: New South Wales Premier’s Literary Award – People’s Choice Award 2024
SHORTLISTED: New South Wales Premier’s Literary Award – Christina Stead Prize for Fiction 2024
SHORTLISTED: New South Wales Premier’s Literary Award – Indigenous Writers’ Prize 2024
SHORTLISTED: Queensland Premier’s Award for a Work of State Significance, Queensland Literary Awards 2023
SHORTLISTED: Margaret and Colin Roderick Literary Award 2024
LONGLISTED: Voss Literary Prize 2024

‘I’m awed by the range, experiment and political intelligence of [Alexis Wright’s] work, from fiction such as Carpentaria and The Swan Book, to her “collective memoir” of an Aboriginal elder in Tracker. As essayist, activist, novelist and oral historian she is vital on the subject of land and people.’ — Robert Macfarlane, New York Times Book Review

This multi-award winning novel has been described as ambitious, accomplished, astonishing, a wonder of twenty-first century fiction, fiercely political, fiercely and gloriously funny, uncompromising, a genre-defiant epic, monumental, urgent, dazzling, exhilarating, polyphonic, and a formidable act of imaginative synthesis.

Praiseworthy is an epic set in the north of Australia, told with the richness of language and scale of imagery for which Alexis Wright has become renowned. In a small town dominated by a haze cloud which heralds both an ecological catastrophe and a gathering of the ancestors, a crazed visionary seeks out donkeys as the solution to the global climate crisis and the economic dependency of the Aboriginal people. His wife seeks solace from his madness in following the dance of butterflies and scouring the internet to find out how she can seek repatriation for her Aboriginal/Chinese family to China. One of their sons, called Aboriginal Sovereignty, is determined to commit suicide. The other, Tommyhawk, wishes his brother dead so that he can pursue his dream of becoming white and powerful. This is a novel which pushes allegory and language to its limits, a cry of outrage against oppression and disadvantage, and a fable for the end of days.

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VOLUME BooksBook of the week
NEW RELEASES (20.9.24)

A wave of books is rolling towards your shelves. Take your pick!

With My Back to the World by Victoria Chang $40

Yesterday I slung my depression on my back and went to the museum. I only asked four attendants where the Agnes painting was and the fifth one knew. I walked into the room and saw it right away. From afar, it was a large white square.
With My Back to the World engages with the paintings and writings of Agnes Martin, the celebrated abstract modern artist, in ways that open up new modes of expression, expanding the scope of what art, poetry, and the human mind can do. Filled with surprise and insight, wit and profundity, the book explores the nature of the self, of existence, life and death, grief and depression, time and space. Strikingly original, fluidly strange, Victoria Chang's new collection is a book that speaks to how we see and are seen.
”In Agnes Martin's grid paintings, each pale rectangle can feel like an hour, a day, or a year. The effect of all these small variations seen at once approximates the overwhelming fact of other lives. With My Back to the World gives Victoria Chang that same kind of quiet, intimate, constrained but infinite room to work in. This book is the record of an artful, attentive mind, full of startling insights ("My solitude is like the grass. I become so aware of its presence that it too begins to feel like an audience"), a testament to care, integrity, and persistence.” —Elisa Gabbert
”Victoria Chang's lucid and playful poetry surprised and moved me with its friendly abundance of Koanlike lines-stimulating yet calming news from the dreamy outskirts of human consciousness.” —Tao Lin

 

Lublin by Manya Wilkinson $35

On the road to Lublin, plagued by birds that whistle like a Cossack's sword, three young lads from Mezritsh brave drought, visions, bad shoes, Russian soldiers, cohorts of abandoned women, burnt porridge, dead dogs, haemorrhoids, incessant sneezing, constipation, and bad jokes in order to seek their fortune. Elya is the lad with the vision, and Elya has the map. Ziv and Kiva aren’t so sure. The water may run out before they find the Village of Lakes. The food may run out before the flaky crescent pastries of Prune Town. They may never reach the Village of Girls (how disappointing); they may well stumble into Russian Town, rumoured to be a dangerous place for Jews (it is). As three young boys set off from Mezritsh with a case of bristle brushes to sell in the great market town of Lublin, wearing shoes of uneven quality and possessed of decidedly unequal enthusiasms, they quickly find that nothing, not Elya’s jokes nor Kiva’s prayers nor Ziv’s sublime irritatingness, can prepare them for the future as it comes barrelling down to meet them. Absurd, riveting, alarming, hilarious, the dialogue devastatingly sharp and the pacing extraordinary, Lublin is a journey to nowhere that changes everything it touches.
”A true boy's own adventure with a deep heart set against a backdrop of ferocious world events, Lublin will charm and devastate readers in equal measure with its compulsive, funny and moving prose. Manya Wilkinson has given us a fable-like story whose characters live and breathe through the ages to speak to us of childhood dreams and the inequities of war today.” —Preti Taneja

 

Wild Houses by Colin Barrett $38

As Ballina prepares for its biggest weekend of the year, the simmering feud between small-time drug-dealer, Cillian English, and County Mayo's enforcers, Gabe and Sketch Ferdia, spills over into violence and an ugly ultimatum. When the reclusive Dev answers his door on Friday night he finds Doll — Cillian's teenage brother — in the clutches of Gabe and Sketch. Jostled by his nefarious cousins and goaded by his dead mother's dog, Dev is drawn headlong into the Ferdias' revenge fantasy. Meanwhile, seventeen-year-old Nicky can't shake the feeling something bad has happened to her boyfriend Doll. Hungover, reeling from a fractious Friday night and plagued by ghosts of her own, Nicky sets out on a feverish mission to save Doll, even as she questions her future in Ballina.
”Strange and beautiful. A book to live inside.” —Sally Rooney
”A gift of true storytelling. Barrett's talent burns up the page.” —Anne Enright
”So consistently witty and inventive that one struggles to think of recent novels that could stand up to comparison.” —Guardian

 

Family and Borghesia by Natalia Ginzburg (translated from Italian by Beryl Stockman) $28

Two novellas chronicling domestic life, isolation and the passing of time. Architect Carmine and translator Ivana were once lovers. Their child died and their relationship ended but now, decades on, both with marriages and children of their own, they are friends. During a bout of pneumonia, Carmine – uneasy in his life of aspiration and materialism – begins to look back over opportunities missed and choices made. Set against postwar social breakdown, the melancholic, quietly dazzling Family elegantly examines the human condition and what brings happiness to a life. Borghesia is a delicate evocation of one life and the relationships that constrain and define it. In both novellas, underneath a subtle, stripped-down prose and a rich cast of characters, runs a seam of unhappiness and isolation, as Natalia Ginzburg explores the allure of memories and the complexity of family and relationships.
 “Ginzburg gives us a new template for the female voice and an idea of what it might sound like.” —Rachel Cusk
”Ginzburg's beautiful words have such solidarity. I read her with joy and amazement.” —Tessa Hadley
”I'm utterly entranced by Ginzburg's style — her mysterious directness, her salutary ability to lay things bare that never feels contrived or cold, only necessary, honest, clear.” —Maggie Nelson

 

X-Ray (‘Object Lessons’ series) by Nicole Lobdell $23

X-rays are powerful. Moving through objects undetected, revealing the body as a tryptic of skin, tissue, and bone. X-rays gave rise to a transparent world and the belief that transparency conveys truth. It stands to reason, then, that our relationship with X-rays would be a complicated one of fear and fascination, acceptance and resistance, confusion and curiosity. In X-ray, Nicole Lobdell explores when, where, and how we use X-rays, what meanings we give them, what metaphors we make out of them, and why, despite our fears, we're still fascinated with them. In doing so, she draws from a variety of fields, including the history of medicine, science and technology studies, literature, art, material culture, film, comics, gender studies, architecture, and industrial design.

 

Mediterra: Recipes from the islands and shores of the Mediterranean by Ben Tish $60

More than a hundred mouth-watering Mediterranean dishes from Spain to Syria and everywhere in between — one delicious cuisine gives way to the next. From Spain and Italy, through Greece and Turkey and down to North Africa, the region is rich with deeply delicious food. With seven-spice falafel from Lebanon, gyros from Greece, classic tiramisu from Italy, and grilled smoky sardines from Crete, the full flavors of the region are on glorious display for recipes that work across diets and seasons. But while each country has its own unique dishes and distinct cultures, there is a distinct Mediterranean signature that brings them all together: hot summers, dry winters, coastal briny winds, alfresco eating, street markets, sacrosanct meal times, and bringing the best out of as many local seasonal ingredients as possible.
”Ben takes us across the Mediterranean and then back to his table. From Italy to Tunisia, Croatia to Morocco, capturing the heart of Mediterranean cooking. Simple, seasonal, and heartfelt. Count me in, Ben. “ —Yotam Ottolenghi
”Not only is Ben's Mediterra a beautiful book, but it is so well researched, with mouth-watering, accessible recipes.” —Georgina Hayden
”You probably think you don't need another book about Mediterranean food, but you need this one. I leaf through Ben's books thinking 'I want to make that, and that, and that!'. His food is rich, intense and alive.” — Diana Henry

 

Dictionary of Fine Distinctions, Nuances, Niceties, and Subtle Shades of Meaning by Eli Burnstein, illustrated by Liana Fink $40

What's the difference between mazes and labyrinths? Proverbs and adages? Clementines and tangerines? Join author Eli Burnstein on a hairsplitter's odyssey into the world of the ultra-subtle with Dictionary of Fine Distinctions. Illustrated by New Yorker cartoonist Liana Finck, this humorous dictionary takes a neurotic, brain-tickling plunge into the infinite (and infinitesimal) nuances that make up our world. There is no distinction between precision and pedantry, after all.

 

The Double Shift: Spinoza and Marx on the politics of work by Jason Read $40

In a world of declining wages, working conditions, and instability, the response for many has been to work harder, increasing hours and finding various ways to hustle in a gig economy. What drives our attachment to work? To paraphrase a question from Spinoza, "Why do people fight for their exploitation as if it was liberation?" The Double Shift turns towards the intersection of Marx and Spinoza in order to examine the nature of our affective, ideological, and strategic attachment to work. Through an examination of contemporary capitalism and popular culture it argues that the current moment can be defined as one of "negative solidarity." The hardship and difficulty of work is seen not as the basis for alienation and calls for its transformation but rather an identification with the difficulties and hardships of work. This distortion of the work ethic leads to a celebration of capitalists as job creators and suspicion towards anyone who is not seen as a "real worker." The Double Shift argues for a transformation of our collective imagination and attachment to work.
”Drawing on Marx, Spinoza, and popular film, Jason Read builds an illuminating analysis that not only astutely captures, but also helps to make sense of, our double experience of wage work as a locus of freedom and compulsion, hope and fear, self-actualization and self-impoverishment, love and hate. This book is a must read for students of contemporary capitalism.” —Kathi Weeks

 

Te Pukapuka ka Kore e Pānuihia by Tim Tipene, illustrated by Nicoletta Sarri, translated by Kanapu Rangitauira $23

The boy at the centre of Tim Tipene's striking new story doesn't like reading, until one day he picks up The Book that Wouldn't Read. Suddenly the book takes on a life of its own, with sentences moving up and down, words changing colour and disappearing, and strange characters that get the reader jumping around, even burping — and before he knows it, he's finished the book. “What should I read next?” 

 

Greatest Hits by Harlan Ellison $40

Harlan Ellison's work shaped the science-fiction, fantasy, and horror genres in the twentieth century, and this collection of his best-known and most-acclaimed stories is a perfect treasury for old Ellison fans as well as those discovering this zany, polyphonic writer for the first time. Includes: '“Repent Harlequin!” said the Ticktockman’ (Hugo Award winner); ‘I Have No Mouth and I Must Scream’ (Bram Stoker Award winner); ‘Mefisto in Onyx’ (Bram Stoker Award winner); ‘Jeffty Is Five’ (British Fantasy Award winner); ‘The Whimper of Whipped Dogs’ (Edgar Allan Poe Award winner).
”In his stories of fantasy and horror, he strikes closest to all those things that horrify and amuse us (sometimes both at the same time) in our present lives. Ellison has always been a sociological writer and an affirmed liberal and freethinker. Most of all, we sense outrage and anger — as with the best Ellison stories, we sense personal involvement, and have a feeling that Ellison is not so much telling the tale as he is jabbing it viciously out of its hiding place. It is the feeling that we are walking over a lot of jagged glass in thin shoes, or running across a minefield in the company of a lunatic.” —Stephen King

 

Voyagers: Our journey into the Anthropocene by Lauren Fuge $45

From the beginning, humans have been wanderers. Our feet carried us out of Africa and propelled us to far-flung corners of the world, often through incredible feats of innovation and imagination. These explorations yielded great rewards: land and resources, food and knowledge. But in every landscape we have explored, we have become a force of change. Our appetites have pushed planetary systems to breaking point — yet still we seek new seas to fish, new oil deposits to drill, new forests to fell. Fuge takes the reader on a journey from the dramatic fjords of the Pacific Northwest to the shifting coastlines of Norway, from the ancient geology of outback Australia to the outer reaches of the known universe, and asks: what drives our urge to explore? How has it changed our relationship with the planet? And, in the face of imminent environmental collapse, can we find in our voyaging history the tools to reimagine our future?

 

Will You Care If I Die? by Nicolas Lunabba $40

In a world where children murder children, and where Swedish gun violence is the worst in Europe, Nicolas Lunabba’s job as a social organiser with Malmö’s underclass requires firm boundaries and emotional detachment. But all that changes when he meets Elijah — an unruly teenage boy of mixed heritage whose perilous future reminds Nicolas of his own troubled past amongst the marginalised people who live on the fringes of every society. Allowing Elijah into his home and then into his heart, Nicolas crosses one of his own red lines. With the odds stacked against them, and completely unprepared for the journey he and Elijah now set off on together, can Nicolas keep Elijah safe from harm and steer him towards a better future? Written as a letter to Elijah, Will You Care If I Die? is a disarmingly direct memoir about social class, race, friendship and unexpected love in the context of social polarisation and the rise of the far right.

 

Poetry Play Kit: Games to get your poems started by Joseph Coelho $25

Make poetry fun with Joseph Coelho: This activity kit is packed with games and activities - discover all kinds of ways to start writing poems. A compendium of literacy games and activities: Create endless poetic combinations with over 300 word cards! Spin the spinner for linguistic techniques and use the game and activity cards to start your poems off. Edutainment for children aged 6-9: Inspire your child's love of language and give them the tools they need to express themselves and succeed in school - and in life! Learning through play: Developed with the help of kids, parents and teachers, this kit contains 320 word cards, 15 double-sided game and activity cards, 28 rhyming dominoes, a poetry spinner and a rules and inspiration booklet.

 
VOLUME BooksNew releases
DRIVE YOUR PLOW OVER THE BONES OF THE DEAD by Olga Tokarczuk — Review by Stella

Right now I am reading Olga Tokarczuk’s The Empusium (you can pre-order now — due very soon!) and so far a big thumbs-up. I’ll be reviewing this on Monday for RNZ Nine to Noon. In anticipation of the new novel, I’ve been revisiting the excellent Drive Your Plow Over the Bones of the Dead.
Janina ("don’t like my first name, so please don’t address me by it") Duszejko is in her sixties and lives in a remote Polish village. An ex-engineer, she teaches children English at the local school on a very part-time basis and is the caretaker of the holiday homes closed up for the winter. It’s mid-winter and Duszejko is busy with her horoscopes, translating William Blake with her friend Dizzy, clearing snow, fixing leaks, and keeping an eye on the forest animals. She has names for her neighbours, names which reflect their character: Big Foot for the weasel of a man with big feet who traps animals cruelly, Oddball for her large-statured yet very particular closest neighbour, Black Coat for his son - the local detective, Good News for the woman who runs the charity shop, and so on. She has a close affinity with nature and with the animals that live around her - she calls the deer the Young Ladies, and her dogs (who have recently disappeared) are referred to as her Little Girls. Drawing on Blake’s philosophy of nature, voicing her beliefs in the ideal equitable relationship between human and animal (a philosophy that many of her hunting neighbours have no time for), and using astrology - the alignments and ascendencies of planets and stars and birth dates to predict outcomes for her community, Duszejko has firm opinions, which she has no qualms about sharing, on how people should behave, on traditional Polish culture, and on the importance of nature to the health (intellectual and emotional) of human psyche. Overlay this with a series of murders and you have a very compelling novel. Mrs Duszejko starts investigating, drawing together facts and suppositions based upon birth dates and star signs. The first to tumble is Big Foot, choking on a deer bone. As more hunters fall, Duszejko is convinced that this is the revenge of the animals, that they have risen up against the human hunters who pursue them mercilessly. As the net tightens, the villagers become increasingly paranoid, and rumours of corruption and bribery are rife. This is a blackly comic novel which investigates pressing ideas about the nature of traditions, cultural stereotypes and the role of the outsider, the hypocrisy of the church and other institutions of authority, and the impact of development on ecological structures. As Duszejko gets closer to the truth, her Ailments (never fully explained) become increasingly severe and her accusations extreme. Ostracised by her community she is considered a 'mad' woman. Yet it is her insistence that will lead to a revelation that will shock everyone, including her few loyal friends. Throughout the novel there are references to Blake’s writings: each chapter starts with a quoted verse, and the title of the book comes directly from Blake’s ‘Proverbs of Hell’. Olga Tokarczuk’s second book to appear in translation is an intriguing and feisty exploration of fate and free will, of cultural politics and personal endeavours, of injustice and ultimate revenge.

VOLUME BooksReview by Stella
THE PASSION ACCORDING TO G.H. by Clarice Lispector — reviewed by Thomas

“A note exists between two notes of music, between two facts exists a fact, between two grains of sand no matter how close together there exists an interval of space, a sense that exists between senses.” Upon entering the room of her apartment that had been inhabited by her maid, the narrator is frightened by a large cockroach emerging from the wardrobe and shuts the door upon it. This act of violence creates a bond of association between the two, a bond which language-based thought is not able to withstand, and, as the narrator looks into the face of the cockroach and at the white paste that oozes from its fatal wound, she becomes indistinguishable from the cockroach and indeed from all life, she becomes what she terms 'neutral', not individuated by the spurious but 'useful' concepts of identity and time. "Until the moment of seeing the roach I'd always had some name for what I was living, otherwise I wouldn't get away. To escape the neutral, I had long since forsaken the being for the persona." Her mental disintegration is both a symptom of and an escape from life traumas that are barely hinted at (an abortion, a lost lover), and her experience with the cockroach entails a relinquishment of everything she had thought of as herself. The ecstatic and the horrific cannot be distinguished from one another. Only thinking and the use of language can keep this reality at bay. "I was abandoning my human organisation — to enter that monstrous thing that is my living neutrality." But, of course, the relation of her experience is in itself a feat of language: perhaps it is through the failure of language to reach further that the edges of experience that the shape of experience may be conveyed. "Reality is the raw material, language is the way I go in search of it - and the way I do not find it. ... The unsayable can only be given to me through the failure of my language."  After slowing time down with great austerity in the first two thirds of the novel, Lispector has her narrator progress into a delirium of religious and metaphorical ravings, which, for me, demonstrates how 'profundity' (as so precisely and compellingly delineated in the first part) has no certain point of delineation from madness (though I am not entirely sure that this was the author's intention (and I must say that the novel lost my unreserved admiration at this point)). The novel, and the narrator's identification with the cockroach, culminates in the narrator taking into her mouth, as a kind of communion, some of the crushed insect's innards.

VOLUME BooksReview by Thomas
THE 2024 BOOKER PRIZE SHORT LIST

Six excellent books were short-listed for the 2024 Booker Prize.

Read them all, and let us know what you think!

 

THE WINNER!

ORBITAL by Samantha Harvey

What the judges said: “Samantha Harvey’s compact yet beautifully expansive novel invites us to observe Earth’s splendour from the drifting perspective of six astronauts aboard the International Space Station as they navigate bereavement, loneliness and mission fatigue. Moving from the claustrophobia of their cabins to the infinitude of space, from their wide-ranging memories to their careful attention to their tasks, from searching metaphysical inquiry to the spectacle of the natural world, Orbital offers us a love letter to our planet as well as a deeply moving acknowledgement of the individual and collective value of every human life.”

 

JAMES by Percival Everett

What the judges said: “A masterful, revisionist work that immerses the reader in the brutality of slavery, juxtaposed with a movingly persistent humanity. Through lyrical, richly textured prose, Everett crafts a captivating response to Mark Twain’s classic, Huckleberry Finn, that is both a bold exploration of a dark chapter in history and a testament to the resilience of the human spirit. With its virtuosic command of language and moral urgency, James stands as a towering achievement that confronts the past while holding out hope for a progressive future, cementing Everett’s deserved reputation as a literary sensation.

 

CREATION LAKE by Rachel Kushner

What the judges said: “Sadie Smith – not her real name – is an FBI agent turned spy-for-hire, whose latest mission is to infiltrate a commune of eco-activists in rural France. She’s an extraordinary creation: sharp-minded, iron-willed, accustomed to moving fast and breaking things. As she investigates the group, she hacks into emails from their guru, a shadowy eccentric who has withdrawn from modernity into the ancient caves that dot the landscape; he has some beguiling ideas about the role of Neanderthals through history. What’s so electrifying about this novel is the way it knits contemporary politics and power with a deep counter-history of human civilisation. We found the prose thrilling, the ideas exciting, the book as a whole a profound and irresistible page-turner.”

 

HELD by Anne Michaels

What the judges said: “The first few pages of this brief kaleidoscopic novel from the author of Fugitive Pieces may seem forbidding, yet every member of the judging panel was transported by this book. Michaels, a poet, is utterly uncompromising in her vision and execution. She is writing about war, trauma, science, faith and above all love and human connection; her canvas is a century of busy history, but she connects the fragments of her story through theme and image rather than character and chronology, intense moments surrounded by great gaps of space and time. Appropriately for a novel about consciousness, it seems to alter and expand your state of mind. Reading it is a unique experience.

 

THE SAFEKEEP by Yael van der Wouden

What the judges said: “Set in the early 1960s in the Netherlands in an isolated house, The Safekeep draws us into a world as carefully calibrated as a Dutch still-life. Every piece of crockery or silverware is accounted for here. Isa is the protagonist – a withdrawn figure who is safeguarding this inheritance. When her brother brings his new girlfriend Eva into this household the energy field changes as we sense boundaries of possession being crossed, other histories coming into the light. We loved this debut novel for its remarkable inhabitation of obsession. It navigates an emotional landscape of loss and return in an unforgettable way.”

 

STONE YARD DEVOTIONAL by Charlotte Wood

What the judges said: “Sometimes a visitor becomes a resident, and a temporary retreat becomes permanent. This happens to the narrator in Stone Yard Devotional – a woman with seemingly solid connections to the world who changes her life and settles into a monastery in rural Australia. Yet no shelter is impermeable. The past, in the form of the returning bones of an old acquaintance, comes knocking at her door; the present, in the forms of a global pandemic and a local plague of mice and rats, demands her attention. The novel thrilled and chilled the judges – it’s a book we can’t wait to put into the hands of readers.”

 
VOLUME BooksBook lists
CREATION LAKE by Rachel Kushner — reviewed by Stella

Love her or hate her, you will enjoy Sadie! Sadie Smith (not her real name) is undercover. She’s out to find the dirt on the eco-radicals; and if she can’t find some, she’ll get creative. In a small remote village, the Moulinards’ commune on a scrappy piece of land, overseen by the charismatic Pascal (ex-Paris, wealthy lad living it rough and oldest friend to Sadie’s hapless ‘boyfriend’ loser film-maker Lucien). Pascal, along with his selected idealistic brotherhood are hanging on the words of modern day hermit Bruno Lacombe. Bruno lives in a cave and emails the group his missives on human history, the superiority of the Neanderthal, the earth’s vibrations, and other intellectual musings of a madman and a sage. The concerns of the local farmers and the newly arrived eco-radicals are the same. Industry is moving in with its pumping of water and singular crop fixation. There have been isolated incidents of sabotage. And Sadie’s boss wants the commune gone. Sadie's job is to get inside and find out what they will do next. And if there is no to-do list, entice some action. Sadie arrives into a dry hot summer in her little white rental, enough alcohol to keep cool and then some, and is ‘waiting’ for Lucien on his family’s estate — a rundown dwelling now rigged up with sensors, high speed internet and other spy gadgetry. Sadie’s reading Bruno’s emails, but not getting a lot of information about a plot to take out the new infrastructure. What she is getting is a fascination for Bruno and his sideways take on humanity. She’s ready to meet Pascal and gain his trust. It helps, or so Sadie wants us to believe, that she is gorgeous. She easily gains his trust, more to do with her set-up relation with Lucien than anything she particularly does, and Pascal’s never ending ability to mansplain. The women at the commune have different ideas about their assigned roles, more akin to the old patriarchy than new ideas. It doesn’t take Sadie long to get offside with them. She’ll have to be more careful to avoid their ire and their mistrust. So what is Rachel Kushner up to here? In Creation Lake, she’s pointing a very cynical finger at our attempts to save ourselves. Here comes corruption and ego in several guises, here is the power of ideas that can alter lives, here come belief systems that fall flat, and there go the Neanderthals walking with us still (according to Bruno), and here is the biggest fraud of the lot: Sadie Smith, who will be unequivocally changed by her encounter with the Moulinards and Bruno Lacombe. This is a clever, funny book with an unreliable (and unlikeable) narrator at its centre, with ideas leaping from the absurd to the strangely believable, and a cast of characters who get to walk on to the stage and play their bit parts to perfection, with references to ‘types’ as well as particular possibly recognisable individuals. Creation Lake deals with big issues — the climate, politics, industry, and power — with a playfulness and Intelligence that ricochet much like the bullets in Sadie’s guns. It encompasses ideas about where we came from and where we might be going with wry wit but also a serious nod to our current dilemmas. It’s not all doom, and Kushner may be giving us the opportunity to leave our hermit caves and look up. Although this may be a riff on the riff. And cynicism may be the winner after all — unless radical social change can capture Sadie's imagination at 4am. You’ll have to decide. 

VOLUME BooksReview by Stella
PAUL CELAN AND THE TRANS-TIBETAN ANGEL a.k.a. SPONTANEOUS ACTS by Yoko Tawada (translated from German by Susan Bernofsky) — reviewed by Thomas

“Art is always an overreaction,” writes Yoko Tawada in her lithe and compact novel Paul Celan and the Trans-Tibetan Angel (translated from German by Susan Bernofsky); this statement being in itself an overstatement, as all statements are overstatements. Did we not learn at school, he pondered, that every overreaction provokes an equal and opposite overreaction, that the impact of each overstatement causes another overstatement to leap out at the end of the line, and so forth back and forth until the Newton’s cradle of the mind is finally still if it ever can be still. Does any movement towards certainty destroy the very certainty towards which it moves? Is that for which we reach inevitably destroyed by the reaching? This is no way to start a review, he thought; in his search for clarity he has produced a wash of vague sensations barely distinguishable from life itself, so to call it, a fractality of precisions more complicated than disorder; what is literature for, after all, if not to make life more wieldable, or our thinking about it more wieldable at least? No such luck. If the words for things can be used as substitutes for things, they are subject to linguistic forces and relations to which the things themselves are not subject. There’s an illness in all of this, a linguistic illness, or an illness of consciousness, that blurs, ultimately, or penultimately, or by something preceding the penultimate by one or several or many steps, the distinctions between words and their objects and between words and other words, a blurring that allows for or entails the febrile reconfiguration of language into new forms, he was going to write new and less useful forms, but the utility of language is no measure of its other functions (its other pathologies, he almost wrote). The narrator of Tawada’s novel refers to himself as ‘the patient’ and refers to himself in the third person (“third person is a form of salvation” (as we know)) and gives an account of the stayings-in and goings-out that are constrained by the vagaries of his illness and the vagaries of the illness of the world at large, if these are not one and the same: “The patient leaves the house as seldom as possible, and every time he is forced to go out, he first checks to see if the coast is clear. The coast is seldom clear, hardly ever.” If he ever does go out. He meets and befriends one Leo-Eric Fu, who shares with Patrik (Patrik is the name attached by others to the one who calls himself the patient; the patient's name as he approaches the collective world (plausibly a kind of healing (“A person who can continue to distance himself from home, one step farther each day, is no longer a patient.”))) a love and knowledge of the work of Paul Celan, a poet who made from German, a language broken by the trauma of hosting the Holocaust, a new language of beauty and possibility made entirely of the marked, traumatised and broken pieces of that language, and with whose work this novel is a form of conversation (please note that it is not necessary to the appreciation of the novel to be familiar with the other pole of that conversation, though the novel may lead a reader towards that pole). For the patient it is, we assume from the deliberately inconclusive evidence, the trauma of the Covid 19 pandemic that has broken language, either because of the collective circumstances in which he finds himself or also because he himself is actually in addition to metaphorically ill. I am not unfamiliar, he thought, as he attempted to continue with what was intended as a review but was suffering from an illness which made it both not really a review and very hard to sustain, with the linguistic deliria induced by fever, with the disintegrative and recombinatory compulsions that reveal something about language and are in fact structurally inherent in language but usually suppressed for reasons of utility or ‘health’. Any illness will remake language, given the chance to spread. In the delirium of the novel, the patient’s illness (“an autoimmune disorder of the mind”) attacks the distinctions between the binaries it posits: isolation/connection, illness/health, internal/external, uncertainty/comprehension, experience/identity; and attacks all borders generally: those between persons individually and those set between groups and nations. There are no contradictions. “People say I'm sick because I can simultaneously leave the house and stay home.” The forms of thought that gave rise to the illness, whatever it is, are broken and remade: “I prefer a not-yet-knowing or a no-longer-knowing to actual knowledge. These are the fields in which I'll find my role.” It is possible, even probable, he thought, that the entire book takes place within the patient’s head, if such a place exists (“What if Leo-Eric isn't really sitting here and this is all just taking place in my imagination?”), although, towards the end, the Patrik-impulse begins to gain a little ground from the patient-impulse, and the possibility that the idea of Patrik and also the ideas of Patrik could exist in the minds of others begins at last to emerge. Language, ravaged by trauma and isolation, begins to adopt new forms. Is this healing? Illness, we begin to see, is entangled in time: “The present is a constant deferment.”

VOLUME BooksReview by Thomas
Book of the Week: SIGHT LINES by Kirsty Baker

The recently published Sight Lines: Women and Art in Aotearoa is an outstanding publication. Beautifully produced and thought-provoking, Sight Lines is a bold new account of art-making in Aotearoa through 35 extraordinary women artists. From ancient whatu kakahu to contemporary installation art, Frances Hodgkins to Merata Mita, Fiona Clark to Mataaho Collective, Sight Lines tells the story of art made by women in Aotearoa. Gathered here are painters, photographers, performers, sculptors, weavers, textile artists, poets and activists. They have worked individually, collaboratively and in collectives. They have defied restrictive definitions of what art should be and what it can do. Their stories and their work enable us to ask new questions of art history in Aotearoa.

How have tangata whenua and tangata tiriti artists negotiated their relationships to each other, and to this place? How have women used their art-making to explore their relationships to land and water, family and community, politics and the nation? With more than 150 striking images, and essays by Chloe Cull, Ngarino Ellis, Ioana Gordon-Smith, Rangimarie Sophie Jolley, Lana Lopesi, Hanahiva Rose, Huhana Smith, Megan Tamati-Quennell, alongside Kirsty Baker, Sight Lines is waiting for a place on your art library shelf.

“An exceptional book. Thoughtfully conceived, well written, timely and significant. It manages to be both scholarly – informed by the state of art writing in the present – and accessible to a general readership interested in art, women and feminism in Aotearoa.” — Peter Brunt, Victoria University of Wellington—Te Herenga Waka

VOLUME BooksBook of the week
NEW RELEASES (13.9.24)

The books you buy today will bloom in Spring.
Click through for your copies:

Titiro / Look by Gavin Bishop $25

A completely delightful ‘first words’ board book, with details of the appealing bold pictures labelled both in te reo Māori and English.

 

Edith Collier: Early New Zealand Modernist by Jill Trevelyan, Jennifer Taylor, and Greg Donson $70

A century on, her remarkable body of work remains fresh and contemporary. Featuring over 150 artworks, this book examines the continuing impact of Whanganui-born and British-trained Edith Collier and her artistic legacy. Collier was a dynamic Modernist, and the story of her years in Europe and then her return to New Zealand and the near abandonment of her practice are compelling as both art history and an affecting human story.

 

Leslie Adkin: farmer photographer by Athol McCredie $70

Leslie Adkin (1888-1964) was a Levin farmer, photographer, geologist, ethnologist and explorer, a gifted amateur and renaissance man, of sorts, who used photography to document his scholarly interests, farming activities and family life. His much loved and exceptionally beautiful photographs taken between 1900 and the 1930s are one of the highlights of Te Papa's historical photography collection. This book of over 150 images, selected by Athol McCredie, Curator Photography at Te Papa, establishes his reputation more clearly within the development of photography in New Zealand and showcases a remarkable body of work. McCredie's substantial text gives rich insights into the varied elements of Adkin's very busy life, including his love for his wife Maud, captured over the years in a range of intimate and engaging images which feel as fresh as when they were first taken.

 

Resetting the Co-ordinates: An anthology of performance art in Aotearoa New Zealand edited by Chris Braddock, Ioana Gordon-Smith, Layne Waerea, and Victoria Wynne-Jones $70

The first anthology/reader of performance art of Aotearoa New Zealand, Resetting the Coordinates offers a lively, 50-year critical survey of Aotearoa New Zealand's globally unique performance art scene. From the post-object and performance art of the late 1960s to the rich vein of Maori and Pacific performance art from the early 1990s, its 18 chapters by researchers and practitioners is a major reference for art and performance communities of New Zealand, Australia and further afield. It discusses the influential work of Jim Allen, Phil Dadson, Peter Roche and Linda Buis, performance art initiatives in post-earthquake Christchurch and queer performance art, among many other topics.

 

After a Dance: Selected stories by Bridget O’Connor $38

Bridget O'Connor was one of the great short story writers of her generation. She had a voice that was viscerally funny and an eye for both the glaring reality and the absurdity of the everyday. In After a Dance, we meet a selection of O'Connor's most memorable characters often living on the margin of their own lives: from the anonymous thief set on an unusual prize to the hungover best man clinging to what he's lost, to the unrepentant gold-digger who always comes out on top. From unravelling narcissists to melancholy romantics all human life is here — at its best and at its delightful worst.
”These are some of the wildest, arresting, just plain brilliant short stories I've read in a long time.” —Roddy Doyle
”Every O'Connor story is a performance, a live fight with time and decay, disgust and the human body. She wrote intensely from her time and place; to read her now is to be catapulted back to 1990s London. Yet the voice, the themes are more relevant than ever. No wonder she was so preoccupied with temporality: she was before her time.” —Martina Evans, The Irish Times

 

Stories of Your Life and Others by Ted Chiang $25

Chiang deftly blends human emotion and scientific rationalism in eight remarkably varied stories. From a soaring Babylonian tower that connects a flat Earth to the firmament above, to a world where angelic visitations are a wondrous and terrifying part of everyday life; from a neural modification that eliminates the appeal of physical beauty, to an alien language that challenges our very perception of time and reality, Chiang's unique imagination invites us to question our understanding of the universe and our place in it.
“United by a humane intelligence that speaks very directly to the reader, and makes us experience each story with immediacy and Chiang's calm passion.” —China Miéville
”A science fiction genius. Ted Chiang is a superstar.” —The Guardian

 

We’ll Prescribe You a Cat by Syou Ishida (translated from Japanese by E. Madison Shimoda) $36

On the top floor of an old building at the end of a cobbled alley in Kyoto lies the Kokoro Clinic for the Soul. Only a select few — those who feel genuine emotional pain — can find it. The mysterious centre offers a unique treatment for its troubled patients: it prescribes cats as medication. Get ready to fall in love:-—Bee, an eight-year-old female, mixed breed helps a disheartened businessman as he finds unexpected joy in physical labour; —Margot, muscly like a lightweight boxer, helps a middle-aged callcentre worker stay relevant; —Koyuki, an exquisite white cat brings closure to a mother troubled by the memory of the rescue kitten she was forced to abandon; —Tank and Tangerine bring peace to a hardened fashion designer, as she learns to be kinder to herself; —Mimita, the Scottish Fold kitten helps a broken-hearted Geisha to stop blaming herself for the cat she once lost. As the clinic's patients seek inner peace, their feline friends lead them towards healing, self-discovery and newfound hope. [Hardback]

 

Dogs and Monsters by Mark Haddon $38

Haddon weaves ancient myths and fables into fresh and unexpected forms, and forges new legends to sit alongside them. The myth of the Minotaur in his labyrinth is turned into a wrenching parable of maternal love — and of the monstrosities of patriarchy. The lover of a goddess, Tithonus, is gifted eternal life but without eternal youth. Actaeon, changed into a stag after glimpsing the naked Diana and torn to pieces by his hunting dogs, becomes a visceral metaphor about how humans use and misuse animals. From genetic engineering to the eternal complications of family, Haddon showcases how we are subject to the same elemental forces that obsessed the Greeks. Whether describing Laika the Soviet space dog on her fateful orbit, or St Anthony wrestling with loneliness in the desert, his powers of observation are at their height when illuminating the thin line between human and animal.
”A marvel of a collection — suffused with curiosity, humanity and mystery, bold in its scope and virtuoso in its telling. Mark Haddon makes stories matter.” —Kaliane Bradley
”In sentences as precisely cut as paper sculptures, Mark Haddon fits ancient myth to the cruelties and wonders of the present.” —Francis Spufford

 

The Vaster Wilds by Lauren Groff $26

A servant girl escapes from a settlement. She carries nothing with her but her wits, a few possessions, and the spark of god that burns hot within her. What she finds is beyond the limits of her imagination and will bend her belief of everything that her own civilisation has taught her. The Vaster Wilds is a work of raw and prophetic power that tells the story of America in miniature, through one girl at a hinge point in history, to ask how — and if — we can adapt quickly enough to save ourselves. [New paperback edition]
”I could not stop reading. A haunting, thrilling, gripping and rich. An unputdownable adventure, a mystery and a strange beautiful redemption.” —Naomi Alderman
”Groff is a mastermind, a masterpiece creator, an intoxicating magician. I wait with impatience for every book and I am always surprised and delighted. The Vaster Wilds feels like her bravest yet, hallucinatory, divine, beyond belief but also entirely human.” —Daisy Johnson

 

The Year of Sitting Dangerously by Simon Barnes $29

In the autumn of 2020, Simon Barnes should have been leading a safari in Zambia, but Covid restrictions meant his plans had to be put on hold. Instead, he embarked on the only voyage of discovery that was still open to him. He walked to a folding chair at the bottom of his garden, and sat down. His itinerary: to sit in that very same spot every day for a year and to see — and hear — what happened all around him. It would be a stationary garden safari; his year of sitting dangerously had begun. For the next twelve months, he would watch as the world around him changed day by day. Gradually, he began to see his surroundings in a new way; by restricting himself, he opened up new horizons, growing even closer to a world he thought he already knew so well. The Year of Sitting Dangerously inspires the reader to pay closer attention to the marvels that surround us all, and is packed with handy tips to help bring nature even closer to us. [Now in paperback]

 

Tell Me Everything by Elizabeth Strout $38

It's autumn in Maine, and the town lawyer Bob Burgess has become enmeshed in an unfolding murder investigation, defending a lonely, isolated man accused of killing his mother. He has also fallen into a deep and abiding friendship with the acclaimed writer, Lucy Barton, who lives down the road in a house by the sea with her ex-husband, William. Together, Lucy and Bob go on walks and talk about their lives, their fears and regrets, and what might have been. Lucy, meanwhile, is finally introduced to the iconic Olive Kitteridge, now living in a retirement community on the edge of town. Together, they spend afternoons in Olive's apartment, telling each other stories. Stories about people they have known — "unrecorded lives," Olive calls them — reanimating them, and, in the process, imbuing their lives with meaning.
”The shrewd-eyed observer of love, loss and the ties that bind - life, basically - is back. Strout weaves a gossamer light web of a community's hopes and setbacks.” —Observer

 

Nexus: A brief history of information networks from the Stone Age to A.I. by Noah Yuval Harari $45

For the last 100,000 years, we Sapiens have accumulated enormous power. But despite all our discoveries, inventions and conquests, we now find ourselves in an existential crisis. The world is on the verge of ecological collapse. Misinformation abounds. And we are rushing headlong into the age of AI - a new information network that threatens to annihilate us. If we are so wise, why are we so self-destructive? Nexus considers how the flow of information has shaped us, and our world. Taking us from the Stone Age through the Bible, early modern witch-hunts, Stalinism, Nazism and the resurgence of populism today, Yuval Noah Harari asks us to consider the complex relationship between information and truth, bureaucracy and mythology, wisdom and power. He explores how different societies and political systems have wielded information to achieve their goals, for good and ill. And he addresses the urgent choices we face as non-human intelligence threatens our very existence. Information is not the raw material of truth; neither is it a mere weapon. Nexus explores the hopeful middle ground between these extremes, and of rediscovering our shared humanity.

 

The Name She Gave Me by Betty Culley $25

A thoughtful and moving YA novel in verse. Rynn was born with a hole in her heart — literally. Although it was fixed long ago, she still feels an emptiness there when she wonders about her birth family. As her relationship with her adoptive mother fractures, Rynn finally decides she needs to know more about the rest of her family. Her search starts with a name, the only thing she has from her birth mother, and she quickly learns that she has a younger sister living in foster care in a nearby town. But if Rynn reconnects with her biological sister, it may drive her adoptive family apart for good.

Cuddy by Benjamin Myers $25

An experimental retelling of the story of the hermit St. Cuthbert, unofficial patron saint of the North of England. Incorporating poetry, prose, play, diary and real historical accounts to create a novel like no other, Cuddy straddles historical eras - from the first Christian-slaying Viking invaders of the holy island of Lindisfarne in the 8th century to a contemporary England defined by class and austerity. Along the way we meet brewers and masons, archers and academics, monks and labourers, their visionary voices and stories echoing through their ancestors and down the ages. And all the while at the centre sits Durham Cathedral and the lives of those who live and work around this place of pilgrimage their dreams, desires, connections and communities. [New paperback edition.]
Winner of the Goldsmiths Prize, 2023.
”A polyphonic hymn to a very specific landscape and its people. At the same time, it deepens his standing as an arresting chronicler of a broader, more mysterious seam of ancient folklore that unites the history of these isles as it's rarely taught.” —Observer
”It's been a while since I've reacted as emotionally to a novel. An epic the north has long deserved: ambitious, dreamy, earthy, dark, welcoming and not. There are readers like me who will not just enjoy this book but feel deeply grateful for its existence.” —Financial Times

 
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VOLUME have been providing exciting reading experiences through our subscription scheme since 2017, and we have subscribers who renew year on year, such is their enjoyment of our individually tailored selections. The arrival of a subscription book, chosen especially for the recipient, is a highlight in any reader's calendar.

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"In all of the book recommendations they have offered me, I have yet to be disappointed. Their taste is either impeccable or they have spent enough time getting to know my personality in such a way that they can predict my next favourite. Likely, it is a combination of the two.
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VOLUME Books
Book of the Week: SCAFFOLDING by Lauren Elkin

Scaffolding is the story of two couples who live in the same apartment in north-east Paris almost fifty years apart. In 2019, Anna, a psychoanalyst, is processing a recent miscarriage. Her husband, David, takes a job in London, so she spends days obsessing over renovating the kitchen while befriending a younger woman called Clementine who has moved into the building and is part of a radical feminist collective called les colleuses. Meanwhile, in 1972, Florence and Henry are redoing their kitchen. Florence is finishing her degree in psychology while hoping to get pregnant. But Henry isn't sure he's ready for fatherhood. Both sets of couples face the challenges of marriage, fidelity, and pregnancy, against a backdrop of political disappointment and intellectual controversy. The characters and their ghosts bump into and weave around each other, not knowing that they once all inhabited the same space. A novel in the key of Eric Rohmer, Scaffolding is about the bonds we create with people, and the difficulty of ever fully severing them; about the ways that people we've known live on in us; and about the way that the homes we make hold communal memories of the people who've lived in them and the stories that have been told there.
”Scaffolding is a quietly incendiary disquisition on desire and containment, on the bonds that make and unmake us. It seized me wholly — a powerful testament to the idea that what we want might obliterate us, and fearlessly reckons with the equally high stakes of pretending otherwise.” —Daisy Lafarge
”Scaffolding is absolutely a novel of ideas. The prose is as well crafted as Elkin's nonfiction leads us to expect, and the characters are very finely developed. Not every good essayist should write a novel, but we should be glad Lauren Elkin did.” —Guardian

VOLUME BooksBook of the week
No. 91/92 — NOTES ON A PARISIAN COMMUTE by Lauren Elkin — reviewed by Thomas

Well, he thought, I am not travelling on a bus in Paris, and, who knows, I may never travel on a bus in Paris, but, in the company of Lauren Elkin, even though I have not met Lauren Elkin, and, who knows, I will probably never meet Laren Elkin, I have no particular wish or need to meet Lauren Elkin, at least not in the conventional sense, and, almost certainly, Lauren Elkin will never meet me in any sense whatsoever, and she will be missing nothing thereby, nonetheless, in a sense, in her company I have been riding in my thoughts, or, rather, her thoughts, it is hard to tell which, as she has been travelling on the No.91 and No.92 buses in Paris over a few months in 2014/2015, when she was commuting to and from some teaching position she then held, evidently teaching literature, possibly writing, who knows, and wrote the notes which have become this book on her cellphone, as an attempt to use her phone to connect herself to the moments and in the locations in which she was holding it, rather than as a way of absenting herself from those locations and those moments, which is usually the way with cellphones, so she observes, they are a technology of absence, after all. Unlike in the bus, where who will sit and who will stand is constantly negotiated on the basis of a generally unspoken hierarchy of need, and the passengers are crammed together in each other’s odours and in each other’s breaths in a way that now seems horrific, there is plenty of fresh air in Elkin’s thoughts, there is room both for her fellow passengers, for all the details Elkin notices about them or speculates about them, for all her observations, so to call them, about what she notices and about what she notices about herself in the act of noticing, and for writers such as Georges Perec and Virginia Woolf, who, in their ways, are along for the ride, using Elkin and her cellphone to speak to us through Paris, though whether this makes Paris a medium or a subject is hard to say, using Elkin’s bus pass, too, and, I suppose, he thought, all these thoughts are waiting there, both outside and already aboard Elkin’s mind, constantly negotiating which will be next to take a seat in Elkin’s text on the basis of a generally unspoken hierarchy of need, if it is need. Elkin attempts in the practice of these notes a written appreciation of the ordinary, even the infraordinary, aspects of her journeys as a discipline of noticing, guided by Perec, a turning outward that clears her thoughts or clears her of her thoughts, he cannot decide if there is a difference, he thinks not, leaving the shape of the observer clearly outlined in their surroundings by their careful lack of intrusion upon them (in the way that Perec is always writing about something that he does not mention), but this exercise in finding worth in the ordinary, the sensate, the unsensational, against, he speculates, the general inclinations of our cellphones, is, in the two semesters in which Elkin made these notes, sometimes intruded upon by occurrences antagonistic to such appreciation, occurrences both within Elkin’s body: an ectopic pregnancy and the resulting operations; and in the collective body of the city: terror attacks that change the texture of communal life. “In an instant, the everyday can become an Event,” writes Elkin. Are Events inherently antagonistic to the worth of ordinary life, he wonders, or could rethinking the ordinary help us to resist the impact of such Events? Most Events are instants, he thinks, but some, such as pandemics or climate change or neoliberal capitalism, go on and on, exhausting our conceptual resistance as they strive to become the new ordinary, to normalise themselves. Conceptual resistance is useless, he almost shouts, conceptual resistance is worse than useless, we must adapt to survive, reality deniers display the worst sorts of mental weakness, pay attention, your nostalgia is an existential threat! He checks his mouth for froth, but there is none. But, he wonders, can we use an attention to and appreciation of the infraordinary to reconstruct the ordinary and thereby survive the extraordinary? Actually, the infraordinary is all we’ve got, he thinks, so we had better get to work and make of it what we can.  

VOLUME BooksReview by Thomas
NINE GIRLS by Stacy Gregg — reviewed by Stella

The Margaret Mahy Book of the Year is the most coveted award for children’s books in Aotearoa. Every year, from many excellent entries, one book is chosen that flies above the rest. This year the winner was a household name and a popular author with younger readers, often winning children’s choice awards, a bestselling author here and overseas, and a popular guest author at festivals and schools. Her love for horses propelled her to write 33 pony stories — some of which were pony club dramas (one became a hit TV series in the UK), while others were more nuanced tales of girls, horses, history and overcoming an issue. As a bookseller, I’ve read a few and they are immaculate in pitch and skill. Yet Nine Girls takes us somewhere new with Stacy Gregg. The author has skin in the game. It’s her childhood, and her journey in te ao Māori which resonates on every page giving this adventure story that extra bite. But it is the protaganist, Titch, who will stay with you. It’s the late 1970s and Dad has been made redundant. It’s time to pack up and move from Remuera to Ngāruawāhia — a culture shock for TItch and her sister, but also the stuff of holidays and relatives with tall tales. One tall tale takes hold: Gold! Buried gold buried somewhere on their ancestral  land. Gold with a tapu on it. Titch and her cousins think it might be time to find it. Their plans aren’t great and they are worried about being cursed, especially as more secrets come to light. What is it about the past and her family? As the past is unpicked, this is the Waikato, Titch comes to understand the complexities of relationships in this small town, piecing together information with the help of an unexpected creature (Gregg weaves in a talking eel) — a creature that is not exactly trustworthy, but definitely a source of fascination. The relationship between Titch and Paneiraira (Pan) reminded me of other fictional child/animal bond scenarios and it gives Nine Girls a wonderful and unexpected narrator to relay history and family secrets. While Pan may be a source of information, it is Tania who will become a firm friend and open a door into a new world for Titch, teaching her more about herself than she could ever have imagined. This is a coming-of-age story about family, culture and friendship; it takes on big issues like racism (the personal and the political — the protests of the Tour surface) and the emotional challenges of facing illness and death. In all these things, Titch discovers herself, and her own culture, coming home as has Stacy Gregg. And as ever, great story-telling. 

VOLUME BooksReview by Stella
NEW RELEASES (6.9.24)

New books for a new month and a new season.
Click through for your copies:

Creation Lake by Rachel Kushner $38

Sharp, brainy, and hugely enjoyable — Rachel Kusner’s new novel exceeds even our anticipatory dreams. A thirty-four-year-old American undercover agent of ruthless tactics, bold opinions and clean beauty is sent by her mysterious but powerful employers to a remote corner of France. Her mission to infiltrate a commune of radical eco-activists influenced by the beliefs of a mysterious elder, Bruno Lacombe, who has rejected civilisation tout court. Sadie casts her cynical eye over this region of ancient farms and sleepy villages, and at first finds Bruno's idealism laughable — he lives in a Neanderthal cave and believes the path to enlightenment is a return to primitivism. But just as Sadie is certain she's the seductress and puppet master of those she surveils, Bruno Lacombe is seducing her with his ingenious counter-histories, his artful laments, his own tragic story. Beneath this parodic spy novel about a woman caught in the crossfire between the past and the future lies a profound treatise on human history. Long-listed for the 2024 Booker Prize.
”Creation Lake reinvents the spy novel in one cool, erudite gesture. Only Rachel Kushner could weave environmental activism, paranoia, and nihilism into a gripping philosophical thriller. Enthralling and sleekly devious, this book is also a lyrical reflection on both the origin and the fate of our species. A novel this brilliant and profound shouldn't be this much fun.” —Hernan Diaz
”I honestly don't know how Rachel Kushner is able to know so much and convey all of this in such a completely entertaining and mesmerising way.” —George Saunders

 

COMFORT by Yotam Ottolenghi and Helen Goh

Ottolenghi's first brand-new major cookbook since the era-defining SIMPLE and FLAVOUR. With over 100 irresistible recipes alongside stories of childhood and home, this is comfort food, Ottolenghi-style. Ottolenghi brings his inspiring, flavour-forward approach to comfort cooking, delivering new classics that taste of home. A bowl of pasta becomes Caramelised Onion Orecchiette with Hazelnuts & Crispy Sage, a warming soup is Cheesy Bread Soup with Savoy Cabbage & Cavolo Nero, and a plate of mash is transformed into Garlicky Aligot Potato with Leeks & Thyme. Weaving memories of childhood and travel with over 100 recipes, COMFORT is a celebration of food and home — of the connections we make as we cook, and pass on from generation to generation.

 

Mina’s Matchbox by Yōko Ogawa (translated from Japanese by Stephen Snyder) $38

After the death of her father, twelve-year-old Tomoko is sent to live for a year with her uncle in the coastal town of Ashiya. It is a year which will change her life. The 1970s are bringing changes to Japan and her uncle's magnificent colonial mansion opens up a new and unfamiliar world for Tomoko; its sprawling gardens are even home to a pygmy hippo the family keeps as a pet. Tomoko finds her relatives equally exotic and beguiling and her growing friendship with her cousin Mina draws her into an intoxicating world full of secret crushes and elaborate storytelling. As the two girls share confidences their eyes are opened to the complications of the adult world. Tomoko's understanding of her uncle's mysterious absences, her grandmother's wartime experiences and her aunt's unhappiness will all come into clearer focus as she and Mina build an enduring bond.
”Yoko Ogawa is a quiet wizard, casting her words like a spell, conjuring a world of curiosity and enchantment, secrets and loss. I read Mina's Matchbox like a besotted child, enraptured, never wanting it to end.” —Ruth Ozeki

 

Lost on Me by Veronica Raimo (translated from Italian by Leah Janeczko) $28

Vero has grown up in Rome with her eccentric family: an omnipresent mother who is devoted to her own anxiety, a father ruled by hygienic and architectural obsessions, and a precocious genius brother at the centre of their attention. As she becomes an adult, Vero's need to strike out on her own leads her into bizarre and comical situations: she tries (and fails) to run away to Paris at the age of fifteen; she moves into an unwitting older boyfriend's house after they have been together for less than a week; and she sets up a fraudulent (and wildly successful) street clothing stall to raise funds to go to Mexico. Most of all, she falls in love — repeatedly, dramatically, and often with the most unlikely and inappropriate of candidates. As she continues to plot escapades and her mother's relentless tracking methods and guilt-tripping mastery thwart her at every turn, it is no wonder that Vero becomes a writer — and a liar — inventing stories in a bid for her own sanity. Narrated in a voice as wryly ironic as it is warm and affectionate, Lost on Me seductively explores the slippery relationship between deceitfulness and creativity (beginning with Vero's first artistic achievement: a painting she steals from a school classmate and successfully claims as her own). New paperback edition.
”I fell head over heels in love with Lost on Me. What a thrillingly original voice! Raimo writes with a tender brutality that is simultaneously hilarious and heartbreaking.” —Monica Ali
”A uproariously funny portrait of an unconventional family from a writer who knows the sliver of ice in the heart as well as she knows love. This deliciously enjoyable novel is a true original and one to savour.” —Katherine Heiny

 

The Empty Grandstand by Lloyd Jones $30

Lloyd Jones was seven years old the first time he climbed high into a grandstand to watch rugby with his father. The experience was baptismal. From his new elevated perspective Jones believed he could see everything that mattered — a field of play that rolled out, green with promise, from suburban New Zealand to the wider world. The grandstand is a guiding metaphor for these questing narrative poems that reach back into childhood and forward into the life of a writer constantly experimenting with form and voice. Jones writes of the wild secrets of boyhood — riding dogs, falling from trees, destroying the class ukuleles, learning to sail in small boats. He is alert to the airless small-town grievances that must inevitably be escaped. As an aspiring young writer Jones travelled widely, testing his identity against difference — places, people, politics and importantly, language. The more recent poems are a re-assembling of coordinates and a return to the local view. The grandstand has long been decommissioned — it's a housing estate now, but the poems are full of air and greenery, dream spaces where language is forever in play.

 

Dinner: 120 vegan and vegetarian dishes for the most important meal of the day by Meera Sodha

“The ability to put a good dinner on the table has become my superpower and I want it to be yours too.,” says Meera Sodha, who has previously brought us the loved cookbooks East and Fresh India. Dinner is a fresh and joyful celebration of the power of a good meal all created to answer the question: What's for dinner? in an exciting and delicious way. Discover 120 vibrant, easy-to-make vegetarian and vegan main dishes bursting with flavour, including baked butter paneer, kimchi and tomato spaghetti, and aubergines roasted in satay sauce. There are also mouthwatering desserts, such as coconut and cardamom dream cake and bubble tea ice cream, and exciting side dishes, such as salt and vinegar potato salad and asparagus and cashew thoran. From quick-cook recipes to one-pan wonders and delectable dishes you can just bung in the oven and leave to look after themselves, Dinner is an essential companion for the most important meal of the day.

 

Translation State by Ann Leckie $28

Qven was created to be a Presger Translator. The pride of their clade, they always had a clear path before them: Learn human ways and, eventually, make a match and serve as an intermediary between the dangerous alien Presger and the human worlds. But Qven rebels against that future, a choice that brings them into the orbit of two others: Enae, a reluctant diplomat attempting to hunt down a fugitive who has been missing for over two hundred years; and Reet, an adopted mechanic who is increasingly desperate to learn about his biological past — or anything that might explain why he operates so differently from those around him. As the conclave of the various species approaches and the long-standing treaty between the humans and the Presger is on the line, the decision of all three will have ripple effects across the stars. 
"A rich exploration of self-identification and personhood serve as a fantastic introduction to Leckie's world." —Polygon
"In this book that's part space opera, part coming-of-age tale, part body horror delight, Ann Leckie explores themes of power, gender identity, family, destiny and AI through charming characters, dramatic diplomacy and nail-biting action." —NPR Books
"Leckie's humane probe into power, identity, and communication is muscular and thought-provoking. This is an author at the height of her powers." —Publishers Weekly
"Puts the question of an individual's right to self-identification — both in terms of gender and species — at the heart of the narrative. Daring, thoughtful novels like Translation State perform vital cultural work to open up new spaces so that we can all remove our disguises and shine like the princexes we were always meant to be." —Los Angeles Review of Books

 

One Man in His Time by N.M. Borodin $55

From humble origins, the eminent Russian scientist Nicholas Borodin forged a career in microbiology in the era of Stalin. Pragmatic and dedicated to his work, he accepted the Soviet regime, even working on several occasions with the Secret Police. But in 1948, while on a state-sponsored trip to the UK to report on the bulk manufacture of antibiotics, he could no longer ignore his rising consciousness of the suppression of independent thought in his country. It was then that he committed high treason by writing to the Soviet ambassador to renounce his citizenship. One Man in his Time is the story of a man trying to live an ordinary life in extraordinary times. Rich in incident and astonishing details, it charts Borodin's childhood during the revolution and famine through to his scientific career amidst the suspicion and violence of the purges. Unsparing and frank in its depiction of the author's collaboration with Soviet authorities, it offers unparalleled insight into the daily reality of life under totalitarian rule. First published in 1955, and recently ‘rediscovered’. [Hardback]
”An astonishing testimony that has never seemed more timely or more pertinent.” —Nicholas Shakespeare

 

THAT GREEN OLIVE by Olivia Moore

Everyone has a food story — the recipes and ingredients they've grown up with and grown used to. In That Green Olive, recipe creator and Aotearoa foodie Olivia Moore shares her story, and shares how to find joy in the kitchen by mixing things up a little. Drawing inspiration from kiwi classics, restaurants and Olivia's lakeside hometown — with recipes for venison sausages and candied trout — That Green Olive gives you the choice to be a little bit fancy, whether it's beer and gruyere scones or a tasty nduja moussaka.
These are cosy snacks, dinners and desserts designed to inspire and devour, whether you are cooking for yourself, your family or friends.

 

Emperor of Rome: Ruling in the Ancient world by Mary Beard $30

What was it really like to rule and be ruled in the Ancient Roman world? In her international best-seller SPQR, Mary Beard told the thousand-year story of ancient Rome. Now, she shines her spotlight on the emperors who ruled the Roman empire, from Julius Caesar (assassinated 44 BCE) to Alexander Severus (assassinated 235 CE). Emperor of Rome is not your usual chronological account of Roman rulers, one after another: the mad Caligula, the monster Nero, the philosopher Marcus Aurelius. Beard asks bigger questions: What power did emperors actually have? Was the Roman palace really so bloodstained? Emperor of Rome goes directly to the heart of Roman (and our own) fantasies about what it was to be Roman, offering an account of Roman history as it has never been presented before. Now in paperback.
”Britain's most famous classicist at the peak of her powers. Even more interesting than the insight into the imperial elite is the light the book sheds on the modern world.” —Sathnam Sanghera
”A beautifully written product of a lifetime of deep scholarly learning.” —Martin Wolf
”Lavishly illustrated, erudite and entertaining. Beard is so appealing and approachable that even the recalcitrant reader who previously gave not a single thought to the Roman Empire will warm to her subject.” —Jennifer Szalai

 

All That We Own Know by Shilo Kino $38

Meet Māreikura Pohe: she's in love with her best friend Eru, who is leaving to go on a church mission, and she's an accidental activist — becoming an online sensation after her speech goes viral. But does she really want the spotlight? Navigating self-diagnosed ADHD, a new romantic relationship, forging friendships and reclaiming her language all at once is no easy feat. And as her platform grows, Māreikura is unwittingly placed on a pedestal as a voice for change against the historical wrongs of colonisation. The question remains: at what personal cost? Set against the vibrant backdrop of Tāmaki Makaurau, All That We Know is a modern take on family and friendship and how, even in a divided and often polarising world, the resilience of friendship, love, and connection can defy the most challenges of our times.
”Magnificent. A well-observed mirror of our current time.” —Pip Adam
”Shilo Kino is an extraordinary writer — a growing, potent voice in Aotearoa/NZ literature. All That We Own Know is a clever, knowing insight into language trauma and reclamation and how we each navigate our experiences of colonisation and healing through te ao Maori me te ao Pakeha.” —Miriama Kamo

 

The Echoes by Evie Wylde $38

Max didn't believe in an afterlife. Until he died. Now, as a reluctant ghost trying to work out why he remains, he watches his girlfriend Hannah lost in grief in the flat they shared and begins to realise how much of her life was invisible to him. In the weeks and months before Max's death, Hannah is haunted by the secrets she left Australia to escape. A relationship with Max seems to offer the potential of a different story, but the past refuses to stay hidden. It finds expression in the untold stories of the people she grew up with, the details of their lives she never knew and the events that broke her family apart and led her to Max. Both a celebration and autopsy of a relationship, spanning multiple generations and set between rural Australia and London, The Echoes is a novel about love and grief, stories and who has the right to tell them.

 

Wilding: How to bring Nature back, An illustrated guide by Isabella Tree, illustrated by Angela Harding $50

The latest iteration of Isabella Tree’s remarkable record of how she rewilded an English estate is a beautiful large-format book featuring stunning lino-cuts by Angela Harding. It is intended of children, but will be loved by anyone. Knepp is now home to some of the rarest and most beautiful creatures in the UK, including nightingales, kingfishers, turtle doves and peregrine falcons, hazel dormice and harvest mice, scarce chaser dragonflies and purple emperor butterflies. The sheer abundance of life is staggering too. When you walk out into the scrubland on an early spring morning the sound of birdsong is so loud it feels like it's vibrating in your lungs. This is the story of Knepp, and a guide telling you how to bring wildlife back where you live. Includes timelines, an in-depth look at rewilding, spotlight features about native animals including species that have returned and thrive — butterflies, bats, owls and beetles. There are accessible in-garden activities to 're-wild' your own spaces and the book encourages you to slow down and observe the natural world around you, understand the connections between species and habitats, and the huge potential for life right on your doorstep.

 
VOLUME BooksNew releases
WHISK — The beginning of a season: new cookbooks at VOLUME this week

There are new cookbooks this week from some of your favourite cookbook people — the ones who are the best reassuring company in the kitchen and who lead you to new dishes and new flavours.

 

COMFORT by Yotam Ottolenghi and Helen Goh

Ottolenghi's first brand-new major cookbook since the era-defining SIMPLE and FLAVOUR. With over 100 irresistible recipes alongside stories of childhood and home, this is comfort food, Ottolenghi-style.
Ottolenghi brings his inspiring, flavour-forward approach to comfort cooking, delivering new classics that taste of home. A bowl of pasta becomes Caramelised Onion Orecchiette with Hazelnuts & Crispy Sage, a warming soup is Cheesy Bread Soup with Savoy Cabbage & Cavolo Nero, and a plate of mash is transformed into Garlicky Aligot Potato with Leeks & Thyme.
Weaving memories of childhood and travel with over 100 recipes, COMFORT is a celebration of food and home - of the connections we make as we cook, and pass on from generation to generation.

 

DINNER: 120 vegan and vegetarian dishes for the most important meal of the day by Meera Sodha

“The ability to put a good dinner on the table has become my superpower and I want it to be yours too.,” says Meera Sodha, who has previously brought us the loved cookbooks East and Fresh India.
Dinner is a fresh and joyful celebration of the power of a good meal all created to answer the question: What's for dinner? in an exciting and delicious way. Discover 120 vibrant, easy-to-make vegetarian and vegan main dishes bursting with flavour, including baked butter paneer, kimchi and tomato spaghetti, and aubergines roasted in satay sauce. There are also mouthwatering desserts, such as coconut and cardamom dream cake and bubble tea ice cream, and exciting side dishes, such as salt and vinegar potato salad and asparagus and cashew thoran.
From quick-cook recipes to one-pan wonders and delectable dishes you can just bung in the oven and leave to look after themselves, Dinner is an essential companion for the most important meal of the day.

 

THAT GREEN OLIVE by Olivia Moore

Everyone has a food story — the recipes and ingredients they've grown up with and grown used to.
In That Green Olive, recipe creator and Aotearoa foodie Olivia Moore shares her story, and shares how to find joy in the kitchen by mixing things up a little.
Drawing inspiration from kiwi classics, restaurants and Olivia's lakeside hometown — with recipes for venison sausages and candied trout — That Green Olive gives you the choice to be a little bit fancy, whether it's beer and gruyere scones or a tasty nduja moussaka.
These are cosy snacks, dinners and desserts designed to inspire and devour, whether you are cooking for yourself, your family or friends.

 
VOLUME BooksWHISK