NEW RELEASES (6.7.25)

Revitalise your reading pile! Click through to our website to secure your copies. We can dispatch your books by overnight courier or have them ready to collect from our door.

The Naked Eye by Yoko Tawada (translated from German by Susan Bernofsky) $37
A young Vietnamese woman is invited to travel from Ho Chi Minh City to speak at an International Youth Conference in East Berlin. On her arrival, as she is preparing to present her paper in Russian on 'Vietnam as a Victim of American Imperialism', she is abruptly kidnapped and taken to a small town on the western side of the Berlin Wall. There she falls under a strange spell of domestic and sexual boredom with her abductor, until one night she manages to escape on a train to Moscow... but mistakenly arrives in Paris.
Alone, penniless, and in a completely foreign land, Anh (her false name) wanders the fringes of society, meeting a sex worker, another Vietnamese immigrant, a theatre troupe and other shadowy characters. But at the centre of her new life is Catherine Deneuve, the iconic film star whose films she loses herself in and who becomes the object of her obsessions. [Hardback]
''Tawada's prose is light on its feet, informal while still feeling deliberate, providing delicate and straightforward descriptions of events that are often complicated and bizarre.'' —New York Times
''Tawada disrupts our perception and reveals the terror and beauty of our world as we get lost in it, and regain our footing through reading her novels.'' —Kit Fan
''Every Yoko Tawada novel pulls the ground out from under us, but gives new senses in return.'' —Madeleine Thien
''Reading Tawada is an immensely fun and occasionally bewildering experience. A blisteringly imaginative writer.'' —Guardian

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Samuel Beckett’s ‘Trilogy’:
Molloy (with an introduction by Colm Tóibín) $25
Molloy, a sordid, bedridden vagrant, recalls a long bicycle ride in search of his mother. He describes sucking on stones, falling in love, getting arrested, killing a dog. Moran, a private detective, sets out to look for Molloy. But as Moran's physical and mental state deteriorate, his narrative starts to mirror Molloy's in mysterious ways. [Paperback]
Malone Dies (with an introduction by Claire-Louise Bennett) $25
Malone, a decrepit old man, lies naked in his bed, scrawling bitter observations in an exercise book. He is fed on a bed-table, his chamber pot is emptied, he hooks items with his stick, he looks out of the window. He tells the story of a man, looked after by nurses, taken for an ill-fated picnic on an island in the sea. As his mind disintegrates, so does the novel. [Paperback]
The Unnamable (with an introduction by Eimear McBride) $25
The Unnamable is a voice. Is it curled up inside an urn, on the point of being born, or is it about to die? Haunted by visitors, it weeps. The Unnamable sifts disjointed memories, grapples with the problem of existence and ultimately perpetuates itself through an endless stream of fragmented words. [Paperback]
>>Read Thomas’s review.
These three novels comprise one the great ‘pivots’ of the modern novel and contain within their rigours many new paths both for reading and for writing. Indispensable. Inexhaustible.

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Elaine by Will Self $38
Standing by the mailbox in Ithaca, New York, Elaine thinks of her child and husband, an Ivy League academic, inside her house and wonders ...Is this it? As she begins to push back against the strictures of her life in 1950s America, she undertakes a disastrous affair that ends her marriage and upends her life. Based on the intimate diaries Will Self's mother kept for over forty years, Elaine is a writer's attempt to reach the almost unimaginable realm of a parent's interior life prior to his own existence. Perhaps the first work of auto-oedipal fiction. [Paperback]
”An extraordinary portrait of the female soul under the conditions of 20th-century misogyny, Elaine is not just a serious work of art, but an unexpected act of filial generosity.” —Sandra Newman, Guardian
”In magnifying her voice so we too can hear her screams across the decades, Elaine is a son's spectacular attempt to give his mother the agency and freedom she was denied.” —Lucy Scholes, Telegraph
>>Just too heavy.
>>Spun into a novel.

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The Library of Ancient Wisdom: Mesopotamia and the making of history by Selena Wisnom $80
When a team of Victorian archaeologists dug into a grassy hill in Iraq, they chanced upon one of the oldest and greatest stores of knowledge ever seen: the library of the Assyrian king Ashurbanipal, seventh century BCE ruler of a huge swathe of the ancient Middle East known as Mesopotamia. After his death, vengeful rivals burned Ashurbanipal's library to the ground — yet the texts, carved on clay tablets, were baked and preserved by the heat. Buried for millennia, the tablets were written in cuneiform: the first written language in the world. More than half of human history is written in cuneiform, but only a few hundred people on earth can read it. In this captivating new book, Assyriologist Selena Wisnom takes us on an immersive tour of this extraordinary library, bringing ancient Mesopotamia and its people to life. Through it, we encounter a world of astonishing richness, complexity and sophistication. Mesopotamia, she shows, was home to advanced mathematics, astronomy and banking, law and literature. This was a culture absorbed and developed by the ancient Greeks, and whose myths were precursors to Bible stories. The Library of Ancient Wisdom unearths a civilisation at once strange and strangely familiar: a land of capricious gods, exorcisms and professional lamenters, whose citizens wrote of jealous rivalries, profound friendships and petty grievances. Through these pages we come face to face with humanity's first civilisation: their startling achievements, their daily life, and their struggle to understand our place in the universe. [Hardback]
”Selena Wisnom's book is a great work of revelatory history, but I was also unexpectedly moved by its measured optimism about the future — for the preservation of the heritage of Mesopotamia, for the ways history rhymes across millennia, and for the library as the heart of any culture worth remembering.” —Emma Smith, author of Portable Magic: A History of Books and their Readers
Fascinating and rich in detail, this book provides an excellent survey of Mesopotamian literary classics, including the Epic of Gilgamesh, and the ways in which they influenced later cultures and texts, such as the Iliad and the Odyssey. She also offers snippets of daily life, including an account of Ashurbanipal's father, Esarhaddon, getting into a panic because a mongoose had run under his chariot (was it a fatal omen?) and the actual agenda of a meeting.” —Bijan Omrani, Literary Review
”In this remarkable book, Wisnom takes her readers on a spell-binding tour through one of antiquity's great monuments to knowledge: the Library at Nineveh. As she surveys the clay tablets that were buried in a blaze millennia ago, a lost world of learning and literature comes back to life.” —Sophus Helle, author of Gilgamesh: A New Translation of the Ancient Epic

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The Shetland Way: Community and climate crisis on my father’s islands by Marianne Brown $48
This is one woman's story of how her quest to make peace with her father's death brought her straight to the heart of a challenging debate about how we save the planet. When Marianne Brown arrived in Voe, Shetland, to attend the funeral of her father, she had packed enough clothes to last a short trip. But this was February 2020, just weeks before the UK's first lockdown, and she would be unable to leave for another six months. Shetland is a place bound together by community, history and culture. But when a huge windfarm is greenlit to export energy to mainland Scotland, it creates rifts between neighbours, friends and even families. One side supports the benefit to a planet spiralling into climate disaster; the other challenges the impact on an environment with an already struggling wildlife population. As an environmental journalist, Marianne is drawn to investigate this story of sustainable energy that is irrevocably tied to her grief. But nothing is ever straightforward, and she soon finds herself on a transformative journey into the heart of a debate that mirrors global concerns about how we save the planet. [Hardback]
”A fascinating insight into a unique place that holds past and future in uneasy tension, written with clarity and rooted in deep affection - not only for the islands but for the broader land and elements on which we all depend.” —Observer
”As she weaves her clear love of Shetland lore and history with the clear-sightedness and functional gaze of a climate expert.” —The Times

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The Forest of Noise by Mosab Aby Toha $28
Barely 30 years old, Mosab Abu Toha was already a well-known poet when the current assault on Gaza began. After the Israeli army bombed his house, pulverising a library he had painstakingly built for community use, he and his family fled for their safety. Not for the first time in their lives. Somehow, amid the chaos, Abu Toha kept writing poems. These are those poems. Uncannily clear, direct and beautifully tuned, they form one of the most astonishing works of art wrested from wartime. Here are directives for what to do in an air raid and lyrics about the poet's wife, singing to his children to distract them. Huddled in the dark, Abu Toha remembers his grandfather's oranges and his daughter's joy in eating them. Here are poems to introduce readers to his extended family, some of them no longer with us. Moving between glimpses of life in relative peacetime and absurdist poems about surviving in a barely liveable occupation, Forest of Noise invites a wide audience into an experience that defies the imagination - even as it is watched live. This is an extraordinary and arrestingly whimsical book, that brings us indelible art in a time of terrible suffering. [Hardback]
”A glimpse into life in a besieged Gaza and what it's like to survive and find care, even hope, under the most dire of conditions.” —New York Times
”If literature has any power to change the world or resist injustice, I think it must lie in the astounding poems of Mosab Abu Toha.” —Noreen Masud

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Human/Nature: On living in a wild world by Jane Rawson $36
Everything we think about nature is deeply cultural. And much of what we imagine is based on outdated, irrelevant, or out-of-place beliefs. How are these ideas affecting the way we live in the world, and do we have any hope of changing them? If you've ever asked yourself whether humans are ruining nature, whether there's a better way for us to belong, or whether it's possible to love both the environment and your cat, you're not alone. This lyrical, contemplative book is for anyone who has ever wondered where they fit in the natural world. [Paperback]
”In this funny, provocative and profoundly moving book, Jane Rawson brilliantly unravels the myths about the boundaries of the human and the non-human, the natural and the unnatural, and love and death that shape our thinking about not just the environment, but our history and the future that is already overtaking us. Read it: it's utterly marvellous.” —James Bradley
”Idiosyncratic and wily, big-hearted and brave, Human/Nature is an exhilarating deep dive into what is deemed ‘nature’, what is worth saving, and who gets to decide. Part confessional, part philosophical inquiry, part lament, this book takes us on a rollicking ride.” —Jessie Cole
>>A book of questions.

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The Living Stones: Cornwall by Ithell Colquhoun $28
British Surrealist artist Ithell Colquhoun arrived in Cornwall in the late 1940s, searching for a studio and a refuge from bombed-out London. So began a profound lifelong relationship with Britain's westernmost county, a land surrounded by sea and steeped in myth, where the ancient Celtic past reaches into the present. Sacred and beautiful, wild and weird, Colquhoun's Cornwall is a living landscape, where every tree, standing stone and holy well is a palimpsest of folklore — and a place where everyday reality speaks to ‘the world beyond’. [Paperback]
”Colquhoun's unique artistic vision shines through like at no time in recent history.” —Art UK 
”Colquhoun's time-travelling survey of Cornwall's culture and history brings ghosts and dead landscapes to life all around you.” —Stewart Lee Painter
>>Between worlds.

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Old Gods, New Enigmas: Marx’s lost theory by Mike Davis $30
Mike Davis spent years working blue collar jobs and sitting behind the wheel of an eighteen wheeler before his profile as one of the world's leading urbanists emerged with the publication of his sober, if dystopian survey of Los Angeles. Since then, he's developed a reputation not only for his caustic analysis of ecological catastrophe and colonial history, but as a stylist. Old Gods, New Enigmas is Davis's book-length engagement with Karl Marx, marking the 200th anniversary of Marx's birth and exploring Davis's thinking on history, labour, capitalism, and revolution — themes ever present the early work from this leading radical thinker. In a time of ubiquitous disgust with political and economic elites, Davis explores the question of revolutionary agency — what social forces and conditions do we need to transform the current order? — and the situation of the world's working classes from the US to Europe to China. Even the most preliminary tasks are daunting. A new theory of revolution needs to return to the big issues in classical socialist thought, such as clarifying ‘proletarian agency’, before turning to the urgent questions of our time: global warming, the social and economic gutting of the rustbelt, and the city's demographic eclipse of the countryside. What does revolution look like after the end of history? [Paperback]

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Record of a Night Too Brief by Hiromi Kawakami (translated from Japanese by Lucy North) $25
The nightingale sang again. The plates on the table gleamed, and the food, in all its ceaseless variety, breathed, glossy and bright. The night had only just begun.” In these three haunting and lyrical stories, three young women experience unsettling loss and romance. In a dreamlike adventure, one woman travels through an apparently unending night with a porcelain girlfriend, mist-monsters and villainous monkeys; a sister mourns her invisible brother whom only she can still see, while the rest of her family welcome his would-be wife into their home; and an accident with a snake leads a shop girl to discover the snake-families everyone else seems to be concealing. [Paperback]
”Slippery and unfamiliar places where logic is internal and surreal give the reader the strange sense of being led through a collection of dreams.” —Asymptote
>>Other books by Hiromi Kawakami.

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Hineraukatauri me Te Aro Pūoro by Elizabeth Gray and Rehua Wilson $22
This story in te reo Māori charts the journey of Hineraukatauri: a cocoon/chrysalis who has entered a new realm, the human world, without their voice. It’s dark and wet, Ranginui and Papatūānuku have not yet separated or are in the process of having their offspring create space between the two. In visiting each of the offspring, they gift Hineraukaturi a different component or aspect of music, ultimately her voice, represented in the shape of the Pūtōrino. Renowned musician and composer, Hirini Melbourne happens across the shape, and his breath, in playing it, gives life to all the gifts as he makes beautiful music through this instrument. [Paperback]
Listed for the 2025 New Zealand Book Awards for Children and Young Adults.
>>Look inside.

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Salvage by Jennifer Mills $38
Two estranged sisters reconnect in the aftermath of ecological and social collapse, in this work of suspenseful, deeply human literary speculative fiction. They drift in their sleep, waiting for something. The end of the world, or another escape. But the world is still here. There's no escaping it. Jude's life has been about survival. She works on rebuilding — fixes roofs, trucks supplies, transports refugees. Tries to stay free from attachments and obligations. But Jude won't talk about her past. Or her sister Celeste, lost in the tragic failure of a space station that was supposed to save her, and the other ultra-rich, from the wreckage of a dying world. When an escape pod falls from the sky, its passenger near death, Jude knows her anonymous existence can't continue. As the fragile peace of her community is put at risk, Jude must re-examine the terms of her survival — and her exile. Salvage is a gripping novel of literary speculative fiction that asks: what does it mean to care for each other, after the end of the world? [Paperback]
>>A better way of living.

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Granta 170: Winners edited by Thomas Meaney $37
It's not whether you win or lose, it's how you play the game. Any schoolchild can smell the rat in the adage. Everybody knows a game is not worth watching unless the players are trying to win — unless someone is willing to risk the high tackle, smash the serve, steal the base, or throw the knock-out punch. The winter issue of Granta explores how ideas about winning and competition suffuse modern society. We return to the magazine's tradition of sports writing. Articles include Nico Walker on the rise and fall of American football — from Jim Thorpe to Deion Sanders; Clare Bucknell on the history of tennis; and Declan Ryan's report from a boxing match between British heavyweights Anthony Joshua and Daniel Dubois. Fiction includes very short stories from Caryl Churchill and Kathryn Scanlan; two stories set in hospitals by Benjamin Nugent and K Patrick; Mircea Cartarescu on an archipelago infested with angels, and Edward Salem on nights out in the West Bank. Photography from the Israeli bombing of Beirut by Magnum photographer Myriam Boulos, from the Isle of Wight by Tereza Cervenov, and of the U.S. military's global adventures by veteran photographer An-My L. [Paperback]
>>Look inside.

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ON THE CALCULATION OF VOLUME 1 by Solvej Balle — Review by Stella

Meet Tara Selter. Antiquarian book dealer. Married to Thomas, who is also her business partner. Lives in a small town not far from Lille. Life is good. On a buying trip to Paris, the day of the 18th of November has gone pretty much to plan, with the only mishap a burn on her hand from a top of a heater. She rings Thomas in the evening, heads to bed — ice cubes against her hand — and wakes in the morning …..of the 18th of November. We meet Tara on #121 of the 18th of November. She is describing listening to Thomas in the house as he goes about his daily routine (extremely routine for her, as she has been listening to this same sequence of events for over 100 days!). Tara has decamped to the guest room — hiding from Thomas, tired of explaining to him again why she is home, unwilling to disturb his peace of mind even though he believes her — when she explains each day that time is repeating. Hiding in her own house, coming out to wash, to grab some food and get clean clothes, or even sit in the house when Thomas is out — she knows exactly when he leaves the house and the time he will return  — she turns over the reasons why, the what of time, the sense that if she can only find a chink or a door (not that she believes in portals), she could find a way out of this strange situation. The day for everyone else never changes, for it has not been yet. For Tara she is caught in limbo, in some liminal space. She observes everything, intensely looking at objects, people, the night sky — looking for any changes and  trying to decipher whether there is an exact time of repetition. When she was still telling Thomas they would sit together with paper, books and diagrams nutting out theories and debating philosophical explanations. (All of which would, of course, be forgotten by Thomas the next same day.) There is a wonder and a dread in her puzzling. She writes to record, to write herself into existence. “Because I am trying to remember. Because the paper remembers. And there may be healing in sentences.” As time goes by for Tara, there are inconsistencies — her hair grows, what she eats does not return to the cupboard or to the supermarket, some things stay with her, others return to their day. Why some objects stay close is a mystery. It’s fascinating to observe Tara in all her many reactions to her predicament. There is shock, then paralysis, philosophical delvings, experiments (some aimed at tricking time), rationalising, despair — the days are fog, abandonment and carefree enjoyment of being outside of time’s restraints, but mostly a desire to harness this strange beast. She contemplates herself as a monster, then maybe a ghost. She sees Thomas as a ghost, finally unreachable. Despite the times when they are intensely together, she senses the chasm that has opened between them. As the year turns, she returns to Paris to seek a resolution. We stand at the edge, waiting for Volume 2. Balle’s writing is brilliant; hypnotic. The pacing in the book changes to fit Tara’s mood, the revelations build through each sentence, through the episodic pieces, which often repeat and loop enhancing this sense of time being elusive. And like Tara, you are thinking what is this existence? Who am I in my everyday life? If I started to observe, like this woman, what would I see, sense? Is time real or a fabrication? Are we really all going along together in sync or are we each in our own world or one of the many possibilities? As you read On the Calculation of Volume 1 questions bubble away, ideas surface and you will find yourself trying to look around edges attempting to fathom the question of individual existence and the relationships we have to each other and in the wider world.
(We will discussing this interesting novel at our August book group).
Choose your edition.

New Directions edition
Faber edition
THE BOOK OF DISQUIET by Fernando Pessoa (translated from Portuguese by Margaret Jull Costa) — reviewed by Thomas

"How often it pains me not to be some other banal individual, whose life, because it is not mine, fills me with longing. I envy in everyone the fact that they are not me," wrote Fernando Pessoa as Vicente Guedes in what is now considered the ‘first phase’ of The Book of Disquiet, a vast assortment of passages found unedited on variously sized pieces of paper in a trunk after Pessoa’s death in 1935 and variously selected, assembled and translated and made into books by various persons presuming the intentions of Pessoa (though what his intentions were for this material is far from clear). This new and first ‘complete’ edition assembles the fragments in chronological order for the first time (so far as this can be determined), allowing us to take a cast of Pessoa’s thinking in the two ‘phases’ of the book (or, rather, ‘book’). The first phase contains material written by Pessoa as Vicente Guedes from 1913 to 1920, and the second phase contains material written as Bernardo Soares in the early 1930s, possibly intended to subsume the material previously written as Guedes (the Soares material being more descriptive, lighter in tone than the first section, almost glibber, Pessoa-as-Soares writing almost as someone who has read Pessoa-as-Guedes and seeking to make Guedes’s ideas his own). Pessoa contributed to Portuguese literature under 81 identified heteronyms, pseudonyms and personae (see the list here), each with a distinct style and intellectual life. The first ‘phase’ of The book of Disquiet as it now stands is a sustained if dissipated assault on identity, especially as thought of by a person when thinking of themselves. “Your real life, your human life, does not belong to you but to others. In all your real-life actions, you do not live, you are being lived,” writes Guedes. The constraints of identity are imposed from without, are socially determined, are a trap for the spirit. True liberation, for Pessoa (if any opinion can be attributed to Pessoa himself, beyond that of the heteronyms), is only achieved by withdrawal of the actual self from the world (if such a self can be said to exist) so completely as to allow the construction of personae to do the living for them, leaving their author in immaculate isolation and absolute indifference. “I myself don’t know if the ‘I’ I am setting before you really exists. I live aesthetically in another being. I have sculpted my life like a statue made of a material alien to myself. Sometimes I don’t even recognise me, so alien to myself have I become,” writes Guedes. One rather sketchy passage describes the requisite method of progressive isolation, disengagement and intensification of the imaginative faculties (through a stage in which imagining a battle produces “actual bruises”), becomes logically fraught, peters out with the note “Certain difficulties,” and then gathers luminously into the object of the thread of thought, the creation of new selves: “We will be able to create at second hand. We will imagine ourselves a poet writing, and he will write in one style, while another [imagined] poet might write in another, and so on, all of them original,” each creating or accessing a private reality otherwise unachievable. “In the presence of ourselves we are never alone, we are witness to ourselves, and it is therefore important to act always as we would before a stranger. We can never be at ease.” Pessoa writes as another person about the inauthenticity of their identity, of the clinamen of personality, of the heteronyms' creation of further heteronyms that presumably could not have been created by Pessoa himself (and so forth). The outsourcing of the business of living to fictional persons does not come without its “dangers to the spirit”: lassitude, loneliness, boredom, emptiness. A protective ‘mist’ drifts through the book (in ‘real life’, Pessoa supplemented this mist with alcohol). “If the mist dissipates, all hard surfaces bruise the part of me that knows them to be hard. It is as if someone were using my life to beat me with.” But in the absence of authenticity, every fiction is valid, every speculation true, every reality virtual. “I lie recumbent in my life, and I do not even know how to dream the gesture of getting up.” 

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Book of the Week: CRY WHEN THE BABY CRIES by Becky Barnicoat

Whether you are a parent or used to be a parent or might one day be a parent or have no wish to ever be a parent or for any other reason might be curious about the often glossed-over realities of parenthood, Becky Barnicoat’s superb graphic novel is the perfect book for you (or to give to an appropriate person). The necessary antidote to parenting books, this darkly humorous, candid and insightful graphic memoir brings the early years of parenthood to life — in all their chaos, wonder and delirium. Intimate, relatable and very funny, Becky Barnicoat explores everything from the anatomy of the hospital bag to the frantic obsession with putting your baby down drowsy but awake, to the tyranny of gentle parenting. From pregnancy to the feral toddler years, Barnicoat extends a sticky hand to all new parents grappling with the impossible but joyous jigsaw puzzle of their lives.

“This book is a perfect testament to the wild ride of early parenting. It's tender, moving, beautifully drawn and also, extremely hilarious. Parents everywhere: you will feel very very seen.” —Isabel Greenberg

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NEW RELEASES (1.7.25)

New books for a new month! Take your pick, and click through to our website to secure your copies. We can dispatch your books by overnight courier or have them ready to collect from our door.

Heart Lamp by Banu Mushtaq (translated from Kannada by Deepa Bhasthi) $37
In these twelve stories, Mushtaq exquisitely captures the everyday lives of women and girls in Muslim communities in southern India. Published originally in the Kannada language between 1990 and 2023, praised for their dry and gentle humour, these portraits of family and community tensions testify to Mushtaq’s years as a journalist and lawyer, in which she tirelessly championed women’s rights and protested all forms of caste and religious oppression. Written in a style at once witty, vivid, colloquial, moving and excoriating, it’s in her characters — the sparky children, the audacious grandmothers, the buffoonish maulvis and thug brothers, the oft-hapless husbands, and the mothers above all, surviving their feelings at great cost — that Mushtaq emerges as an astonishing writer and observer of human nature, building disconcerting emotional heights out of a rich spoken style. Her opus has garnered both censure from conservative quarters as well as India’s most prestigious literary awards; this is a collection sure to be read for years to come. [New paperback edition]
Winner of the 2025 International Booker Prize

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The Book of Records by Madeleine Thien $38
In ‘The Sea’, a sprawling, mysterious building-complex that endlessly receives migrants from everywhere and seems to exist somewhere outside of normal space and time, adolescent Lina cares for her ailing father. Having landed at The Sea with only what could be carried by hand, Lina grows up with nothing but a trio of books to read--three volumes in a series about the lives of famous ‘voyagers’ of the past. Soon, however, she discovers three eccentric neighbours in the building who have stories of their own to share. These neighbours are Bento (who bears an uncanny resemblance to Baruch Spinoza), a Jewish scholar in seventeenth-century Amsterdam who was excommunicated for his radical thought; Blucher (whose life mirrors Hannah Arendt), a philosopher whose academic promise in 1930s Germany became a quest to survive Nazi persecution; and Jupiter (or shades of Du Fu), a poet of Tang Dynasty China whose brilliance went unrecognised by the state, and whose dependence on fickle patrons barely sustained him while lesser artists thrived. As she grows up in the building, Lina spends many hours listening to the fascinating tales of these friends. But it is only when she is finally told her father's account of how the two of them came to reside in The Sea that she truly understands the unbearable cost of betrayal in her own life. And the combined force of these stories soon sets her on her own path into the unknown future. The Book of Records holds a mirror to the idea of fate in history, interrogates questions of legacy, explores how the political factors of a collective moment may determine an individual's future, and beautifully shows the importance and power of art and intellectual endeavour. [Paperback]
"Deeply humane. In an aching, dreamlike narrative that overlaps distant centuries and geographies to chart cycles of authoritarianism and loss, Thien uncovers glimmers of community among disparate individuals. With her imagined worlds, incandescent prose and malleable sense of time and history, Thien strikes worthy comparisons to Italo Calvino, Walter Benjamin, Gaston Bachelard and Ali Smith's seasonal quartet. This staggering novel blurs the line between fact and fiction to underscore the importance of storytelling itself, as a practice of endurance, and resistance. Try to read without weeping profusely." —New York Times Book Review

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Memories of a Catholic Girlhood by Mary McCarthy $37
Mary McCarthy, one of the leading American intellectuals of the twentieth century, skewers her strict Catholic upbringing in this witty and compelling memoir, one of her major works. Blending memories and family myths, Mary McCarthy takes us back to the 1920s, when she was orphaned into a world of relations as colourful, potent and mysterious as the Catholic religion. There was her Catholic grandmother who combined piousness with pugnacity, and her veiled Jewish grandmother who mourned the disastrous effects of a face-lift; there was wicked Uncle Myers who beat her for the good of her soul, and Aunt Margaret who laced her orange juice with castor oil, and taped her lips at night to prevent unhealthy 'mouth-breathing'. 'Many a time in the course of doing these memoirs,' Mary McCarthy says, 'I have wished that I were writing fiction.' But these were the people, along with the Ladies of the Sacred Heart convent school, who inspired her engaging perception, her devastating sense of the sublime and ridiculous, and her witty, novelist's imagination. Memories of a Catholic Girlhood is a major work by one of the leading American intellectuals of the twentieth century — witty, scathing, piercingly insightful and stylishly written. New edition, with an introduction by Colm Tóibín. [Paperback with French flaps]
”When my friends and I were in our twenties in the 1950s, we read two writers — Colette and Mary McCarthy — as others read the Bible: to learn better who we were and how, given the constraint of our condition, we were to live.” —Vivian Gornick
”Published in 1957, Memories of a Catholic Girlhood is considered by some to be the best of her two dozen books, including eight novels and several volumes of essays, reportage and criticism. Its superiority derives not only from the passionate sense of justice that imbues the depiction of her ghastly Cinderella childhood, but also the singular circumstances of its composition.” —J. Michael Lennon, TLS
Superb. So heartbreaking that in comparison Jane Eyre seems to have got off lightly.” - Anita Brookner

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Hollow Land: Israel’s architecture of occupation by Eyal Weizman $45
In this journey from the deep subterranean spaces of the West Bank and Gaza to their militarised airspace, Eyal Weizman unravels Israel's mechanisms of control and its transformation of the Occupied Territories into a theoretically constructed artifice, in which all natural and built features function as the weapons and ammunition with which the conflict is waged.  Weizman traces the development of these ideas, from the influence of archaeology on urban planning, Ariel Sharon's reconceptualisation of military defence during the 1973 war, through the planning and architecture of the settlements, to contemporary Israeli discourse and practice of urban warfare and airborne targeted assassinations. In exploring Israel's methods to transform the landscape and the built environment themselves into tools of domination and control, Hollow Land lays bare the political system at the heart of this complex and terrifying project of late-modern colonial occupation. [Paperback]

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Capitalism and Nothingness: Critical theory in uncertain times by Peter Fleming $44
Drawing on Marcuse, Adorno, Arendt and a variety of other critical social philosophers, this book introduces us to a familiar character amid the wreckage of the post-pandemic economy: no-dimensional man. A cousin of Marcuse's one-dimensional man, they are a figure so compressed by the unending present of capitalism that they have ceased to be genuinely present in any ethical or political sense. This is Peter Fleming's brilliant analysis of the psychological and institutional mechanisms that drive the demise of capitalist democracies. The scene is set in no-dimensional man's natural habitats — the modern office, the corporate suite, the government bureau and the corporate university. In these treacherous climes Fleming reveals the dark power relations currently shaping the post-industrial system. This deep dive into the post-industrial pit explains the failure of capitalism in terms of its most contagious symptoms, including micro-jobs, multinational spread, shadow banking, financial predation, the working poor, and government by algorithm. Beset by every malaise of modern economic institutions, from cognitive dissonance to bleak performance metrics and almost deliberate vacuity, no-dimensional man is a living mirror image of the new culture of nothingness characterising capitalism today. [Paperback]
”Splicing genres to brilliant effect, Peter Fleming's critically fuelled revolutionary pessimism delivers shards of humour in the midst of a world ruined by feckless managers and gormless agents of industry. Capitalism and Nothingness furnishes diagrams of scenario planning grafted to the shadow of the apocalypse.” —Ned Rossiter, Professor of Communication and Director of Research, Institute for Culture and Society, Western Sydney University

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The Destruction of Palestine Is the Destruction of the Earth by Andreas Malm $25
Israel’s pulverization of Gaza since October 7, 2023 is not only a humanitarian crisis, but an environmental catastrophe. Far from the first event of its kind, the devastation Israel has inflicted on Palestine since October 2023 has merely ushered in a new phase in a long history of colonisation and extraction that reaches back to the nineteenth century. In this book, Andreas Malm argues that a true understanding of the present crisis requires a longue duree analysis of Palestine's subjugation to fossil empire. Returning to the British empire’s first use of steam-power in war, in which it destroyed the Palestinian city of Akka, Malm traces the development of Britain s fossil empire and shows how this enduring commitment to fossil energy continues to drive Western support for the destruction of Palestine today. [Paperback with French flaps]
”Malm's analysis, which concludes with the current genocide in Gaza and Palestinian resistance against colonialism, offers a new approach towards understanding the role imperialism plays in maintaining the Zionist colonial project and one that may be overlooked due to the more immediate focus on the depletion of Palestinian territory and the Palestinian people themselves.” —Ramona Wadi, Middle East Monitor

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The Original Daughter by Jemimah Wei $38
Singapore, 1996. Before Arin, Genevieve Yang was an only child. Living with her parents and grandmother in a single-room flat in Bedok, Genevieve is saddled with an unexpected sibling when Arin appears, the shameful legacy of a grandfather long believed to be dead. Gen and Arin grow up as sisters in Singapore: a place where insistence on achievement demands constant sacrifice in the realms of imagination and play. As the sisters struggle toward individual redemption, their story reveals the fault lines of Singaporean society, our desperate need for acceptance, and our yearning to be loved. [Paperback]
”Fiery, funny, and incisive, The Original Daughter is at its core a ghost story. Once, invisibility was the hallmark of the working class, but Jemimah Wei knows in today's world, where an internet connection allows one to walk through walls, be seen, disappear, and haunt from beyond the analog grave, a soulless transparency is power. A societal privilege ironically afforded to most everyone. This novel adroitly, yet playfully, turns the ways we see cultural appropriation, nepotism, and identity upside down. What a wise and wonderful read.” —Paul Beatty

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Sicily: Recipes from an Italian island by Enza Genovese $65
From the bustling streets of Palermo to the colourful markets of Cefalu, from arancini to cannoli, Sicily is home to some of the world's freshest, most delicious food. In this collection of recipes curated by Sicilian Enza Genovese, travel the entire island of Sicily in food, learning how to easily prepare the tastiest hallmark dishes of this Italian region, alongside some new favourites, at home. Chapters include: Antipasti: arancini, Nonna's eggplant parmigiana, Sicilian focaccia. Pasta: Casarecce alla Norma, spaghetti with ricotta and pistachios, sardine bucatini. Risotto and couscous: artichoke and pea risotto, Trapanese couscous, lobster risotto. Meat: meatballs in white sauce, pork ragu, vegetable polpettone. Fish: stuffed calamari, swordfish with capers and almonds, tuna millefoglie. [Hardback]

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The Bookshop Woman by Nanako Hanada (translated from Japanese by Cat Anderson) $28
Nanako Hanada's life has hit rock bottom. Separated from her husband, she's living between 4-hour capsule hostels and pokey internet cafes in Tokyo. Work is going no better as sales at her eccentric bookstore dwindle. Reading is the only thing keeping her alive. That's until Nanako downloads an app called Perfect Strangers which offers 30 minutes with someone you'll never see again. Introducing herself as a sexy bookseller, she recommends strangers 'the book that will change their life'. In the ensuing year, Nanako meets hundreds of people, some of whom want more than just a book. The Bookshop Woman offers a glimpse into the quirky side of Tokyo in this story about the beauty of free diving into a book and resurfacing on the last page, ready to breathe a different kind of air. [Paperback]

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Abundance: How we build a better future by Ezra Klein and Derek Thompson $40
In Abundance, veteran journalists Ezra Klein and Derek Thompson reveal the structural, economic and political forces that have led to the America, and much of the liberal world, of today: where scarcity and preservation drive the agenda, and we have forgotten how to deliver on big ideas. Decades of slashing immigration, off-shoring manufacture, preventing house-building and stalling ambitious infrastructure projects like high-speed rail means America has a shortage of workers, houses, innovative products and climate-change solutions. It's a story repeated across the Western World. To progress on the greatest challenges of our time, from housing to climate change, healthcare to infrastructure, progressives need a vision of abundance, and the ability and willingness to enact transformative strategies. Here, the authors lay out the barriers to consequential action, and how we can overcome them to actively build a better, more abundant future. [Paperback]

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What Art Does: An unfinished theory by Brian Eno and Bette A. $37
Why do we need art?  What Art Does is an invitation to explore this vital question.  It is a chance to understand how art is made by all of us. How it creates communities, opens our worlds, and can transform us. Curious and playful, richly illustrated, full of ideas and life, it is an inspiring call to imagine a different future. This book can reshape our understanding of how art and our lives are intrinsically linked. These are planet-sized ideas in a pocket-sized package. [Illustrated hardback]
"Growing up in the 1960s and 1970s I wasn't afraid of Art even though my family was poor and undereducated and knew nothing about it. I was excited and wanted to join in, even to be part of contemporary art-making. I lost that confidence along the way. Became scared of Art, felt excluded by it. Reading What Art Does has helped me regain that confidence by reminding me we're all making art all the time. That Art is for us and by us." —Viv Albertine
"Remarkable for its ability to render sophisticated and sometimes slippery ideas in clear, accessible language. The most powerful ideas here present art as conduit to community, as a way to be vulnerable, to surrender. This is a beautiful book." —Peter Murphy, Irish Times

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THE UNNAMABLE by Samuel Beckett — reviewed by Thomas

For that about which all that can be said is that it exists, the imperative is to go on existing. There is a voice, desperate to go on (longing perhaps to cease but unable to cease) but conscious of the insufficiency of any attempt to go on. Terrified of each full stop and the cessation it threatens, the voice assumes one character after another, each with a ‘story’ or set of circumstances, but these characters and circumstances are quickly abraded and abandoned, unravelled as quickly as they are knitted, insufficient not through their imperfection but because Beckett refuses to let them conceal the essential nature of the fictive act. That which must speak in order to exist must dissemble in order to speak. In ‘successful’ fictions this desperate underlying impersonal subjectivity is obscured by the characters and circumstances it clads itself in and the reader is scintillated by the provisional ‘reality’ of the story, but in his wonderful stuttering attempts to force the mechanisms of fiction to run against their springs and ratchets, Beckett interrogates the workings of the novel and lays bare the usually unexamined assumptions and motivations that underlie the relationship between writer and reader.

GET THE (SO-CALLED) ‘TRILOGY’ IN THESE NEW PAPERBACK EDITIONS:

MOLLOY (with an introduction by Colm Tóibín)
MALONE DIES (with an introduction by Claire-Louise Bennett)
THE UNNAMABLE (with an introduction by Eimear McBride)
A GHOST IN THE THROAT by Doireann Ní Ghríofa — reviewed by Stella

“Perhaps the past is always trembling inside the present, whether or not we sense it.” Irish poet Doireann Ní Ghríofa’s debut novel is a triumph of obsession, self-reflection and love. Obsessed with the eighteenth-century poet Eibhlín Dubh Ní Chonaill, a young mother negotiates her desire to unpick the mystery of this woman as she navigates the daily tasks of her life. “I try to distract myself in my routine of sweeping, wiping, dusting, and scrubbing. I cling to all my little rituals. I hoard crusts.” Out of small spare moments, car trips to historic sites (houses, cemeteries and libraries) with her youngest child and late-night searches on her phone the shape of Eibhlín Dubh’s life is constructed or more accurately imagined. Who was she? What happened to her? Why can this woman’s life not be tracked while her father's, husband's and sons’ lives can? At the heart of the story is a poem—a lament—written by Eibhlín Dubh for her husband Art O’Leary slain by the orders of the  English magistrate. “Trouncings and desolations on you, ghastly Morris of the treachery”. The poem becomes a touchstone for the narrator, a place where she can rest, where she can dream—imagine the world of this other woman who is dealing with loss, a woman who is resolute and tough, who will not lie down nor succumb to expectation from either her family nor the authorities. A Ghost in the Throat questions the telling of history—the invisibility of female voices. Scattered throughout the novel is the phrase “This is a female text”, making us aware that stories are told and histories revealed in other ways, through the body and its scars, through cloth and object, through the tasks that make us human, through the words that are sometimes unsaid and in the margins where many do not look. As the narrator discovers the poet, she frees herself along with this woman trapped in time and neglect.  Ní Ghríofa writes with bewitching clarity as she describes the daily grind, with dreamlike essence in the moments of childhood memory—the longing and discovery—with realist angst about entering adulthood and motherhood, and with compelling atmosphere as the narrator unpicks the past. Rich in content and language, A Ghost in the Throat is both a scholarly endeavour and an autofiction—endlessly curious and achingly beautiful.

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Book of the Week: THE VAST EXTENT: ON SEEING AND NOT SEEING FURTHER by Lavinia Greenlaw

How do we make sense of what we see? The Vast Extent is a constellation of ‘exploded essays’ about light and image, seeing and the unseen. Each is a record of how thought builds and ideas emerge, aligning art, myth, strange voyages and scientific scrutiny with a poet's response so that they cast light upon each other. Greenlaw invites us to observe our world and beyond with a new sensitivity. Beautifully written and deeply thoughtful; both personal and universal.

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NEW RELEASES (25.6.25)

Revitalise your reading pile! Click through to our website to secure your copies. We can dispatch your books by overnight courier or have them ready to collect from our door.

Ultramarine by Mariette Navarro (translated from French by Eve Hill-Agnus) $38
A female captain in a male-dominated field, the unnamed narrator of Ultramarine has secured her success through strict adherence to protocol; she now manages a crew of twenty men and helms her own vessel. Uncharacteristically, one day, she allows her crew to cut the engines and swim in the deep open water. Returning from this moment of leisure, the crew of mariners no longer totals twenty men: now, they are twenty-one. Sparse and psychological, Ultramarine grips the reader in a tussle with reality, its rhythmic language mimicking the rocking of the boat. As instruments fail, weather reports contradict the senses, and the ship's navigation mechanisms break down, Navarro lulls her readers into accepting the unacceptable through deft, lyrical prose and pared-down dialogue. [Paperback]
"With Ultramarine, Mariette Navarro gives us an eerily beautiful portal into the submerged depths of our own interior worlds." —Asymptote
"The burden of power, and how it might be exercised, is explored in Mariette Navarro's beguiling fiction." —The Irish Times 
"A taut exploration of how the imaginable confronts the unbelievable. And the novel's beauty rests in figuring out which is which." —Chicago Review of Books 

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Money to Burn by Asta Olivia Nordenhof (translated from Danish by Caroline Wright) $38
Maggie and Kurt are struggling to hold their marriage together after their only daughter has left home. They live in an old farmhouse in Nyborg but somehow keep missing each other, unable to discuss the events that brought them together. Decades ago, a passenger ferry called the Scandinavian Star caught fire, killing 159 people. The event is still considered a national tragedy in Denmark and Norway. Years later, it was revealed not to be an accident, but the result of an insurance scam gone wrong. How is the Scandinavian Star disaster connected to Maggie and Kurt? How does money affect and infect our closest relationships? And is it ever possible to escape? [Hardback]
”Nordenhof's writing crackles with indignation, conviction, ferocious wit, and savvy human insight. Startling, irresistible, and thoroughly enlivening, reading her words is not unlike looking at the entrancing flames of a tremendous fire.” —Claire-Louise Bennett
”A comet in Scandinavian literature. Her sentences are like lightning, they hold great beauty and destruction. Funny, furious and masterful — Money to Burn is a declaration of war against capitalism.” —Olga Ravn

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Boustany: A celebration of vegetables from my Palestine by Sami Tamimi $65
Boustany translates from Arabic as 'My Garden', and the down-to-earth, relaxed and plentiful recipes are reflective of Sami's signature style and approach to food. Bold, inspiring and ever-evolving, Boustany picks up where Falastin left off, with flavour-packed, colourful and simple vegetable- and grain-led dishes; this is how Sami grew up eating — platters of aubergine and chickpeas with a spicy green lemon sauce and fragrant lentil fatteh that always tasted better the next day. These are the dishes he has known, loved, cooked and shared with friends. With over 100 recipes, Tamimi offers recipes for breakfast, sharing plates, big celebrations, simple breads, moreish sweet treats, easy dinners and more. It's an approach that's strongly present in Palestinian cuisine, from building your mooneh, or pantry, by preserving seasonal vegetables and herbs to lining the dinner table with a variety of salads and condiments reflective of a love for fresh and vibrant food. Nicely presented. [Hardback]
”I have known Sami for over 25 years now and have always loved his food and his personal modern take on classics from our region. In this book, he applies that same inspired take on vegetarian and vegan dishes from his tragic homeland, making this collection of recipes and stories even more invaluable given the systematic erasure of both Palestine and Palestinians.” —Anissa Helou
”This is my dream cookbook. It's full of heart, soul and Sami's very delicious food. I have a library of cookbooks, but Sami's are one of the only ones I genuinely cook from.” —Meera Sodha
”I love Sami Tamimi's wonderful Boustany. It is thrilling and also moving to see what a great chef has done with the flavourful home cooking of a people with a rich and diverse culinary tradition and a deep connection with the land.” —Claudia Roden

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Embers of the Hands: Hidden histories of the Viking age by Eleanor Barraclough $55
A comb, preserved in a bog, engraved with the earliest traces of a new writing system. A pagan shrine deep beneath a lava field. A note from an angry wife to a husband too long at the tavern. Doodles on birch-bark, made by an imaginative child. From these tiny embers, Eleanor Barraclough blows back to life the vast, rich and complex world of the Vikings. These are not just the stories of kings, raiders and saga heroes. Here are the lives of ordinary people: the merchants, children, artisans, enslaved people, seers, travellers and storytellers who shaped the medieval Nordic world. Immerse yourself in the day-to-day lives of an extraordinary culture that spanned centuries and spread from its Scandinavian heartlands to the remote fjords of Greenland, the Arctic wastelands, the waterways and steppes of Eurasia, all the way to the Byzantine Empire and Islamic Caliphate. [Hardback]
”Eleanor Barraclough's splendid new book offers an introduction to the ordinary people of a time best known for its kings and warlords, getting up close and personal with the things that mattered to them. In lively prose she ranges from Greenland to Baghdad, showing us bar-rooms and bedrooms, daydreaming children at their lessons, gossiping neighbours, the scars of war, and much more besides. An intimate portrait of the Viking Age that is thoughtful, vivid and warm, while ignoring none of its hardships — highly recommended.” —Neil Price, author of  The Children of Ash and Elm

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The North Pole: The history of an obsession by Erling Kagge $55
Throughout recorded human time, few places on Earth have inspired as much fascination as the North Pole. This is an otherworldly place where the sun rises and stays aloft for six whole months before setting, plunging the expanse of ice and water into darkness for half a year. Foot-stepping alongside Erling Kagge, who ventured to the North Pole in the spring of 1990, we hear the story of the North Pole as never told before. From Herodotus who first wondered what the northernmost point of our planet might be like, to the intrepid early cartographers who mapped the world, and the legendary expeditions led by Fridtjof Nansen and Robert Peary - the first polar explorer global celebrities - who were in the grip of a dangerous obsession to get to the North Pole first. What emerges is a new history of the world, spanning thousands of years, as seen from the 'silver-shining vacantness' of the North Pole. Blending memories from Kagge's own 1990 trip with this epic history, The North Pole is an adventure story, a book about enacting hidden human dreams, about difficult fathers and their difficult sons, and a psychological record of what it means to keep putting one foot in front of the other in the face of adversity. It is for anyone who's gazed out at the horizon - and wondered what happens if you just keep walking.   [Hardback]
”Erling Kagge is a deeply thoughtful writer. The North Pole proves to be the perfect subject for him>” —Michael Palin
”The book of a lifetime, from a rare writer-adventurer whose obsession and passion for his subject know no bounds.” —Elif Shafak

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Remembering Peasants: A personal history of a vanished world by Patrick Joyce $30
A way of life that once encompassed most of humanity is vanishing in one of the greatest transformations of our time: the eclipse of the rural world by the urban. In this new history of peasantry, Patrick Joyce tells the story of this lost world and its people. In contrast to the usual insulting stereotypes, we discover a rich and complex culture: traditions, songs, celebrations and revolts, across Europe from the plains of Poland to the farmsteads and villages of Italy and Ireland, through the nineteenth century to the present day. Into this passionate history, written with exquisite care, Joyce weaves remarkable individual stories, including those of his own Irish family, and looks at how peasant life has been remembered — and misremembered — in contemporary culture. This is a people whose voice is vastly underrepresented in human history. Yet for Joyce, we are all the children of peasants, who must respect the experience of our ancestors. This is particularly pressing when our knowledge of the land is being lost to climate crisis and the rise of industrial agriculture. Enlightening, timely and vital, this book commemorates an extraordinary culture whose impact on our history and our future remains profoundly relevant. [Paperback]
 “A dozen pages in I realized that I had been waiting for much of my life to read this extraordinary book. Anyone who has ever tried to unravel the intertwined skeins of ancestry, sociology, music, geography and history will gape at Joyce's skill. On almost every page the reader gets a jolt, a palpable sensation of immersion in the disappeared world of peasantry. A central part of the book is Joyce's own family's peasant past. I too, like many people, am only two generations and one language away from these ancestors. Because the time of the peasants is still palpable there are clues and messages here for every fortunate reader who picks up this book.” —Annie Proulx
”Joyce is the modern historian of uncharted lives and the landscapes of post-industry and post-agriculture. Like all the Joyces, he writes with extraordinary precision and grace.” —Colm Toibin

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Audition by Katie Kitamura $38
An exhilarating, destabilising Mobius strip of a novel that asks whether we ever really know the people we love. Two people meet for lunch in a Manhattan restaurant. She's an accomplished actress in rehearsals for an upcoming premiere. He's attractive, troubling, young — young enough to be her son. Who is he to her, and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day — partner, parent, creator, muse — and the truths every performance masks, especially from those who think they know us most intimately. [Hardback]
”You have never read anything like this gorgeously disquieting book. Audition challenges our preconceptions about love, art and selfhood — and, magnificently, our very idea of how a novel should unfold. If all the world's a stage, Kitamura reminds us that we never stop auditioning for our parts.” —Hernan Diaz
”Katie Kitamura is a dizzyingly skilled writer, whose fictions always seem to manage two contradictory effects: a supple seductive surface, under which the chaos of minds and repressed realities roil. She's an original, building an entire metier of her own.” —Rachel Kushner

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Clara and the Man with Books in His Window by Maria Teresa Andruetto and Martina Trach $35
So begins Clara and the Man With Books in His Window. In this beautifully illustrated book, set in rural 1920s Argentina, Hans Christian Andersen Award-winning author Mara Teresa Andruetto shares the true story of how her mother, Clara, the daughter of a poor laundress, meets Juan, a wealthy and bookish recluse who never leaves his house because he is afraid society will not accept who he really is. A powerful tale about friendship and about the world available to us when we open a book, but also when we have the courage to be our true selves. [Hardback]

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Twelve Post-War Tales by Graham Swift $40
In the aftermath of the Second World War Private Joseph Caan, a young Jewish soldier stationed in Germany, seeks the truth about lost family members; in the 1960s a father focuses on his daughter’s wedding even as the Cuban Missile Crisis brings the world to the brink of disaster; in 2001, while planes fly into the Twin Towers, a maid working for US Embassy staff in London wonders if her birth on the day of the Kennedy assassination shaped her life; and at the height of a pandemic lockdown, Dr. Cole, a retired specialist in respiratory disease, returns to work and recalls a formative childhood encounter with illness and much more. These are just a few of the challenged characters we meet in Graham Swift’s Twelve Post-war Tales. Tender, humane, funny and moving, Swift’s latest work of fiction displays his quietly commanding ability to set the personal and the ordinary against the harsh sweep of history. [Hardback]

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Absolution by Jeff Vandermeer $38
When the ‘Southern Reach Trilogy’ was first published a decade ago, it was an instant sensation, celebrated in a front-page New York Times story before publication, hailed by Stephen King and many others. Each volume climbed the bestsellers list; awards were won; the books made the rare transition from paperback original to hardcover; the movie adaptation became a cult classic. All told, the trilogy has sold more than a million copies and has secured its place in the pantheon of twenty-first-century literature. And yet for all this, for Jeff VanderMeer there was never full closure to the story of Area X. There were a few mysteries that had gone unsolved, some key points of view never aired. There were stories left to tell. There remained questions about who had been complicit in creating the conditions for Area X to take hold; the story of the first mission into the Forgotten Coast — before Area X was called Area X — had never been fully told; and what if someone had foreseen the world after Acceptance? How crazy would they seem? Structured in three parts, each recounting a new expedition, there are some long-awaited answers here, to be sure, but also more questions, and profound new surprises. Absolution is a brilliant, beautiful, and ever-terrifying plunge into unique and fertile literary territory. It is the final word on one of the most provocative and popular speculative fiction series of our time. [Paperback]

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Time’s Echo: Memory, music, and the Second World War by Jeremy Eichler $28
A stirring account of how music acts as a witness to history and a medium of cultural memory in the post-Holocaust world. When it comes to how societies commemorate their own distant dreams and catastrophes, we often think of books, archives, or memorials carved from stone. But in Time's Echo, Jeremy Eichler makes a case for the power of music as culture's memory, an art form uniquely capable of carrying forward meaning from the past. Eichler shows how four towering composers — Richard Strauss, Arnold Schoenberg, Benjamin Britten and Dmitri Shostakovich — lived through the era of the Second World War and the Holocaust and later transformed their experiences into deeply moving works of music, scores that carry forward the echoes of lost time. A lyrical narrative full of insight and compassion, this book deepens how we think about the legacies of war, the presence of the past, and the possibilities of art in our lives today. [Now in paperback]
”Profoundly moving.” —Edmund de Waal
”A most rare book: extraordinarily powerful — magisterial, meticulously rich and unexpected, deeply affecting and human.” —Philippe Sands

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40 Maps that Will Change the Way You See the World by Alastair Bonnett $45
Turn the pages of this thought-provoking book and discover maps that challenge conventional wisdom, confront social and political norms and offer fresh perspectives on familiar landscapes. This meticulously curated selection of 40 maps spans the ages, from ancient parchment scrolls to cutting-edge digital creations. Each map is a window into a different facet of our world, shedding light on the complex interplay of geography, geopolitics, art, history, science and society. Maps have always held the power to transport us, not just from one place to another, but from one state of mind to another. Beyond their utilitarian function, maps have an extraordinary ability to tell stories, reveal truths and inspire revolutions. They are not mere drawings of geographic boundaries, but gateways to the collective wisdom of humanity. You'll encounter maps that dissect the intricate tapestry of human migration, maps that unveil the secrets of the cosmos and maps that expose the stark realities of our changing climate. [Hardback]

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The Assault by Harry Mulisch (translated from Dutch by Claire Nicholas White) $28
In the bitter final months of the Second World War, the body of a Dutch Nazi collaborator is found on the doorstep of an ordinary family home. The repercussions are complex and terrible: the family is killed and the house burned to the ground; only the twelve-year-old son, Anton, survives. Following Anton as he reckons with this trauma through his life, The Assault is a powerful excavation of resistance and the collateral damage wrought on innocent people in times of war. [Paperback]
”Harry Mulisch belongs to the first rank of Dutch novelists of his generation.” —J. M. Coetzee

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Who’s Afraid of Gender? by Judith Butler $30
The groundbreaking thinker whose book Gender Trouble redefined how we think about gender and sexuality, confronts the attacks on ‘gender’ that have become central to right-wing movements today. Global networks have formed ‘anti-gender ideology movements’ that are dedicated to circulating a fantasy that gender is a dangerous, perhaps diabolical, threat to families, local cultures, civilization — and even ‘man’ himself. Inflamed by the rhetoric of public figures, this movement has sought to nullify reproductive justice, undermine protections against sexual and gender violence and strip trans and queer people of their rights to pursue a life without fear of violence. The aim of Who's Afraid of Gender? is not to offer a new theory of gender but to examine how ‘gender’ has become a phantasm for emerging authoritarian regimes, fascist formations, and transexclusionary feminists. In their new book, Butler illuminates the ways that this phantasm of ‘gender’ collects and displaces anxieties and fears of destruction. Operating in tandem with deceptive accounts of ‘critical race theory’ and xenophobic panics about migration, the anti-gender movement demonises struggles for equality, fuels aggressive nationalism and leaves millions of people vulnerable to subjugation. [Now in paperback]

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LIKE: AN EXPERIMENT IN INTERPRETATION — A project recalled by Stella

What happens when objects meet words and words meet objects? Back in 2008 I curated a jewellery project called LIKE. LIKE was an experiment in interpretation: a translation from object to description and back to object. I made a small object, sent it to a poet, and the poem about this three-dimensional form became the basis for nine jewellers to create their own interpretation of the original. Could the artists remake this object using only the poetic description? When the original is hidden and analysis of language is required, what will happen? How did their own making habits assist or hinder the process of creating an object where the only guidelines were a handful of words — a description that was sometimes clear, but often oblique. If the writer had been given the task of writing an instruction manual, a step-by-step guide, the resultant objects would have more alike. But this wasn’t the goal. It was a translation project, an exploration of language and communication. An exploration of both the visual and verbal. Words describe. Visual language — colour, form, scale, texture — also ‘talks’. The poet, Bill Manhire, studied the object, tried to get its measure, and described its appearance as well as its demeanour. There were clues in the poem and at times clarity of description. Yet a problem remained. The object was an alien, difficult to assimilate or easily align with something known. It was something almost familiar, but ultimately foreign. In the language of poetry it became a new thing. For the curator, the words were unexpected. The floor was open. The translation began. For what happens when we are asked to decipher what we see or what we experience? Each telling will be different. Are we more attuned today to our surroundings compared to yesterday? If we glance, what do we miss? If we study with heated concentration do we create a story that does not exist? Are our senses reliable and is our language sufficient? For LIKE, the jewellers needed to read and decipher the words of Manhire; they needed to know how to read this poem pulling from it the ‘clues’ that would be the keys to making. It wasn’t intended to trick or obfuscate, but it did prove challenging. Translation was necessary. It was surprising how various the resultant objects were, yet all expressed elements of the original. They were a family of objects related to each other. The process of translation, although flawed and sometimes deliberately sabotaged, was an experiment in interpretation that captured the essence of the original and held within its translated parts some aspects of the makers/interpreters. (The exhibition catalogue includes all 10 objects, responses from the jewellers about the process, an introduction by Augusta Szark and essay by Louise Garrett, and Bill Manhire’s poem.)     

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FIFTY SOUNDS by Polly Barton — reviewed by Thomas

The Japanese language differs from English in having a delineated category of mimetic words which are recognisable as such due to their pattern and use. Polly Barton uses a sequence of fifty of these onomatopoeia, from giro’ to uho-uho, to structure a memoir of her developing relationship with Japanese and with Japan, from going to teach language on a small Japanese Island when she was twenty-one to her eventual career as a Japanese literary translator and now writer. Because language is inextricable from every other aspect of a person’s life in any society, the book, as well as exploring the philosophy of language, so to call it, in a thoughtful, straight-forward and practical way, covers all the other aspects of Barton’s life in this period as well, including her uncertainties, errors, embarrassments, affairs, failings, awkwardnesses, and misfortunes, with unflinching honesty and companionable insight. After all, all stories are stories of language before they are of anything else. Barton found that, as she learned to structure her thoughts in Japanese instead of English, she was undergoing a change of personality as well. “It was as if what had been watching me all the time was my language: I had clung to it as the thing that shaped me, but now I was finding that a looser relationship with the language, perhaps having a looser shape altogether, was strangely healing.” She notes that a survey of bilingual people found that over two thirds attested to feeling like a ‘different person’ when speaking different languages. Language is a social phenomenon more than it is a verbal one, language is “inextricably entwined with behavioural practices and social roles,” and we often forget that the ever-present underlying nonverbal control of exchange is more basic to language than its verbal features. “Language is performative and communal. It is a means of ‘passing’ more than it is a means of expression,” writes Barton “Understanding is not an internal switch flicked that nobody else can see: if you don’t act upon an instruction, if you don’t behave in the required way, you are not understanding. To comprehend within a particular culture means to act upon that culture’s rules for understanding. To mean something by what one says is to be participating in a community-wide game governed by rules.” As she gains proficiency in Japanese, Barton begins to feel a slippage, so to call it, in the idea of herself. “Maybe this original ‘me’ which figured in my thinking was more nebulous, more tied to English than I realised,” she writes. “For the moment, I was saved from total assimilation by the inaccuracy of my mirroring, which was why I was able to feel more or less myself. But if I continued to get better, I reasoned, there might come a time when there was no longer room for the me I recognised.” Language is learned by, and operates through, copying, and has the cultural function of inducing conformity in its members. “Although chameleonship is outwardly derided and disdained, it is implicitly not only accepted but actually demanded.” As Barton shows, language is both a tool and a threat, but more, really, the medium in which we must negotiate the parameters of our individual and collective identities. The immersion in another language can provide insights into both the complexity and the fluidity of those identities. 

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Book of the Week: UNDER THE EYE OF THE BIG BIRD by Hiromi Kawakami (translated from Japanese by Asa Yoneda)

“Hiromi Kawakami’s Under the Eye of the Big Bird tells the story of humanity’s evolution on an epic scale that spans as far into the future as the human imagination could possibly allow. In each of its chapters, separated by eons but gracefully unified under the crystalline clarity of Asa Yoneda’s seemingly timeless translation, a variegated cast of posthuman characters each interrogate what it means to be not an individual or a nation but an entire species, that unit of being we currently and urgently struggle so much to grasp, much to the cost to the planet we live on and our own survival.” —International Booker Prize judges’ citation.
In the distant future, humans are on the verge of extinction and have settled in small groups across the planet under the observation and care of AI ‘Mothers’. Some children are made in factories, from cells of rabbits and dolphins; some live by getting nutrients from water and light, like plants. The survival of the species depends on the interbreeding of these and other alien beings — but it is far from certain that connection, love, reproduction, and evolution will persist among the inhabitants of this faltering new world.

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NEW RELEASES (19.6.25)

Build your reading pile with some new books! Click through to our website to secure your copies. Your books can be sent by overnight courier or ready to collect from our door.

Fair: The life-art of translation by Jen Calleja $42
A satirical, refreshing and brilliantly playful book about learning the art of translation, being a book-worker in the publishing industry, growing up, family, and class. Loosely set in an imagined book fair/art fair/fun fair, in which every stall or ride imitates a real-world scenario or dilemma which must be observed and negotiated, the book moves between personal memories and larger questions about the role of the literary translator in publishing, about fairness and hard work, about the ways we define success, and what it means — and whether it is possible — to make a living as an artist. Fair is also interested in questions of upbringing, background, support, how different people function in the workplace, and the ways in which people are excluded or made invisible in different cultural and creative industries. It connects literary translation to its siblings in other creative arts to show how creative and subjective a practice it is while upholding the ethics and politics at play when we translate someone else’s work. Blurring the lines between memoir, autofiction, satire and polemic, Fair is a singularly inventive and illuminating book. [Paperback]
”With the singular brilliance, generosity and commitment to formal innovation that characterise her expansive body of work, Jen Calleja has gifted us a wholly indispensable fairground tour. Essential reading for anyone interested in translation, translations and the working conditions of those who write them.” —Kate Briggs
Fair is both a unique exploration into the role of the translator and a profound meditation on language, nationality, and class. It’s also very funny. Reading it reminded me that a wealth of creativity lies within us all regardless of upbringing or (lack of) societal expectations. Truly inspiring work.” —Susan Finlay
”It is no mean feat to build a fair as inventive, as informative, as inclusive to everyone along the translation experience spectrum, and yes, I’ll say it, as goddamn FUN as this one, but Jen Calleja has gone and done it. Cue the cockroach confetti, cue the very-not-invisible fireworks, and roll up for the multilingual rollercoaster ride of the year!” —Polly Barton
”Jen Calleja has turned the odd life of a literary translator into a startlingly real work of art, as exquisitely and playfully constructed as a novel by Georges Perec. I feel like I’ve just been to an actual fair!” – Anton Hur
”There is no profession in the cultural sphere that is more underappreciated than that of the literary translator. Calleja, more than anyone I know, is working to change that.” —Gregor Hens

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Joss: A history by Grace Yee $33
In the White Hills Cemetery in Bendigo the remains of more than a thousand 'chinamen' lie interred, many in unmarked graves. Most were from the Canton region in south China. Joss: A History is inspired by the lived experiences of these early settlers, and their compatriots and descendants across Victoria and NSW, and Aotearoa New Zealand. It is a hybrid work of poetry and history. The poems and archival extracts respond to longstanding colonialist prejudices that have exoticised and diminished Chinese communities in white settler nations around the Pacific Rim since the gold rushes of the nineteenth century. Refracted through a twenty-first century lens, Joss pays tribute to the poet's ancestors, illuminating how they survived and thrived amid 'life's implacably white horizons'. It is grounded in the conviction that the past is not past, that historical events reverberate insistently in the present. [Paperback]

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To Rest Our Minds and Bodies by Harriet Armstrong $40
In her final year of a degree in psychology, and struggling to relate to the world around her and find her place within it, a young woman drifts from lectures on gifts, vision, the history of global warming, and study groups discussing babies manipulating objects. Yet nothing seems to bring her closer to the great insight she's been promised - except, perhaps, for her budding interest in a fellow student named Luke, a postgraduate in computer sciences, with whom a series of seemingly mundane encounters provides her with a hint of what she might be looking for — a hidden meaning to all that surrounds her. But a chasm between them that grows and shrinks unexpectedly calls into question whether he might be as incomprehensible as the world around her. She yearns, and continues to endeavour to shape her experiences and environment — a Louise Bourgeois exhibition, the underwhelming men she meets on Tinder, a Mitski song, the dreams she has of Luke's ex-girlfriend — she narrates all as she grapples with questions of embodiment and subjectivity. Set in an unnamed campus in the early 2020s, To Rest Our Minds and Bodies queries the nature of one's experience, mapping the disintegration of a young woman's sense of self and her struggle to keep a grip on reality. From a voice as unique as it is relatable, and in prose that is keenly observant, delightfully wry, and utterly despairing, the anonymous narrator of this unconventional coming-of-age novel is as brave as she is unforgettable. [Paperback with French flaps]
”'The book gradually flowers into something extraordinary: a feminist statement of mental unravelling, which is also a plea for the life of the mind. This is marvellously realised as the novel unfolds into a study of interiority and narrative, both an embrace of and a resistance against nihilism. Armstrong has created a form away from such debasing tropes and genres as ‘sad girl’ lit. Armstrong’s work seems both new and utterly timeless.” —The Observer
To Rest Our Minds and Bodies is the rarest debut: a heart-wrenching literary work that for once tells the real truth about being young, ravenous, desperate, too big for the container of the body. This novel is written in gold — every line is marvellous and perfect.” —Luke B. Goebel
”Armstrong's prose has that meticulous and urgent quality reminiscent of Beckett and Duras, achieving the same uncanny shared consciousness that keeps you hooked from the first sentence. This is — in its absolute specificity of detail, era, and embodiment — a timeless story of love, yearning and despair. It's rare to read a novel so smart and self-aware which is also so powerfully vulnerable and candid. It charts some deep and dark territories we all know but barely acknowledge. It cuts through the platitudes of love and life in a way most writers wouldn't dare. In fact I don't think I've ever felt for a character so deeply as the narrator of To Rest Our Minds and Bodies because I don't think I've ever encountered a character so radically and vividly honest.” —Luke Kennard

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A Guide to Rocks | He Taonga te Toka by Josh Morgan and Sasha Cotter (te reo Māori translation by Kawata Teepa) $20 | $20
Lately, things have been getting Charlie down. It’s like he’s got a big rock that just won’t go away. He talks to Dad about it, and Dad brings out a dusty old book with a lot of tough rules. The first rule is you don’t talk about rocks (feelings). But the rules make things worse — Charlie’s ‘rock’ gets bigger, and everything feels dark and scary. They need some new rules — fast. [Paperback]

A GUIDE TO ROCKS
HE TAONGA TE TOKA
 

Ugliness by Moshtari Hilal (translated from German by Elisabeth Lauffer) $40
How do power and beauty join forces to determine who is considered ugly? What role does that ugliness play in fomenting hatred? Moshtari Hilal, an Afghan-born author and artist who lives in Germany, has written a touching, intimate, and highly political book. Dense body hair, crooked teeth, and big noses: Hilal uses a broad cultural lens to question norms of appearance — ostensibly her own, but in fact everyone's. She writes about beauty salons in Kabul as a backdrop to the U.S. invasion of Afghanistan, Darwin's theory of evolution, Kim Kardashian, and a utopian place in the shadow of her nose. With a profound mix of essay, poetry, her own drawings, and cultural and social history of the body, Hilal explores notions of repulsion and attraction, taking the reader into the most personal of realms to put self-image to the test. Why are we afraid of ugliness? [Paperback]
"A thoughtful, provocative, playful, and truly original exploration of bodily aesthetics and the factors that define them. A wondrous and important book." —Melissa Febos
"Moshtari Hilal's brilliant (and perfectly illustrated) Ugliness has finally appeared in English. Her rumination on what makes us think that we are ugly, that we don't fit in, that all stare at us or indeed avoid looking at us, provides personal and historical insights into our fantasies about ourselves." —Sander Gilman
"Hilal has managed to distort beauty and to beautify ugliness with her probing narrative and astute gaze. This is a profound, political, engrossing work." Aysegul Savas

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Speaking in Tongues by J.M. Coetzee and Mariana Dimópulos $35
Language, historically speaking, has always been slippery. Two dictionaries provide two different maps of the universe- which one is true, or are both false? Speaking in Tongues — taking the form of a dialogue between Nobel-Laureate novelist J. M. Coetzee and eminent translator Mariana Dimópulos — explores questions that have constantly plagued writers and translators, now more than ever. Among them — How can a translator liberate meanings imprisoned in the language of a text? Why is the masculine form dominant in gendered languages while the feminine is treated as a deviation? How should we counter the spread of monolingualism? Should a translator censor racist or misogynistic language? Does mathematics tell the truth about everything? In the tradition of Walter Benjamin's seminal essay 'The Task of the Translator', Speaking in Tongues emerges as an engaging and accessible work of philosophy, shining a light on some of the most important linguistic and philological issues of our time. [Hardback]

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The Invention of Amsterdam: A history of Europe’s greatest city in ten walks by Ben Coates $37
When Ben Coates injures his leg and needs to rebuild his strength by walking, he finds himself presented with an exciting opportunity — to rediscover the city he has been working in for over a decade, at a slower pace. He devised ten walks, each demonstrating a different chapter of Amsterdam's history, from its humble beginnings in the early 1200s as a small fishing community through two Golden Ages, fuelled by the growth of the Dutch colonial empire, two world wars, and countless reinventions.  Join Coates as he meanders past beautiful townhouses and glittering canals, dances at Pride celebrations, witnesses the King's apology at Keti Koti, attends a WW2 memorial, gets high at a coffee shop, walks through the red-light district, and gazes in awe at Rembrandt paintings, all the while illuminating modern Amsterdam by explaining its past. Blending travelogue and quirky history, The Invention of Amsterdam is an entertaining and sharply observed portrait of a fascinating and complicated city. [Paperback]

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Strange Beach by Oluwaseun Olayiwola $30
A poetry collection wrangling the various selves we hold and perform — across oceans and within relationships — told through a queer, Nigerian-American lens. Intimate and erotic, ecological and philosophical, the poems in Strange Beach illuminate the body as a porous landscape across which existential dramas, filial fractures, and sexual reckonings occur. The collection ventures across the same 'Atlantic Ocean' as Claudia Rankine's 'Citizen', which is the same 'Atlantic Ocean' in Lowell's 'Life Studies', to reveal a queer consciousness deeply steeped in poetic traditions of nuanced confession and moving abstraction. Strange Beach is geological in its accumulation of images, emotions and landscapes that stack, revolve and eschew. The resulting work transmutes messages to the mind of the reader with a feeling of cosmic intuitiveness, as emotion and intellect grapple and become forged. “No one can follow you here / not having to become something else,” observes one speaker in this collection that reimagines how we love, grow, travel, and most of all, change. [Paperback with French flaps]
”What do we mean when we read a book and feel that we trust the writer? What I mean when I say that I trust Oluwaseun Olayiwola is that the poems in Strange Beach are as sure in their storytelling as centuries-old myths. These poems explain the world to me, rebuild it in front of my eyes with polysensory images that don't stop moving. And so I stand in the middle of Olayiwola's violent universe — where the sun's arms are broken, where the corpses of sunflowers litter the fields, where 'snow is a skin. Inside it, / violence...' — and watch this incredible journey of survival. This world is like an ocean, erasing Olayiwola's name from the sand with each approach; these poems are Olayiwola's finger, rewriting his name again and again whenever the tide recedes.” —Taylor Byas

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Saxophone (‘Object Lessons’ series) by Mollie Hawkins $23
The saxophone is a contradictory instrument that has rooted itself in the soil of pop culture. It's the ‘devil's horn’, it's the voice of jazz an extension of the player's soul it is a character trait of U.S. Presidents, YouTube sensations, and cartoon characters. It has both enhanced and ruined songs, it is sensuous yet abrasive, and it is the only instrument widely excluded from symphonies and orchestras, never quite being taken seriously. As an object that is symbolic of living on the margins of society, the saxophone has never been kind to its players. Blending research, cultural criticism, and personal narrative about her saxophonist father, who lived on the margins until his unexpected death, Mollie Hawkins explores more than just the history of this expressive instrument. She illuminates the dark paths that our passions can lead us down. Saxophone turns the lens around to ask us all — what does it mean to devote your life to such an object even if it kills you? Can music hold such power over us? [Paperback with French flaps]

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Sunny Days, Taco Nights by Enrique Olvera and Alondo Ruvalcaba $70
Enrique Olvera is known for the sophisticated Mexican cuisine he serves at his globally renowned restaurants, including the iconic Pujol, in Mexico City. However, his true passion is the everyday taco, which he regards as the most democratic of foods. In Sunny Days, Taco Nights, Olvera presents an in-depth exploration of the taco s history and many different styles, ingredients, and accompaniments, and much more. Equal parts culinary history and cookbook, the book features 100 recipes designed for home cooks, arranged into two main chapters: Classics, which features street tacos; and Originals, which explores Olvera s contemporary reinventions of well-known originals. Classic recipes include Fish Tacos from northwest Mexico; Chicharron Tacos from Monterrey; Chorizo Tacos with spinach; and Steak Tacos common at street vendor tricycles in Mexico City. Contemporary reinventions include Brussels Sprouts Tacos with spicy peanut butter; Ceviche Tacos; Pork Belly Tacos with smoked beans; and Eggs & Green Bean Tacos inspired by Olvera s childhood breakfasts. Visually stunning, with vivid food photography and a palette inspired by native corn in Mexico, Sunny Days, Taco Nights is the definitive book on one of the world s most beloved foods. [Flexibound]

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The River Is Waiting by Wally Lamb $40
Corby Ledbetter is struggling. New fatherhood, the loss of his job, and a growing secret addiction have thrown his marriage to his beloved Emily into a tailspin. And that’s before he causes the tragedy that tears the family apart. Sentenced to prison, Corby struggles to survive life on the inside, where he bears witness to frightful acts of brutality but also experiences small acts of kindness. As he counts down the weeks, months, and years of his incarceration, he develops elemental kinships with a tenderhearted cellmate, a troubled teen desperate for a role model, and a prison librarian who sees and nurtures his light. Buoyed by them and by his mother’s enduring faith in him, Corby begins to transcend the boundaries of his confinement, sustained by his hope that mercy and reconciliation might still be possible. Can his crimes ever be forgiven by those he loves? [Paperback]
”Bravo, Wally Lamb. Not that you needed another masterpiece to demonstrate your unerring eye, ear, and signature heart, but may I say The River is Waiting might crown them all." —Elinor Lipman

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The Devils by Joe Abercrombie $38
Europe stares into the abyss. Plague and famine stalk the land, monsters lurk in every shadow and greedy princes care for nothing but their own ambitions. Only one thing is certain: the elves will come again, and they will eat everyone. Sometimes, only the darkest paths lead towards the light. Paths on which the righteous will not dare to tread . . . And so, buried beneath the sacred splendour of the Celestial Palace, is the secret Chapel of the Holy Expediency. For its congregation of convicted monsters there are no sins that have not been committed, no lines that will not be crossed, and no mission that cannot be turned into a disastrous bloodbath. Now the hapless Brother Diaz must somehow bind the worst of the worst to a higher cause: to put a thief on the throne of Troy, and unite the sundered church against the coming apocalypse. When you're headed through hell, you need the devils on your side. [Paperback]
The Devils is Joe Abercrombie at his best: exciting, witty, vicious. History buffs (like me!) will love the fantasy-historical setting overflowing with brilliant little details.” —Django Wexler"
”Joe Abercrombie is, to me, the undisputed master of creating deep, distinct characters that leap off the page, and never more so than in The Devils. This book is hilarious, profound, tragic, and so thrillingly paced one scarcely has time to breathe between one calamitous adventure and the next. I loved every page, and can't wait to see where the story goes from here. Straight to hell, I hopefully suspect!” —Nicholas Eames

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