Mothers' Day w
ill be observed in New Zealand on Sunday 14 May. We have observed that books make excellent gifts. A VOLUME READING SUBSCRIPTION would be a way of ensuring an ongoing supply of books (for however long you would like) to someone who would appreciate them. (Just a hint.) |
The Blazing World by Siri Hustvedt {Reviewed by STELLA}
After reading Margaret the First and becoming interested in Margaret Cavendish and her work, most notably her 1666 novel The Blazing World, I came across references in articles to Siri Hustvedt’s novel, also called The Blazing World. This isn’t a novel about Cavendish or her work, but it is a story about a female artist who felt she was sidelined by the art establishment due to her gender. Margaret Cavendish felt she was ignored and belittled by society, particularly the academic and philosophical circles she so wanted to be admitted to. And Cavendish is mentioned and studied by our fictional artist, Harriet Burden. Burden, an installation artist in 20th century New York, married to a famous dealer, is marginalised and seen by the art world as a hobbyist, lucky to be married to a man of influence. When her dear Felix dies, she packs up her life and moves to a warehouse, ignoring the art world, and continues to make work with a passion, but she is obsessed with having recognition. To this end, she devises her plan. Siri Hustvedt’s novel is set out as a collection of interviews, gathered articles, letters and diary entries gathered by a researcher, I.V. Hess, after the death of the artist. Hess is intrigued by Harriet Burden and is studying her work, attempting to find out what was true and false in her life and art. To gain recognition and overcome the gender bias that she believed was inherent in the art gallery world, Burden hid behind three male fronts. As they gained in reputation, the experiment seemed to prove her point. Unveiling herself as the true artist caused chaos: some believed her, others didn’t, and the situation is not helped by the actions of her colleagues, particularly artist only known as Rune who claims the work as his own. As the researcher digs deeper into the life of Harriet, interviewing family friends, associates and artists, reading diary entries and poring over the artist’s notebooks, the stories become tangled and contradictory. A clever and nuanced novel, this is an intriguing look at the art world and gender politics. It is intellectually stimulating, with references to philosophical ideas about identity and existence, and also a satisfyingly emotional book, dealing with obsession, delusion and mania. |
 | The Palace of Glass by Django Wexler {Reviewed by STELLA} The third in 'The Forbidden Library' series, The Palace of Glass is the best yet! Alice, having discovered Geryon’s role in the disappearance of her father, is determined to get the better of him, and put the wrongs to right. To do this she has to ask for Ending’s help. Ending, a giant talking cat, is the guardian of Geryon’s Library. Alice doesn’t know whether she can trust Ending, but she has little choice - Ending can help her discover new powers and give her the information she needs to overturn Geryon’s power. When Geryon is called away to a meeting with the other old Readers, Alice sees her chance to enter the world which will take her to the Palace of Glass. She enters a strange world of fire and ice, meets a fire sprite, Flicker, who will be her guide to the dangerous Palace of Glass, where she must find a portal book with a potent spell, a spell strong enough to capture Geryon. Alice will have to gather her magical creatures and her powers, and keep her wits about her as she battles her foes and her supposed allies. Who can she trust? And where will this confrontation take her? The 'Forbidden Library' series is a great adventure with a remarkable heroine. There’s much to think about here, with lessons about power and corruption, loyalty and trustworthiness, all wrapped up in a compelling story about a girl who wants to do the right thing by her fellow apprentices and by the amazing magical creatures who have been cajoled and trapped by the might of the Readers. |
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Calamities by Renee Gladman {Reviewed by THOMAS}
I began the day remembering, or what for me passes for remembering, or at least attempting to perform what passes for me for remembering, the book I had just read, a torrent of very short essays written by Renee Gladman, each of which begins with, 'I began the day...'. The essays, or what pass for Gladman as essays, start out being about not very much, small ordinary particulars of Gladman’s life, or small observations such as a poet might make about the ordinary particulars of life, but really they are not so much about these things as they are about the writing about these things, that is to say about the relationship of a writer to her experience and to her work and about her trying to decide what sort of relationship there might be, both actually and ideally, between this experience of hers and this work. The essays that start out being about not very much end up being about even less or rather more, depending on your point of view, depending on whether you think the universals that open from particulars lie within them or beyond them. Gladman is concerned not so much with the signified, or even with the signifier, as she is with the act of signification, the act of conduction which causes, or allows, a spark to sometimes leap across. Gladman’s touch is light, and she constructs some beautiful sentences, and the sparks leap often, and she usually avoids being precious. In the final, numbered, section of the book, Gladman ties the compositional knot as tight as it can be tied, removing content almost entirely from her writing other than the act itself of writing. “I was a body and it was a page, and we both had our proverbial blankness.” What is her relationship to the text she produces, irrespective of the content of that text? “ I didn’t know whether at some point in my past, perhaps at the very moment that I set out to write, the page had fallen out of me or I had risen out of it.” She relates her prolonged rigours in attempting to find the essence, so to call it, of writing, to reduce writing to the irreducible, the making of a mark, the drawing of writing. “Language was beautiful exposed; it was like a live wire set loose, a hot wire, burning, leaving a trace. The wire was a line, but because it was electrified it wouldn’t lie still: it thrashed, it burned, it curled and uncurled around itself. … I was amazed that I was talking about wires when really I was talking about prose.” I’m not sure that the making of a mark isthe irreducible essence of writing, but it is the irreducible essence of something, something which may perhaps be taken for some aspect of writing, at least in the physical sense. But maybe this is what Gladman is trying to isolate and understand, or to split, the duality between content and form, literature’s version of the mind-body problem (or, rather, the mind-body calamity). Although writing is all her art, Gladman wants to reach the limits of this art, of narrative, of words, of the act of writing, “writing so as not to write, so to find the limit (that last line) beyond which the body is free to roam outside once more.” |
 | Walter Benjamin's Archive: Images, texts, signs {Reviewed by THOMAS} Many of Walter Benjamin’s most important works, from ‘The Work of Art in the Age of Mechanical Reproduction’ to The Arcades Project, have had their greatest relevance decades after when they were written, and it is sometimes easy to forget that they were brought into being out of what Benjamin saw then as piles of cultural waste and intellectual decay. Benjamin regarded the world as a shattered and fragmented thing, not even a thing but a mass of shards and fragments that could only be assembled into something coherent, meaningful or (even) beautiful by careful collecting, by a picking-over of detritus, a cataloguing of disjecta which bear the indelible history of destruction or neglect, of the slippery transience of their identity. For Benjamin, this practice and burden of collecting, of cataloguing, was necessary (for him personally and for us all) in all areas of life: personal, practical, cultural and intellectual. Identity could be no more than a bundling of associated elements. When Benjamin committed suicide in frustration at being unable to cross the Pyrenees to escape Nazi-occupied France, he was carrying a suitcase bearing manuscripts now (presumably) lost – a collecting-and-cataloguing burden synonymous with himself. This remarkable book is another portrait of (another/the same) Benjamin. It reproduces, translates and annotates collections made by Benjamin: of his notes, notebooks and microscripts (he shared with Robert Walser, whose work he championed, the obsession with trying to write smaller than it was possible to write, and on all manner of found paper), of children’s toys, of his son’s ways of saying things, of postcards and photographs, of puzzles and word games, of forms which give shape to ideas. It is (only) on this level that life can be lived, with all its difficulties, and it is on this level that the only meaningful work can be done: “Rag-picker and poet – both are concerned with refuse.” |
A SELECTION OF NEW RELEASES
A few of the interesting books that arrived at VOLUME this week.
Tóibín retells, reinvigorates and reinterprets the legendary cluster of Clytemnestra, Orestes and Electra with his hallmark sensitivity and depth of perception.
"A story of revenge, violence, pain and love. So much drama, so many voices screaming for revenge and power cast across a panorama of violence and death. Beautifully written." - Stella
When a Czech engineer arrives in Paris in 1939, he cannot know that three years later he will be in hiding, confined to the damp, dark cellar of a French doctor. Alone with his memories, he writes to his "dearest Hanichka", confessing everything: the hope of a love affair for which he travelled to Paris, the discovery of the German warrant for his arrest, and the murder he was forced to commit. As he contends with his failing eyesight and the loss of his teeth, so too must he grapple with the guilt of leaving his family and the dwindling hope of ever returning home. A claustrophobic classic of Czech literature.
More wonderful ironic positioning incompletely concealing devastating observation, from the author of I Love Dick.
"Crappy feelings about messed-up relationships cut back and forth with painful proddings of historical events, all rendered in a kind of open prose that allows a dirt road to lead to Desert Storm and wind up in an analysis of thirtysomething without wandering astray. The effect is so startling that it resuscitates words long fallen out of fashion: Torpor is honest and true. Though history is the master trope of Torpor, inner turmoil always bubbles up, most often in the form of Sylvie chastising herself. Though they often come off as clichés, Sylvie’s lamentations resist the streamlining of life around her; her insistent self-doubt, -scrutiny, and -torture are antidotes to the culture of empty-headed sure-footedness in which she moves." - The Believer
The world has changed a lot in the last thirty years, but New Zealand's tax system hasn't. Since the 1980s New Zealand's taxation policy has remained the same, despite substantial economic and social changes. The system may be familiar, but is it fair? Answers to this question cut to the heart of whether or not New Zealand can be considered an egalitarian country.
Just before the birth of his first child, Hull began losing his sight. He documented the passage of his world through vagueness and into darkness in a series of cassette tapes, leading up to the point where he had passed beyond loss and into a new way of thinking about his world, a point where he had become psychologically as well as optically blind.
>> Hull's audio records were also made into a very interesting film.
Adam Thorn is having what will turn out to be the most unsettling, difficult day of his life, with relationships fracturing, a harrowing incident at work, and a showdown between this gay teen and his preacher father that changes everything. Ness's most personal novel yet is inspired by his love for Mrs Dalloway by Virginia Woolf.
Told through the eyes of an anonymous narrator nicknamed Lazi, Qiu Miaojin's cult classic novel, ostensibly the coming-of-age story of a group of queer misfits discovering love, friendship, and artistic affinity while hardly studying at Taiwan's most prestigious university, is a postmodern pastiche of diaries, vignettes, mash notes, aphorisms, exegesis, and satire by an incisive prose stylist and countercultural icon.
Aleppo is one of the world's oldest inhabited cities, and has a deep and varied cuisine. This book is the perfect introduction.
Two axes define the space of the Jewish Museum in Berlin: the 'axis of exile' and the 'axis of the Holocaust'. Ripp's mother's family chose the axis of exile, whereas his father's was consumed by the axis of the Holocaust. Ripp uses the stories of both sides of his family, and a journey he made to visit memorials through Europe, to give deft and subtle insight into the fatal spasm of anti-Semitism that emerged in the middle of the twentieth century.
"Quiet but excellent. Garrels' clear, patient, sympathetic portraits of teachers, children, prostitutes, doctors the whole raft of Russian humanity provide a pointillist landscape and an understanding of the country, and its mentalities, that eludes many more overtly political books." - The New Yorker
"A quiet masterwork. Garrels seems to have talked to everyone. She marshals her reporting, character after character, to build the evidence." - Bookforum
The botanical photographs of Karl Blossfeldt (1865-1932) are outstanding in their capture of of the forms of plants. First published as Art Forms in Nature (1928-32), these images have inspired generations of artists and botanists.
With her finger on the pulse of a rapidly changing culture, Blanche Knopf quickly became a driving force behind the firm. A conduit to the literature of Langston Hughes and the Harlem Renaissance, Blanche also legitimized the hard- boiled detective fiction of writers such as Dashiell Hammett, James M. Cain, and Raymond Chandler; signed and nurtured literary authors like Willa Cather, Elizabeth Bowen, and Muriel Spark; acquired momentous works of journalism by John Hersey and William Shirer; and introduced American readers to Albert Camus, Andre Gide, and Simone de Beauvoir. Alfred A. Knopf remains one of the United States of America's most esteemed publishing houses.
A mild-mannered clerk gets driven to a life of crime on account of his facility for intramural travel, a woman finds she can duplicate herself at will, a writer is permitted only 15 days of life per month under wartime rationing. An excellent translation of stories from the French Gogol.
Brasch returned to New Zealand after World War 2 with the intention of establishing a literary journal to be printed by the Caxton Press. This volume covers his first decade of editorship of Landfall, and provides rich commentary on many of the writers, artists and intellectuals he was in contact with, including Frank Sargeson, A.R.D. Fairburn, Keith Sinclair, Eric McCormick, James Bertram, J.C. Beaglehole, Maria Dronke, Fred and Evelyn Page, Alistair Campbell, Bill Oliver, Toss and Edith Woollaston, Denis Glover, Allen Curnow, Leo Bensemann, Lawrence Baigent, Ngaio Marsh, Colin McCahon, James K. Baxter, Janet Frame and Ruth Dallas. Much also is also revealed of his personal life, including his relationships with Rose Archdall, Rodney Kennedy and Harry Scott.
>> Also available: Volume 1, and Brasch's Selected Poems.
Brasch's legacy lives on. Aimee-Jane Anderson-OConnor, Nick Ascroft, Claire Baylis, Miro Bilbrough, Victoria Broome, Iain Britton, Owen Bullock, Christine Burrows, Brent Cantwell, Marisa Cappetta, Joanna Cho, Stephanie Christie, Makyla Curtis, Doc Drumheller, Mark Edgecombe, Lynley Edmeades, Johanna Emeney, Riemke Ensing, Ciaran Fox, Michael Gould, Sarah Grout, Shen Haobo, Paula Harris, Rene Harrison, Stephen Higginson, Jeffrey Paparoa Holman, Amanda Hunt, Anna Jackson, Ted Jenner, Anne Kennedy, Erik Kennedy, Jessica Le Bas, Wes Lee, Michele Leggott, Carolyn McCurdie, Robert McLean, Fardowsa Mohamed, Kavita Ivy Nandan, Emma Neale, Piet Nieuwland, Claire Orchard, Bob Orr, Jenny Powell, Chris Price, Helen Rickerby, Ron Riddell, L E Scott, Iain Sharp, Charlotte Simmonds, Peter Simpson, Tracey Slaughter, Laura Solomon, Barry Southam, Matafanua Tamatoa, Philip Temple, Dunstan Ward, Elizabeth Welsh, Sue Wootton, Mark Young, Karen Zelas. Includes the winner of the inaugural Charles Brasch Young Writers Essay Competition.
Ylane and Ivan meet in the library of a psychiatric hospital and fall in love. In the shelter of the clinic they find happiness, but release into the outside world is frightening and love becomes a struggle. This is a novel as much about the power of reading and writing to transform as it is about the transformation of love. Translated by New Zealander Sian Robyns.
Richard can’t stop thinking about the clock. He lies in bed each night listening to its tick-tocking, to the pendulum’s heavy swing. Why does his granddad open its old doors in secret and walk into the darkness beyond? One night, too inquisitive to sleep, Richard tiptoes from his bed, opens the doors, and steps inside...
"A bewitching graphic novel with alien landscapes and rich hues that speak of dreams and mystery." - Guardian
A new edition of this electric account of living as an artist and activist and dying of AIDS, with am introduction by Olivia Laing.
"David Wojnarowicz has caught the age-old voice of the road, the voice of the traveller, the outcast, the thief, the whore." Pick up this book and listen." - William S. Burroughs
"My book of a lifetime, my book for these dark times, an antidote to stupidity, cruelty and oppression of all kinds." - Olivia Laing
In 1847, Gatland left London high society and travelled first to California during the gold rush, and then to New Zealand, about which she makes some very fresh observations.
An intelligent illustrated biography for young readers, giving insight into Newton's boyhood and the set of conceptions about nature from which he undertook his experiments and formed his theories.
Puti and Mack live out their hopeless lives in a haze of smoke and alcohol addiction, accompanied by a host of others eking out a barren existence on the fringes of society. Who will be redeemed and who will fail to get out alive?
The concept is simple: get people in front of an audience to tell a true story from their own experience. The Moth as a performance evening soon became a popular phenomenon. This is the second book flung from the storytelling centrifuge, the first being, simply, The Moth.
"Enthralling, funny and moving." - The Times
>> There is a wide selection of Moth stories to watch on their video channel.
A dying man sets off on a final road trip across Europe with his middle-aged sons. Will they survive the unspoken presence of corrosive family secrets?
"Unforgettable. Not since What a Carve Up! has there been such an absorbing indictment of the family." - Independent
"Docx has a gift for assessing 'the exact shape and weight of other people's inner selves, the architecture of their spirit' and even his most ancillary characters flare into being, vital and insistent." - The New Yorker
Emerging and established New Zealand voices.
Family History by Johanna Emeny
Dylan Junkie by Jeffrey Paparoa Holman
Wolf by Elizabeth Morton
Shortly before the third edition of Leaves of Grass was published, Whitman pseudononymously published a series of newspaper columns on everything from diet to exercise to grooming to alcohol to dancing to sports. Rediscovered and attributed after 150 years, this work is, today, endlessly amusing.
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These three recent novels all retell legends from ancient Greece, often reclaiming viewpoints of suppressed or vilified female characters.
- BRIGHT BLACK AIR by David Vann (Medea and Jason)
- THE CHILDREN OF JOCASTA by Natalie Haynes (Oedipus and Antigone)
- HOUSE OF NAMES by Colm Toibin (Clytemnestra, Orestes, Electra and Iphigenia)
Books read and books to read.
Click through to read our latest bulletin of reviews, events and new releases.
BOOKS @ VOLUME #21 (29.4.17)
OCKHAM MELEE & KAHLUA LOUNGE. Thursday 11 May, 5PM. Come along and find out more about the finalists in the Ockham New Zealand Book Awards and the Acorn Foundation Fiction Prize (the winners will be announced on May 16th). Come armed with your preferences or with an open mind. Our OCKHAMETER will be open on the night (but, why wait?). Be in to win a copy of each of the winners! >> You might like to do some preparatory reading. [The Kahlua Lounge is our answer to the Baileys Prize's 'Baileys Lounge']. 
Come and pick up a copy of our latest NEW RELEASES bulletin, or click through to our website to scroll though it on-line. Find out about the latest titles at VOLUME, books either anticipated or surprising - just out of the carton. Books can be reserved or purchased via our website (and sent anywhere). {STELLA}
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Colm Toibin’s The House of Names is a retelling of the myth of Clytemnestra, a story of revenge, violence, pain and love. Agamemnon, her husband and king of Argos, is losing the Trojan campaign. When he calls on the gods for help, they insist that he needs to sacrifice his daughter, Iphigenia. By trickery, on the pretext of a marriage, he convinces Clytemnestra to bring their daughter to the coast, where the troops wait at the mercy of the gods for more favourable winds. There, Iphigenia is sacrificed, slaughtered along with heifers and other animals. Her mother is imprisoned below ground in a small cramped hole for several days. Pulled from this prison, ridiculed and grieving, she is sent back to the palace, where, unsurprisingly, she plots the revenge of her daughter’s death, cursing her husband and the gods who she casts aside. She releases the dangerous prisoner, Aegisthus, and takes him into her confidence and her bed. When Agamemnon returns victorious from the Trojan wars with the beautiful Cassandra in tow, he is blind to his wife’s desire for revenge. A poisoned net and a blade are his downfall - he is killed at his bath. A feast is held for the triumphant troops and Clytemnestra lays out the bodies of Agamemnon and Cassandra, their throats slashed - she has avenged her daughter’s death and should not be crossed. Alas she rules only by fear and the brutal influence of Aegisthus, who is quickly gaining the upper hand in this twisted tale of revenge and rule. Yet there are other players here too, Orestes, the son - innocent, yet contaminated by the wrong-doing of his family; and Electra - spiteful, cunning and cold-hearted - playing a long game in the shadows. She despises her mother for murdering her father, is fearful of the hateful Aegisthus and his power over the palace, and is ever loyal to the King, her murdered father. So much drama, so many voices screaming for revenge and power cast across a panorama of violence and death. When we turn to Orestes’ story it is a relief to be sent into exile with him. As a child, Orestes witnesses Iphigenia’s death. He is kept in the dark about many things but bears witness, as the reader does, to the machinations of others. Before his father returns from Troy, he is whisked away by Aegisthus on the pretense of safety - kidnapped and imprisoned with other boys of his age. Here he meets Leander. They escape and form a close bond over the many years that they are in exile. Both know they will return, one to seek answers, the other to lead a revolt. Not always aware of their motivations or knowing who to trust, Orestes pays a heavy price at the hands of those he is closest to. Toibin creates a beautiful relationship between the young men, one that will be tested by circumstance and ultimately derailed by the cycle of violence inherent in their lives. Gripping and dramatic like only a Greek myth can be, Toibin also creates serenity within this chaos. Written from the various viewpoints of Clytemnestra, Orestes, Electra and Iphigenia, he weaves a vivid tale that won’t disappoint.
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   | We have had some excellent children’s illustrated non-fiction arrive recently. For those fascinated by outer space, there is a great new book from Martin Jenkins with excellent Stephen Biesty illustrations: Exploring Space: From Galileo to the Mars Rover and Beyond is informative and appealing. From Galileo's telescope and early astronomy to the birth of flight, the Space Race and life on the Space Shuttle, to what future space travel will look like, this book will spark the imagination and intrigue those that look towards the stars. The wonderful cross-section drawings of Biesty’s detailed illustrations add that magic touch. For those that would rather keep their feet on the ground, who are keen on the environment and nature, The Book of Bees! is a stunner. Author Piotr Socha is one of Poland’s most popular cartoonists. A graphic designer and illustrator, he is also the son of a beekeeper. The Book of Bees! is filled with excellent historical detail, delightful and informative facts about the humble, but ever necessary, bee; and all this is wrapped in wonderfully designed and illustrated package. A standout book that will delight children and adults alike. Also not to be missed for animal lovers: Dieter Braun's Wild Animals of the North and, available from June, Wild Animals of the South.
{Reviewed by STELLA}
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 | Liquidation by Imre Kertész {Reviewed by THOMAS}
“Man, when reduced to nothing, or in other words a survivor, is not tragic but comic, because he has no fate. This is a paradox, which manifests in him, a writer, simply as a problem of style.” The absence in the heart of this novel is a supposed novel written by B, presumably concerning B’s childhood in Auschwitz (Kertesz himself was an Auschwitz survivor), but not able to be located amongst B’s papers by his friend, editor and literary executor, Kingbitter, after B’s suicide. Just as the absent novel dominates this novel, the absent B dominates the other characters and their relationships with each other: Kingbitter, reader at a publishing house about to close; Judit, his ex-wife and Kingbitter’s ex-lover; Sarah, his lover and wife of Kurti. The novel opens in the third person as Kingbitter reads a play found among B’s papers accurately describing conversations that happened after his suicide a decade ago. Kingbitter’s memory of the actual events and B’s work of literature depicting them (or predicting them) proceed in tandem until the novel switches into the first person as Kingbitter describes how he was subsumed by B to the extent that Kingbitter becomes the passive reporter on the events of B’s life and the circumstances of his suicide. Kingbitter surmises that B. kept contact with Judit, a doctor, who supplied him morphine, and confronts her. The novel switches first into third person again, and then to her narration as she addresses her new husband and explains how she burnt, unread, the novel B. sent her on his suicide with a letter requesting her to do so. Kingbitter is excluded from this narration and unaware of it, and the book eventually, after tarrying in B’s play version of the life that continued without him, returns to Kingbitter again in the third person. B’s Auschwitz novel, though absent, though destroyed, though impossible in any case, is still the animating force of this one, which, after all, is about the impact of Auschwitz upon B’s life and idea of life, and upon those who knew him. A suspicion develops in the reader, though it has of course been there right from the start, that B is in fact the author of this novel and that Kingbitter is merely a character, and that perhaps Liquidation is the novel B has left behind after his suicide after all, a novel projecting the impact of his death. “Only from our stories can we discover that our stories have come to an end, otherwise we would go on living as if there were still something to continue (our stories, for example); that is, we would go on living in error.”
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 | How Should a Person Be? A novel from life by Sheila Heti {Reviewed by THOMAS} What is the relation between the real-life Sheila and the Sheila of this book, her real-life friend Margaux and the Margaux of this book, between Heti's other real-life friends and acquaintances and their counterparts in this book? These are not interesting questions (unless you happen to be Sheila’s demon-lover Israel (in which case, serve you right)). This book is at once an excoriating self-examination, a pitiless self-satire (although it may in fact not be as satirical as it seems to be) and an unforgivably self-indulgent exercise in self-exposure (and is these things all at once and not by turns). You will be irritated by Sheila, but she is irritating in pretty much the same way that you are irritating to yourself, and you will grow tired of Sheila, but in the same way that you grow tired of yourself. You will put the book aside, but, without really knowing why, you will keep coming back to it in pretty much the same way you keep coming back to vaguely important but imprecise and somewhat irritating aspects of your own life. Sheila nobly asks herself “How should a person be?”, and gets the same unsatisfactory, earnest and ridiculous answers as you would get if you asked yourself the same impossible question. The book contains passages of painful honesty and of vapid bullshit (both at the same time, mostly), and beautiful, sad and hilarious passages, too (again, beautiful, sad and hilarious all at once and not by turns). By asking big questions in a life that contains only small answers, Sheila holds herself up to show us that we don’t know how to be, or how to make our lives the way we want them, or even to know what we want with any sureness or consistency: “Most people live their entire lives with their clothes on, and even if they wanted to, couldn’t take them off. Then there are those who cannot put them on. They are the ones who live their lives not just as people but as examples of people. They are destined to expose every part of themselves, so the rest of us can know what it means to be human. Some of us have to be naked, so the rest can be exempted by fate.” |
>> "Young, gifted and political."
>> On Universal Basic Income.
>> Rethinking prison.
>> "A visionary worth following."
>> With Kathryn Ryan on Radio NZ National.
>> Bringing values back to politics.
>> Would civics education result in better political participation from the young?
>> On the politics of love.
>> He blogged.
A SELECTION OF NEW RELEASES
Books either anticipated or surprising - just out of the carton.
Humans are the upright beasts in these stories, doing battle with our darker, weirder impulses as the world collapses around us.
"Lincoln Michel is one of contemporary literary culture's greatest natural resources." - Vice
"Mighty surrealist wonders, mordantly funny and fiercely intelligent." - Lauren van den Berg
"I began the day.." begins each of these short, beautifully textured linked essays exploring Gladman's obsession with conceptual borderlines and the crossing of these. Using exquisite sentences, Gladman takes the most quotidian of tasks or events and uses them as stepping stools to get her head above the clouds.
I am looking forward to reading this. -Thomas.
>> A sample.
>> Gladman reads something aloud.
A woman travels through an unending night with a porcelain girlfriend, a sister mourns her invisible brother, snakes inveigle themselves into people's personal lives. Three haunting, lyrical stories from the author of Strange Weather in Tokyo and The Nakano Gift Shop.
A literary mixtape of different styles and effects, Audin's novel focuses on the relationship of two mathematicians through two world wars. The constraints she applies to her text help us to think deeply about the nature of literature and the nature of war. Audin is a French mathematician and a member of OULIPO.
"Polymorphous and fluid, the book considers how our lives find their shape, and which details are amenable to history's telling." - Scott Esposito, Times Literary Supplement
"This is an unconventional novel that has many layers and makes you think about love, history, war, racism, rebellion, caring, and many other things but most of all about telling a story. Highly recommended." - European Mathematical Society
A reimagining of the Ancient Greek Oedipus and Antigone stories, told from the viewpoints of female characters usually overlooked in other tellings. The book also entails a rethinking of mythic and psychoanalytic tropes. Haynes combines her depth of knowledge as a classicist with her timing as a stand-up comic to good effect in this novel.
"It's hard to believe that a year after the astonishing My Name Is Lucy Barton Elizabeth Strout could bring us another book that is by every measure its equal, but what Strout proves to us again and again is that where she's concerned, anything is possible. This book, this writer, are magnificent." - Ann Patchett
"The epic scope within seemingly modest confines recalls Strout's Pulitzer Prize winner, Olive Kitteridge, and her ability to discern vulnerabilities buried beneath bad behavior is as acute as ever. Another powerful examination of painfully human ambiguities and ambivalences-this gifted writer just keeps getting better." - Kirkus
"With its extended figures, its theme-and-variations structures, its spirals and twists away from (and sometimes back toward) ordinary speech, Lockwood's new book rewards rereading. She has written a book at once angrier, and more fun, more attuned to our time and more bizarre, than most poetry can ever get, a book easy to recommend for people who do read new poetry often - as well as for almost all the people who do." - Stephen Burt, New York Times
Lockhart examines all fifteen species of birds of prey who breed in Britain - each in a different location.
"Lockhart's prose is so intimate, urgent, and visceral as to make his darkly resonant ruminations almost unfailingly gripping." - Independent
>> The author reads am extract, a little nervously.
"A new generation of public feminists, including Beth Ditto, Lena Dunham and Tavi Gevinson, cite her as an inspiration, finding in her writing a ribald and ponderous succession to the New York School." - New York Times
"She and her work are unsettled in the best sense: restless, disturbing, changeable. She is exemplary for more and more young writers precisely because she has gone her own way." - Ben Lerner
"One of the richest and most conflicted human hearts you're likely to find." -New York Review of Books
>> She reads.
"Passionately fierce but also wonderfully tender." - Andrew Motion
"An inspiring example to future writers, and a gift to lovers of nature." - The Times Literary Supplement
"A literary masterpiece, one of the 20th century's outstanding examples of nature writing." - Independent
Three brilliant misfits, thrown together by chance and a will to self-destruction, travel together to Bavaria, where, in an experimental institution, their relationships and their fragile selves come under increased pressure. Another intense examination of humanity by the New Zealand author of The Conductor.
Fact and fiction, observation and representation start to blur when a young woman moves from England to New York and becomes fixated on a Japanese writer whose life has strange parallels to her own.
"The best fictional account I have read of the way the internet has shaped our inner lives." - Observer
"A mind-bending novel that skilfully depicts the bizarre interplay of technology and intimacy with a story that is compassionate, funny, and incredibly alarming." - Claire-Louise Bennett, author of Pond
Dessaix is always lively and charming, so we might actually find his advice amenable as we try to relax and get on with the things we like to do.
A successful writer befriends a woman who, little by little, begins to assume her appearance, identity and function. Insidious.
"If Simone de Beauvoir had written Single White Female with nods to Marguerite Duras, the result might be something like this latest Gallic grip-lit sensation." - Guardian
"All writing is constructed on shifting sands, but I’ve never read a book that makes the complex relationship between reality and fiction both as visible, and at the same time so opaque, as here. I was captivated. Combining the allure of Gone Girl with the sophistication of literary fiction, Based on a True Story is a creepy but unapologetically clever psychological thriller that also aces the Bechdel test (at least two women in a work of fiction, talking to each other about something other than a man)." - Independent
Following the Baileys Prize-winning The Glorious Heresies, McInerey traces her young protagonist's entry into the criminal underworld of Cork City, in 'the arse-end of Ireland'.
"This is as much a love letter to a cruel but curiously buzzing place as a lament. The great strength of this book is its amorality. If you can survive in this world, and learn to live without always watching over your shoulder for danger, it’s not a bad place to be." - Guardian
From haute cuisine to greasy spoons - what makes the London food scene so vibrant? This book is an eatery crawl, with signature recipes.
Kellen is moments away from facing his first mage's duel and the start of four trials that will make him a spellcaster. There's just one problem: his magic is gone. As his sixteenth birthday approaches, Kellen falls back on his cunning in a bid to avoid total disgrace. But when a daring stranger arrives in town, she challenges Kellen to take a different path.
The structure and meaning of work is changing rapidly, not only through the pressures of automation and dwindling resources, but for reasons that make modern political, practical and ethical contradictions difficult to resolve. Avent offers us an analysis and some idea of a path.
"Ryan Avent is a superb writer. Highly readable and lively." - Thomas Piketty
"Writing meant the possibility of embarking towards an elusive goal and fusing the outside world and that subterranean one that inhabits us." A multigenre literary memoir combining fiction and memory to profound effect. The first work by this Mexican luminary to be translated into English.
"Reading him, one has the impression of being before the greatest Spanish-language writer of our time." - Enrique Vila-Matas
Why does a person to spend a lifetime handling other people's brains? No other part of the body is more integral to what makes us human and what makes life worthwhile. A thoughtful memoir from the author of Do No Harm.
>> "Agonisingly human."
When humans started living together in settled groups, they started living on top of where humans had lived before, on top of their figurative ad literal dead. How has this impacted upon our culture and our health? The author, a forensic archaeologist, is perfectly placed to guide us through the less pleasant consequences of urban living.
At 7 years old Min Kym was a prodigy, the youngest ever pupil at the Purcell School of Music. At 11 she won her first international prize. She worked with many violins, waiting for the day she would play 'the one'. At 21 she found it: a rare 1696 Stradivarius, perfectly suited to her build and temperament. Her career soared. She recorded the Brahms concerto and a world tour was planned. Then, in a train station cafe, her violin was stolen at a train station. In an instant her world collapsed.
>> They play.
>> What happened when the violin was recovered?
How can the world provide acceptable solutions to the greatest refugee crisis since World War II.
"Betts and Collier offer innovative insights into how to more effectively meet this challenge, with an important new focus on international solidarity and refugee empowerment." - Kofi Annan
Argues that Machiavelli was not so Machiavellian after all.
Approachable yet inspiring, and full of excellent food.
>> Summer Salad could be made in an Indian summer.
How was the mechanism of modern society built, why and for whose benefit?
If not used for shipping they are anything but boring. Pallets are a universal symbol of the globalized world. The properties of this transport platform - standardization, stability, simplicity and internationality - are carried over into the work of architects and designers who use pallets as the material for their own creations.
>> Fast work.
SCHOOL HOLIDAY WOLVES
Usually the wolves turn up in the second week of the school holidays. Here are a few books to help you cope.
When Vanessa's sister Virginia is feeling wolfish and frightens the visitors, Vanessa sets out to calm her. Will Vanessa's drawing skills and imagination do the trick?
A remarkably beautiful book, short-listed for the 2017 Kate Greenaway Medal.
>> Just look at this!
(In case you were wondering, South will be available in June.)
This beautifully illustrated book tells the story of a wolf, Old Lobo, the wolf that no one could capture. In 1893, a respected naturalist and hunter, Ernest Thompson Seton, left New York in a bid to rid the ranchers of Old Lobo and his pack. This wasn’t as easy as Seton thought it would be and after many failed attempts he noticed another wolf, the beautiful she-wolf Blanca, and this ultimately led to the capturing of Old Lobo. This is a beautifully told story with stunning illustrations, which also reflects on the impact of Seton’s hunt for Lobo, his regret at his success and his growing awareness of wild places and the animals that belong in them.
The wolf is getting dressed. What's he going to do when he is ready? (Clue: he is very hungry). An enjoyable board book to share (clue: it closes with a snap like a wolf's jaws).
It’s Germany, 1956, and Hitler has won the war. Yael, an eighteen-year-old woman, is part of the Resistance and she has a mission – a dangerous one – she is charged with assassinating Hitler. As a child, Yael was in a camp and experimented on – the experiment, which was successful, has given her a gift that can be used against her enemies. In 1956 a famous motorcycle race, for the creme de la creme of youths, crosses Hitler’s Europe. After years of training, Yael is ready to join this often-dangerous race, where allegiances are necessary to survive and to win is difficult. But win Yael must so she can get to the Victors’ Ball. This novel draws you in slowly and then grips you with its teeth and doesn’t let up until the end. Followed by Blood for Blood.
Beautifully written, exciting and unusual. Feodora and her mother live in the snowbound woods of Russia, in a house full of food and fireplaces. Ten minutes away, in a ruined chapel, lives a pack of wolves. Feodora's mother is a wolf wilder, and Feo is a wolf wilder in training. A wolf wilder is the opposite of an animal tamer: it is a person who teaches tamed animals to fend for themselves, and to fight and to run, and to be wary of humans. When the Russian Army threatens her very existence, Feo is left with no option but to go on the run.
The wolf is coming and (predictably) he wants to eat us. Perhaps if we tilted the book, he might have a hard job of catching us. With a bit of imagination there are quite a few ways we might make things hard for this wolf.
Annabelle has lived in Wolf Hollow all her life: a quiet place, still scarred by two world wars. But when cruel, manipulative Betty arrives in town, Annabelle's calm world is shattered, along with everything she's ever known about right and wrong. When Betty accuses gentle loner Toby - a traumatised ex-soldier - of a terrible act, Annabelle knows he's innocent. Then Betty disappears...Now Annabelle must protect Toby from the spiralling accusations and hysteria, until she can prove to Wolf Hollow what really happened to Betty. There are no wolves in this book.
Wolf and Dog are cousins. In some ways they are similar; in some ways very different. When Wolf finds a book of facts in the library, he thinks he can outsmart Dog. But can he?
What have we been reading?
What will you read next?
BOOKS @ VOLUME #20 (22.4.17)
Our latest bulletin of news, reviews and new releases.
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A History of New Zealand Women by Barbara Brookes {Reviewed by STELLA}
A History of New Zealand Women is a major narrative history. Professor Barbara Brookes' achievement is phenomenal, spanning two centuries from 1814-2015. Looking at our society through the stories of women, the book tells the political and social history of New Zealand from a female perspective. In the early chapters Brookes covers Maori women’s place within Maoridom and early Paheka contact, early settler roles as missionary wives and traders, the colonial era where roles for both Maori and Pakeha women were altered by the circumstances of a new country, the tensions that arose and the changes to female roles either by design or necessity. The tone is perfectly set - readable, interesting history with enough analytical depth and a wealth of knowledge that places this work among our best histories. The overarching themes are dotted with specific examples of women and their lives in early New Zealand, giving both a depth of analysis and fascinating insights on a personal level, bringing history alive. These vivid accounts are well-illustrated with photographs, sketches, paintings, and maps on most pages. The book is laid out chronologically and moves through periods in a rational progression from colonial settlement to new government to the turn of the century, the world wars and the times between, the moral liberations of the 1960s and 70s and into the more contemporary histories from the 1980s onwards. Brookes explores a multitude of themes, focusing on the ever-changing roles and expectations of the female population, including the impact of the land wars, the challenges and opportunities for migrant women, the political role of women, the changing nature of the family and the place of women in the workforce. There will be women you know of in this book; you will be introduced to many more who have made a contribution to our history, whether this is at an international level or on the ground, fighting for equality or as successful cultural contributors or as stalwarts of fair and frank discussion or as representatives of the everyday. A History of New Zealand Women is an important and fascinating account of the lives of women and a valuable to contribution to herstory.
Finalist in the Ockham New Zealand Book Awards. |