NEW RELEASES


Lanny by Max Porter        $30
The much anticipated new novel from the author of Grief is the Thing with Feathers taps deep veins of language and folklore as it tells of a young boy who becomes the focus of a mythical force. 
"It's hard to express how much I loved Lanny. Books this good don't come along very often. It's a novel like no other, an exhilarating, disquieting, joyous read. It will reach into your chest and take hold of your heart." - Maggie O'Farrell
Guestbook: Ghost stories by Leanne Shapton          $65
A wonderful, beautiful illustrated book in which Shapton demonstrates how memories accumulate and images haunt us, how stories and histories perpetuate themselves through residues that become increasingly firmly lodged in our minds. From the author of the innovative novel Important Artifacts and Personal Property from the Collection of Lenore Doolan and Harold Morris: Including Books, Street Fashion and Jewelry.
Guestbook reveals Shapton as a ventriloquist, a diviner, a medium, a force, a witness, a goof, and above all, a gift. One of the smartest, most moving, most unexpected books I have read in a very long time.” – Rivka Galchen
>> Leanne Shapton's website.

Where Reasons End by Yiyun Li          $38
A woman's teenage son takes his own life. It is incomprehensible. The woman is a writer, and so she attempts to comprehend her grief in the space she knows best: on the page, as an imagined conversation with the child she has lost. He is as sharp and funny and serious in death as he was in life itself, and he will speak back to her, unable to offer explanation or solace, but not yet, not quite, gone.
"As always, Li writes with a shimmering and deeply felt precision. The tone is both astringent and faintly mischievous, recalling the dialogue in a J.M. Coetzee novel or the wordplay of Ali Smith and Lydia Davis." - Guardian
"Controlled understatement, scrupulous and unsparing lucidity - a work of great moral poise and dignity. I have not read such a compelling work in years." - Independent
>> Li wrote the book following the suicide of her own son
>> Read Thomas's review of Dear Friend, From My Life I Write to You in Your Life
Spring by Ali Smith          $34
What unites Katherine Mansfield, Charlie Chaplin, Shakespeare, Rilke, Beethoven, Brexit, the present, the past, the north, the south, the east, the west, a man mourning lost times, a woman trapped in modern times? Spring. The great connective. With an eye to the migrancy of story over time, and riffing on Pericles, one of Shakespeare's most resistant and rollicking works, Ali Smith tells the impossible tale of an impossible time. In a time of walls and lockdown Smith opens the door.

"Her best book yet." - Observer
Late in the Day by Tessa Hadley           $48
"There are some writers who never let you down. They’re not big stars and their books are not preceded by a tsunami of hype. They simply do what writers do best, producing novels that are so apparently effortless that a wise reader recognises just how difficult they must be to construct. Tessa Hadley is one such writer. Throughout her career, Hadley has explored the middle-class existence, its ennui and its deceptions, with great skill. She has a keen psychological insight that allows her to create multifaceted characters that remain with the reader long after the story has come to an end. It’s no surprise, then, that Late in the Day is a powerful addition to her already distinguished body of work. Really, a rather brilliant novel." - John Boyne, Irish Times
>>Listed for the 2019 Folio Prize
The Baby by Marie Darrieussecq         $35
The Baby is a mother's project and a writer's project - how to reconcile these two demanding roles? What is a baby? And why are there so few of them in literature?
"Vintage Darrieussecq: tender, disturbing and indelible." - Chloe Hooper
How to Take Off Your Clothes by Hadassah Grace        $25
Hadassah's poetry deals with themes of love, sex and depression. She describes it" "Politically it's about leaning in to the negative stereotypes projected onto women, and exploring what it means to embrace and humanise them. Personally it's about me working through the loss of the life I thought I would have. Overall it's about how, no matter what happens, women always have shared experiences of moving through the world."
>>'Ruined Women'.
Halibut on the Moon by David Vann        $37
 The new utterly convincing and compelling novel from Whangaroa resident David Vann, reimagining his father's final days. Middle-aged and deeply depressed, Jim arrives in California from Alaska and surrenders himself to the care of his brother Gary, who intends to watch over him. Swinging unpredictably from manic highs to extreme lows, Jim wanders ghost-like through the remains of his old life, attempting to find meaning in his tattered relationships with family and friends. As sessions with his therapist become increasingly combative and his connections to others seem ever more tenuous, Jim is propelled forwards by his thoughts, which have the potential to lead him, despairingly, to his end.
>> Read an extract

Still Water: The deep life of the pond by John Lewis-Stempel         $40
Superb nature writing about the animals and plants that live in and around an English pond. 
"Britain's finest living nature writer." - The Times
>>Also available: The Wood




Contre-Jour: A triptych after Pierre Bonnard by Gabriel Josipovici       $32
Written with great subtlety and economy, Josipovici's novel, told from the perspectives of Pierre Bonnard, his wife and their daughter, reveals the depths of pain and harm that not only give rise to art but also result from the circumstances of its production. From the author of the Goldsmiths shortlisted The Cemetery in Barnes
"What is caught in the paintings and the novel is a pristine look, a moment between words." - Michael Rosen
"Its translucence fosters an extraordinary purity of form and concept. It is serious, even challenging about the conditions of artistic production." - Observer
"Josipovici proves once again to be one of the very best writers now at work in the English language." - Guardian
Dig. by A.S. King       $24
An estranged family’s tragic story is incrementally revealed in this surreal young adults' novel.  Family abuse and neglect and disordered substance use are part of the lives of many of the characters here, but, at the root, this white family has been poisoned by virulent racism.
"Heavily meditative, this strange and heart-wrenching tale is stunningly original." - Kirkus
>>A.S. King on identifying the author's purpose.
Potato by Rebecca Earle       $22
Everyone eats potatoes, but what do they mean? To the United Nations they mean global food security (potatoes are the world's fourth most important food crop). To 18th-century philosophers they promised happiness. Nutritionists warn that too many increase your risk of hypertension. For the poet Seamus Heaney they conjured up both his mother and the 19th-century Irish famine. The potato is entangled with the birth of the liberal state and the idea that individuals, rather than communities, should form the building blocks of society. Potatoes also speak about family, and our quest for communion with the universe. Thinking about potatoes turns out to be a good way of thinking about some of the important tensions in our world.
Loving Sylvie by Elizabeth Smither     $37
Sylvie rows across a lake to her wedding. Madeleine flees to Paris and works in Le Livre Bleu bookshop. Isobel is summoned to her doctor's surgery late one afternoon. Smither weaves the stories of three generations of women and life in three cities - Auckland, Paris, Melbourne - into this well-observed novel. 
"Elizabeth Smither brings wit, warmth and wisdom to this absorbing and beautifully written inter-generational story." - Peter Simpson
>> Someone we know reviews the book.
Blooms: Contemporary floral design        $80
A survey of work by more than 70 contemporary floral designers who are truly extending the boundaries of their art. Your mouth will drop open. 
>> Have a look inside and resist if you can



High Heel by Summer Brennan         $22
Fetishised, demonized, celebrated, outlawed, the high heel is central to the iconography of modern womanhood. But are high heels good? Are they feminist? What does it mean for a woman (or a man) to choose to wear them? Meditating on the labyrinthine nature of sexual identity and the performance of gender, Brennan moves from film to fairytale, from foot binding to feminism, and from the golden ratio to glam rock.


Selected Writings by René Magritte      $23
Available for the first time in English, these various writings (letters, apologia, appreciations of fellow artists, interviews, farcical film scripts, prose poems, manifestos) give insight into the various incarnations of the artist: Surrealist, literalist, celebrity, rascal.
Mind on Fire: A memoir of madness and recovery by Arnold Thomas Fanning           $30
''Mind on Fire is a truly powerful, arresting, haunting account. Arnold Thomas Fanning has reckoned with the darkest matter of his heart and mind, and I challenge anyone not to be moved by that.'' - Sara Baume
''In this strange and singular book, Fanning mercilessly excavates the infernal underworld of his own years of madness. The book is ultimately not quite like anything else I've read, and brought me as close to the lived reality of mental illness as I have ever been. It's a significant achievement: a painful, inexorable work of autobiography, whose existence is its own form of redemption.'' - Mark O'Connell
''Incredibly important.'' - Emilie Pine
>> Short-listed for the 2019 Wellcome Prize
The Unnamable Present by Roberto Calasso         $40

Tourists, terrorists, secularists, hackers, fundamentalists, transhumanists, algorithmicians - in this book Roberto Calasso considers the tribes that inhabit and inform the world today, a world that feels more elusive than ever before. Yet once contrasted with the period between 1933 and 1945, when the world made a partially successful attempt at self-annihilation, the new millennium begins to take on an unprecedented form. What emerges is something illusory, ever-shifting and occasionally murderous - the unnamable present.
Novels in Three Lines by Félix Fénéon       $36
Posing as news snippets, which may or may not represent actual events, Fénéon's briefest-of-brief 'novels' appear originally in the Paris daily newspaper Le Matin in 1906. They still read as Molotov cocktails of irony hurled against both literature and life.
>> Read a selection.  
Home Child: A child migrant to New Zealand by Dawn McMillan and Trish Bowles         $28
A beautiful picture book telling the story of Pat Brown, a post-WW2 child migrant from London who now lives in Nelson. 
>>The book will be launched at VOLUME at 4:30 PM on Wednesday 24 April on Pat's 80th birthday. All welcome (there will be cake). 


The New Faces of Fascism: Populism and the far right by Enzo Traverso        $35

Traverso puts the current cocktail of right-wing populism, identitarianism, Islamophobia, and regressive nationalist anti-globalism into a historical context: what we are seeing is neither the reproduction of old fascisms nor something wholly new. 
Homemade by Eleanor Ozich           $40
Clever, eco-conscious recipes for daily household goods: mayonnaise, crackers, yoghurt, bread, muesli bars, hummus, cheese, food wraps, cleaners, air fresheners, balms, hand scrubs and candles. 



The Bad Seed by Charlotte Grimshaw        $38
The Night Book and Soon in one vicious volume. An unflinching look at politics and power, contemporary New Zealand society and the arid morality of the privileged.
>>And a TV series!
Shimshal by Pam Henson      $30
An insightful an sympathetic account of life in a remote Muslim village in the highlands of Pakistan. Henson has also recorded villagers' autobiographical stories in Women of Shimshal

Humiliated and Insulted by Fyodor Dostoyevsky     $19
Degradation, childhood trauma, unrequited love, irreconcilable relationships - what more could you want? 
Death Wins a Goldfish: Reflections from a grim reaper's year-long sabbatical by Brian Rea         $30
Death never has a day off, so he has accumulated a lot of leave entitlement. HR insists he use it up, so off Death goes to take a break in the Land of the Living. How do the living relax and enjoy themselves? Graphic novel. 






Under Glass by Gregory Kan (published by Auckland University Press) is this week's Book of the Week. This superb new collection from the immensely talented Kan in the form of a dialogue between a series of prose poems tracking a progression through mysteriously affecting landscapes, and a series of verse poems compulsively trying to make sense of this experience, the whole forming a kind of  zone where inner and outer worlds contest for definition.  
>> Read Thomas's review
>> Try Gregory Kan's text manipulator!














































 

Under Glass by Gregory Kan   {Reviewed by THOMAS}

“It’s hard / for the world of all possible things / to choose the things that actually happen,” writes Gregory Kan in a book that poses the same generative problems to text as it does to ‘life’ (so to call it). By what methods do we combine and recombine, filter and refilter, separate and reseparate, alter and realter whatever it is in which we find ourselves when we have got sufficiently far in these processes to call this finding? To be aware and to continue to be aware is to maintain the most delicate of balances between words and the thoughts that they both describe and form, and Kan’s remarkable second book, Under Glass, is written with sufficient clarity to obscure that which it does not address, and with sufficient subtlety that the wounds it leaves are difficult to pinpoint (they are pinpoint wounds). The book is comprised of two finely written helical strands. A sequence of short prose pieces in the first person and present tense describe, with careful precision,the narrator’s progress across a landscape and then descent below a lighthouse, drawn by an elusive “second sun”, as black as it is bright, uncertain of its interiority or exteriority. The prose is personal but specific, describing precisely a ‘world’, but one inaccessible to others, a dream world, or a world that has the same relationship to this one as have the worlds of dreams. The verse sequence spliced or twisted through this narrative is often addressed to ‘you’, speaks of ‘we’, is interpersonal, emotional, dealing in nondefinitive generalisations, if such things are possible, almost completely devoid of specific evidence of a forensic or narrative (or forensonarrative or narratoforensic) sense. “Confusing myself is a way to be honest.” Sometimes there is the feeling that a shortcoming or realisation of some sort lies in the past, something that subtly destabilised the nature of a relationship, something that has introduced uncertainty into an area formerly filled with hope (hope being, after all, only an immature form of uncertainty). “I draw my ideas cruelly around me.” “Sometimes I write so that you can be punished / the way I think I deserve to be punished.” The verse pieces take place at a time when an apparent relationship has the apparent bulk of its happenings in its past (but is this not always the case?), the weight of this past pulling at and attenuating the progress into the future. How to go on? What second sun can keep us aware enough to move towards it? Intimacy is the predicament in the verse, just as aloneness is in the prose. Where the verse begins by saying, “The things that are really big and really close / are too big and too close to be seen,” the prose reaches the point in the pursuit of the second sun at which it says, “I recognise the second sun from a distance, but not up close.” The prose with its deliberate track and the verse with its hovering double-spaced lines slowing our reading almost touch, resonate, snag themselves upon each other. “The second sun reveals all and remembers nothing.” At the end of the book, the prose narrator has gone far enough, deep enough, into the interior ‘place’ to step through a crack in that second sun, and the ‘I’ of the verse has relinquished sufficient autonomy to, or acknowledged sufficient autonomy of, the ‘you’ for the wall between the internal and the external to be breached simultaneously from both directions, for the worlds to be inverted, turned inside-out about the separating skin that is the only part of ourselves that we can know to exist, the external reached through the most internal thing, that which was lost seen for the first time once it is finally released. Under Glass is a subtle and powerful book, so cleanly written that it leaves no palpable residue but rather a flavour, a quality of awareness indistinguishable from the longing to reread. 

































 

Enchantée by Gita Trelease   {Reviewed by STELLA}
The world is changing and Camille must find her place in it if she is to survive. It's a time of strife in France. On the cusp of a revolution, the court and its aristocrats are enraptured by their own fantasy, living the high life in their palaces, playing games, partying and gambling while the people in the street starve, die of disease, and the harvests are crippled.  But for Camille, her problems are more immediate. She’s seventeen, her parents have died from smallpox, her younger sister, Sophie, is still frail and recovering from her brush with the disease, and her brother, the supposed bread-winner of the family, is mired in debts and drunkenness. Paris 1789, on the edge of revolution, is not an easy, nor safe, place for a young woman, but Camille has a gift: a little magic at her fingertips. Being able to turn small nubs of metal into coin means bread and candles. But the coins are only temporary and, as Camille has to venture further and further from her home, she realises that something more dramatic is required. The turning point comes out of desperation when Alain, her brother, steals the rent money that she has carefully hidden away and, protesting this theft, he rages against her, striking her down. Maman always warned against opening the partially burnt chest, but needs must and Camille discovers her magic is far more powerful than she imagined. Also more dangerous. Transformed by a dress reeking with dark magic and alive to the touch, Camille enters the glittering world of Versailles and the crazy wickedness of the court - only to gamble for what she and Sophie need. Yet she is enchanting and enchanted - captured by the hunger of the magic, fascinated by the glamour of the court, propelled on by the wit and intrigue of those she meets and their pretty and petty, sometimes dangerous, liaisons. As the Baroness de la Fontaine she navigates this world at first nervously and then at ease, with an appetite she can’t quite believe of herself. Being the Baroness takes its toll though, and the more she lives this double life, the greater the curse of the powerful magic, draining her of vitality and leading her towards a dark tunnel of sacrifice and dangerous individuals. All are not who they seem. In the world of Camille, life isn’t straightforward either. A chance encounter with a group of young men - balloon enthusiasts and amateur scientists - sets her on another course of discovery about herself and her ability to be daring and brave, physically and emotionally. At the centre of this world is Lazare, the reluctant aristocrat and charming (and good-looking) aeronaut - both accepted into the upper-class circles by dint of birth and his powerful fathe,r and looked down upon for his difference - his part-Indian heritage. Camille is both drawn to him yet perplexed by him and her new-found emotions. How can she trust anyone and be truthful, when her life is so complicated? Can she control the magic or will the magic dominate her? This teen novel is filled to the brim with history, intrigue, danger, friends and enemies, love and deceit. Highly enjoyable and charmingly compelling.  

NEW RELEASES
Dedalus by Chris McCabe        $38
Chris McCabe playfully reclaims the inventive spirit of the founding text of Modernism in English: Ulysses. Tracing the same structure as the original, McCabe describes the events of the following day, 17th June 1904. Stephen Dedalus wakes up, hungover, with scores and debts to settle, unaware that Leopold Bloom is waking up in Eccles street with his own plans for him. Dedalus is shot through with cut and paste disruptions from the Digital Age. From 1980s Text Adventure gaming to Google maps and pop-ups. McCabe picks up the tradition of Laurence Sterne and B.S. Johnson, underpinning the paragraphs of his storytelling with concrete poetry.
“Parts of this book will remain with me, and pollute my reading of Hamlet and Ulysses, forever. I also add it to my personal library of Great Books About Dead Fathers.” – Max Porter (author of Grief is the Thing With Feathers)
Memories of the Future by Siri Hustvedt       $38
The much anticipated autofictional novel from the author of What I Loved. The process by which an author looks back on her earlier self and turns their mutual regard into fiction is utterly compelling. 
"Among the many riches of Siri Hustvedt's portrait of a young woman finding her way as an artist are her reflections on how acts of remembering, if they reach deep enough, can heal the broken present, as well as on the inherent uncanniness of feeling oneself brought into being by the writing hand. Her reflections are no less profound for being couched as philosophical comedy of a Shandean variety." - J. M. Coetzee
>> "I'm writing for my life."
>> "Everything is autobiography and nothing is.
>> On reading
A Velocity of Being: Letters to young readers edited by Maria Popova and Claudia Bedrick         $50
A wonderful collection of accounts by outstanding people of how books and reading helped them become who they are. Each letter is accompanied by a full-page illustration from an outstanding book illustrator. Includes contributions from Jane Goodall, Neil Gaiman, Jerome Bruner, Shonda Rhimes, Ursula K. Le Guin, Yo-Yo Ma, Judy Blume, Lena Dunham, Elizabeth Gilbert, Jacqueline Woodson, Marianne Dubuc, Sean Qualls, Oliver Jeffers, Maira Kalman, Mo Willems, Isabelle Arsenault, Chris Ware, Liniers, Shaun Tan, Tomi Ungerer, and Art Spiegelman.
>> Preview on Brain Pickings
Optic Nerve by Maria Gainza        $40
A subtle and intelligent novel 'about' the relationship - and the sapce -between the art a woman views and thinks about, and her own life. What associative sparks are released in our minds when viewing art? 
"Gainza is a writer who feels immediately important. I felt like a door had been kicked open in my brain." - Guardian
>> The artworks mentioned in the book
>> Stuttering cultures

Uncertain Manifesto by Frédéric Pajak        $35
The writer and artist Frederic Pajak was ten when he began to "dream of a work that would mingle words and images: bits of adventure, collected memories, sentences, phantoms, forgotten heroes, trees, the stormy sea," but it was not until he was in his forties that this dream took form. This unusual book is a memoir born of reading and a meditation on the lives and ideas, the motivations, feelings, and fates of some of Pajak's heroes: Samuel Beckett and the artist Bram van Velde, and, especially, Walter Benjamin, whose travels to Moscow, Naples, and Ibiza, whose experiences with hashish, whose faltering marriage and love affairs and critique of modern experience Pajak re-creates and reflects on in word and image. Pajak's moody black-and-white drawings accompany the text throughout, though their bearing on it is often indirect and all the more absorbing for that. Between word and image, the reader is drawn into a mysterious space that is all Pajak's as he seeks to evoke vanished histories and to resist a modern world more and more given over to a present without a past.
>> Walter Benjamin in Ibiza
Sea People: The puzzle of Polynesia by Christine Thompson      $35
"I found Sea People the most intelligent, empathic, engaging, wide-ranging, informative, and authoritative treatment of Polynesian mysteries that I have ever read. Christina Thompson's gorgeous writing arises from a deep well of research and succeeds in conjuring a lost world." - Dava Sobel

"To those of the western hemisphere, the Pacific represents a vast unknown, almost beyond our imagining; for its Polynesian island peoples, this fluid, shifting place is home. Christina Thompson's wonderfully researched and beautifully written narrative brings these two stories together, gloriously and excitingly." - Philip Hoare
Under the Sea by Mark Leidner           $33
"Reading Mark Leidner’s writing taught me how to write, and I owe him an enormous debt of gratitude. He is my favourite writer. His new collection of short stories Under The Sea is unbelievably good. The stories range from long realist pieces about teenagers trying to recover stolen drugs and a middle aged women having a meltdown in a coffee shop to a Chekhovian drama set in an ant colony and a kid writing his memoirs in the style of Philip Marlowe." - Hera Lindsay Bird
>>Hera Lindsay Bird's unholy love for Mark Leidner


 Happening by Annie Ernaux        $32
Ernaux's account of her experiences having an illegal abortion while a 23-year-old student in Paris in 1963 is meticulous, nuanced, and, because of its dispassionate tone, moving. 
>> Read Thomas's review of The Years


Amateur: A true story about what makes a man by Thomas Page McBee           $37
In this remarkable memoir, McBee, a trans man, trains to fight in a charity match at Madison Square Garden while struggling to untangle the vexed relationship between masculinity and violence. Through his experience boxing - learning to get hit and to hit back, wrestling with the camaraderie of the gym, confronting the betrayals and strength of his own body - McBee examines the weight of male violence, the pervasiveness of gender stereotypes, and the limitations of conventional masculinity.
Shortlisted for the 2019 Wellcome Prize and the 2018 Baillie Gifford Prize. 
Doggerland by Ben Smith           $33
Doggerland supposes a world in the not so distant future suffering the effects of climate change, pollution, surveillance  and decay. It tells the story of an old man (who isn't really that old) and a boy (who isn't really still a boy) living alone in a post apocalyptic world tending to a vast wind farm. 
"An unremittingly wet book, damp and cold and rusted, blasted by waves and tempests, but also warm, generous and often genuinely moving. It is a debut of considerable force, emotional weight and technical acumen." -Guardian
"The Road meets Waiting for Godot: powerful, unforgettable, unique." - Melissa Harrison
Celestial Bodies by Jokha Alharthi         $28Iin the village of al-Awafi in Oman, where we encounter three sisters: Mayya, who marries Abdallah after a heartbreak; Asma, who marries from a sense of duty; and Khawla who rejects all offers while waiting for her beloved, who has emigrated to Canada. These three women and their families witness Oman evolve from a traditional, slave-owning society slowly redefining itself after the colonial era, to the crossroads of its complex present. 
>> Listed for the 2019 Man Booker International Prize
We, the Survivors by Tash Aw       $35
A murderer's confession shows how widely the roots of his crime are spread in the injustices of the modern world. Ah Hock is an ordinary, uneducated man born in a Malaysian fishing village and now trying to make his way in a country that promises riches and security to everyone, but delivers them only to a chosen few. With Asian society changing around him, like many he remains trapped in a world of poorly paid jobs that just about allow him to keep his head above water but ultimately lead him to murder a migrant worker from Bangladesh.


Ursa by Tina Shaw     $23
There are two peoples living in the city of Ursa: the Cerels and the Travesters. Travesters move freely and enjoy a fine quality of life. Cerel men are kept in wild camps and the women are no longer allowed to have children. The Director presides over all with an iron fist. Fifteen-year-old Leho can’t remember a time when Cerels lived without fear in Ursa. His parents once tried to organise an uprising – his mother was blinded, and his father was taken away. But now his world is changing. Revolution is coming. People will die. Will Leho be able to save his family?  
Living With Earthquakes and Their Aftermath by Rosie Belton          $35
Rosie Belton uses captures with intimacy and immediacy the earthquakes experienced by the people of Canterbury. Nothing could have prepared her, she says, for the severity of the quakes, starting with the first one in 2010, and then the ongoing disruption over the next six years: the grinding reality of living through so many months of shaking and the after-effects. Like many creative individuals, Belton found that writing about those terrible events as they unfolded developed into a coping mechanism. And now, the result of her careful record-keeping and reflections can be read and appreciated by others whose lives have been affected by similarly unwanted change. 
"I am reminded of what Harold Nicholson wrote about London during the Blitz: the same uncertainty as to what horror was going to happen next.” – Michael Palin
>> Come and hear Rosie Belton speak. The Suter (Bridge Street). Wednesday 10 April, 5:30 PM
Harsu and the Werestoat by Barbara Else        $20
Harsu has five droplets of god blood and a treasured cloak to remember his father by. Now his father is gone, he lives with his mother, his only friend an old onager donkey. And something is not right with Harsu's mother. She has started kidnapping children, and sometimes her skin grows a soft down, little sharp ears emerge, and she turns into a horrible stoat. Harsu doesn't know if five godlet drops are enough to help him rescue the kidnapped children and turn his own mother to good. And now that he is twelve, he too might be becoming a were-animal.
The Creativity Code: How AI is learning to write, paint and think by Marcus du Sautoy         $37
Can machines be creative? Will they soon be able to learn from the art that moves us, and understand what distinguishes it from the mundane? Du Sautoy examines the nature of creativity, as well as providing an essential guide into how algorithms work, and the mathematical rules underpinning them. He asks how much of our emotional response to art is a product of our brains reacting to pattern and structure, and exactly what it is to be creative in mathematics, art, language and music. 
>> Too dangerous to release? 
The Boy at the Back of the Class by Onjali Q. Rauf        $18
"There used to be an empty chair at the back of my class, but now a new boy called Ahmet is sitting in it. He's nine years old (just like me), but he's very strange. He never talks and never smiles and doesn't like sweets - not even lemon sherbets, which are my favourite! But then I learned the truth: Ahmet really isn't very strange at all. He's a refugee who's run away from a War. A real one. With bombs and fires and bullies that hurt people. And the more I find out about him, the more I want to help." 
>> The book has just won the Waterstones Children's Book Prize


Pagan Light: Dreams and beauty in Capri by Jamie James     $48
Isolated and arrestingly beautiful, the island of Capri has been a refuge for renegade artists and writers fleeing the strictures of conventional society from the time of Augustus, who bought the island in 29 BC, to the early twentieth century, when the poet and novelist Jacques d'Adelswärd-Fersen was in exile there after being charged with corrupting minors, to the 1960s, when Truman Capote spent time on the island. Also features the Marquis de Sade, Goethe, Mark Twain, Oscar Wilde, Compton Mackenzie, Rilke, Lenin, and Gorky.
Natives: Race and class in the ruins of Empire by Akala      $28
From the first time he was stopped and searched as a child, to the day he realised his mother was white, to his first encounters with racist teacher, race and class have shaped Akala's life and outlook. In this book he takes his own experiences and widens them out to look at the social, historical and political factors that have left Btitain where it is today. Covering everything from the police, education and identity to politics, sexual objectification and the far right, Natives speaks directly to British denial and squeamishness when it comes to confronting issues of race and class that are at the heart of the legacy of Britain's racialised empire.
"My book of the year. It's personal, historical, political, and it speaks to where we are now. This is the book I've been waiting for - for years." - Benjamin Zephaniah
"This powerful, wide-ranging study picks apart the British myth of meritocracy." - David Olusoga, Guardian
>> Unfiltered
Neruda: The poet's calling by Mark Eisner         $40
An empathetic biography of this esteemed Chilean poet, possibly murdered for opposing the Pinochet regime.
Daughters of Chivalry: The forgotten children of Edward I by Kelcey Wilson-Lee      $45
Virginal, chaste, humble, patiently waiting for rescue by brave knights and handsome princes: this idealised - and largely mythical - notion of the medieval noblewoman still lingers. Yet the reality was very different, as Kelcey Wilson-Lee shows in this account of the five daughters of the English king, Edward I. The lives of these sisters - Eleanora, Joanna, Margaret, Mary and Elizabeth - ran the full gamut of experiences open to royal women in the Middle Ages. 
The Braid by Laetitia Colombani         $28
Three women on three continents are forced by circumstances to rebel against their fates. Their stories plait together like a braid. An untouchable in India, a wig-maker in Sicily, a lawyer in Canada - are they linked by more than their courage? 
Drawing, Vision and Perspective by David Jowett        $19
Demonstrates a method of drawing using spherical perspective and shows it to be more accurate than more commonly used perspectival methods. 
Kathy Acker: The last interview and other conversations edited by Amy Scholder and Douglas Martin        $35
From Acker's earliest interviews - filled with playful, evasive, and counter-intuitive responses - to the last interview before her death where she reflects on the state of American literature.
>> A Kathy Acker documentary











BOOKS @ VOLUME #120 (23.3.19)

Read our latest NEWSLETTER and find out what we've been reading and recommending, about upcoming events, new releases and other amusements.




VOLUME BooksNewsletter
This week's Book of the Week is the wonderfully sharp and insightful Human Relations and Other Difficulties by Mary-Kay Wilmers. Wilmers was one of the founders of the London Review of Books in 1979, and has been its editor since 1992. In all that time, she - and the magazine - have fearlessly interrogated books and politics for their deeper and wider implications, often courting controversy. In these essays - on everything from mistresses to marketing, and seduction to psychoanalysis - Wilmers's uncompromising intelligence, perfect phrasing and devastating wit are evident on every page.
>> Mary-Kay Wilmers talks with Kim Hill
>> The Big Interview
>> The London Review of Books (we recommend a subscription!). 
>> It takes 1 minute and 55 seconds for the LRB to get from the editors' floor to your front door
>> Some reviews by Wilmers from the LRB archive.  
>> What is Mary-Kay Wilmers getting so right? 
>> Wilmers has written a collective biography of her mother's fascinating Russian relations, The Eitingons
>> Nina Stibbe's book Love, Nina was written about her time working as a nanny in Mary-Kay Wilmers's house. >> The book was adapted for television

Review by STELLA

































 

Steve Sem-Sandberg’s The Tempest is a dark and atmospheric novel. On a small Norwegian Island we meet Andreas, who is returning to the place of his childhood, unwillingly drawn by his foster father’s death and his search for answers: answers about who his parents were, about his sister’s decline into rebellion and later oblivion. Andreas, in confronting his past, is digging up the bones of the island - its landscape and its people. Its disturbing history of secrets has been papered over with mythology, making the task of untangling the relationships within the small community difficult, and the only person who might shed light on Andreas’s queries is the least trustworthy, but, unlike many of the other protagonists in his life story, Carsten is still alive - bitterly so. Drawing on his own childhood remembrances (some of which are, not surprisingly, inaccurate and the view of a child), snippets of written material (letters, newspaper clippings and diary entries), and enduring confronting conversations with Carsten, he is able to piece together a truth of sorts. Johannes, the foster father to Andreas and his sister Minna, was a parent who cared for both children but was incapable of moving beyond his guilt, sinking his life into a bottle. While Minna departed from their lives, Andreas would periodically visit the island, attempting to make Johannes's life more palatable, to little effect. In his final return, Andreas’s desire for the truth about his parents and what happened to them on the island during the war years, and the repercussions this had on future generations, burns at him. Throughout the book there are real and metaphoric fires that engulf the island, create distractions, and possibly free those who wish to depart. The island had been in the Kaufmann family for generations. During the war years, the younger Kaufmann, with the farm manager Carsten at his side, took on the rule of the island. An ‘intellectual’ with a keen interest in botany and biological science, he was intrigued with creating a communal society where workers would contribute to the island in return for small land plots - yet this concept in practice made the people virtual servants to the master and his whims. During the war years, Kaufmann was able to gain an audience in Berlin, making the island a complicit player in the Nazi regime. As Andreas digs down into the depths of the past, the revelations are disturbing, yet as the truth is revealed the behaviour of those in his childhood begins to make sense. Minna and Andreas’s histories have been overwritten by lies, mythologies and multiple stories - “your parents had to leave suddenly”, “they promised to return”, “they died in a fiery plane crash”. The island’s story has been buried, but the impact of collaborating with the Nazi regime is written on the faces and bodies of the inhabitants and pushes up through the landscape. Sem-Sandberg’s writing (and the brilliant translation) is compelling - his prose is alive on the page, rich and wild. He breaks all the rules, swiftly moving from one voice to the next with little breath, between past and present without hesitation, his empathy and anger rising off the page. Add to this his drawing on Shakespeare’s The Tempest in a covert rather than overt manner: the play vibrates under the surface of the novel, contributing layers of meaning and complexities that enhance this very astute and confronting piece of writing. 



























 

Concrete by Thomas Bernhard  {Reviewed by THOMAS}
In a single brilliant book-length hysterical paragraph, Rudolph, Bernhard’s narrator, a middle-aged invalid both incapacitated and sustained by his neuroses, obsessed with writing his great work on the composerMendelssohn Bartholdy but of course incapable of even beginning to write, neurasthenically procrastinating and irritated, riven by every possible ambivalence, unable to write whilst his sister is visiting and unable to write unless she is present, hating his sister but dependent upon her, needing his home but stifled by it, rants about everything from making too many notes to the idiocy of keeping dogs. Bernhard’s delineation of an individual whose interiority and isolation has attained the highest degree is flawless, devastating and very funny. No sooner has Rudolph made a categorical assertion than he begins to move towards its opposite: after describing the cruelty of his sister towards him, we become increasingly aware of her concern for him and his mental state; no sooner does he attain the solitude of his grand Austrian country home (soon after the book opens he makes the categorical assertion, “We must be alone and free from all human contact if we wish to embark upon an intellectual task!”, a common fallacious predicate that one commonly inclines towards but which subverts one’s ends (he follows this swiftly with another self-defeating assertion: “I still don’t know how to word the first sentence, and before I know the wording of the first sentence I can’t begin any work.”)) than he is absolutely certain that he must travel to Palma if he is to write his book on Mendelssohn Bartholdy. Towards the end of the book, we learn that Rudolph did indeed go to Palma, where he is writing this account (instead of his work on Mendelssohn Bartholdy) after learning of the recent suicide of a young woman he had met there on a previous occasion following the death of her husband (who was discovered fallen onto concrete beneath their hotel balcony). Such was the isolation of Rudolph’s interiority that he was incapable of taking timely action to help the unfortunate young woman, though it was easily within his means to do so, incapable of making authentic human contact, stifled by his own ambivalences and self-obsession (the undeclared ironic tragedy being that he may possibly have returned to Palma in order to help the young woman but that he is of course too late, her suicide triggering the self-excoriation that comprises the book).
 


NEW RELEASES
Lonely Asian Woman by Sharon Lam      $29
Paula is lazy young woman mired in a rut. In the shallows of the internet she is pushed to a moment of profound realisation: she, too, is but a lonely Asian woman looking for fun. The debut novel of Wellington author Sharon Lam (currently living in Hong Kong) is a wildly sentimental book about a life populated by doubles and transient friends, whirrs of off-kilter bathroom fans and divinatory whiffs of chlorine. Lonely Asian Woman is not the story of a young woman coming to her responsibilities in the world. Funny from the first sentence on. 
>> Interview with Sharon Lam
>> Lam on the radio
>> Read an excerpt
>> Listen to Lam reading 'Potluck'
Concrete by Thomas Bernhard      $23
In a single brilliant book-length hysterical paragraph, Rudolph, Bernhard’s narrator, a middle-aged invalid both incapacitated and sustained by his neuroses, obsessed with writing his great work on the composer Mendelssohn Bartholdy but of course incapable of even beginning to write, neurasthenically procrastinating and irritated, riven by every possible ambivalence, unable to write whilst his sister is visiting and unable to write unless she is present, hating his sister but dependent upon her, needing his home but stifled by it, rants about everything from making too many notes to the idiocy of keeping dogs. Bernhard’s delineation of an individual whose interiority and isolation has attained the highest degree is flawless, devastating and very funny, and shows how this interiority prevents the narrator from taking timely action, with disastrous consequences. Bernhard is one of the best writers of the twentieth century, and this is the first of a series to be reissued in jackets by Leanne Shapton
>> Read Thomas's review
Mouthful of Birds by Samanta Schweblin            $33
Schweblin manages to bury deep into the darkest recesses of her characters' and her readers' minds and find some small detail that inverts their reading of their situations. These superb stories demonstrate how unexpected events and situations bring to the fore aspects of their characters that the characters had hitherto been unaware. 
>> Read Thomas's review of Schweblin's Fever Dream


The Penguin Book of Italian Short Stories edited by Jhumpa Lahiri       $55
An excellent, wide and thoughtful selection, beautifully presented. More than half the stories appear here in English for the first time. 
Extinction by Thomas Bernhard      $23
In the first of the two relentless paragraphs that comprise this wonderfully claustrophobic novel, the narrator, Murau, has received a telegram informing him that his parents and brother have been killed in a car accident. He addresses a rant to his absent student Gambetti, full of vitriol against his family and their home Wolfsegg. In the second part, Murau has returned to Wolfsegg for the funeral and the picture we have built is undermined in every way, eventually showing us the extent to which Murau's hatred springs from his family's complicity with the Nazis, some of whom found refuge there after the war (sorry: spoiler). This novel, Bernhard's last, is the only one in which the narrator can move, at the end, towards some sort of resolution for his predicament. 
>> Read Thomas's review.  

Sea Monsters by Chloe Aridjis         $37
17-year-old Luisa leaves Mexico City in the 1980s and runs away to the seaside town of Zipolite ('The Beach of the Dead') with Tomas, a young man she hardly knows (and doesn't want to). The two soon lose interest in each other, and Luisa wanders the beach, observing the various groups and becoming increasingly separated from what she had thought of as herself. 
"A mesmerising, revelatory novel, smart and funny and laced with a strangeness that is never facile but serves as a profound and poetic tool for navigating our shared world. Chloe Aridjis is one of the most brilliant novelists working in English today." - Garth Greenwell


Kitch: A fictional biography of a calypso icon by Anthony Joseph      $34

Combining factual biography with the imaginative structure of the novel, Anthony Joseph gets to the heart of the man behind the music and the myth, to present a holistic portrait of the calypso icon Lord Kitchener. Born into colonial Trinidad in 1922 as Aldwyn Roberts, 'Kitch' emerged in the 1950s, at the forefront of multicultural Britain, acting as an intermediary between the growing Caribbean community, the islands they had left behind, and the often hostile conditions of life in post-war Britain. Short-listed for the 2019 Republic of Consciousness Prize

The Uninhabitable Earth by David Wallace-Wells       $35
The effects of climate change are only beginning to be felt. Soon they will be impossible to ignore, and they will change the way we do everything. Why have we done next to nothing to avoid this? 
>>"Inaction will turn the Earth into a hell." (Radio NZ interview)


The Tempest by Steve Sem-Sandberg        $33
Andreas Lehman returns to the island off the coast of Norway on which he grew up, and starts to unravel the secrets of his past. What was the island's owner's connection with the Nazis via the wartime Quisling government? What horrendous experiments were made upon the island's inhabitants? Well and tightly written, disconcerting and complex. 
>> Hear Stella's review on Radio NZ
Godsend by John Wray       $33
What happens when a young American woman disguises herself as a man and goes to Pakistan to join the Taliban? A novel exploring issues of gender, faith and politics. Subtle and empathetic. 
Living Among the Northland Maori: Diary of Father Antoine Garin, 1844-1846 translated and edited by Peter Tremewan and Giselle Larcombe     $90
French Marist priest Father Antoine Garin was sent to run the remote Mangakahia mission station on the banks of the Wairoa River. His diary records his experiences from 1844 to 1846 as he got to know the Maori in the region. It provides accounts of contemporary events, as Garin came dangerously close to the action of the Northern War, and wrote of such prominent figures as Hone Heke and Kawiti as they opposed the new colonial authorities. Above all, the diary is an intimate record of life in a Maori community. Garin moved to Nelson in 1850 and died here 40 years later. Nelson's Garin College is named after him. 
The Gendered Brain: The new neuroscience that shatters the myth of the female brain by Gina Rippon        $38
Scientific information about brain plasticity shows that there is no such thing as a 'male' or 'female' brain other than what society makes them to be - there are only brains. We need to move beyond our binary thinking to fully understand the wondrous organ in our craniums. 



Unspeakable: The things we cannot say by Harriet Shawcross        $45
As a teenager, Harriet Shawcross stopped speaking for almost a year, retreating into herself and communicating only when absolutely necessary. As an adult, she became fascinated by the limits of language and in Unspeakable she asks what makes us silent. From the inexpressible trauma of trench warfare and the aftermath of natural disaster to the taboo of coming out, Shawcross explores how and why words fail us. 


The Missing Ingredient: The curious role of time in food and flavour by Jenny Linford     $30
Written through a series of encounters with ingredients, producers, cooks, shopkeepers and chefs, exploring everything from the brief period in which sugar caramelises, the days required in the crucial process of fermentation in so many foods we love, to the months of slow ripening and close attention that make a great cheddar, or the years needed for certain wines to reach their peak, Jenny Linford shows how, time and again, time itself is the invisible ingredient.
Bowlaway by Elizabeth McCracken        $37
From the day she is discovered unconscious in a New England cemetery at the beginning of the twentieth century - nothing but a bowling ball, a candlepin and fifteen pounds of gold on her person - Bertha Truitt is an enigma to everyone in Salford, Massachusetts. An epic family saga set against the backdrop of twentieth century America from one of America's sharpest pens. 
Maoism: A global history by Julia Lovell      $40
Mao's ideas became a driver for political change throughout the world and their continued influence today is often underappreciated. 



The Death of Murat Idrissi by Tommy Wieringa         $38
Two women on a journey travel to the land of their fathers and mothers. They had no idea, when they arrived in Morocco, that their usual freedoms as young European women would not be available. So, when the spry Saleh presents himself as their guide and saviour, they embrace his offer. He extracts them from a tight space, only to lead them inexorably into an even tighter one: and from this far darker space there is no exit. Their tale of confinement and escape is as old as the landscapes and cultures so vividly depicted in this story of where Europe and Africa come closest to meeting, even if they never quite touch.
The Four Horsemen by Richard Dawkins, Christopher Hitchens, Daniel C. Dennett and Sam Harris        $27
A record of the seminal discussion that launched 'new atheism' as a cultural phenomenon. 
Scarfie Flats of Dunedin by Sarah Gallagher and Ian Chapman     $50
A fascinating and thoroughly documented historical survey of the named student flats and the equally shambolic student culture that festered in them. 
>>Springing from the ongoing Flat Names Project.
CULTURE SALE
Wonderful books at reduced prices: art, literature, music, design, architecture, cooking, photography, fashion, gardening, writing, &c. Come and browse or choose on-line











In Hazel and the Snails by Nan Blanchard, this week's beautifully written Book of the Week, six-year-old Hazel tends her colony of shoe-box snails while observing, with varying degrees of understanding, her father's illness and decline. 
>> Read Stella's review
>> Read an excerpt
>> The book is beautifully illustrated by Giselle Clarkson
>> Meet Nan Blanchard.
>> "A gorgeous book, full of life and humour and sad bits."
>> This is the first title from Kate De Goldi's and Susan Paris's Annual Ink as the New Zealand children's imprint of Massey University Press






















 

Hazel and the Snails by Nan Blanchard, illustrated by Giselle Clarkson    {Reviewed by STELLA}
 The first book off the press for Annual Ink under the umbrella of Massey University Press is a gentle and thoughtful story about a young girl, her love of her snails, and mortality. Hazel is collecting snails, ten of them to be precise. They are friends who aren’t sulking like her older brother, who don’t always wear pink like her friend Meg, and are not telling her to be quiet while Dad is having a lie-down. Told in the voice of a young child, the author Nan Blanchard gets the tone just right. Descriptions of people and happenings, the imaginary wanderings of a child and the silliness of children’s games and wordplay make the setting familiar and comfortable for a young reader. Hazel hassles her brother; describes her two grandmas to perfection (down to their turning up in wet togs with their coats on top because it’s just too hot = damp hugs); has a funny time at the supermarket with Mum when a the woman in purple runs into a stack of post-Christmas shortbread biscuits, sending the tins rolling down the aisle; and hides in the woodshed when the going gets tough. The snails live in the shoe-box and go most places with her - to school, to Meg’s house, to the beach. She cares for them and worries about whether they are happy or not. Do they like the rain? Are they lonely? In this quiet and simple story, there are funny and sad moments. It is a story about being a child and seeing the world from this - sometimes quirky - perspective. It is about illness and mortality and would be useful for any child that has the need for a story that they can relate to, and for any child who has questions. Gentle, thoughtful and undeniably charming, Blanchard has created a compassionate tale, with Hazel, a young child, at its centre - a child who is full of life and questions. It reminds us that children understand more than maybe they let on. Reminiscent of Rose Lagercrantz’s 'Dani' series, it has the same lightness of touch without avoiding life’s rollercoaster of experiences and the impact that this has on all, especially the youngest in our lives. Playful language, delightful descriptions (with a few words much is conveyed) and illustrations (note the snail on the foot of each page) provide the icing on the cake. A debut author to watch. 



































 

The Little Virtues by Natalia Ginzburg  {Reviewed by THOMAS}
Natalia Ginzburg writes the eleven essays in this collection with such clarity, precision and directness that they slip easily back and forth across the line between the particular and the general. Written between 1944 and 1960, the pieces are arranged in two strands. The first strand takes a very particular approach, and are, in my opinion, the most effective. Ginzburg’s evocative account of a damp winter living in Italy’s rural Abruzzi region is full of details of rain and people and mud and walks that shelve perfectly as memories. The reason for their heightened effect becomes apparent when we reach the end of the essay and learn that this winter was the last she spent with her first husband: when they returned to Rome from their exile he was imprisoned and murdered by the fascist wartime government. The four-page essay on her worn-out shoes, written in Rome in 1945 when she was sharing a room with a friend and waiting out the war, says so much about hardship, mental focus and the longing she felt for her children, but is written with such lightness that it conveys much more than it tells. Two essays in this section tell of Ginzburg’s experiences as a foreigner living in England, and maintain an equilibrium between gentle satire and razor-sharp perception: “The English seem somehow aware of their sadness and of the sadness which their country inspires in foreigners. When they are with foreigners they have an apologetic air and appear always anxious to get away,” or, in the very funny essay concerning English food: “As far as the eye can see the countryside stretches - beautiful, green, rustling and damp, wild and at the same time gentle like no other in the world, silent, inedible and odourless.” The character study of her friend, the writer Cesare Pavese (unnamed in the essay), following his suicide in 1950 is full of subtle and succinct observations that evoke the complexities of his existence, and the essay contrasting her personal habits with those of her second husband is revealing without providing any biographical details. Through Ginzburg’s autobiographical writings the reader feels quickly that they know her, even though, even by the end, they still don’t really know anything about her. This ability to compound resonance through detail without resorting to exposition is subtly effective, making the essays independent of their contexts and thereby as fresh to read today and they were when they were written. The second section, or DNA strand, of the collection moves in the other direction across the line between the general and the particular. More theoretical, occasionally approaching being didactic, Ginzburg approaches subjects like ‘My Vocation’, ‘Silence’ or ‘Human Relationships’ and develops her arguments with such a light touch and clarity that the personal is called forth by the general rather than annulled by it. ‘Human Relationships’, describing a lifetime being altered by relationships with friends, lovers, and, most drastically, children, is written in first-person plural throughout. At first this seems like a universal bildungsroman but soon the specificity of the experiences make them clearly the experiences of a single person. Through this specificity, however, the narrative reaches back to the universal, but at a deeper level. The effect reminded me a little of Annie Ernaux’s The Years, which simultaneously tells the author’s own story and the history of twentieth century France in a flat third-person account. Both works clip the tether between experience and its subject and allow experience to fit itself to others. 

NEW RELEASES

Under Glass by Gregory Kan         $25
"The things that are really big and really close are too big and too close to be seen. If the mind were a place, what might it look like?"
A superb new collection from the immensely talented Kan in the form of a dialogue between a series of prose poems tracking a progression through mysteriously affecting landscapes, and a series of verse poems compulsively trying to make sense of this experience, the whole forming a kind of  zone where inner and outer worlds contest for definition. 
Hazel and the Snails by Nan Blanchard       $22
Six-year-old Hazel tends her colony of shoebox snails while observing, with varying degrees of understanding, her father's illness and final decline. A nicely written New Zealand junior chapter book. 


Thomas Bernhard: 3 Days from the film by Ferry Radax         $45
A beautifully produced volume of film stills and quotes from Radax's stunning minimalist 1970 film of Bernhard sitting on a park bench and (not) giving an account of his life, ideas and writing methods. 
>> An excerpt from the film
John Scott: Works by David Straight        $70
Featuring 25 buildings by this outstanding yet hitherto underdocumented architect, with essays from Douglas Lloyd Jenkins, Hana Scott, Bill McKay and Gregory O'Brien.


Because a Woman's Heart is Like a Needle at the Bottom of the Ocean by Sugar Magnolia Wilson      $25
"A reading treasure trove that shifts form and musical key; there are letters, confessions, flights of fancy, time shifts, bright images, surprising arrivals and compelling gaps. Lines stand out, other lines lure you in to hunt for the missing pieces. There is grief, resolve, reflection and terrific movement." - Paula Green
>> An interview with SMW


Gingerbread by Helen Oyeyemi        $38
A boundlessly imagined novel using fairy tale tropes, talking dolls, immigrants from forgotten countries and brushes with death to create a compelling and deeply satisfying story.
"A writer of sentences so elegant that they gleam." - Ali Smith
"Exhilarating. A wildly imagined, head-spinning, deeply intelligent novel." - The New York Times Book Review
"Is there an author working today who is comparable to Helen Oyeyemi? She might be the only contemporary author for whom it’s not hyperbole to claim she’s sui generis, and I don’t think it’s a stretch either to say she’s a genius, as opposed to talented or newsworthy or relevant or accomplished, each of her novels daring more in storytelling than the one before. After reading any of her novels or her short story collection, you emerge as if from a dream, your sense of how things work pleasurably put out of order. If we read procedurals to enjoy a sense of order restored, everything put it in its place, we read Oyeyemi for the opposite reason, yet she is no less suspenseful." - Los Angeles Review of Books
>> A twist on 'Hansel and Gretel'.
Hidden Light: Early Canterbury and West Coast photographs by Ken Hall and Haruhiko Sameshima     $50
Remarkable and often surprising images of both people and places. 


Dead Letters: Censorship and subversion in New Zealand, 1914-1920 by Jared Davidson        $35
Starting from an archive of letters that were intercepted and opened during and just after World War 1, this book provides fascinating insight into the types of persons considered a 'threat' to the country in this period: a feisty German-born socialist, a Norwegian watersider, an affectionate Irish nationalist, a love-struck miner, an aspiring Maxim Gorky, a cross-dressing doctor, a nameless rural labourer, an avid letter writer with a hatred of war, and two mystical dairy farmers with a poetic bent. What is remarkable is the extent of state surveillance in this period, a time when the rights to privacy and freedom of expression were seldom considered. 
Salt and Time: Recipes from a modern Russian kitchen by Alissa Timoshkina          $45

"Often we need distance and time, both to see things better and to feel closer to them. This is certainly true of the food of my home country, Russia - or Siberia, to be exact. When I think of Siberia, I hear the sound of fresh snow crunching beneath my feet. Today, whenever I crush sea salt flakes between my fingers as I cook, I think of that sound. In this book I feature recipes that are authentic to Siberia, classic Russian flavour combinations and my modern interpretations. You will find dishes from the pre-revolutionary era and the Soviet days, as well as contemporary approaches - revealing a cuisine that is vibrant, nourishing, exciting and above all relevant no matter the time or the place." Nicely done. 
Nature's Mutiny: How the Little Ice Age transformed the West and shaped the present by Philipp Blom         $50
"Europe where the sun dares scarce appear For freezing meteors and congealed cold." - Christopher Marlowe
From the end of the sixteenth century and through the seventeenth, Europe was profoundly altered by a drop in temperatures that affected the ways in which societies sustained and maintained themselves. Blom's excellent history of the impacts of that period of climate change shows how apocalyptic weather patterns not only destroyed entire harvests and incited mass migrations but also gave rise to the growth of European cities and the appearance of capitalism. 
The Map of Knowledge: How Classical ideas were lost and found, A history in seven cities by Violet Moller         $40

Moller traces the journey taken by the ideas of Euclid, Galen and Ptolemy through seven cities and over a thousand years. In it, we follow them from sixth-century Alexandria to ninth-century Baghdad, from Muslim Cordoba to Catholic Toledo, from Salerno's medieval medical school to Palermo, capital of Sicily's vibrant mix of cultures, and - finally - to Venice, where that great merchant city's printing presses would enable Euclid's geometry, Ptolemy's system of the stars and Galen's vast body of writings on medicine to spread even more widely. 
The Black and the White by Geoff Cochrane       $25
Cochrane built his house on the literary margins and has stayed there, lobbing his witty, irreverent, compact poems against all comers. 
>> Shuker on Cochrane


Death is Hard Work by Khaled Khalifa         $33
Abdel Latif, an old man from the Aleppo region, dies peacefully in a hospital bed in Damascus. His final wish, conveyed to his youngest son, Bolbol, is to be buried in the family plot in their ancestral village of Anabiya. Though Abdel was hardly an ideal father, and though Bolbol is estranged from his siblings, this conscientious son persuades his older brother Hussein and his sister Fatima to accompany him and the body to Anabiya, which is only a two-hour drive from Damascus.There’s only one problem: Their country is a war zone.With the landscape of their childhood now a labyrinth of competing armies whose actions are at once arbitrary and lethal, the siblings’ decision to set aside their differences and honor their father’s request quickly balloons from a minor commitment into an epic and life-threatening quest. Syria, however, is no longer a place for heroes, and the decisions the family must make along the way—as they find themselves captured and recaptured, interrogated, imprisoned, and bombed—will prove to have enormous consequences for all of them. 
“Refusing to look away from its characters’ challenges, the novel is clear-eyed in its presentation of living in a war zone. Winner of the Naguib Mahfouz Medal for Literature, Syrian author Khalifa reaches readers with a style that is straightforward, true, and profound.” Booklist 
How Proust Can Change Your Life by Alain de Botton      $25
Can In Search of Lost Time be read as a self-help manual (perhaps the world's longest and best-written)? De Botton certainly conveys something of the sheer enjoyment that can be had in this book that was written in a cork-lined room. 
"Curious, humorous, didactic and dazzling." - New Yorker
Gunpowder and Geometry: The life of Charles Hutton, pit boy, mathematician and scientific rebel by Benjamin Wardhaugh     $40
The remarkable story of the English mathematician and surveyor (1737 – 1823), a child labourer in the coal mines who became professor of mathematics at the Royal Military Academy, Woolwich and is remembered for his calculation of the density of the earth.
"Mathematics remains a bedrock of our society. This wonderful book goes a long way in highlighting why." - New Scientist



Lotharingia: A personal history of Europe's lost country by Simon Winder       $38
In 843 AD, the three surviving grandsons of the great emperor Charlemagne met at Verdun. After years of bitter squabbles over who would inherit the family land, they finally decided to divide the territory and go their separate ways. In a moment of staggering significance, one grandson inherited the area we now know as France, another Germany and the third received the piece in between: Lotharingia. What happened to this country? 


The Existential Englishman: Paris among the artists by Michael Peppiatt         $55

This memoir of bohemian life chronicles Peppiatt's relationship with Paris in a series of vignettes structured around the half-dozen addresses he called home as a young art critic. Following the social and political upheavals of 1968, Peppiatt traces his precarious progress from junior editor to magazine publisher, recalling encounters with a host of figures at the heart of Parisian artistic life - from Sartre, Beckett and Cartier-Bresson to Serge Gainsbourg and Catherine Deneuve. All sharply observed. From the author of the revelatory Francis Bacon in Your Blood
Against Nature by Joris-Karl Huysmans        $28
A new edition of À Rebours, the epitome of the decadent novel, written in 1884 and describing its antihero's rejection of bourgeois values and his radical aestheticism and inertia. Oscar Wilde and the wider Symbolist movement were very influenced by the book, both in their private lives (so to call them) and their artistic production (so to call it). 
The Good University: What universities actually do, and why it's time for radical change by Raewyn Connell        $34
Corporate models and government cuts have led to the commodification of education and a loss of purpose in the tertiary sector. Connell argues for the reacknowledgement of education as a primary social good, and for a reorganisation and refunding of universities as an expression of this.
A Wrinkle in Time: The graphic novel by Madeleine l'Engle, adapted and illustrated by Hope Larson          $36
"This adaptation is fabulous for presenting a fresh vision to those familiar with the original, but it's so true to the story's soul that even those who've never read it will come away with a genuine understanding of l'Engle's ideas and heart."  - Booklist


Catalonia: Recipes from Barcelona and beyond by José Pizarro     $45
Bring the experience of eating in the little bars of Barcelona to your own kitchen.
The Aviator by Eugene Vodolazkin          $23
A man wakes up in a hospital bed, with no idea who he is or how he came to be there. The only information the doctor shares with his patient is his name: Innokenty Petrovich Platonov. As memories slowly resurface, Innokenty begins to build a vivid picture of his former life as a young man in Russia in the early twentieth century, living through the turbulence of the Russian Revolution and its aftermath. But soon, only one question remains: how can he remember the start of the twentieth century, when the pills by his bedside were made in 1999? Now in paperback.

>> What history cannot teach us
Exploded View by Carrie Tiffany       $35
In the late 1970s, in the forgotten outer suburbs, a girl has her hands in the engine of a Holden. A sinister new man has joined the family. He works as a mechanic and operates an unlicensed repair shop at the back of their block. The family is under threat. The girl reads the Holden workshop manual for guidance. She resists the man with silence, then with sabotage. She fights him at the place where she believes his heart lives – in the engine of the car.


Colour: A visual history from Newton to Pantone by Alexandra Loske        $60
Traces 400 years of art through scientific discoveries, pigment development and exemplary works. 
The Safest Lie by Angela Cerrito         $16
It's 1940, and nine-year-old Anna Bauman and her parents are among the 300,000 Polish Jews struggling to survive the wretched conditions in the Warsaw ghetto. Anna draws the attention of a woman called Jolanta - a code name of the real-life resistance spy Irena Sendler, who smuggled hundreds of children out of the ghetto. Jolanta wants to help Anna escape, but first Anna must assume a new identity, that of Roman Catholic orphan Anna Karwolska. Whisked out of the ghetto to a Christian orphanage, Anna struggles to hide her true identity... until she slowly realizes that the most difficult part of this charade is not remembering the details of her new life, but trying not to forget the old one entirely.
Let's No-One Get Hurt by Jon Pineda        $28
Fifteen-year-old Pearl lives a marginal life in a dilapidated boathouse with her father and two other adult men in the US South. Pearl, socially isolated among the scavenging adults and feeling stunted, meets Mason Boyd, son of the wealthy family who recently bought up the land she is squatting on.
"An inventive and powerful coming of age story about the search for community and all the ways our ties to one another come undone. Jon Pineda has a poet's eye for the details of this vivid, haunting landscape, and he brings it blazingly to life." - Jenny Offill


Maybe Esther by Katja Petrowskaja       $25
A beautifully written and compelling account of the author's quest to discover the extent to which members of her family were submerged by the upheavals of 20th century European history. Her great-uncle, who shot a German diplomat in Moscow in 1932, was sentenced to death. Her Ukrainian grandfather disappeared during World War II and reappeared forty years later. Her great-grandmother - whose name may or may not have been Esther was too old and frail to leave Kiev when the Jews there were rounded up, and was killed by a Nazi outside her house. Now in paperback. 


Faber Stories series         $10 each
A nicely presented series of outstanding short stories from Kazuo Ishiguro, Djuna Barnes, Sally Rooney, Samuel Beckett, Flannery O'Connor, Robert Aickman, Edna O'Brien, P.D. James, Akhil Sharma, Sylvia Plath, and others. 













BOOKS @ VOLUME #118 (9.3.19)
Find out what we've been reading and about some of the new releases that arrived this week. Find out which books are short-listed for the Ockhams. Choose yourself something from our culture sale.




















 

Lunch Witch Knee-Deep in Niceness by Deb Lucke   {Reviewed by STELLA}
What could possibly go wrong for Grunhilda the Black Heart? Grunhilda, the lunch lady extraordinaire, sets out for a usual day at the school canteen: for a day of horridness, grouchiness and mean little plans. After all, she has to live up to her reputation as a wicked witch, and keep the ancestors satisfied that all is gloom and doom in the little town of Salem. Yet back at home, her dog (who used to be a tax accountant) Mr Archibald Williams smells a rat: Grunhilda has been hiding something from Mr Williams, the bats and Louise the spider. She’s been hiding a spot of niceness! Mr Williams, in an attempt to keep this news from the Ancestors, makes a terrible mistake. He retrieves the book, The-Book-That-Is-Not-To-Be-Used-For-Good, from the recesses of the room (from well under the bed), and sets out to rectify the situation. Despite dire warnings from Louise the Spider, Mr Williams is determined, and unfortunately accidentally casts a spell. A spell of shocking results - Vince’s Potion of Positivity! While Grunhilda is doing her best to make special ‘ham’ and bean slop (strangely, all the erasers have gone missing) a scent is wafting across the town of Salem, filling everyone with good thoughts, confidence and a 'can-do' attitude. The dullard School Principal is suddenly full of vim and enthusiasm, the children are asking for second helpings of lunch, and poor Scout (a helpful lad) can’t find anyone to help (and so can’t earn his scout badges for good deeds) as everyone is ever-so-confident and super-positive. Dancing in the streets and way too much good fun, not to mention the smell of ‘positivity’, rouses the Ancestors from their coffins and they are not happy! What will Grunhilda do to rectify the situation and get back into their good (bad) books? Deb Lucke’s graphic novel for children Lunch Witch Knee-Deep in Niceness is hilarious fun and wonderfully illustrated complete with splats of spell ingredients.  





























 

Proleterka by Fleur Jaeggy   {Reviewed by THOMAS}
“Children lose interest in their parents when they are left. They are not sentimental. They are passionate and cold. In a certain sense some people abandon affections, sentiments, as if they were things. With determination, without sorrow. They become strangers. They are no longer creatures that have been abandoned, but those who mentally beat a retreat. Parents are not necessary. Few things are necessary. The heart, incorruptible crystal.” Fleur Jaeggy’s unforgettable short novel, named after the ship upon which the narrator, aged fifteen, and her estranged father (unreachable, “aloof from himself”) spend an unprecedented and unrepeated fourteen day cruise in the Greek Islands with members of the Swiss guild to which the father belongs, is a catalogue of mental retreat, relinquishment, estrangement, loss, and turning away: enervations towards a non-existence either hurried or postponed but inevitable to all. Jaeggy’s short sentences each have the precision of a stiletto: each stabs and surprises, making tiny wounds, each with a drop of glistening blood. When the narrator looks at her father Johannes’s diary, “written by a man precise in his absence,” her description of it could be of her own narration: “It is proof. It is the confirmation of an existence. Brief phrases. Without comment. Like answers to a questionnaire. There are no impressions, feelings. Life is simplified, almost as if it were not there.” Jaeggy writes with absolute, clinical precision but narrow focus, as if viewing the world down a tube, to great effect. Johannes, for example, is described as having “Pale, gelid eyes. Unnatural. Like a fairy tale about ice. Wintry eyes. With a glimmer of romantic caprice. The irises of such a clear, faded green that they made you feel uneasy. It is almost as if they lack the consistency of a gaze. As if they were an anomaly, generations old.” The account of the Greek cruise forms the core of the novel, but it is preceded, intercut and followed by memories of childhood and of subsequent events (mostly the deaths of almost everyone mentioned), all related closely in the present tense, but non-sequential, resulting in a sense of time not dissimilar to that experienced when repeatedly tripping over an unseen obstacle. Most of the book is narrated in the first person but the narrator achieves a degree of detachment from incidents that threaten “the exceedingly fine line between equilibrium and desperation” by relating them in the third person, referring to herself as “Johannes’s daughter”: the death of Orsola (the maternal grandmother with whom she lived after her parents’ divorce, her mother’s effective disappearance, her father’s sudden poverty and his effective exile from her life) and the violent sexual experiences to which she opens herself with two of the sailors: “I don’t like it, I don’t like it, she thinks. But she does it all the same. The Proleterka is the locus of experience. By the time the voyage is over, she must know everything. At the end of the voyage, Johannes’s daughter will be able to say: never again, not ever. No experience ever again.” The narrator writes her memories not so much to remember as to forget, to relinquish. Words turn experience into story, which interposes itself between experience and whoever is oppressed by it. As Jaeggy writes, “people imagine words in order to narrate the world and to substitute it.”