NEW RELEASES
Mezzaluna: Selected poems by Michele Leggott         $35
Mezzaluna gathers work from critically acclaimed poet Michele Leggott's nine collections, from Like This? (1988) to Vanishing Points (2017). Leggott's poetry covers a wide range of topics rich in details of her New Zealand life, full of history and family, lights and mirrors, the real and the surreal. Leggott writes with tenderness and courage about the paradoxes of losing her sight and remaking the world in words. 
Figuring by Maria Popova          $33
“How, in this blink of existence book-ended by nothingness, do we attain completeness of being?” From the creator of the hugely popular Brainpickings blog.
"A highly original survey of life, love and creativity; an intellectual odyssey that challenges easy categorisation. It interweaves the 'invisible connections' between pioneering scientists, artists and writers to create a tapestry of ideas and biographies. Her approach subverts the idea that lives 'unfold in sensical narratives'. Popova’s unique act of 'figuring' in this book is to create resonances and synchronicities between the lives of visionary figures." —Guardian
Nancy by Bruno Lloret            $33
In a small city in northern Chile, between the Pacific Ocean and the Atacama Desert, a dying woman relives her childhood and adolescence in vivid detail. In the trance induced by her illness, she recalls the breakup of her family, the disappearance of her brother, the defection of her mother, her father’s conversion to Mormonism, scenes of sexual discovery, violence and poverty played out in a degraded landscape, against the oppressive and ecstatic backdrop of religious belief. ‘This world is a desert of crosses,’ Nancy’s father tells her – and crosses in bold make up the very fabric of the novel: X marks which can be read as multiplication symbols, scars, locations on a treasure map; or as signs of erasure and the approach of death, like the cancer that threatens Nancy’s life and memories.
Sado by Mikaela Nyman          $30
Friday 13 March, 2015: Category 5 Tropical Cyclone Pam makes landfall with devastating consequences. Vanuatu is bruised but not broken. Reeling from the loss of livelihood and struggling to meet basic human needs, people start to reassemble their lives. Cathryn is an NGO worker from New Zealand who has a ruined home, a teenage son and a Ni-Vanuatu boyfriend she hasn’t heard from since the phone lines went dead. Faia is a community organiser, a radio journalist and a survivor who fights for women to be heard. Together and apart they navigate their places in the complex cultural and social systems of Vanuatu, where tradition clashes with modern urban life.
The Sweet Indifference of the World by Peter Stamm        $28
A writer haunted by his double blurs the line between past and present, fiction and reality, in his attempt to outrun — or to accept —the unknown. Is Christof living his life a second time, with a twenty-year lag? 
"Everything Peter Stamm turns his hand to is highly disturbing, acutely perceptive, and unfathomably gripping." —Rupert Thomson
Low by Jeet Thayil          $33
In the new novel from the author of Narcopolis and The Book of Chocolate Saints, a man’s journey to Mumbai to sprinkle his beloved’s ashes turns into a drug-fuelled trip to oblivion. 
"Jeet Thayil delights not just in pushing the bounds of possibility, but in smashing them to smithereens." —John Burnside




To the Lake: A Balkan journey of war and peace by Kapka Kassabova         $40
Kassabova journeys to the Macedonian lakes of Ohrid and Prespa, which she had visited as a child and which she associates particularly with her grandmother, and contrasts her own peripatetic history with the endlessly dramatic history of the "nerve centre of the Balkans". 
Sun and Rain by Ana Roš       $95
A personal chef monograph, and the first book, from globally-acclaimed chef Ana Roš of Hisa Franko in Slovenia. Set near the Italian border in Slovenia's remote Soča valley, in the foothills of mountains and beside a turquoise river full of trout, Ana Roš tells the story of her life. Through essays, recollections, recipes, and photos, she shares the landscape that inspires her, the abundant seasonal ingredients from local foragers, the tales of fishing and exploring, and the evolution of her recipes. 
>>Visit Hisa Franko
Xenofeminism by Helen Hester         $24
In an era of accelerating technology and increasing complexity, how should we reimagine the emancipatory potential of feminism? How should gender politics be reconfigured in a world being transformed by automation, globalization and the digital revolution?
Specimen by Madison Hamill         $30
Shape-shifting personal essays probing the ways in which a person’s inner and outer worlds intersect and submit to one another. Discomfiting, vivid and funny. 
"I never felt that I was looking at fine writing — only at astonishing writing." —Elizabeth Knox
>>'Ethnography of a Ranfurly Man'

>>'Specimen'.
Mihaia: The prophet Rua Kenana and his community at Maungapohatu by Judith Binney, Gillian Chaplin and Craig Wallace       $50
A new edition of this important book, recording key elements of the Tuhoe resistance in the Urewera, and featuring documentary photographs. 


Our Bodies Their Battlefield: What war does to women by Christina Lamb        $40
An important and angry book about rape used as a weapon of war, and about history's airbrushing of their plights. 
>>"Required reading." —Peter Frankopan, Guardian
Poetry New Zealand Yearbook, 2020 edited by Johanna Emeney        $35
133 new poems (including by this year's featured poet, rising star essa may ranapiri, and C.K. Stead, Elizabeth Smither, Kevin Ireland, Chris Tse, Gregory Kan, Fardowsa Mohammed and Tracey Slaughter); essays (including a graphic essay by Sarah Laing); and reviews of new poetry collections.
The One that Got Away by Jennifer Palgrave [Hilary Lapsley & Lois Cox]        $34
Wellingtonian Lauren Fraser is easing into a comfortable retirement when her historian friend Ro reveals a shocking secret. Ro’s research has uncovered the attempted poisoning of a New Zealand prime minister. Why has the plot been covered up? As they get closer to the truth, Lauren and Ro find themselves in danger. Set as Jacinda Ardern’s government comes to power, one death follows another, and a cold case is not all they have on their hands.
Dark Empire: Wellington, 1916 by John Horrocks        $35
Katherine Mansfield created some of literature’s most chilling characters, not least Harry Kember and his wife. They seemed out of place among the families enjoying summer holidays at Wellington’s Days Bay. Some of the women at the Bay thought that one day Harry would commit a murder. Twenty years later, Harry controls Wellington’s criminal underworld. It is wartime, but business is brisk at his complex of sly grog shops and brothels. His financial dealings have also begun to ensnare more upright citizens such as Stanley Burnell. When Detective Sergeant Tom Guthrie is asked to investigate the drowning of a prisoner from Somes Island, he learns that the man is Burnell’s brother-in-law, who worked for both him and Kember. Neither wants to talk about him, while Kate Benson, a journalist at Truth, finds it is dangerous to ask questions about the dead man.
Women Artists by Linda Nochlin, edited by Maura Reilly          $60
Linda Nochlin was one of the most accessible, provocative, and innovative art historians of our time. In 1971, she published 'Why Have There Been No Great Women Artists?' — a dramatic feminist call to arms that questioned traditional art historical practices and led to a major revision of the discipline. Women Artists brings together twenty-nine essential essays from throughout Nochlin's career. Included are 'Women Artists After the French Revolution' and 'Starting from Scratch: The Beginnings of Feminist Art History', as well as her landmark 1971 essay and its rejoinder, 'Why Have There Been No Great Women Artists?' Thirty Years After.' These appear alongside monographic entries focusing on a selection of major women artists, including Mary Cassatt, Louise Bourgeois, Cecily Brown, Kiki Smith, Miwa Yanagi, and Sophie Calle.
Diamond Dogs by Glenn Hendler         $22
After his breakthrough with Ziggy Stardust and before his US pop hits Fame and Golden Years David Bowie produced a dark and difficult concept album set in a post-apocalytic 'Hunger City populated by post-human 'mutants'. Diamond Dogs includes the great glam anthem 'Rebel Rebel' as well a variety of other songs such as one of Bowie's best piano ballads, a Moog-centered tune that sounds like Emerson Lake and Palmer, and a cool funk groove. But it also contains grinding discordant guitar experimentation, a noise collage, a weird repetitive chant, and utterly unique songs that combine lush romantic piano and nearly operatic singing with scratching, grungy guitars, creepy, insidious noises, and dark, pessimistic lyrics that reflect the album's origin as a projected Broadway musical version of Orwell's 1984. In this book Glenn Hendler shows that Diamond Dogs was an experiment with the intimate connection Bowie forged with his audience. Each song on Diamond Dogs shifts the ground under you as you listen, not just by changing in musical style, but by being sung by a different "I" who directly addresses a different "you." 
AUP New Poets 6: Ben Kemp, Vanessa Crofskey Chris Stewart       $30
We shift from Kemp's slow-paced attentive readings of place and people in a selection moving between Japan and New Zealand, to the velocity of Vanessa Crofskey's fierce, funny, intimate and political poetry, which takes the form of shopping lists, Post-it notes, graphs, erasures, a passenger arrival card and even "poetry", and finally to Chris Stewart's visceral take on the domestic, the nights cut to pieces by teething, the gravity of love and the churn of time.
Justice and Race: Campaigns against racism and abuse in Aotearoa New Zealand by Oliver Sutherland         $35
In 1973 Sutherland founded ACORD (Auckland Committee on Racism and Discrimination) in an attempt to expose and address the institutional racism of the New Zealand police, justice and social welfare systems. It laid the groundwork for a national duty solicitor scheme and gained protections for children incarcerated by the state. 
The Irish Cookbook by Jp McMahon          $75
500 home-cooking recipes celebrating the range and quality of Ireland's bounty, from oysters and seaweed on its west coast to beef and lamb from its lush green pastures, to produce and forage from throughout the island. 
The Bell in the Lake by Lars Mytting          $38
The new novel from the author of The Sixteen Trees of the Somme (and Norwegian Wood), is fitted together live the staves of a Norwegian stave church. As long as people could remember, the stave church's bells had rung over the isolated village of Butangen, Norway. Cast in memory of conjoined twins, the bells are said to ring on their own in times of danger. In 1879, young pastor Kai Schweigaard moves to the village, where young Astrid Hekne yearns for a modern life. She sees a way out on the arm of the new pastor, who needs a tie to the community to cull favor for his plan for the old stave church, with its pagan deity effigies and supernatural bells. When the pastor makes a deal that brings an outsider, a sophisticated German architect, into their world, the village and Astrid are caught between past and future, as dark forces come into play.
False Value ('Rivers of London' #8) by Ben Aaronovitch         $35

Peter Grant, detective and apprentice wizard, returns to solve magical crimes in the city of London. Grant is facing fatherhood, and an uncertain future, with equal amounts of panic and enthusiasm. Rather than sit around, he takes a job with Silicon Valley tech genius Terrence Skinner's brand new London start up, the Serious Cybernetics Company. Drawn into the orbit of Old Street's famous 'silicon roundabout', Peter must learn how to blend in with people who are both civilians and geekier than he is. Terrence Skinner has a secret hidden in the bowels of the SCC, a technology that stretches back to Ada Lovelace and Charles Babbage, and forward to the future of artificial intelligence — a secret that is just as magical as it technological (and just as dangerous).
































 

Northern Lights ('His Dark Materials' #1) by Philip Pullman    {Reviewed by STELLA}   
Why is Philip Pullman so good? In anticipation of our children’s book group this Thursday, I’ve recently re-read Northern Lights, the first book in the 'His Dark Materials' trilogy, in part to remember the details and to also untangle pieces of the excellent TV series adaptation which includes parts of Will’s story (you don’t meet Will until book two - The Subtle Knife). Enter Lyra’s world — you won’t want to leave. Lyra lives at Jordan College, Oxford, under the protection of the Masters. She was delivered there as a baby by her uncle, Lord Asriel, with strict instructions to keep her safe. But safe from what? In Lyra’s world the inhabitants have daemons — animal companions — who are tied to them for life, travel in airships, have some advanced forms of technology (similar to our world but known by different names), even while outwardly the society seems more old fashioned; there are armoured bears and ancient witches and a keen interest in science, exploration and power. And power and the desire to control powerful elements lies at the heart of this novel. When Lyra’s friend Roger is kidnapped by Gobblers and disappears, Lyra and Pantalaimon (her daemon) are determined to rescue him. Little does she know that her life at Jordan College is about to change with the entrance of Mrs Coulter. Mrs Coulter — glamorous, intelligent and manipulative — with her golden monkey and her desire to control ‘Dust’, is madly obsessive and righteously evil. She will stop at nothing for what she believes in. She will make you shiver each time she appears on the page. Captivated by Mrs Coulter’s promises and flattery, Lyra is whisked away to London in a private Zeppelin. Realising she has been trapped, she escapes only to be captured by Gobblers and then rescued by the Gyptians. Here starts her journey to the North, one of the most epic and intriguing quests in children’s writing. And this isn’t just a journey to rescue Roger, but also the other children who have disappeared (and are in mortal danger), and a journey of discovery for Lyra. Who is she? Who are her parents? Why was she left at Jordan College and why do the witches have a prophecy about her? The Gyptians, an armoured bear, a Texas aeronaut (he flies a hot air balloon), and the witch clans will all come together not only to help Lyra but to fight for their world and all that is right in it. The world is being disturbed — the Magisterium with Mrs Coulter at its centre are experimenting, as is Lord Asriel — and at its heart is a child, Lyra Belacqua. Northern Lights was so enticing that I have not left Lyra’s side and promptly re-read The Subtle Knife and now The Amber Spyglass. (After this you can read the first two instalments of 'The Book of Dust trilogy' — La Belle Sauvage and The Secret Commonwealth). Mesmerising in their story-telling and layers of meaning, Pullman's trilogies are exceptional.  





























Weather by Jenny Offill        {Reviewed by THOMAS}
Climate is only experienced as weather. Climate becomes comprehensible only when experiences of weather are arrayed over time. To read a novel — especially one written in the present tense as is Jenny Offill’s new novel — is to experience moments of ‘weather’, each moment the expression of, or contributing to, the ‘climate’ of the book. Weather is written as a series of brief paragraphs or observations — moments — that read as waspish autofiction, very funny but borne by an underlying anxiety that particularises itself in the narrator’s life but is indicative of wider — ‘climactic’ — ills (climate change, far right extremism, the struggle for meaning and fulfilment against the last throes of capitalism and the obligations and limitations of your personal circumstances, &c). Lizzie’s life is a seemingly endless round of underachievement and misdirection. She failed to complete her degree; she ends up working in an academic library and answering e-mails for her former supervisor; her husband is also not doing what he would like to be doing but working in IT; she cares for and worries about, and worries about caring for, her son and her dog; her relationship with her ex-addict brother has all the signs of co-dependency; she can’t help viewing the daily circumstances of her life with a scorn that is at once protective and reflexive. The narrative arc of her life is shaped by a downward pull (which, after all, is what makes an arc of anything that has propulsion or is caught up in some sort of propulsion not its own). Her yoga teacher says to her, “You seem to identify down, not up. Why do you think that is?” Her life is moving through the years, but she is finding it increasingly hard to feel connected with what is supposed to be important to her: her husband and child, her hopes and intentions (whatever they were). “My #1 fear is the acceleration of days. No such thing, supposedly, but I swear I can feel it.” Her prioritising — or induction — of her brother’s neediness, and her existential fecklessness and feelings of entrapment in her circumstances (“I hate everyone, I said. Mildly, I’ll argue, but not mildly enough apparently.”) leads to her husband and son going on holiday without her, and Lizzie flirts with the idea of being the object of the attention of a man she meets first on a bus. Chronic inertia and congenital underachievement are virtues as much as they are weaknesses, though, and, when Lizzie’s husband returns, the novel ends on a quietly cosy note that is somehow radical in its affirmation of small moments of hopeful weather in a climate definitely changing for the worse. 
A hotel room is a place that is at once no place and any place, a place that relieves the occupant of the external markers of her identity and allows the forces of memory and inclination to rise to the surface. In our Book of the Week, Strange Hotel by Eimear McBride, a woman interrogates herself (and interrogates her interrogation) in a series of hotel rooms across the world, keeping the past at an ever-shrinking distance through the language she uses. Subtly observed and exquisitely written. 
>>Read Thomas's review
>>An interesting interview with Eimear McBride.
>>"I'm bored with how women are portrayed."The author introduces the novel in a hotel room
>>Writing before thought. 
>>"Women are really angry.
>>On the avoidance of memory through language
>>(Much of the book was written as the inaugural Beckett Creative Fellow)
>>More about McBride
>>Read Thomas's review of Eimear McBride's A Girl is a Half-Formed Thing
>>An interview about that novel. 
>>The Lesser Bohemians
>>Read Strange Hotel

NEW RELEASES
The Mirror and the Light ('Wolf Hall' #3) by Hilary Mantel        $50
"If you cannot speak truth at a beheading, when can you speak it?"*
The intensely and long-anticipated and superlatively wonderful conclusion of Mantel's trilogy based on the life of Thomas Cromwell (1485—1540).
*Apologies for the spoiler! 
"A novel of epic proportions, every bit as thrilling, propulsive, darkly comic and stupendously intelligent as its predecessors. This is a masterpiece that will keep yielding its riches, changing as its readers change, going forward with us into the future." —Guardian

Weather by Jenny Offill         $33
Very funny on top of an underlying anxiety, Offill's new novel is absolutely on the pulse. The burdens and ironies of contemporary urban life — motherhood, sisterhood, wifehood, workerhood — are exemplified in Lizzie's endless surges of underachievement and misdirection. 
"Perhaps the most powerful portrait of Trump’s America yet." —Guardian
>>Read Thomas's review of Offill's  Dept. of Speculation.
Hurricane Season by Fernanda Melchor          $37
The Witch is dead. After a group of children playing near the irrigation canals discover her decomposing corpse, the village of La Matosa is rife with rumours about how and why this murder occurred. As the novel unfolds in a dazzling linguistic torrent, Fernanda Melchor paints a moving portrait of lives governed by poverty and violence, machismo and misogyny, superstition and prejudice. 
"Brutal, relentless, beautiful, fugal, Hurricane Season explores the violent mythologies of one Mexican village and reveals how they touch the global circuitry of capitalist greed. This is an inquiry into the sexual terrorism and terror of broken men. This is a work of both mystery and critique. Most recent fiction seems anaemic by comparison." —Ben Lerner, author of The Topeka School
>>Read an extract
>>Fernanda Melchor in conversation with her translator, Sophie Hughes
Indelicacy by Amina Cain        $26
A cleaning woman at a museum of art nurtures aspirations to do more than simply dust the paintings. Her marriage to a rich man seems to offer a path to liberty and the realisation of her dreams, but having gained a husband, a house and a maid of her own, she finds that her life of privilege is no less constrained. Now that she is, however passively, forcing other women to clean up after her, she realises that a more drastic solution is necessary. 
"The real magic of Cain’s slim novel lies in its restraint and precision." —Observer
>>Read an extract.

>>"Stripped down like a chalk-lined set."   
Imagining Decolonisation by  Rebecca Kiddle, Bianca Elkington, Moana Jackson, Ocean Mercier, Mike Ross, Jennie Smeaton and Amanda Thomas       $15
Decolonisation is a term that scares some, and gives hope to others. It is an uncomfortable and bewildering concept for many New Zealanders yet it needs to be addressed if we are going to build a country that is fair and equal for all who live there.


Topics of Conversation by Miranda Popkey         $33
Popkey's novel follows one woman as she makes her way through two decades of bad relationships, motherhood, crisis and consolation, each new episode narrated through the conversations she has with other women: in private with friends, at late-night parties with acquaintances, with strangers in hotel rooms, in moments of revelation, shame, intimacy, cynicism and desire.
"A brilliant new voice in contemporary fiction." —Ben Marcus
"An intimate evisceration of our narrow imaginings of female sexuality, a brilliantly structured character study and a book that repeatedly asks how women can fully trust their own desires when they've grown up steeped in the wrong stories." —Karen Russell
The Lifers by Michael Steven         $28
From Sean Macgregor's lounge occupied by stoned youths, to three bank robbers en route to the Penrose ANZ, Michael Steven's second poetry collection presents his clear, clean vision of 'the lifers' who inhabit these islands and beyond. A generation's subterranean memories of post-Rogernomics New Zealand are a linking thread, in the decades straddling the millennium, while other poems echo with the ghostly voices of the dead, disappeared and forgotten. 
>>Walking to Jutland Street
Square Haunting: Five women, freedom, and London between the wars by Francesca Wade       $45
Mecklenburgh Square, on the radical fringes of interwar Bloomsbury, was home to activists, experimenters and revolutionaries; among them were the modernist poet H. D., detective novelist Dorothy L. Sayers, classicist Jane Harrison, economic historian Eileen Power, and writer and publisher Virginia Woolf. They each alighted there seeking a space where they could live, love and, above all, work independently. 
"Outstanding. I'll be recommending this all year." —Sarah Bakewell
"A beautiful and deeply moving book." —Sally Rooney
Going Dark: The secret social lives of extremists by Julia Ebner       $33
By day, Julia Ebner works at a counter-extremism think tank, monitoring radical groups from the outside, but two years ago, she began to feel that she was only seeing half the picture. She needed to get inside the groups to truly understand them. So she decided to go undercover in her spare hours - late nights, holidays, weekends - adopting five different identities, and joining a dozen extremist groups from across the ideological spectrum. Her journey would take her from a Generation Identity global strategy meeting in a pub in Mayfair, to a Neo-Nazi Music Festival on the border of Germany and Poland. She would get relationship advice from 'Trad Wives' and Jihadi Brides and hacking lessons from ISIS. She was in the channels when the alt-right began planning the lethal Charlottesville rally, and spent time in the networks that would radicalise the Christchurch terrorist. In Going Dark, Ebner takes the reader on a deeply compulsive, terrifying, illuminating journey into the darkest recesses of extremist thinking, exposing how closely we are surrounded by their fanatical ideology every day, the changing nature and practice of these groups, and what is being done to counter them.  
>>Fear, loathing and democracy in an age of disinformation.
>>"The far right have a safe haven on-line." 
Stories of the Sahara by Sanmao           $33
"When I first arrived in the desert, I desperately wanted to be the first female explorer to cross the Sahara. The thought of it used to keep me up all night." Born in China in 1943, Sanmao moved from Chongqing to Taiwan, Spain to Germany, the Canary Islands to Central America, and, for several years in the 1970s, to the Sahara. Stories of the Sahara invites us into Sanmao's extraordinary life in the desert: her experiences of love and loss, freedom and peril, all told with a voice as spirited as it is timeless.
"Stories of the Sahara has endured for generations of young Taiwanese and Chinese women. Sanmao's prose, which oscillates between memoir and fiction, has a laconic elegance that echoes the Beat poets." —New York Times
"A remarkable and brave book. Sanmao was a freewheeling feminist who broke all the rules and did so with a gleeful, mischievous style. Sanmao deserves all the praise, even if it has been a long time coming." —David Eimer, South China Morning Post
The Climate Dispossessed: Justice for the Pacific in New Zealand? by Teall Crossen        $15
This book explores what a just response to climate change displacement in the Pacific could look like. For many Pacific Islands, talking about plans to abandon their country risks providing the international community with an excuse to not reduce emissions. Yet internal climate change displacement cannot be avoided, and cross-border displacement may become a reality without urgent climate action.
The Beauty and the Terror: An alternative history of the Italian Renaissance by Catherine Fletcher         $40
We revere Leonardo for his art but few now appreciate his ingenious designs for weaponry. We know the 'Mona Lisa' for her smile but not that she was married to a slave-trader. We visit Florence to see Michelangelo's 'David' but see nothing of the thousands who were massacred at the republic's downfall. In focusing on the Medici in Florence and the Borgias in Rome, we miss the vital importance of the Genoese and Neapolitans, the courts of Urbino and Mantua. Rarely do we hear of the women writers, Jewish merchants, the mercenaries, engineers, prostitutes, farmers and citizens who lived the Renaissance every day. An eye-opening book. 
Somewhere: Women's stories of migration edited by Lorna Jane Harvey       $30
From the fleeing refugee to the political and economic migrant, to those seeking new possibilities, a broad range of migration by people of many cultures, ethnicities and beliefs is part of the New Zealand's social fabric. Identity, belonging, assimilation and alienation are some of the key topics in this sometimes sad but also joyful book.


These Silent Mansions: A life in graveyards by Jean Sprackland       $40
"I can remember my life by the graveyards I have known.” Sprackland's elegaic account of a lifetime spent in the gardens of the dead makes us think about these liminal places and the patterns of life and nature distilled therein. 

"Filled with fascinating details and told with a poet's skill." —Guardian
And the Earth Will Sit on the Moon by Nikolai Gogol         $33
New translations by Oliver Ready of six of Gogol's best stories. Includes 'The Nose', 'The Overcoat' and 'Diary of a Madman'. 
This Mournable Body by Tsitsi Dangarembga        $33
Tambudzai, living in a run-down youth hostel in downtown Harare and anxious about her prospects after leaving a stagnant job. At every turn in her attempt to make a life for herself, she is faced with a fresh humiliation, until the painful contrast between the future she imagined and her daily reality ultimately drives her to a breaking point. Written in the second person throughout,This Mournable Body reintroduces the circumstances of the protagonist of Nervous Conditions, published 30 years ago. 
"Magnificent." —Guardian


Look Hamlet by Barbro Lindgren and Anna Höglund      $33
Shakespeare's tragedy boiled down to 100 words, with suitably darkly comic etchings. You always knew, really, that Hamlet was the darkest possible story, so dark it is funny. Irreverent and humane. 










Find out about the books short-listed for each category in the 2020 Ockham New Zealand Book Awards (read the judges' citations below). Click through to reserve your copies from our website. Use the OCKHAMETER to vote for your favourites and to win books.

VOLUME OCKHAMETER
Use the Ockhameter to vote for the books you think should win each section of the 2019 Ockham New Zealand Book Awards (or, alternatively, for the books you think will win each section of the 2019 Ockham New Zealand Book Awards).
Click on the horse to vote.
All entries go the draw to win a copy of each of the four winning books. Entries close 10 May. 


Read the judges' citations and start reading:


JANN MEDLICOTT ACORN PRIZE FOR FICTION
Auē by Becky Manawatu (Mākaro Press)       $35
Becky Manawatu’s remarkable debut novel is a taonga pounamu: raw life polished to a sheen that’s beautiful, warm and stone-hard. Auē introduces orphaned Arama, deposited in rural Kaikōura with his Aunty Kat and hair-trigger Uncle Stu, and his brother Taukiri, a young man fending for himself in the big smoke. There is violence and sadness, not least when Jade and Aroha and Toko stumble into the brutal kinship of gang life. But there is buoyant humour, too, remarkable insights, forgiveness and a massive suffusion of love.

Pearly Gates by Owen Marshall (Vintage, Penguin Random House)      $38

Pearly Gates is the second-time mayor of a provincial South Island town, owner of a thriving real-estate business and dedicated husband to Helen. If he stands for a third time, will he win? Is he actually as beloved as he believes? By keeping the book moving by merely threatening to have a plot, master storyteller Marshall creates a subtle, deliciously sly character study inside a love letter to small-town New Zealand that’s perceptive and funny despite being devotedly understated.
A Mistake by Carl Shuker (Victoria University Press)       $30
In Carl Shuker's novel, an operation in a Wellington hospital goes horribly wrong under the supervision of Elizabeth Taylor, a capable, ambitious female surgeon. A Mistake is a masterful dissection of truth and fallibility, hubris and high-minded sexism, in the form of a literary thriller. This sharp-eyed, sharp-elbowed tale seamlessly combines a close observer's understanding of medicine and its political machinations with keen social observation and rare storytelling nous.
Halibut on the Moon by David Vann (Text Publishing)       $37
This deep, dark and relentless novel tells of Jim, a manic-depressive, who travels from Alaska to California to see his estranged children, his brother, Gary, his distant parents – and a therapist. That it’s told from Jim’s perspective makes it a kind of a grim ventriloquism, with Jim as a mad, blackly humorous truth-teller – even more so when you discover that he’s based on the author’s father. Vann’s mesmerising prose makes it a compelling, fearsomely unsentimental story that speeds along like a freight train in the night.




MARY AND PETER BIGGS AWARD FOR POETRY
Moth Hour by Anne Kennedy (Auckland University Press)       $25
Anne Kennedy puts her extraordinary talents onto the page through ‘variations on a theme’. The poems are sharp, without sentimentalism, and show much deftness in their musicality while being at the same time soft, strong and beautiful. The 1970s era of music, politics, the Vietnam War and social change is evoked without cliché, providing a historical context for both a personal and a political commentary on contemporary society as well as a consideration of the universal experience of death, grief, mourning, and looking back as we age.
How to Live by Helen Rickerby (Auckland University Press)     $25
Helen Rickerby sets down an ambitious manifesto on which she convincingly delivers. Her collection is an exploration of women’s writing throughout history, illuminating the life stories of women as diverse as Hipparchia of Maroneia, Ban Zhao, George Eliot and Mary Shelley. Their stories are set out in striking sequences of poetry that play with form. What do women need to be philosophers? Why are women silenced? Who can tell us how to live? These questions and many others are explored in this clever, engaging and forthright collection.
Lay Studies by Steven Toussaint (Victoria University Press)         $25
Lay Studies is formidably but not inaccessibly brainy, and it’s as much a crash course in Thomist and neoplatonic philosophy as it is an interrogation of goodness, truth and religious faith – concepts that have lost intellectual currency in our neoliberal era but which Steven Toussaint treats with urgency and conviction. Eliot, Zukofsky, Olson and above all Pound – the Pound of the Pisan Cantos – are just some of the evident influences in this densely allusive, theologically questioning collection.
How I Get Ready by Ashleigh Young (Victoria University Press)      $25
An Ashleigh Young poem is a world: hospitable, strange, a little off kilter. The poems in How I Get Ready bristle with humour and curiosity; they are idiosyncratically observant and keenly empathetic. That empathy is extended to the reader – the poems confide and beguile, providing access not just to the speaker’s travails but also to those of lives remote in history: the compulsive disorder of a sensitive young man living in the early 20th Century, for example, or the emotional anguish of the late medieval mystic, Margery Kempe.


ILLUSTRATED NON-FICTION AWARD
Crafting Aotearoa: A Cultural History of Making in New Zealand and the Wider Moana Oceania edited by Karl Chitham, Kolokesa U Māhina-Tuai and Damian Skinner (Te Papa Press)      $85
Challenging the traditional categorisations of art and craft, this significant book traverses the history of making in Aotearoa New Zealand from an inclusive vantage. Māori, Pākehā and Moana Oceania knowledge and practices are presented together, acknowledging the influences, similarities and divergences of each. The engaging texts by over 66 passionate experts discuss traditional and contemporary handmade objects, accompanied by gorgeous images of the works, alongside historical and contemporary photos.
Protest Tautohetohe: Objects of Resistance, Persistence and Defiance edited by Stephanie Gibson, Matariki Williams and Puawai Cairns (Te Papa Press)        $70
Bringing together a variety of protest matter of national significance, both celebrated and previously disregarded, this ambitious book builds a substantial history of protest and activism within Aotearoa New Zealand. The design itself is rebellious in nature and masterfully brings objects, song lyrics and artworks to the centre of our attention. Well written, and with contributions by significant voices, this book retells our national history with sophistication, from contact to 2019, and from an alternative perspective – one of dissent.
We Are Here: An Atlas of Aotearoa by Chris McDowall and Tim Denee (Massey University Press)      $70
This fascinating and unique visual representation of Aotearoa New Zealand reveals us to ourselves, chronicling our history and capturing the present. The authors have brought together complex and often surprising sets of big data, presenting them in genuinely accessible ways. Essays by a range of authors contextualise the visualisations, offering the reader different angles for interpretation. The immediate and easy visual appeal of this book belies the comprehensive research and well-considered representation of Aotearoa. It is relevant to us all.
McCahon Country by Justin Paton (Penguin Random House)         $75
Colin McCahon looms over the art scene of Aotearoa like the Colossus of Rhodes, so high you can’t get over him, so wide you can’t get round him…so the song goes. To get a clearer bead on the artist on the hundredth anniversary of his birth, Justin Paton takes us on a thematic road trip consisting of fourteen illuminating chapters. Into the Valley, across the Bridge and deep into the Night of the artist, we finally arrive at our very own ‘There’, with Colin sitting beside us, no longer an imponderable giant, but as a fellow New Zealander, enjoying the view.


GENERAL NON-FICTION AWARD
Dead People I Have Known by Shayne Carter (Victoria University Press)     $40
Shayne Carter says, ‘I realised that the way to write was to write pretty much the way I talk – kind of terse with some swearing.’ Dead People I Have Known is an illuminating insight into the childhood of a boy who didn’t fit in and was saved by music. This memoir is an honest look at the life of a key figure in New Zealand music; refreshingly brash, reeling off the page with searing honesty, ego and obsession. Rock star writing.
Shirley Smith: An Examined Life by Sarah Gaitanos (Victoria University Press)      $40
Sarah Gaitanos champions the life of Shirley Smith, whose achievements working for human rights and social causes are often overshadowed by the notoriety of her husband, Bill Sutch. Drawn from voluminous archives and the recollections of family and colleagues, a clear picture is presented of a frank, principled woman who swam against the current of her time. Written with clarity, insightful interpretation of sources and a steady tone, a remarkable story is expertly revealed.
Wild Honey: Reading New Zealand Women’s Poetry by Paula Green (Massey University Press)      $45
Addressing an absence of women in the canon, Paula Green has created a broader understanding of our poetic tradition. From drawing the long dead forth from the archives to claiming contemporary songwriters, her house of New Zealand poetry reflects the diversity of Aotearoa and helps us to rethink what poetry is and the kind of people who make it. Inspiring in its knowledge and unique structure, Wild Honey is insightful and enduring.
On the anniversary of the Erebus disaster, Sarah Myles explores forty years of silence and the legacy of grief for one family who lost their grandfather. Her investigations included talking with families, police and others involved in the recovery operation and its aftermath. The story reverberates beyond one family’s grief to encompass the shared experiences of all who were affected. A moving memoir that highlights the importance of talking and of public acknowledgement and memorial.





























 

Here We Are by Graham Swift   
Here we are, but are we? Graham Swift’s novel is set upon the stage — the show stage. Illusion and magic, secrets and mystery, and disillusionment tinged with disloyalty. The scene opens and the stage curtain parts to reveal a man in the wings: Jack Robinson — compère and born entertainer — awaiting the push from the hand of his now absent mother. Yet this man’s bravado will hide another self and reveal over time other selves — not that we will learn too much about this, except through the reminiscences of his widow, Evie White. Evie — one-time show girl (ostrich feather plumes and tiara) and the famously distracting assistant to the magician Pablo. It’s 1959, and on Brighton Pier the summer holiday season is in full swing. Pablo and Eve are shoring up the audiences and their names are rising in the billing order. On stage and off, the act is developing. 'Pablo' is Ronnie Deane, aspiring magician, lad from Bethnal Green — the son of a missing seaman and charwoman — with a past he would rather forget. But, unlike many, it is the war that saved Ronnie. Eight years old, he is bundled onto a train with other evacuees and carried away from London to Oxford and a completely different life: the Lawrences, who take him in, will be his ‘parents’ for the duration of the war, and this experience will mark him out for a life on stage, as well as an unrelenting sense of guilt towards his own mother, Agnes — a guilt which he will find difficult to resolve. The theme of mothers runs through this novel. Evie, Ronnie and Jack all have their mother issue ,and Mrs Lawrence is haunted by her own motherlessness. Swift gently allows us to see the truths between the folds of the curtain, subtly rather than explicitly. Guilt and betrayal along with subterfuge and intrigue are the main players on the stage and in the wings. The taut and close relationship between Ronnie and Jack, and later the third pivot in this saga, Evie, will have consequences that not one of them would have foreseen, and the greatest illusion will take place in the final scene. Swift’s writing is superb, not one word is unnecessary, and the seemingly straightforward story of a child evacuee, the diminishing romance with live entertainment acts in the 1950s, and the complex pressures of relationships between parents and their children, is wonderfully underplayed and fittingly revealing beneath the smoke and mirrors and distractions of the illusion — deception at its best.
>> Read all Stella's reviews.












































Strange Hotel by Eimear McBride     {Reviewed by THOMAS}
To ‘stay’ in a hotel (as opposed to ‘staying’ home) does not mean to remain but merely to await departure. A hotel is not a home away from home but is the opposite of a home, a place where, as McBride puts it, “nothing is at stake,” a place where action and inaction begin to resemble each other, a place where the absence of context allows or invites unresolved pasts or futures to press themselves upon the present without consequence. There is no plot in a hotel; everything is in abeyance. The protagonist in Strange Hotel is present (or presented) in a series of hotels — in Avignon, Prague, Oslo, Auckland, and Austin (all hotels are, after all, one hotel) — over a number of years in what we could term her early middle age. She spends the narrated passages of time mainly not doing something, choosing not to sleep with the man in the room next door, not to throw herself from the window as she waits for a man to leave her room, not to stay in the room of the man with whom she has slept until he wakes up, not to meet a man at the hotel bar, not to let in the man with whom she has slept and who she almost fails to keep at the distance required by her rigour of hotel behaviour. Her ritual self-removal from the stabilising patterns of her ordinary existence — about which we learn little — in the hotels seems designed to reconfigure herself following the death of her partner without either wearing out the memory she has of him or being worn out by it. Slowly, through the series of hotels, she becomes capable of reclaiming herself from her loss, moving from instances where even slight resemblances to experiences associated with her dead partner close down thought (as with the speaker in Samuel Beckett’s Not I) to a point where memory begins to not overwhelm the rememberer, when the hold on the present of the past begins to loosen, when the path to grief loses its intransigence and coherence and no longer precludes the possibility that things could have been and could be different. McBride’s linguistic skill and introspective rigour in tracking the ways in which her protagonist negotiates with her memories through language is especially effective and memorable. Language is a way of avoiding thought as much as it is a way of achieving it: “Even now, she can hear herself doing it. Lining words up against words, then clause against clause until an agreeable distance has been reached from the original unmanageable impulse which first set them all in train.” Her self-interrogation and her “interrogating her own interrogation” “serves the solitary purpose of keeping the world at the far end of a very long sentence,” but as her ‘hotel-praxis’ (so to call it) starts to erode the structures of her ‘grief-taxis’ (so to call it), language is no longer capable of — or, rather, no longer necessary for and therefore no longer capable of — buffering her from loss: “I do like all these lines of words but they don’t seem to be helping much with keeping the distance anymore.” At the start of the the book she feels as if she has “outlived her use for feeling” and clinically observes that, in another, “sentiment must be at work somewhere, unfortunately”; in Prague she observes of the man whose departure from her room she awaits on the balcony: “She hadn’t intended to hurt his feelings. To be honest, she’s not even sure she has. His feelings are his business alone. She just wishes he hadn’t presumed she possessed quite so many of her own. She has some, naturally, but spread thinly around—with few kept available for these kinds of encounters.” By the end of the process, though — “to go on is to keep going on” — the possibility of feeling begins to emerge from beneath her grief, the present is no longer overwhelmed by actual or even possible alternative pasts, and she begins to sense that she can “turn too and return again from this most fitly resolved past that was never really an option — to the life which, in fact, exists.” 


>> Read all Thomas's reviews.

Our Book of the Week is a feminist metaphysical thriller, a story shaped within a political pressure cooker. Shakti, by Wellington author Rajorshi Chakraborti, will shake you up, mystify you and make you laugh, as well as frighten you with its clear reflection of our current socio-political structures and our willingness to accept or dismiss these intrusions into our minds, as well as our hearts.
>>Read Stella's review. 
>>How the rise of right-wing populism led Chakraborti to write the book. 
>>Raj reads from the book and discusses its context
>>On writing a superhero(ine) novel
>>The twin teller of dreams
>>How does the book speak to India? 
>>This reading life
>>"Funny, shocking, and deeply thought-provoking.
>>On writing as performance
>>The author's favourite books, films, music and TV shows
>>The Man Who Would Not See was listed for the Acorn Prize in the 2019 Ockham New Zealand Book Awards
>>Click and collect
NEW RELEASES
Here We Are by Graham Swift          $33
A relationship triangle between a young show magician, his assistant, and their compère threatens not only their show (in Brighton, in 1959), but also those things they hold most dear. Both intimate and coolly observed, Swift's writing retains its economical power. 
"The variety of voices and its historical and emotional reach are so finely entwined, it is as perfect and smooth as an egg. Passages leap out all the time, demanding to be reread, or committed to memory. It is perhaps too simple to say that Swift creates a form of fictional magic, but what he can do with a page is out of the ordinary, far beyond most mortals’ ken. —The Herald
Capital and Ideology by Thomas Piketty        $85
The much-anticipated new book from the author of the incisive and influential Capital in the Twenty-First Century (which was made into a film), exposing the ideas that have sustained inequality for the past millennium. Our economy, Piketty observes, is not a natural fact. Markets, profits, and capital are all historical constructs that depend on choices. Piketty explores the material and ideological interactions of conflicting social groups that have given us slavery, serfdom, colonialism, communism, and hypercapitalism, shaping the lives of billions. He concludes that the great driver of human progress over the centuries has been the struggle for equality and education and not, as often argued, the assertion of property rights or the pursuit of stability. With this in mind, he outlines a pathway to a fairer economic system. 
Bad Island by Stanley Donwood       $30
A striking lino-cut graphic story, telling the prehistory, history and fate of an island and the ravages wrought upon it by 'civilisation'. An angry and memorable work from this cult graphic designer and Radiohead collaborator
>>Stanley Donwood's website
>>Nothing will ever get better
Adults by Emma Jane Unsworth           $33
"This smart, funny novel about social media and modern romance from the author of Animals mixes humour with grief and betrayal. Unsworth’s prose is jaunty, witty, sexy and funny. I will remember, for a long time, this novel’s lacerating wit and its melancholy sorrow." —Guardian
"Emma Jane Unsworth’s virtuoso new novel is far too canny to convey anything so gauche as a message, but if it did, it would be this: step away from your screen. Adults is a tale rich in keenly observed relationships – between mothers and daughters, best friends and boyfriends, idols and rivals – yet its central, inseparable pairing is that of thirty-something heroine Jenny and her phone. Theirs is a supremely dysfunctional affair. The fakery of online life, its codes, its rules, its soul-destroying self-promotion have been plenty anatomised but, as Unsworth shows, online anxiety also takes a very physical toll, too." —Observer 
A Portable Paradise by Roger Robinson       $30
This wide-ranging collection of poetry, honed by anger at racism and injustice, won the 2019 T.S. Eliot Prize
"A Portable Paradise finds in the bitterness of everyday experience continuing evidence of ‘sweet, sweet life’.” —Judges' citation
"A scathing polemic, and a meditation on love. It attacks the economies that saw Grenfell Tower clad in substandard materials. It stares unflinchingly at the legacies of slavery and yet, at its heart, it believes in kindness and community. While A Portable Paradise is a portrait of the worst of us, Robinson never loses sight of our better selves. The collection is challenging but is also rewarding and, ultimately, uplifting." —John Field
"One of the most important poetic voices in the UK right now." —Raymond Antrobus
>>Robinson reads
Hattie by Frida Nilsson          $20
Hattie is a street-smart country girl in her first year of school. She lives just outside of nowhere, right next to no one at all. Luckily she's starting school and that brings new adventures. Hattie gets her first swimming badge, falls madly in love with a hermit crab and meets a best friend. Sometimes things go wrong, like when the hairdresser cuts her hair into stumps just in time for school photos. Or when she happens to accidentally say in class that her new neighbour has three white horses she can ride on.
Late in the Day by Tessa Hadley           $26
"There are some writers who never let you down. They’re not big stars and their books are not preceded by a tsunami of hype. They simply do what writers do best, producing novels that are so apparently effortless that a wise reader recognises just how difficult they must be to construct. Tessa Hadley is one such writer. Throughout her career, Hadley has explored the middle-class existence, its ennui and its deceptions, with great skill. She has a keen psychological insight that allows her to create multifaceted characters that remain with the reader long after the story has come to an end. It’s no surprise, then, that Late in the Day is a powerful addition to her already distinguished body of work. Really, a rather brilliant novel." - John Boyne, Irish Times

 Samuel Beckett: Anatomy of a literary revolution by Pascale Casanova         $25
Casanova argues that Beckett's reputation rests on a pervasive misreading of his oeuvre, which neglects entirely the literary revolution he instigated. Once his subversion has been reinstated, she suggests, the enigmas thought to lie at the heart of his work are revealed. 
Kraftwerk: Future music from Germany by Uwe Schütte       $28
"If you pay attention to the noises made by your car, Hütter explained, you'll realise that it is a musical instrument." So many of Kraftwerk's innovations have become absorbed into the mainstream that it is sometimes hard to remember just how innovative, strange and avant-garde they were. Ignoring almost all rock traditions, working in near total secrecy in their Dusseldorf studio, releasing new material sometimes at very long intervals, Kraftwerk also revolutionized stage presentation and, through their obsession with design and presentation, linked their work to the traditions of Bauhaus and 1920s German aesthetics.
>>Live (1970)
>>'Autobahn' (1974)
>>"Live" (1978)
The Wandering by Intan Paramaditha         $37
"You’ve grown roots, you’re gathering moss. You’re desperate to escape your boring life teaching English in Jakarta, to go out and see the world. So you make a Faustian pact with a devil, who gives you a gift, and a warning. A pair of red shoes to take you wherever you want to go. You’re forever wandering, everywhere and nowhere, but where is your home? And where will you choose to go? To New York, to follow your dreams? To Berlin or Amsterdam? Lima or Tijuana? Or onto a train that will never stop? The choices you make about which pages to turn to may mean you’ll become a tourist or an undocumented migrant, a mother or a murderer, and you will meet many travellers with their own stories to tell. As your paths cross and intertwine, you’ll soon realise that no story is ever new."
“Intan Paramaditha is a wicked feminist writer in the very best sense possible. The novel is simultaneously unnerving and yet oddly familiar from the outset. Paramaditha establishes a rapport with the reader through a second person narrative that invites us to wander through worlds of myth, horror, and fantasy that progressively dismantle our perception of geographic and cultural boundaries. Epstein’s translation vividly captures the divergent voices and narrative styles that make up this wonderfully inventive novel.” Pen America
Seagull, Seagull by James K Baxter          $30
Poems for young children written by Baxter in the 1950s and illustrated by Kieran Rynhart. 
Celebrations by Alan Burns        $23
First published in 1967, Burns applies his cut-up and collage style to denounce power hierarchies and inherent violence in a family-owned factory and arcane legal structures. 
>>Other books by Alan Burns.


Amnesty by Aravind Adiga         $35
Denied refugee status in Australia after fleeing Sri Lanka, Dhananjaya works illegally as a cleaner in Sydney, trying to construct a new life for himself. One morning he he learns that a client of his has been murdered. When Danny recognises a jacket left at the murder scene, he believes it belongs to another of his clients, a doctor with whom he knows the woman was having an affair. Should he come forward with his knowledge about the crime and risk being deported, or say nothing, and let justice go undone? From the author of White Tiger.


Lost Children Archive by Valeria Luiselli        $25
A family from New York take a road trip into the parts of the US that used to be Mexico as a convoy of children approach the dangerous US border from the Mexican side, and an inhumane reception. New paperback edition. 
Short-listed this week for the 2020 Rathbones Folio Prize. 
"Beautiful, pleasurable, engrossing, beguiling, brilliantly intricate and constantly surprising." - James Wood, New Yorker
"A mould-breaking new classic. The novel truly becomes novel again in Luiselli's hands - electric, elastic, alluring, new." - New York Times
"Valeria Luiselli offers a searing indictment of America's border policy in this roving and rather beautiful form-busting novel. Among the tale's many ruminative ideas about absences, vanished histories and bearing witness, it offers a powerful meditation on how best to tell a story when the subject of it is missing." - Daily Mail
"A novelist of a rare vitality." - Ali Smith
>> Writing as a vehicle for political rage
Until the End of Time: Mind, matter and our search for meaning in an evolving universe by Brian Greene       $55
Greene takes us on a journey across time, from our most refined understanding of the universe's beginning, to the closest science can take us to the very end. He explores how life and mind emerged from the initial chaos, and how our minds, in coming to understand their own impermanence, seek in different ways to give meaning to experience: in story, myth, religion, creative expression, science, the quest for truth, and our longing for the timeless.


Nightingale by Marina Kemp           $33
A 24-year-old Parisian escaping her past takes a job as a nurse to a dying patriarch in a remote village in Languedoc. The book is remarkably evocative both of the Mediterranean countryside and of caring for a cantankerous invalid.  
"Deft, gritty, unsentimental but deeply moving, aglow with compassion." —Guardian
Paul Takes the Form of a Mortal Girl by Andrea Lawlor          $25
"The shape-shifting protagonist of this magic-realist novel, twenty-two-year-old Paul Polydoris, belongs to 'all the genders', able to change his body at will. Exploring the malleability of gender and desire, and paying homage to Virginia Woolf’s Orlando, the book follows Paul—sometimes Polly—as s/he searches for love and the 'uncontaminated truest' self. The quest leads through New York City at the height of the AIDS crisis, Iowa City’s queer punk scene, off-season Provincetown, a womyn’s festival in Michigan, and, finally, San Francisco. Lawlor successfully mixes pop culture, gender theory, and smut, but the great achievement here is that Paul is no mere symbol but a vibrantly yearning being, 'like everybody else, only more so'." —The New Yorker
"Quite simply one of the most exciting - and one of the most fun - novels of the decade." —Garth Greenwell
Females by Andrea Long Chu          $23
Drawing inspiration from Valerie Solanas (author of The SCUM Manifesto and would-be assassin of Andy Warhol), Long Chu claims that femaleness is less a biological state of women and more a fatal existential condition that afflicts the entire human race.

Chinese Thought, From Confucius to Cook Ding by Roel Sterckx        $28
With examples from philosophy and literature and everyday life, Sterckx intimates some key approaches to self, community and environment that underlie the variety of Chinese thought through the centuries. 
Strange Antics: A history of seduction by Clement Knox         $40
If sex has generally been agreed a private matter, seduction has always been of intense public interest. Strange Antics analyses seduction in art, history, legality, politics and literature.
Possible Minds: 25 ways of looking at AI edited by John Brockman           $35
Understanding our future in relation to artificial intelligence is only possible if the right questions are asked in the right contexts.  


The Lost Properties of Love by Sophie Ratcliffe       $25
An insightful memoir of how the death of Ratcliffe's father when she was 13 affected her life for the next thirty years, and how she sought to come to terms with his absence through classic literature. 
A Superior Spectre by Angela Meyer          $25
When the neural technology used by a dying man in the near future to reduce his pain has the side-effect of time travel, he finds himself inhabiting the mind of a young woman in the Scottish Highlands in the 1860s. 
For Your Convenience by Paul Fry         $23
A reprint of a classic 1930s guide to the gentlemen's toilets of London, hailed as the city's first gay guidebook. 



Suncatcher by Romesh Gunesekera            $33
A semi-autobiographical novel about a boy growing up amidst the turmoil of Sri Lanka in the 1960s, and his friendship with a boy from a privileged family. 


Roadside Picnic by Arkady Strugatsky and Boris Strugatsky          $28
Best known as the novel that inspired Andrei Tarkovsky's film StalkerRoadside Picnic tells of the experiences of a 'stalker' who ventures illegally into the 'Zone' where the laws of nature are suspended in search of alien artefacts with unusual powers. Classic Russian science fiction. 








VOLUME BooksNew releases



























 

Shakti by Rajorshi Chakraborti     {Reviewed by STELLA}
When Shivani, a fifteen-year-old, writes a private letter, distressed about her recently acquired power, to the advice columnist Chandra Sir, the life of a school teacher is altered forever. When that same school teacher’s home help and friend, Arati, is visited by Manasa, an ancient spirit, with news of her long disappeared husband, an act of revenge is instigated. Step into modern-day India and the life of Jaya Bhowmick, one of several women who has acquired special powers. Shakti is a feminist metaphysical thrill(er), a story shaped within a political pressure cooker. The shaktis that the women have acquired are specific and different, but all give the receiver an ability that is both a gift and a burden. And to top it off, there seems to be a malign force at the centre of this structure. The words on the cover of Shakti — “Your power. Our rules” — are the opening gambit that leads the reader into this dangerous game of smoke and mirrors, a game laced with irony and fateful consequences, a game that is far from the playful tone that pervades the book. Jaya is a sassy heroine, sharp-tongued, quick-witted and observant, and it is a pleasure to be in her company — in her internal world — even when the most outrageous and horrific things are happening around her. Within the first few chapters of the book, we are confronted with gender stereotyping, suicide, class prejudice and sectarian violence. These issues do not abate, but Chakraborti’s skill as a writer and storyteller keeps you hooked, juxtaposing these serious concerns with wry asides, almost soap opera moments and absurdist situations. In this way, this book reminded me of Aravind Adiga’s award-winning The White Tiger.  As Jaya navigates the present, coming to terms with her new-found power, and the past, divulging and facing her own violent family history against a backdrop of secrecy and control, she attempts to uncover the source of Shivani’s discontent, secure justice for Arati and find a meaningful role for herself now that her true identity has been revealed. Yet power comes with a price, and only by capitulating to the political forces who control this power can you be free and not haunted. What role will Jaya choose and is she the hero we all seek in ourselves? Shakti will shake you up, mystify you and make you laugh, as well as frighten you with its clear reflection of our current socio-political structures and our willingness to accept or dismiss these intrusions into our minds, as well as our hearts. Place Shakti at the top of your ‘to read’ pile.   

























 

Patience by Toby Litt       {Reviewed by THOMAS}
“The moon was proof to me I was in the world because I had never heard the Priest or the Sisters mention a moon in Hell,” states Elliott, confined to his wheelchair and to the first-floor hospital ward of an orphanage, his life a narrowly repetitive round of pains and incapacities, parked either facing the window or facing the calming white wall, incapable of much resembling speech. Trapped within the spastic body is a mind rich in unutterable language, a mind through overcoming boredom intensely observant through its senses of detail and nuance, acutely aware of the inner lives of others, bursting with an almost inconceivably large amount of knowledge which he uses to draw insights from his world in idiosyncratic and poetic ways. What sort of life is there for a mind without a body to carry it about and to enable it to communicate with others? “The nights at that time I most wanted to pass quickly were of course the slowest and the nights I most wanted to forget afterwards are those I can now remember in such absolute detail.” When Jim, mute and blind, arrives on the ward and demonstrates with his strong body a resistance, a resistance that Elliott is incapable of practising, to the strictures of the nuns, Elliott sees the possibility not only of a friendship of complementary capacities (or complementary incapacities (a sort of Beckettian ideal)) but also the opportunity to escape the ward by harnessing Elliott’s mind to Jim’s body, a stitching achieved with great patience. “Here is where a hero would become a hero by refusing to be anywhere but Here,” says Elliott in resistance to the despair and resignation that his disability would seem to demand. “It may have been my maddest decision to return to sanity when that sanity was frustration and boredom and the constant possibility of going mad in a far less pleasant way.” Litt does an excellent job of projecting himself into the mind of a narrator who is prodigiously capable of taking in but tragically incapable of giving out (“I had never assisted anyone whatsoever. I felt the atrocious selfishness of my mode of existence.”), a narrator whose relationship to time differs from that of a person capable of initiating action, and whose relationship to language differs from that of a person capable of contributing to a conversation (if occasionally Elliott’s vocabulary and knowledge seem wider than could have been achieved from a life of minimal stimulation, this somehow only serves to make Litt’s achievement more excellent). Elliott’s brief escape from the ward, his first ever self-determined act, ends with him lying injured beneath thorny bushes on the urine-smelling edge of a layby, watching horses in the nearby field running for the sake of running, is a memorable moment of beauty, a moment in which Elliott is at last part of and not separate from the world: “Nothing here or anywhere could be where it should not be. Even me.”
Our Book of the Week is an endlessly fascinating and stunningly presented collection of information about every aspect of New Zealand's physical, political and cultural landscapes. In We Are Here: An atlas of Aotearoa, Chris McDowall and Tim Denee present eye-catching, brain-ensnaring infographics that give us an unprecedented picture of where we are now. 
>>Lose yourself/find yourself
>>On the radio (with pictures)
>>The NZ song map (interactive version). 
>>Chris McDowell on data visualisation and on what at atlas can do
>>We Are Here has been long-listed for the Ockham New Zealand Book Awards. See what else has been listed
>>Click and collect

NEW RELEASES
Shakti by Rajorshi Chakraborti          $36
Amid a political climate of right-wing, nationalist leadership, three very different women in the city of Calcutta find themselves gifted with magical powers that match their wildest dreams. There is one catch — the gifts come with a Faustian price. The Man Who Would Not See was long-listed for the Acorn Prize in the 2019 Ockham New Zealand Book Awards. 
"Chakraborti has embarked on one of the most interesting career trajectories seen in recent times." —The Sunday Guardian
>>Read Stella's review
>>Raj reads from the book and discusses its context. 

The Lost Pianos of Siberia by Sophy Roberts            $38
A fascinating history of Siberia as told through the pianos that have made their ways into houses there over the centuries. 
"An elegant and nuanced journey through literature, through history, through music, murder and incarceration and revolution, through snow and ice and remoteness, to discover the human face of Siberia. I loved this book." —Paul Theroux
>>A journey to the end of everything
Actress by Anne Enright         $35
Looking back on her mother's life and career as an actor, both in Ireland and in Hollywood, a woman finds herself reassessing her own life and her relationship with her parents. 
"This novel achieves what no real actor’s memoir could. Enright triumphs as a chameleon: memoirist, journalist, critic, daughter – her emotional intelligence knows no bounds. This is a study of possession that includes the subtly implied pain of having to share your mother with a crowd." —Guardian
Parisian Lives: Samuel Beckett, Simone de Beauvoir, and me by Deirdre Bair        $33
Becket and Beauvoir lived on essentially the same street, and, apparently, despised each other. Bair wrote incisive biographies of each. How did she juggle these personalities, and the different approaches she needed to take with each of them? 
>>Bair talks about the book


Glass Town by Isabel Greenberg           $48
A beautifully drawn and thoughtful graphic novel about the imaginary world invented by the four Brontë siblings when they were children — and what happened to that world when its creators grew up and abandoned it. From the author of The Encyclopedia of Early Earth and The One Hundred Nights of Hero
Humiliation by Paulina Flores          $33
Short stories revealing new dimensions of often marginal life in Chile. 
"In this impressive debut, nimbly translated by Megan McDowell, Flores explores the indignities of poverty, widespread in her native Chile. Like Alice Munro, Flores sparks empathy with a careful attention to details. Humanity, she makes clear, is bound together by a shared vulnerability." —Guardian 
"If reading can feel like a hand reaching out and taking yours (as Alan Bennett memorably put it), it’s still rare to encounter a debut with a grip this sure. A number of stories are written from the perspective of children, and are so saturated with misunderstandings and swollen emotions that they really do transport you backwards. Flores perfectly captures how silly things and life-changingly serious ones can acquire the same weight for a child trying to make sense of a grown-up world. There’s a masterly steadiness to her writing: no flash or dash, but neat psychological insight and understated, sometimes drily funny storytelling. There are also some killer twists. For all that she eschews high drama, I still physically winced a couple of times." —Observer
Translation (Documents of contemporary art) edited by Sophie Wilkinson        $55
The movement of global populations, and subsequently the task of translation, underlies contemporary culture. Economic and environmental migration, forced political exiles, and the plight of refugees are now superimposed upon the intricacies of ancient and modern diasporas, generations of colonisation, and the transportation of slaves. This timely anthology considers translation's ongoing role in cultural navigation, empathy, and understanding disparate experiences. It explores the approaches of artists, poets, and theorists in negotiating increasingly protean identities—from the intrinsic intimacy of language, to translation's embedded structures of knowledge production and interaction, to its limitations of expression, and, ultimately, its importance in a world of multiple perspectives. Artists surveyed include: Meric Algun Ringborg, Geta Bratescu, Tanya Bruguera, Jesse Darling, Chto Delat, Chohreh Feyzdjou, Susan Hiller, Glenn Ligon, Teresa Margolles, Shirin Neshat, Helio Oiticica, Pratchaya Phinthong, Kurt Schwitters, Yinka Shonibare, Mladen Stilinovic, Erika Tan, Kara Walker, Wu Tsang. Writers include: Hannah Arendt, James Baldwin, Walter Benjamin, Judith Butler, Luis Camnitzer, Jean Fisher, Stuart Hall, bell hooks, Sarat Maharaj, Martha Rosler, Bertrand Russell, Simon Sheikh, Gayatri Spivak, Hito Steyerl, Lawrence Venuti
Forever by Beatrice Alemagna          $30
Beautiful illustrations with clever overlays show that we are surrounded by change, but the most important thing will last for ever. 
We Fight Fascists: The 43 Group and their forgotten battle for post-war Britain by Daniel Sonabend         $43
Returning to civilian life, at the close of the Second World War, a group of Jewish veterans discovered that, for all their effort and sacrifice, their fight was not yet done. Creeping back onto the streets were Britain's homegrown fascists, directed from the shadows by Sir Oswald Mosley. Horrified that the authorities refused to act, forty-three Jewish ex-servicemen and women resolved to take matters into their own hands. In 1946, they founded the 43 Group and let it be known that they were willing to stop the far-right resurgence by any means necessary. Their numbers quickly swelled. Joining the battle-hardened ex-servicemen in smashing up fascist meetings were younger Jews, including hairdresser Vidal Sassoon, and gentiles as well, some of whom volunteered to infiltrate fascist organisations. The Group published its own newspaper, conducted covert operations, and was able to muster a powerful force of hundreds of fighters who quickly turned fascist street meetings into mass brawls. The struggle peaked in the summer of 1947 with the Battle of Ridley Road, where thousands descended on the Hackney market to participate in weekly riots. Fascinating (and appropriately priced).
>>Sabotage and street scuffles
Grow Fruit and Vegetables in Pots: Planting advice and recipes from Great Dixter by Aaron Bertelsen          $70
Container gardening, and cooking (also using containers (of another sort)). 50 delicious recipes; excellent photographs; New Zealand author. 
Democracy May Not Exist, But we'll miss it when it's gone by Astra Taylor         $33
Is democracy a means or an end? A process or a set of desired outcomes? What if the those outcomes, whatever they may be - peace, prosperity, equality, liberty, an engaged citizenry - can be achieved by non-democratic means? Or if an election leads to a terrible outcome? If democracy means rule by the people, what does it mean to rule and who counts as the people? Incisive. Urgent. 
Comrade: An essay on political belonging by Jodi dean        $35
In the twentieth century, people across the globe addressed each other as 'comrade'. Now, among the left, it's more common to hear talk of 'allies'. Dean insists that this shift exemplifies the key problem with the contemporary left: the substitution of political identity for a relationship of political belonging that must be built, sustained, and defended. Dean offers a theory of the comrade. Comrades are equals on the same side of a political struggle. Voluntarily coming together in the struggle for justice, their relationship is characterised by discipline, joy, courage, and enthusiasm.


Lives and Deaths by Leo Tolstoy            $33
Short stories, newly translated by Boris Dralyuk. Includes the novella, 'The Death of Ivan Ilyich', together with shorter works 'Three Deaths', 'Pace-setter' and the fable-like 'Alyosha the Pot'. 
Memories of the Future by Siri Hustvedt        $25
"Few contemporary writers are as satisfying and stimulating to read as Siri Hustvedt. Her sentences dance with the elation of a brilliant intellect romping through a playground of ideas, and her prose is just as lively when engaged in the development of characters and story. Her wonderful new novel, “Memories of the Future,” is, among other things, a meditation on memory, selfhood and aging, but the plot is driven by the encounters of a present-day narrator with the young woman she was when she moved to New York City in August 1978. The drama that arises from these encounters is a reckoning between male privilege and female rage as timeless as “Medea” and as contemporary as #MeToo." —Washington Post
New paperback edition. 

The Yellow House by Sarah M. Broom        $35
Broom's remarkable book tells a hundred years of her family and their relationship to home in a neglected area in New Orleans. This is the story of a mother's struggle against a house's entropy, and that of a prodigal daughter who left home only to reckon with the pull that home exerts, even after the Yellow House was wiped off the map after Hurricane Katrina.
Granta 150: There Must Be Ways to Organise the World with Language         $28
Fiction, reportage, poetry, photography. Carmen Maria Machado, Oliver Bullogh, Andrew O'Hagan, Sidik Fofana, Amy Leach, Mazen Maarouf, Jack Underwood, Che Yeun, Tommi Parrish, Michael Collins, Jay G. Ying, Iain Willms, Pwaangulongii Dauod, Noriko Hayashi. 
Flesh-Coloured Dominoes by Zigmunds Skujiņš       $25
When Baroness Valtraute von Bruegen's officer husband's body is severed in two she is delighted to find that the lower half has been sewn onto the upper body of the humble local Captain Ulste. She conceives a child only to see the return of her husband in one piece. What happens next? A darkly bizarre novel flitting between 18th century Baltic gentry and the narrator's life in contemporary Latvia. 
The Writing Deck: 52 prompts for putting pen to paper by Emily Campbell and Harry Oulen         $40
Prompts, constraints, exercises, suggestions — your writing year in a deck of cards. 
Diary of a Murderer by Kim Young-Ha          $23
In the titular story of this darkly funny collection, a one-time serial killer with dementia sets his sights on one last target: his daughter's boyfriend. 
"Filled with the kind of sublime, galvanizing stories that strike like a lightning bolt, searing your nerves." —Nylon 
"Kim delicately weaves philosophical debates on the nature of happiness and morality into his characters' inner narrations. Both jarring and atmospheric, this is a cerebrally satisfying collection." —Booklist
Meet Me in Buenos Aires by Marlene Hobsbawm         $35
Recounts her hugely eventful and various life, especially with her husband, the historian Eric Hobsbawm, often under constant scrutiny by MI5. 
The Star Factory by Ciaran Carson           $23
Could there be a better guide to the streets, stories, histories and cultural depths of Belfast than the author of Shamrock Tea and Fishing for Amber
Identity and Involvement: Auckland Jewry into the 21st century edited by Ann Gluckman        $50
This, the third volume of Gluckman's monumental record of 180 years of Jewish life in Auckland (and wider New Zealand), gathers family and individual stories of migration and identity. Contributors include Max Cryer, Sir Peter Gluckman, Walter Hirsh, Juliet Moses, Professor Paul Moon, Dame Lesley Max, Bob Narev, David Galler, Diana Wichtel, Judge David Robinson, Deb Filler and Maria Collins. 
Radicalised by Cory Doctorow       $23
Four dystopian sci-fi novellas set in a near future and exploring issues of migration and toxic economic and technological stratification.


Puligny-Montrachet: Journal of a village in Burgundy by Simon Loftus        $33
Loftus explores the mystery of how seven and a half acres of impoverished soil became the most precious agricultural land on earth, producing the grandest of all white wines: Puligny-Montrachet.


An Atlas of Geographical Wonders: From mountaintops to riverbeds by  Gilles Palsky, Jean-Marc Besse, Philippe Grand and Jean-Christophe Bailly         $100
An outstanding selection of comparative maps and tableaux, mostly drawn from nineteenth century publications. Endlessly wonderful. 
On Flowers: Advice from an accidental florist by Amy Merrick    $85
"I wanted the book to feel like this delightful collection of surprises, where you wouldn’t quite know what was coming next, a bit like a classic 1950s flower arranging manual but also a scrapbook of inspiration and ideas." —Amy Merrick
>>An interview with Amy Merrick.
Speak Italian: The fine art of the gesture by Bruno Munari      $30
With this superbly designed and photographed "supplement to the Italian dictionary" you will learn what Italians are saying with their hands — and what this says about them.
>>How to talk without using words











VOLUME BooksNew releases


BOOKS @ VOLUME #165 (15.2.20)

Read our newsletter. Find out what we've been reading, about upcoming events, about our Book of the Week, and about some of the books that have just arrived on our shelves. 




VOLUME BooksNewsletter

























 

Fifteen Million Years in Antarctica by Rebecca Priestley        {Reviewed by STELLA}
What is it about Antarctica that both repels and fascinates us? It’s the place of, for most of us, the unknown: a dangerous, fragile and expansive place; a place of exploration and on-going discovery, one where you can now more easily ‘tourist’ to. In Fifteen Million Years in Antarctica, science writer Rebecca Priestley takes us with her on her journeys into the great white terrain. Built around her three trips to the ice, the first in 2011 and the final one in 2018, we are not only taken on three very different trips but also travel alongside Priestley with her increasing knowledge of the science that is being carried out there, and her fears and concerns, personal and professional. This is not just a science book, although it will satisfy the rational and fact-acquiring reader; this is an appreciation, a very human and often humorous one, of those who work on the ice, and an admiration of their painstaking work: data collection, analysis and projections. It is a nod to early explorers and their fortitude, as well as an awareness of the cultural significance of Antarctica — its role in our imagination, and through the work (text and art) that has emerged from the Artists to Antarctica programme which has been running since 1957.
Fifteen Million Years in Antarctica draws us in due to Priestley’s deft observations of the landscape and the people. We, with her, feel despairing and hopeful, concerned and elated. And while the descriptions of the ‘cold’ and how to pee on the ice will become repetitive, this is all part of our immersion in this landscape. Anxiety runs like a constant companion throughout the book — Rebecca Priestley’s anxiety, I think, is a hound bounding beside her — sometimes distracted by prey in the distance but always returning to haunt. She is scared of flying, something that several successful journeys to the ice does not diminish. She is anxious about getting cold and disorientated, a real and constant concern for an extreme climate; and she is anxious in the greater sense about our future and the climate changes occurring — a real and constant threat. Yet, still this fascination with this extreme place, with the wonder that is the earth and the way in which we live on it. Priestley writes with a direct style that will appeal to a wide readership — to anyone who wonders what it would be like visit the ice and to anyone concerned about our future — and she asks questions of herself and her reader about our human role in fragile ecologies. 











































The Writing of the Disaster by Maurice Blanchot   {Reviewed by THOMAS}
“The disaster ruins everything, all the while leaving everything intact.” The Writing of the Disaster concerns the effect upon language, upon literature, of what Blanchot (thinking of the Holocaust  and Hiroshima (though this book can also be 'about' climate emergency or any unassimilable personal or collective trauma)) calls the disaster: something beyond the reach of language yet sucking language towards it to the ultimate nullification of the meaning that language is usually thought to bear. The disaster does not concern itself with content, the disaster possesses the writing and is not and cannot be the subject of the writing. The writing of the disaster is not so much writing about the disaster as writing in the force-field of the disaster: The Writing of the Disaster concerns itself with the ways in which trauma takes ownership of writing. The ‘of’ in the title signals possession in the same way, perhaps, that all objects possess their subjects and by this relationship contend with them for agency. The disaster is a grammatical phenomenon, a loss of agency through grammar, a relation between elements rather than an element itself. Blanchot is remarkable for identifying the shifts of agency that result from grammatical alteration. It is in grammar, perhaps, that our problems lie, and it is in grammar, perhaps, that we must agitate for their solution. But it is in the nature of the disaster to protect itself with our passivity. “We are passive with respect to the disaster, but the disaster is perhaps passivity.” The disaster robs the writer of agency, cauterises meaning, averts all gazes and renders the usual useless. As Blanchot demonstrates, writing in the ambit of the disaster can only proceed in fragments. Failure and incompletion are both results of and assaults upon the impossible. “It is not you who will speak; let the disaster speak in you, even if it be by your forgetfulness or silence.” When writing of the reading of the writing of the disaster, the semantic degeneration of the disaster exercises itself even through the intervening writer, rendering them transparent. To re-read a passage of Blanchot is to read without recognition, to entertain thoughts quite different from, and rightly quite different from, those entertained on the first reading, or prior readings, of that passage. Thinking about reading about Blanchot writing about how the disaster affects everything but cannot be perceived, I write, “The disaster is that no distinction can be made between disaster and the absence of disaster,” but I cannot determine where this sentence comes from. I cannot find it in the text. Whose thoughts are those thoughts thought when reading? If the thoughts cannot be located in the text, are they then the thoughts of the reader? If the thoughts would not have been thought by the reader without the text, to what extent are they the writer’s thoughts? (Do not ask if these thoughts are in fact thoughts. Let us call thought that which does the work of thought, regardless.) Blanchot proceeds in a fragmentary style, aphoristic but without the sense of completion aphorisms provide, he writes koans — or antikoans — that do not prepare the mind for enlightenment so much as relieve the mind of the possibility of, and even the concept of, enlightenment. Taken in small doses Blanchot is full of meaning but as the dose increases the meaning becomes less, until at the point of his complete oeuvre, I extrapolate, Blanchot means nothing at all. This liberation from semantic burden is entirely in accord with Blanchot’s project.