NEW RELEASES

Happy Stories, Mostly by Norman Erikson Pasaribu (translated by Tiffany Tsao)           $33
"A powerful blend of science fiction, absurdism and alternative-historical realism that aims to destabilise the heteronormative world and expose its underlying rot." Inspired by Simone Weil’s concept of ‘decreation’ and drawing on Batak and Christian cultural elements, in Happy Stories, Mostly Pasaribu puts queer characters in situations and plots conventionally filled by hetero characters. In one story, a staff member is introduced to their new workplace - a department of Heaven devoted to archiving unanswered prayers. In another, a woman’s attempt to vacation in Vietnam after her gay son commits suicide turns into a nightmarish failed escape. And in a speculative-historical third, a young man finds himself haunted by the tale of a giant living in colonial-era Sumatra.
Long-listed for the 2022 International Booker Prize.
A Brief History of Equality by Thomas Piketty (translated by Steven Rendall)        $55
A surprisingly optimistic history of human progress toward equality despite crises, disasters, and backsliding. Piketty guides us through the movements that have made the modern world for better and worse: the growth of capitalism, revolutions, imperialism, slavery, wars, and the building of the welfare state. It's a history of violence and social struggle, punctuated by regression and disaster. But through it all, Piketty believes, human societies have moved fitfully toward a more just distribution of income and assets, a reduction of racial and gender inequalities, and greater access to health care, education, and the rights of citizenship. To keep moving, Piketty argues, we need to learn and commit to what works, to institutional, legal, social, fiscal, and educational systems that can make equality a lasting reality. 
My Volcano by John Elizabeth Stintzi             $38
In this inventive, enjoyable and audacious novel — at once science fiction, myth, eco-horror, parable, and a shout for gender liberation and creative freedom — divers characters in diverse times and places undergo diverse personal eruptions (mostly metaphorical). On June 2, 2016, a protrusion of rock growing from the Central Park Reservoir is spotted by a jogger. Three weeks later, it is nearly two-and-a-half miles tall, and has been determined to be an active volcano. As the volcano grows and then looms over New York, an eight-year-old boy in Mexico City finds himself transported 500 years into the past, where he witnesses the fall of the Aztec Empire; a Nigerian scholar in Tokyo studies a folktale about a woman of fire who descends a mountain and destroys an entire village; a white trans writer in Jersey City struggles to write a sci-fi novel about a thriving civilization on an impossible planet; a nurse tends to Syrian refugees in Greece while grappling with the trauma of living through the bombing of a hospital in Kunduz, Afghanistan; a nomadic farmer in Mongolia is stung by a bee, magically transforming him into a green, thorned, flowering creature that aspires to connect every living thing into its consciousness.
Raiment by Jan Kemp             $35
Poet Jan Kemp's memoir of her first 25 years is a vivid and frank account of growing up in New Zealand in the 1950s, and of university life in the late 1960s and early 1970s. It tracks from an innocent Waikato childhood to the seedy flats of Auckland, where anarchic student life, drugs, sexual experimentation and a failing marriage could not keep her away from poetry. Kemp became one of the few young women poets of her era to be allowed into then-male poet circles. Raiment shines a clear-eyed light on the heady, hedonistic hothouse of the New Zealand literary community in the 1970s. 
Portrait of an Unknown Lady by Maria Gainza (translated by Thomas Bunstead)          $35
An Argentinian art critic recalls how she was drawn into the world of forgery, and becomes increasingly fascinated by three women who challenge the fundamentals of art discourse and other cultural norms. 
"Gainza’s novel becomes a puzzle as we question the most improbable biographical details. How much has been fabricated by the narrator? Does authenticity really matter? And exactly whose life story is she really interested in: artist, forger or authenticator? This is a novel with many beautiful, confounding moments. Maria Gainza is sharp, modern and playful, a writer who multiplies the possibilities for fiction." —Guardian
Tūnui | Comet by Robert Sullivan             $20
Rolling easily between kōrero Māori and the canonical traditions of English-language poetry, through karakia and pōwhiri, treaty training and decolonisation wiki entries, Robert Sullivan takes readers on a marvellous poetic hīkoi. Guided by Māui and Tāwhirimātea, Moana Jackson and Freddie Mercury, we walk from K’Rd council flats to Kaka Point, finding ourselves and our ancestors along the way.
Crane Guy: A game of I Spy from on high by Sally Sutton and Sarah Wilkins           $20
Spend the day with Crane Guy and see how many things you can spy from up high in his crane. Crane Guy, up so high, Building towers in the sky, Tell me, tell me what you spy. Something beginning with . . . Join Crane Guy for a game of I Spy up high in a crane - how many things can you see that begin with the letter B? Or S? Or P? This superb rhyming picture book by acclaimed author Sally Sutton and illustrator Sarah Wilkins makes a very fun game of learning letters and their sounds. Readers will love exploring the gorgeously detailed city scenes over and over again. Bustling with people, construction machines and vehicles of all kinds, this is an exciting book. 
Moon Witch, Spider King ('Dark Star' #2) by Marlon James             $38
In the much-anticipated sequel to Black Leopard, Red Wolf, James continues his powerful fantasy, drawing from roots in African mythology and history. In the first book, Sogolon the Moon Witch proved a worthy adversary to Tracker as they clashed across a mythical African landscape in search of a mysterious boy who disappeared. In Moon Witch, Spider King, Sogolon takes center stage and gives her own account of what happened to the boy, and how she plotted and fought, triumphed and failed as she looked for him. It's also the story of a century-long feud — seen through the eyes of a 177-year-old witch — that Sogolon had with the Aesi, chancellor to the king. It is said that Aesi works so closely with the king that together they are like the eight limbs of one spider. Aesi's power is considerable — and deadly. It takes brains and courage to challenge him, which Sogolon does for reasons of her own.
"In the second book of his 'Dark Star' trilogy, James coaxes beauty from dark thoughts, leaving readers with a concaved, mystical and African-inspired world that begins in free-fall. In a world as thoroughly imagined as J.R.R. Tolkien's, no detail seems spared. Full-figured and richly drawn, Moon Witch, Spider King is the bridge of a trilogy and also a creation that, like James's talent, stands alone." —Los Angeles Times
Another Beautiful Day Indoors by Erik Kennedy          $25
Out on the pleasure pier on that benign afternoon,
the air heavy with the blossom of vinegar and old tyres,
you asked what was the closest I had come to death. 
Another Beautiful Day Indoors is more likely to end with a dark flood than a beautiful sundown. As these poems grapple with climate catastrophe, precarious labour, and love, they draw on the full, rich weirdness of the human-made world, with its self-driving cars, official geese and open-plan offices modelled on heaven. A sequence of magical realist short fictions explore ‘essential work’; elsewhere Erik Kennedy wonders what it is like to work in the satellite insurance sector. Somehow he gets away with rhyming ‘guesses’ with ‘yeses’. And somehow, even as this book comes up against the most ominous aspects of our future, it uplifts. 
Dogs in Early New Zealand Photographs edited by Mike White         $35
This entertaining selection of over 100 photos of New Zealand dogs reveals some of the more curious ways in which they have appeared in photographic collections from the nineteenth and early twentieth centuries. Dogs named Terror, Betsey Jane, Floss and Erebus appear alongside canines whose names are longer known. The photos range from carefully staged studio portraits to New Zealand landscapes. Many of the photographs are from Nelson's Tyree Collection. 

Run and Hide by Pankaj Mishra                $35
In Mishra's long-awaited new novel, Arun knows there is only way out of this small railway town. He is about to enrol in the prestigious Indian Institute of technology, determined to make something of himself. But once there, he meets two friends who are prepared to go to unimaginable lengths to succeed. In just a few years, Arun's friends become the success stories of their generation. In private planes and expensive cars, from New York to Tuscany, they play out their Gatsby-style fantasies. In reality, these men are about to pay for their transgressions, but who exactly will pay the price? Will it be Arun? Will it be Alia, a female writer and influencer, who is piecing together the story of a big global financial scandal?
"A spectacular, illuminating work of fiction." —Jennifer Egan
"Elegantly written, incisively observed, and deeply satisfying to read." —Kamila Shamsie
Lambda by David Musgrave          $35
Outwardly alien arrivals from a distant sea, the lambdas are genetically human. They slip quietly into low- to middle-income jobs and appear to want nothing more than to be left alone. For Cara Gray, they are first a haunting presence in her otherwise ordinary childhood, then the inscrutable target of her police surveillance work. When a bomb goes off at a school, a nebulous group of lambda extremists claims responsibility for the attack-but how could a vulnerable community of tiny aquatic humans, barely visible in society and seemingly indifferent to their own exploitation, be capable of something so horrific? In Cara's world a toothbrush can be legally alive, a quantum computer has the power to decide who dies, and a government employee made of slime mould protein needs help to relieve his neuroses. As Cara's relationship with the lambdas deepens, she must decide whether to accept her place in a pattern of technology, violence and deceit, or to take action of her own.
"Literary SF at its best." —Guardian
OST: Letters, memoirs and stories from Ostarbeiter in Nazi Germany edited by MEMORIAL (translated by Georgia Thomson)           $70
An extraordinary assemblage of moving and revelatory documents and testimony from the Nazi forced labor camps. An Ostarbeiter was an 'Eastern Worker', rounded up by Nazi Germany from the captured territories in Central and Eastern Europe. By the end of the war, it is estimated that approximately 3 million to 5.5 million Ostarbeiter were forced to work in guarded work camps, many of them younger than 16 years old — at which age they would be conscripted for military service. Ostarbeiter worked 12 hours a day on starvation on rations; as ethnic Slavs, they were treated with extraordinary brutality by Nazi guards who considered them 'sub-human' by the standards of the Aryan master race. They were distinguished by the label 'OST' sewn onto their uniforms. OST is based on over two hundred personal accounts, hundreds of hours of interviews, and over 350,000 letters. 
Nature Boy: The photography of Olaf Petersen edited by Catherine Hammond et al        $60
A gull chick running across Muriwai Beach. Cabbage trees at Lake Wainamu. Tyre tracks, tugs of war and tramping trips. Olaf Petersen produced an unrivalled photographic account of the people and natural world of Auckland's wild west coast, from the 1930s to the 1980s. 

Some Collages by Jim Jarmusch            $65
Although Jim Jarmusch is best known for his storied career in independent cinema, over the years he has produced hundreds of pieces of collage art, the majority of which has been rarely seen by the public. Drawing inspiration from the largest medium of cultural documentation—newspapers—Jarmusch crafts each work by layering newsprints on cardstock. 
The Slowworm's Song by Andrew Miller          $38
An ex-soldier and recovering alcoholic living quietly in Somerset, Stephen Rose has just begun to form a bond with the daughter he barely knows when he receives a summons — to an inquiry into an incident during the Troubles in Northern Ireland. It is the return of what Stephen hoped he had outdistanced. Above all, to testify would jeopardise the fragile relationship with his daughter. And if he loses her, he loses everything. Instead, he decides to write her an account of his life; a confession, a defence, a love letter. Also a means of buying time. But time is running out, and the day comes when he must face again what happened in that faraway summer of 1982.

Economics and the Left: Interviews with progressive economists edited by C. J. Polychroniou          $55
Twenty-four economists discuss how they promote egalitarianism, democracy and ecological sanity through research, activism, and policy engagement. A combustible brew of ideas and reflections on major historical events, including the Covid-19 pandemic and its impact on the global economy. Interviewed are: Michael Ash, Nelson Henrique Barbosa Filho, James K. Boyce, Ha-Joon Chang, Jane D'Arista, Diane Elson, Gerald Epstein, Nancy Folbre, James K. Galbraith, Teresa Ghilarducci, Jayati Ghosh, Ilene Grabel, Costas Lapavitsas, Zhongjin Li, William Milberg, Léonce Ndikumana, Ozlem Onaran, Robert Pollin, Malcolm Sawyer, Juliet Schor, Anwar Shaikh, William Spriggs, Fiona Tregenna and Thomas Weisskopf.
The Sinner and the Saint: Dostoevsky, a crime and its punishment by John Birmingham          $65
In the summer of 1865, the former exile Dostoevsky found himself trapped in a cheap hotel in Wiesbaden, unable to leave until he'd paid the bill. Having lost the last of his money at the roulette table, his debts hung heavy over his head, his epileptic seizures were worsening, and his wife and beloved brother were dead. Desperate, a story came to him, a way to write himself out of his predicament: the murderer Rasolnikov, the hot, disorienting swirl of St Petersburg, the axe, the terrible crime, and the murderer's paranoia. The book was Crime and Punishment. But how did this haunting tale of guilt come to be, and why does it still hold such a sway over us all these years later? The Sinner and the Saint gives us the story of the two men so central to it: Dostoevsky himself, and Pierre François Lacenaire, a notorious murderer and glamorous egoist who charmed and outraged Paris in the 1830s and whose sensational story provided the germ of the novel. As reports of his trial tore through Europe, readers asked themselves: could the instincts of nihilism, the philosophy inspiring a new generation of Russian revolutionaries, also drive a man to murder? Showing how both men's lives were directed by the intoxicating new ideas swirling around Europe in the nineteenth century, The Sinner and the Saint also reveals why they still appall and entice us today.
How to count to ONE (and don't even THINK about bigger numbers!) by Caspar Salmon and Matt Hunt           $25
"You know how to count, right? GREAT! There are LOADS of fun things to count in this book. Whales, baboons, rainbows, pyramids...There's just ONE rule. You must ONLY ever count to ONE. So don't even about THINK bigger numbers. OK?!" A lot of fun!

Meat Lovers by Rebecca Hawkes          $25
Wellington poet and Canterbury farm-girl Rebecca Hawkes takes a generous bite from the excesses of earthly flesh — first 'Meat', then 'Lovers'. 'Meat' is a coming of age in which pony clubs, orphaned lambs and dairy-shed delirium are infused with playful menace and queer longings. Between bottle-fed care and killing-shed floors, the farm is a heady setting for love and death.In 'Lovers', the poet casts a wry eye over romance, from youthful sapphic infatuation to seething beastliness. Sentimental intensity is anchored by an introspective comic streak. This collection of queasy hungers offers a feast of explosive mince & cheese pies, accusatory crackling, lab-grown meat and beetroot tempeh burger patties, all washed down with bloody milk or apple-mush moonshine. It teems with sensuous life, from domesticated beasts to the undulating mysteries of eels, as Hawkes explores uneasy relationships with our animals and with each other. Tender and brutal, seductive and repulsive, Meat Lovers introduces a compelling new mode of hardcore pastoral.
The Exhibitionist by Charlotte Mendelson           $38
Meet the Hanrahan family, gathering for a momentous weekend as famous artist and notorious egoist Ray Hanrahan prepares for a new exhibition of his art — the first in many decades — and one he is sure will burnish his reputation for good. His three children will be there: beautiful Leah, always her father's biggest champion; sensitive Patrick, who has finally decided to strike out on his own; and insecure Jess, the youngest, who has her own momentous decision to make. And what of Lucia, Ray's steadfast and selfless wife? She is an artist, too, but has always had to put her roles as wife and mother first. What will happen if she decides to change? For Lucia is hiding secrets of her own, and as the weekend unfolds and the exhibition approaches, she must finally make a choice.
Long-listed for the 2022 Women's Prize for Fiction. 
"It takes the most ferocious intelligence, skill, and a deep reservoir of sadness to write a novel as funny as this." —Meg Mason
What Is Right and What Is Wrong? Who Decides? Where Do Values Come From? And other big questions by Michael Rosen and Annemarie Young         $24
This book is a highly topical look at how our decisions about what is right and wrong play out on an individual, local, national and global scale. It examines topics that are strongly connected to the values people hold and their ideas of right and wrong, such as democracy, justice, fairness, prejudice and discrimination, education, climate change and war. A very good resource to help children learn to think for themselves. 
At the Bookshop: A memory game by Kim Siew          $30
Match 25 of the most iconic books with one of their famed characters. Featuring books such as Pride and Prejudice, To Kill a Mockingbird, Breakfast at Tiffany's, The Hunger Games, Twilight, The Hound of the Baskervilles, Little Women, The Lord of the Rings, American Psycho, A Game of Thrones, The Girl with the Dragon Tattoo, IT, Great Expectations, Beloved, Frankenstein, Where the Wild Things Are, Midnight's Children, The Outsiders, The Hate U Give, The Book Thief, High Fidelity, White Teeth and The Joy Luck Club.
France: An adventure history by Graham Robb           $45
An original and entertaining history of France, from the first century BC to the present day, based on countless new discoveries and thirty years of exploring France on foot, by bicycle and in the library. 

From noisy izakayas, ramen joints and tempura bars, to gyoza pit-stops, curry restaurants and the iconic convenience stores that stitch the city together, Tokyo after dark generates a vast array of interesting food. This book immerses you in that excitement without having to leave your own kitchen. 








 


BOOKS@VOLUME #272 (1.4.22)

Read our latest newsletter for all the latest news, books, recommendations, competitions, amusements, and reviews.



 

Our Book of the Week is one of four excellent novels short-listed for the Jann Medlicott Acorn Prize for Fiction at the 2022 Ockham New Zealand Book Awards. 
In A Good Winter, Gigi Fenster takes us inside the head of the obsessive and judgmental Olga, whose helpfulness towards her neighbour, her neighbour's daughter and her child leads them all down a path to tragedy. Highly accomplished, the book is both sympathetic and cutting, both bleak and darkly funny, both insightful and unnerving. Olga's voice is pitch-perfect and unforgettable. 

 

>> Read all Stella's reviews.














 

Burning Questions by Margaret Atwood   {Reviewed by STELLA}
If you need good company, look no further than Margaret Atwood’s Burning Questions. Like a popular guest at a dinner party, Atwood’s collected essays (and occasional pieces) 2004-2021 are articulate, forthright (but never overbearing), thoughtful, and of course, witty — some wryly so. The essays are a collection of reviews, forewords to other authors’ books, speeches, and reflections on her own writing. The topics are diverse, but always topical:  feminism, ecology — in particular climate change, democracy, the role of literature and art. This third collection of essays begins in the aftermath of the Twin Towers and ranges over the financial crash of 2008, the Obama years, the advent of Trump, the #metoo movement, and the pandemic. Atwood’s published work of these years includes the 'MaddAddam' trilogy, Payback and The Testaments (on the back of the hugely popular TV series of The Handmaid’s Tale). Also during this time, her partner, Graeme Gibson, was diagnosed with dementia. The foreword she wrote for his Bedside Book of Birds is particularly beautiful and heartfelt (Gibson died in 2019). There are other forewords (such as for Rachel Carson’s Silent Spring) as well as highly observant pieces on authors such as Alice Munro, Ryszard Kapuscinski and Ursula Le Guin. In the area of literature and language, she touches on translation, the roles and responsibilities of the author, the power of language, and the relationship between writer and reader. The essays about her own writing are intriguing, and offer insights into her thinking in retrospect on genre and thematic choices. If, like me, you have read most of her novels, you will find these enlightening. The title Burning Questions reflects the urgency Atwood senses in responding to climate change — we are burning; the need to change the power imbalance towards a more equal society — burn the house down; and her own curiosity — a burning inquisitiveness — as a lover of language and words, people and places. No one essay stands out. As with all collections, some are better or will interest you more than others. This is a collection to wander through and be surprised by a clever turn of phrase, a witty remark, an insightful observation or a forthright call to arms. And you get to be in very good company.

 


 >> Read all Thomas's reviews. 



 




















 

Proleterka by Fleur Jaeggy (translated by Alastair McEwan)   {Reviewed by THOMAS}
“Children lose interest in their parents when they are left. They are not sentimental. They are passionate and cold. In a certain sense some people abandon affections, sentiments, as if they were things. With determination, without sorrow. They become strangers. They are no longer creatures that have been abandoned, but those who mentally beat a retreat. Parents are not necessary. Few things are necessary. The heart, incorruptible crystal.” Fleur Jaeggy’s unforgettable short novel, named after the ship upon which the narrator, aged fifteen, and her estranged father (unreachable, “aloof from himself”) spend an unprecedented and unrepeated fourteen day cruise in the Greek Islands with members of the Swiss guild to which the father belongs, is a catalogue of mental retreat, relinquishment, estrangement, loss, and turning away: enervations towards a non-existence either hurried or postponed but inevitable to all. Jaeggy’s short sentences each have the precision of a stiletto: each stabs and surprises, making tiny wounds, each with a drop of glistening blood. When the narrator looks at her father Johannes’s diary, “written by a man precise in his absence,” her description of it could be of her own narration: “It is proof. It is the confirmation of an existence. Brief phrases. Without comment. Like answers to a questionnaire. There are no impressions, feelings. Life is simplified, almost as if it were not there.” Jaeggy writes with absolute, clinical precision but narrow focus, as if viewing the world down a tube, to great effect. Johannes, for example, is described as having “Pale, gelid eyes. Unnatural. Like a fairy tale about ice. Wintry eyes. With a glimmer of romantic caprice. The irises of such a clear, faded green that they made you feel uneasy. It is almost as if they lack the consistency of a gaze. As if they were an anomaly, generations old.” The account of the Greek cruise forms the core of the novel, but it is preceded, intercut and followed by memories of childhood and of subsequent events (mostly the deaths of almost everyone mentioned), all related closely in the present tense, but non-sequential, resulting in a sense of time not dissimilar to that experienced when repeatedly tripping over an unseen obstacle. Most of the book is narrated in the first person but the narrator achieves a degree of detachment from incidents that threaten “the exceedingly fine line between equilibrium and desperation” by relating them in the third person, referring to herself as “Johannes’s daughter”: the death of Orsola (the maternal grandmother with whom she lived after her parents’ divorce, her mother’s effective disappearance, her father’s sudden poverty and his effective exile from her life) and the violent sexual experiences to which she opens herself with two of the sailors: “I don’t like it, I don’t like it, she thinks. But she does it all the same. The Proleterka is the locus of experience. By the time the voyage is over, she must know everything. At the end of the voyage, Johannes’s daughter will be able to say: never again, not ever. No experience ever again.” The narrator writes her memories not so much to remember as to forget, to relinquish. Words turn experience into story, which interposes itself between experience and whoever is oppressed by it. As Jaeggy writes, “people imagine words in order to narrate the world and to substitute it.”

 NEW RELEASES

Joanna Margaret Paul — Imagined in the Context of a Room by Lucy Hammonds et al           $65
Joanna Paul was intensely responsive to the world around her, she depicted her surroundings, constantly reworking the conventions of drawing and watercolour painting to capture something of inward experience. Paul also documented her environment in photographs and experimental short films, and published poetry, criticism and non-fiction. Her impulse was towards complexity in honouring the mystery she perceived in her subject, whether it was a domestic still life, the view from her kitchen window, or one of her children. She brought an innovative interdisciplinary approach to her practice, often blurring the boundaries between media. This beautiful book illuminates the whole of Paul's career.
White on White by Ayşegül Savaş           $35
A student moves to the city to research Gothic nudes, renting an apartment from a painter, Agnes, who lives in another town with her husband. One day, Agnes arrives in the city and settles into the upstairs studio. In their meetings on the stairs, in the studio, at the corner café, the kitchen at dawn, Agnes tells stories of her youth, her family, her marriage, and ideas for her art - which is always just about to be created. As the months pass, it becomes clear that Agnes might not have a place to return to. The student is increasingly aware of Agnes's disintegration. Her stories are frenetic; her art scattered and unfinished, white paint on a white canvas. What emerges is the menacing sense that every life is always at the edge of disaster, no matter its seeming stability. Alongside the research into human figures, the student is learning, from a cool distance, about the narrow divide between happiness and resentment, creativity and madness, contentment and chaos.
“In the middle ages, human skin was seen as a blanket stretched to cover a secret, inner life, writes Ayşegül Savaş. Reading White on White for me is like an outer skin which you open layer by layer as you read; gentle, mysterious and profound.” —Marina Abramović
“Ayşegül Savaş’s White on White is marvellous, as elegant as an opaque sheet of ice that belies the swift and turbulent waters beneath.” —Lauren Groff
“The story at the heart of Ayşegül Savaş’s White on White is— like the title— subtly camouflaged. Savaş’s characters watch each other as they avoid themselves, in a slow, acute and obliterating double portrait." —Leanne Shapton
The Night Will Be Long by Santiago Gamboa (translated by Andrea Rosenberg)           $33
A boy witnesses a violent confrontation in a remote part of town in the state of Cauca, Colombia. Minutes later, someone arrives at the scene to clear up all trace of the incident. No one in town claims to have heard or seen anything, and yet an anonymous accusation launches a dangerous investigation that unfolds within the corrupt world of the Christian churches of Latin America. The story reveals the inequality and violence that seem to govern an entire country,


Learwife by J.R. Thorp          $35
Care-bent King Lear is dead, driven mad and betrayed. His three daughters too, broken in battle. But someone has survived: Lear's queen. Exiled to a nunnery years ago, written out of history, her name forgotten. Now she can tell her story. Though her grief and rage may threaten to crack the earth open, she knows she must seek answers. Why was she sent away in shame and disgrace? What has happened to Kent, her oldest friend and ally? And what will become of her now, in this place of women? To find peace she must reckon with her past and make a terrible choice - one upon which her destiny, and that of the entire abbey, rests.
"Impressive. I ended Learwife feeling utterly involved: moved and exhausted." —Guardian

Grand: Becoming my mother's daughter by Noelle McCarthy       $35
From Catholic Ireland in the '70s, '80s and '90s to sparkling Auckland in the first years of the new millennium, Grand is a story of the invisible ties that bind us, of bitter legacies handed down through the generations, and of the leap of faith it takes to change them.
Look for Me and I'll Be Gone by John Edgar Wideman          $40
"Never satisfied to simply tell a story, Wideman continues to push form, with stories within stories, sentences that rise like a jazz solo with every connecting clause, voices that reflect who he is and where he's from, and an exploration of time that entangles past and present. Whether historical or contemporary, intimate or expansive, the stories here represent a pioneering American writer whose innovation and imagination know no bounds. Undoubtedly the foremost chronicler of the urban African-American experience. A master storyteller, Wideman is both a witness and a prophet." —Caryl Phillips
"Wideman's stories have a wary, brooding spirit, a lonely intelligence. They carry a real but atrophied affection for America. He airs the problems of consciousness, including the fragile contingency of our existence." —Dwight Garner
The Impostor by Silvina Ocampo            $23
Whimsical and sinister, each story by Silvina Ocampo is like a knife of spun sugar that can still pierce between your ribs. A thief breaks into the house of a psychic with disastrous results, a bride has her personality subsumed by the previous occupant of her home, and two men switch destinies for a change of pace. The Impostor offers a comprehensive collection from one of the twentieth century's great forgotten writers. Here are tales of doubles and living dolls, angels and demons, a beautiful seer who writes the autobiography of her own death.
Three Summers by Margarita Liberaki (translated by Karen van Dyck)       $24
A tender Greek modern classic of three sisters growing up in the countryside near Athens before the Second World War. Living in a ramshackle old house with their divorced mother are flirtatious, hot-headed Maria, beautiful but distant Infanta, and dreamy and rebellious Katerina, through whose eyes the story is mostly observed. Over three summers, the girls share and keep secrets, fall in and out of love, try to understand the strange ways of adults and decide what kind of adults they hope to become.



Mother's Boy by Patrick Gale             $38
Gale's seventeenth novel is his first fully historical one since A Place Called Winter. It is based around the known facts of the boyhood and youth of the great Cornish poet, Charles Causley and the life of the mother who raised him singlehandedly. Laura, an impoverished Cornish girl, meets her husband when they are both in service in Teignmouth in 1916. They have a baby, Charles, but Laura's husband returns home from the trenches a damaged man, already ill with the tuberculosis that will soon leave her a widow. In a small, class-obsessed town she raises her boy alone, working as a laundress, and gradually becomes aware that he is some kind of genius. As an intensely private young man, Charles signs up for the navy with the new rank of coder. His escape from the tight, gossipy confines of Launceston to the colour and violence of war sees him blossom as he experiences not only the possibility of death, but the constant danger of a love that is as clandestine as his work. Mother's Boy is the story of a man who is among, yet apart from his fellows, in thrall to, yet at a distance from his own mother; a man being shaped for a long, remarkable and revered life spent hiding in plain sight. But it is equally the story of the dauntless mother who will continue to shield him long after the dangers of war are past.
>>Charles Causley, poet
Magritte: A life by Alex Danchev           $65
Danchev makes a compelling case for Magritte as the single most significant purveyor of images to the modern world. Magritte's surreal sensibility, deadpan melodrama, and fine-tuned outrageousness have become an inescapable part of our visual landscape.
I Wanna Be Yours by John Cooper Clarke            $25
The Poet Laurate of Punk's autobiography suitably displays his acerbic wit, encyclopedic knowledge of both the subtleties and unsubtleties of twentieth cenutry popular culture, and his agile writing style. Enjoyable and insightful, and now in paperback. 
>>The hardback is still available, too

Cosmogramma by Corttia Newland             $33
Speculative short stories set in an alternate future as lived by the African diaspora. Robots used as human proxies in a war become driven by all-too-human desires; Kill Parties roam the streets of a post-apocalyptic world; a matriarchal race of mer creatures depends on inter-breeding with mortals to survive; mysterious seeds appear in cities across the world, growing into the likeness of people in their vicinity. Through transfigured bodies and impossible encounters, Newland brings a sharp, fresh eye to age-old themes of the human capacity for greed, ambition and self-destruction, strength and resilience.


Not Your Average Maths Book by Anna Weltman and Paul Boston           $23
A fun and accessible look at numbers, filled with great facts and fascinating insights into numbers, their history and the mathematicians who made key breakthroughs in their fields. From how long it would take to count to a billion, to why bubbles are always round, to what the ham sandwich theorem is, this book answers all these questions and many many more.
Esther's Notebooks: Tales from my twelve-year-old life by Riad Satouf (translated by Sam Taylor)          $28
Every week, the Parisian comic book artist Riad Sattouf has a chat with his friend's daughter, Esther. She tells him about her life, about school, her friends, her hopes, dreams and fears, and then he works it up into a comic strip. This book consists of 52 of those strips, telling between them the story of a year in the life of this sharp, spirited and hilarious child. The result is a moving, insightful and utterly addictive glimpse into the real lives of children growing up in today's world.
Our Wives Under the Sea by Julia Armfield            $38
Miri thinks she has got her wife back, when Leah finally returns after a deep sea mission that ended in catastrophe. It soon becomes clear, though, that Leah may have come back wrong. Whatever happened in that vessel, whatever it was they were supposed to be studying before they were stranded on the ocean floor, Leah has carried part of it with her, onto dry land and into their home. To have the woman she loves back should mean a return to normal life, but Miri can feel Leah slipping from her grasp. Memories of what they had before – the jokes they shared, the films they watched, all the small things that made Leah hers – only remind Miri of what she stands to lose. Living in the same space but suddenly separate, Miri comes to realise that the life that they had might be gone.
Night Race to Kawau by Tessa Duder               $20
What started as an exciting challenge turns into a nightmare when a gale unexpectedly blows up during the night race to Kawau Island. Sam and her mother suddenly find themselves in charge of their yacht with a dangerous task ahead of them. Will Sam be able to save her family? A new edition of this classic story. 


Chronicles of Dissent by Noam Chomsky and David Barsamian          $38
A good overview of Noam Chomsky's political thought. In sixteen extended talks with Alternative Radio's David Barsamian, Noam Chomsky explains why the 'war on drugs' is really a war on poor people; how attacks on political correctness are attacks on independent thought; how historical revisionism has recast the United States as the victim in the Vietnam War. 
The Etymologicon is an occasionally ribald, frequently witty and unerringly erudite guided tour of the secret labyrinth that lurks beneath the English language. What is the actual connection between disgruntled and gruntled? What links church organs to organised crime, California to the Caliphate, or brackets to codpieces? Nice illustrated hardback 10th anniversary edition. 
"Witty and erudite. Stuffed with the kind of arcane information that nobody strictly needs to know, but which is a pleasure to learn nonetheless." —Independent
Making Numbers Count: The art and science of communicating numbers by Karla Starr and Chip Heath             $37
Until recently, most languages had no words for numbers greater than five. While the numbers in our world have become increasingly complex, our brains are stuck in the past. Yet the ability to communicate and understand numbers has never mattered more. So how can we effectively translate numbers and statistics so that the data comes alive? 
How to Read a Dress: A guide to changing fashion from the 16th to the 21st century by Lydia Edwards           $55
With overviews of each key period and detailed illustrations for each new style, How to Read a Dress is a useful guide to women's fashion across five centuries. Each entry includes annotated color images of historical garments, outlining important features and highlighting how styles have developed over time, whether in shape, fabric choice, trimming, or undergarments. Readers learn how garments were constructed and where their inspiration stemmed from at key points in history - as well as how dresses have varied in type, cut, detailing and popularity according to the occasion and the class, age and social status of the wearer. This new edition includes additional styles to illustrate and explain the journey between one style and another; larger images to allow closer investigation of details of dress; examples of lower and working-class, as well as middle-class, clothing; and a completely new chapter covering the 1980s to 2020.
On Democracy by Robert A. Dahl            $36
Arising from his studies of decision-making structures in institutions, cities and nations, Dahl delineates what constitutes a democracy and details the mechanisms by which competing interests may approach this ideal. 

The Islands by Emily Brugman               $33
There are few places wilder than Little Rat, a small island in an archipelago off the coast of Western Australia. Beautiful, harsh and lonely, the landscape is still haunted by the many ships that have wrecked on its reefs across the centuries. Yet it is here that the Saari family try to build their future, thousands of miles from the cold lowlands of Finland. A crayfishing family, Onni and his wife Alva work hard. Against this spectacular and brutal backdrop, small tragedies and immense joys are shared by the fishing families of Little Rat: Alva makes a perilous journey across rough seas with a tiny newborn baby, where, against all odds, she feels safe; their young daughter Hilda watches as a small boy tumbles from a jetty and very nearly drowns; an old story of shipwreck and mutiny intrigues two adolescent boys; a mysterious and tortured fisherman rows into the eye of a storm; and Hilda, on the brink of womanhood, comes to know the cruelty and the ecstasy of desire, while distances expand between her and her migrant parents.
Formica by Maggie Rainey-Smith          $25
A memoir in poems. Formica begins in 1950s Richmond with the author’s family struggling in the aftermath of a war that took her father to Crete to fight and then Poland as a prisoner of war. At the Formica kitchen table, Maggie’s mother is reciting poems while chopping the veggies for tea. Maggie listens while tying her boots for marching practice. Poems follow her as she makes her way in the world – working as a typist, doing her OE, becoming a wife, a mother and grandmother.

1000 Years of Joys and Sorrows by Ai Weiwei              $55
The artist's memoir both presents a remarkable history of China over the last 100 years and illuminates his artistic process. Once an intimate of Mao Zedong, Ai Weiwei's father was branded a rightist during the Cultural Revolution, and he and his family were banished to a desolate place known as 'Little Siberia', where poet Ai Qing was sentenced to hard labour cleaning public toilets. Ai Weiwei recounts his childhood in exile, and his difficult decision to leave his family to study art in America, where he befriended Allen Ginsberg and was inspired by Andy Warhol.





 What are the links between political engagement and our engagement with the natural world? In our Book of the Week, Orwell's Roses, Rebecca Solnit takes a rose garden planted by George Orwell as the starting point for a meandering journey through his life, writings and motivations, and through much else besides, arriving at a more nuanced and somehow hopeful assessment of what it means to care about the state of the world in our own century. 
>>Read Stella's review
>>Rebecca Solnit and Margaret Atwood!
>>A new perspective
>>Pleasure and flowers
>>The written political project
>>The Orwell Foundation. 
>>Your copy is ready for you
>>Other books by Rebecca Solnit
>>Some books by and about George Orwell. 



 


>> Read all Stella's reviews.



























 

Orwell's Roses by Rebecca Solnit     {Reviewed by STELLA}
I’ve been dipping into this book for several weeks, savouring the writing and meandering the country tracks of England with Solnit and her revelations of Orwell the writer and the lover of nature. Solnit’s collections of essays are usually directly political, even her more nuanced observations which are often drawn from personal experiences or wry commentary are to a greater or lesser extent ‘serious’. In Orwell’s Roses, one could be forgiven for thinking at the outset, this biography (of a sort) has a different purpose. It meanders. As we walk with Rebecca Solnit on English country paths she talks to us as if we were wandering beside her — it is a conversation about her discoveries, filled with curiosity and at times, surprise, as she reveals a side of George Orwell not usually found in his books (most famously Animal Farm and 1984) and essays, nor in literary references. The roses which inspire Solnit were planted by Orwell in the late 1930s in his garden — a constant source of pleasure — at his Hertfordshire cottage. Knocking on the door of the cottage, the present-day owners take her into the garden and point out what they believe to be those same rose bushes, and so starts a connection to the past and Orwell’s ideas — ideas that resonate just as vividly right now. His passionate defence of freedom and his fight against totalitarianism — both in written word and deed (as a soldier in the Spanish Civil War) — and advocacy for greater equality, in particular for workers' rights, are all relevant in our present world order and are also concerns at the heart of Solnit’s own work. Like Orwell, Solnit is hard-hitting and does not easily succumb to telling what is wanted to be heard. She reveals in many of her essays historical facts and political analysis that may be difficult to confront, and Orwell similarly was going his own way as he felt necessary. While in Spain, Orwell became increasingly uncomfortable with some of his fellow freedom fighters, who continued to follow Stalin even when it was obvious that the communist ideal was failing and falling under the boot of dictatorship. In expressing his love of flowers and gardens, he was accused of having bourgeois interests — an indulgence that seemed frivolous to some — not a serious political left-wing stance. However, he exhorted that workers needed beauty as well as bread. In thinking about Solnit’s own writing, this element of beauty or (more particularly in reference to her) hope, is never far from the political imperative. Orwell’s Roses is a book of many parts: biography, a potted history of Orwell’s time through a particular and precise lens (coal mines, the civil war, his own family’s rise and fall through the class system), his love of nature, roses — their beauty expressed in literature, art and as themselves as flowers — and a comparative history (in one chapter is an overview of Orwell’s writing about the coal-miners and later in the book, Solnit visits a ‘rose factory’ in Columbia where workers are exploited and roses are grown en masse for the American market). It is a wander, but an extremely well-written and a thought-proving one, packed with intriguing anecdotes and considered analysis. Much like a rose coming into bloom it holds your fascination. Solnit cleverly draws together all these aspects and reminds us that through a desire for beauty over hatred, and through language and words, we too, like Orwell, can raise our voices against repression. 

 

 >> Read all Thomas's reviews. 



 


































































































 

Grove: A field novel by Esther Kinsky (translated by Caroline Schmidt)   {Reviewed by THOMAS}
“Absence is inconceivable, as long as there is presence. For the bereaved, the world is defined by absence,” she wrote. She went to Olevano, some distance from Rome, in the hills, in the winter, two months after her partner died, the bereavement was taking hold, she no longer fitted into her life. It was winter, as I said, she stayed alone in Olevano, she looked out of the window, she went for walks, she took photographs, she wrote. The whole place, and the text she wrote, was cold, damp, dim, filled with mist, vagueness, echoes, mishearings. Well, of course. This is not to say that her observations were not precise, preternaturally precise, and the sentences she wrote to describe them, they too were preternaturally precise, whatever that means. “In the unfamiliar landscape I learned to read the spatial shifts that come along with changes to the incidence of light.” She is unable to think of the one who is lost, rather, the one she has lost, she is unable to face an absence that at this time is an overwhelming absence, instead she observes in minute detail, with great subtlety, as if subtlety could be anything but great, the particulars of the day and the season, the fall of light, those things that only she could notice, or only a bereaved person could notice, the weight of noticing shifted by her bereavement, death pulling at everything and changing its shape, changing the fall of light, even, or making her aware of changes in the fall of light, and in the shape of everything, so to call it, that are inaccessible to the non-bereaved. There are other worlds, but they are all in this one, wrote Paul Éluard, apropos of something, if it was him who wrote it, and if that was what he wrote, if these are different things, but as we can cope with the world only by suppressing almost everything that comes at us, even at best, we notice only as our circumstances allow, our mental circumstances, our emotional circumstances perhaps most significantly, and we are somehow sharing space but seeing everything differently from others and some more differently than others. We live in different worlds in the same world. She was bereaved, she saw what she saw, observed what she observed, with great precision and intensity as I have said, out of the mist, among the fallen leaves. There is a cemetery in every town, or vice-versa, she visits them all, acquaints herself with the faces of the dead, but not her dead, not the one of whom she is bereaved. She writes of herself in a continuous past, “I would.” she writes, “Each morning I went,” she writes, as if also all that is observed also continues in this continuous and unbordered way, which might be so. Death, first of all, is an aberration of time, bereavement acts on time like a point of infinite gravity that cannot be observed but which bends all else. Memories are the property of death, there can be no memories if she is to face each day, though the memories pluck at her in her dreams. She observes, she wanders, she acts on nothing, she changes nothing, the season moves slowly through darkness and chill. She travels to the nearby towns and into the hills, the mists. She recognises herself more in those displaced like her to Italy, the migrants and the refugees, those for whom no easy place welcomes them, those who have lost something, recently, that the others around there have perhaps not recently lost. “We sized each other up as actors on a stage of foreignness,” she writes, “Each concerned with his own fragmented role, whose significance for the entire play, directed from an unknown place, might never come to light.” She is aware, everywhere, of the loss that outlines and gives shape to that which goes on, and the mechanisms of loss that are built into the function of a whole town, or a whole human life. She sees the junkyard by the bus station, “an intermediate space for the partially discarded, whose time for final absence has nevertheless not yet arrived.” She visits the Etruscan tombs and sees the reliefs there as a membrane separating the living from the dead, their loss is one of space as well as of time, what is shared between her and them is two dimensional only, “as if the dead would know how to reach through the cool thickness of the masonry to touch the object’s or animal’s other side, invisible to us, and hold it in their life-averted hands.” The membrane is infinitely thin. It is only two dimensions. It is everywhere. She asks, “Will it wither away, the hand I pull back from the morti?” Time passes. Something unobserved is changing beneath the changes she observes, “the Spring air a different shade of blue-gray.” She leaves Olevano and leaves the first section of the book. Because she, we, you, I perceive only a fraction of what we could call the external, the fraction to which we are at a moment attuned, it is easy to fall out of tune with others. For her, whom bereavement has differently attuned, or untuned, her reattunement must be achieved by words, she who lives by words must recalibrate her world through words, descriptions, care, precision, nuance, it is wrong to think of nuance as somehow imprecise, it, all this, is an exercise in slowness, and we who read must also change our speed to the speed of her noticing if we are to experience the text, if we are to experience, through the wonder of her text, somehow, her experience, or something thereof. The external reveals itself only to those moving at the precise right speed of perception, so she shows us, and so too her text reveals itself only to those moving at the precise right speed, those who read the text at the speed the text requires. In the second section she remembers, memory being the province of death, or vice-versa, her father, of whom she has also been bereaved, a little longer ago, and the holidays in Italy of her childhood, with him, and, presumably, with her mother, though this section deals specifically with memories of her father, perhaps because her mother is still alive, if she is still alive. This section is the section of the father, of the memories of the father more particularly, the only way her father now exists, he has finished contributing to memories that might be had of him and fairly soon these memories become the memories of memories, the parts magnified becoming still more magnified, the other parts abraded, becoming lost. Each memory contains a necropolis, it seems. With nothing, she begins the third and final section. She rents a cottage, so to call it, in the delta of the Po. Marshes, salt pans, mists again, fogs, rains. Birds. It is winter. “Everything had been repeatedly disturbed, was forever suspended between traces and effacement.” All that is human, and all of nature is abraded. “It was even hot when I arrived, the air similarly gray and viscous, and the landscape lay motionless, disintegrating under its weight; on hillcrests and in the occasionally visible strips of riverbank clung fragments of memory that had been torn away from a larger picture and settled there.” Time moves differently, again, here, she lets it, broken things stand about, the past is forgotten but is everywhere, is in the dust and mud, more often mud, the rain, the fog. “It was a place that could only be found in its absence, by recalling what was lost, therein lay its reality.” But here in this slow nowhere something almost unperceived begins to change, the emptiness provides a space, the past gets somehow out of her, death begins not to completely overwhelm her, memory relinquishes something of its choke. She even gets a ride to town with the owner of the cottage, in his car. Perhaps she comes to think that history is the proper province of the past. “Among the places of the living are the places of the dead,” she says, and not vice-versa nor one inside the other. She visits Ravenna and in Ravenna the two mosaics spoken of to her by her father not long before his death, actually the last time she saw him before his death. The mosaics are now outside her, sensed, and no longer trapped inside, her father’s experience of the two blue mosaics likewise no longer trapped, the experience of her father, something of a connoisseur of blue, no longer confined inside the one who is bereaved, the bearer of his memory, but somehow shared with her. These two mosaics, I wonder, for her, also a connoisseur of blue, are, perhaps, the mosaic of life and the mosaic of death. “These two mosaics — the dark-blue, bordered harbour with its still unsteady boats; and the light-blue expanse with no obstruction, nothing nameable, not even a horizon.”

 NEW RELEASES

Pure Colour by Sheila Heti               $46
Here we are, just living in the first draft of creation, which was made by some great artist, who is now getting ready to tear it apart. In this first draft, a woman named Mira leaves home for school. There, she meets Annie, whose tremendous power opens Mira's chest like a portal--to what, she doesn't know. When Mira is older, her beloved father dies, and she enters the strange and dizzying dimension that true loss opens up.
"Pure Colour tells the story of a life, from beginning to end. It is a galaxy of a novel: explosive, celestially bright, huge, and streaked with beauty. It is an atlas of feeling, and a shape-shifting epic. Sheila Heti is a philosopher of modern experience, and she has reimagined what a book can hold." 
Toi Tū Toi Ora: Contemporary Māori art edited by Nigel Borell          $65
The art book that everyone has been waiting for! The story of contemporary Maori art from the 1950s to the present day, with more than 200 artworks by 110 Maori artists. Maori art is unique among all art movements, and to Aotearoa New Zealand. Drawing on centuries of indigenous knowledge and skill, it reflects a Maori world view, life in this land and the debates that continue to shape it. 
Harrow by Joy Williams             $33
Williams's powerful, dark and strangely enjoyable novel addresses the roots and impact of climate apocalypse in and on the workings of both human consciousness and the unconscious. Khristen is a teenager who, her mother believes, was marked for greatness as a baby when she died for a moment, then came back to life. After Khristen's boarding school for gifted teens closes its doors, and her mother disappears, she ranges across the dead landscape and finds a 'resort' on the shores of a mysterious, putrid lake the elderly residents there call 'Big Girl'. In a rotting honeycomb of rooms, these old ones plot actions to punish corporations and people they consider culpable in the destruction of the final scraps of nature's beauty. Rivetingly strange and delivered with Williams' searing, deadpan wit, Harrow is a tale of paradise lost and the reasons to try and recover something of it.
"A brilliant portrayal of collapsing reality. Williams peels back the visible and known, revealing death and chaos beneath. Part of what makes Williams’s work so destabilising is that agency has almost no significance. Navigating a world that makes no sense, her characters are lost and baffled, their actions and ideas stripped of meaning. Harrow reminds us that, as a consequence of climate collapse, trauma and grief are the condition of our collective existence. As our world disintegrates, it will take what we think of as reality with it. Addressing this in fiction will be the job, partly, of a certain kind of modern mystic. Williams – great virtuoso of the unreal – is one of them." —Guardian
>>"Joy Williams does not write for humanity."
The Doloriad by Missouri Williams              $35
In the wake of a mysterious environmental cataclysm that has wiped out the rest of humankind, the Matriarch, her brother, and the family descended from their incest cling to existence on the edges of a ruined city. The Matriarch, ruling with fear and force, dreams of starting humanity over. Her children and the children they have with one another aren't so sure. Surrounded by the silent forest and the dead suburbs, they feel closer to the ruined world than to their parents. Nevertheless, they scavenge supplies, collect fuel, plant seeds, and attempt to cultivate the poisoned earth, brutalizing and caring for one another in equal measure. For entertainment, they watch old VHS tapes of a TV show called Get Aquinas in Here, in which a problem-solving medieval saint faces down a sequence of logical and ethical dilemmas. But one day the Matriarch dreams of another group of survivors, and sends away one of her daughters, the legless Dolores, as a marriage offering. When Dolores returns a few days later, her reappearance triggers the breakdown of Matriarch's fragile order and the control she wields over their sprawling family begins to weaken. As the children seize their chance to escape, the world of the television saint Aquinas and that of the family begin to melt together with terrible consequences. Told in extraordinary, intricate prose that moves with a life of its own, at times striking with the power of physical force, Missouri* Williams's novel is a blazingly original document of depravity and salvation. 
Cursed Bunny by Bora Chung (translated by Anton Hur)             $38
A genre-defying collection of short stories from this superb Korean author. Blurring the lines between magical realism, horror, and science-fiction, Chung uses elements of the fantastic and surreal to address the very real horrors and cruelties of patriarchy and capitalism in modern society.
>>Long-listed for the 2022 International Booker Prize. 

Small Things Like These by Claire Keegan          $33
In 1985, in an Irish town, Bill Furlong, a coal and timber merchant, faces his busiest season. As he does the rounds, he encounters the complicit silences of a people controlled by the Church.
"Keegan creates luminous effects with spare material, so every line seems to be a lesson in the perfect deployment of both style and emotion." —Hilary Mantel
"Astonishing. Claire Keegan makes her moments real - and then she makes them matter." —Colm Toibin
"A true gift of a book. a sublime Chekhovian shock." —Andrew O'Hagan
"A haunting, hopeful masterpiece." —Sinead Gleeson
Phenotypes by Paulo Scott (translated by Daniel Hahn)          $36
A smart and stylish account of the bigotry lurking in hearts and institutions alike. In this complex tale, two very different brothers of mixed black and white heritage are divided by the colour of their skin, as racial tension rises in society and a guilty secret resurfaces from their shared past. Paulo Scott here probes the old wounds of race in Brazil, and in particular the loss of a black identity independent from the history of slavery. Exploratory rather than didactic, a story of crime, street-life and regret as much as a satirical novel of ideas, Phenotypes is a seething novel of rage and reconciliation.
The Sea Is Not Made of Water: Life between the tides by Adam Nicolson             $40
Few places are as familiar as the shore – and few as full of mystery and surprise. How do sandhoppers inherit an inbuilt compass from their parents? How do crabs understand the tides? How can the death of one winkle guarantee the lives of its companions? What does a prawn know? Nicolson explores the natural wonders of the intertidal and our long human relationship with it. The physics of the seas, the biology of anemone and limpet, the long history of the earth, and the stories we tell of those who have lived here: all interconnect in this zone where the philosopher, scientist and poet can meet and find meaning. The intertidal has been the scene for all kinds of scientific discovery – from the process of evolution to the inner workings of biological networks. But its story is as much human as natural history: how far should our lives be understood within the vast landscape of ecology? What do our buried beliefs about the tidal sea reflect of our relationship to nature? And is it the shifting condition of the tidal world, its pervasive uncertainty, its fierce interfolding of opportunity and threat, that makes it one of the most revelatory and beguiling habitats on earth?
Sybil & Cyril: Cutting through time by Jenny Uglow             $45
In 1922, Cyril Power, a fifty-year old architect, left his family to work with the twenty-four year old Sybil Andrews. They would be together for twenty years. Both became famous for their dynamic, modernist linocuts, streamlined, full of movement and brilliant colour, summing up the hectic interwar years. Yet at the same time they looked back, to medieval myths and early music, to country ways disappearing from sight. Sybil & Cyril traces their struggles and triumphs, conflicts and dreams, following them from Suffolk to London, from the New Forest to Vancouver Island. This is a world of Futurists, Surrealists and pioneering abstraction, but also of the buzz of the new, of machines and speed, shops and sport and dance, shining against the threat of depression and looming shadows of war. Uglow's enjoyable books always convey their subjects as both exemplars of their time and somehow standing in distinction from it. 
Fabric: The hidden history of the material world by Victoria Finlay            $55
Finlay investigates how and why people have made and used cloth. A century ago in Wales, women would sew their own funeral clothes over tea with friends. In Papua New Guinea, bark is stripped from trees and beaten into cloth. Harris Tweed has a particular smell, while Guatemalan weavers use dazzling colours. Uncovering the stories of the fabrics people wear and use from sacking to silk, Fabric combines science, history, tradition and art in a captivating exploration of how we live, work, craft and care.

A New Name (Septology VI—VII) by Jon Fosse (translated by Damian Searls)         $38
The third and final volume of the Norwegian writer's wonderful 'slow prose' project dealing with the life or lives of two aging painters, each called Asle but one lonely and alcoholic and the other comfortable and successful. Fosse's prose is subtle and hypnotic, and the books deal with existential questions of agency, morality and culpability. 

Burning Questions by Margaret Atwood           $48
Essays written between 2004 and 2021, covering a vast range of important (and some less-important but still instructive) issues, with Atwood's characteristic incisiveness, depth of both knowledge and passion, agile wit, and exemplary phrasing. Climate change, authoritarianism, storytelling, zombies and ethics, literature, and granola are all part of Atwood's literary landscape.
The Book of Mother by Violaine Huisman (translated by Leslie Camhi)         $48
Beautiful and charismatic, Catherine, aka ‘Maman’, smokes too much, drives too fast, laughs too hard and loves too extravagantly. During a joyful and chaotic childhood in Paris, her daughter Violaine wouldn’t have it any other way. But when Maman is hospitalised after a third divorce and breakdown, everything changes. As the story of Catherine’s own traumatic childhood and coming of age unfolds, the pieces come together to form an indelible portrait of a mother as irresistible as she is impossible, as triumphant as she is transgressive.
Long-listed for the 2022 International Booker Prize. 
The War of Nerves: Inside the Cold War mind by Martin Sixsmith             $55
More than any other conflict, the Cold War was fought on the battlefield of the human mind. And, nearly thirty years since the collapse of the Soviet Union, its legacy still endures — not only in our politics and distressing current affairs, but in our own thoughts, and fears. Drawing on untapped archives and hitherto unseen sources, Martin Sixsmith recreates the tensions and paranoia of the Cold War, framing it for the first time from a psychological perspective. Revisiting towering personalities like Khrushchev, Kennedy and Nixon, as well as the lives of the unknown millions who were caught up in the conflict, this is a gripping account of fear itself — and in today's alarming and uncertain times, it is more resonant than ever.
Five Straight Lines: A history of music by Andrew Grant           $70
Ranging across time and space, this book takes us on a grand musical tour from music's origins in prehistory to the twenty-first century. Charting the leaps in technology, thought and practice that led to extraordinary revolutions of music in each age, the book takes us through medieval Europe, Renaissance Italy and Jazz era America to reveal the rich history of music we still listen to today. Gant brings to life the people who made the music, their techniques and instruments, as well as the places their music was played, from sombre churches to rowdy taverns, stately courts to our very own homes.

Wanderers: A history of women walking by Kerri Andrews         $28
A book about ten women over the past three hundred years who have found walking essential to their sense of themselves, as people and as writers. Wanderers traces their footsteps, from eighteenth-century parson's daughter Elizabeth Carter—o desired nothing more than to be taken for a vagabond in the wilds of southern England—to modern walker-writers such as Nan Shepherd and Cheryl Strayed. For each, walking was integral, whether it was rambling for miles across the Highlands, like Sarah Stoddart Hazlitt, or pacing novels into being, as Virginia Woolf did around Bloomsbury.
In Kiltumper: A year in an Irish garden by Niall Williams and Christine Breen           $43
Thirty-four years ago, when they were in their twenties, Niall Williams (author of This Is Happiness and History of the Rain) and Christine Breen made the impulsive decision to leave their lives in New York City and move to Christine's ancestral home in the town of Kiltumper in rural Ireland. In the decades that followed, the pair dedicated themselves to writing, gardening and living a life that followed the rhythms of the earth. In 2019, with Christine in the final stages of recovery from cancer and the land itself threatened by the arrival of turbines just one farm over, Niall and Christine decided to document a year of living in their garden and in their small corner of a rapidly changing world.
Elephant Island by Leo Timmers               $30
A shipwrecked elephant makes his tiny island a home for the many friends who come to the rescue, building increasingly intricate constructions that turn Elephant Island into a fun park city.


The Language Lover's Puzzle Book: Lexical perplexities and cracking conundrums from across the globe by Alex Bellos         $28
Can you decipher the code of a long-lost civilisation? Or solve riddles in runes? Or will you get lost in translation? Crossing continents and borders, puzzle expert Alex Bellos has gathered more than one hundred of the world's best conundrums that celebrate the diversity of human language and culture, all while testing your deduction and intuition. Fun.



* (Pronounced "Misery")



 

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Things Remembered and Things Forgotten by Kyoko Nakajima (translated by Ginny Takemori and Ian MacDonald)   {Reviewed by STELLA}
What is memory and how does it behave? Or, more accurately, how do we behave when confronted with memories? What we remember could be genuine or fabricated. What we forgot may be purposeful or accidental. Sometimes a happening is just outside our grasp; a thing familiar, hinted at, but not reachable; while at other times what we know has been plainly staring at us, but we have refused to see it. In Kyoko Nakajima’s collection of short stories, memory stands at the centre of her themes. Whether it is a widower getting to know his wife again through her notebooks —  stuffed with recipes, notes-to-self, complaints or pleasures; or a wife navigating her life with her increasingly forgetful husband as he succumbs to dementia; or a niece realising that her taciturn aunt had a secret and pleasurable life, Nakajima’s stories are taut, charming and tantalisingly deceptive, each laced with humour and subtle commentary on Japanese history and culture — societal and familial. What could be taken as quotidian events are surprisingly nuanced. Her concerns with the impact (and what she hints at as a forgetting or pulling away) of the second world war, particularly in the post-war period, are brought to light in several stories, most obviously in the title story, which follows the hardship and decisions made by family during these difficult times, through the eyes of two brothers, and how this has far-reaching consequences well into their future. In 'The Life Story of  Sewing Machine', we follow the glory and fall of an object, the hands which sew upon it and the homes it passes through, ruined, fixed and altered and eventually abandoned or, as it says, left in the dark, to see the light of day again finally at the top of a pile junk at the back of an antique shop. Like many of Nakajima’s stories, she uses a starting point in the present and without warning switches perspective and voice giving a liveliness to the writing as we travel back in time. In 'Kirara’s Paper Plane', a young girl, semi-abandoned as she waits for her mother who is in some sort of trouble, is visited by an older boy who takes her under his wing for a day. A day, because this is all he has. He’s a ghost, one who intermittently finds himself back in his old stomping ground where, after losing his parents in the war, he has struggled to survive on the streets. Ghosts appear in several of the stories, taking in a common element of traditional Japanese fiction, along with reimaginings of traditional folk tales, most markedly in 'The Pet Civet', which folds into its telling the tale of two lovers, one who may have been from the animal spirit realm, as two strangers recount their memories of an aunt. 'When My Wife Was a Shiitake' is charming and thought-provoking, gently touching on prescribed gender roles and fondness that grows through understanding. Kyoko Nakajima’s collection of ten stories, Things Remembered and Things Forgotten is a treat — deceptively sharp, laced with wit, capturing the joy and sadness of remembering and the sometimes necessary desire to forget.

 


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Book of Mutter by Kate Zambreno   {Reviewed by THOMAS}
“Writing is a way not to remember but to forget,” suggests Kate Zembrano in this book concerning both her grieving for her mother and her struggle to be free of her mother, who in some ways became more dominating after her death than she was when alive. “Or if not to forget, to attempt to leave behind,” continues Zembrano. The past dominates the present, not so much in the way in which the present is disposed as in the disposition of our minds towards it: that which we are foolish enough to think of as ourself is dependent utterly upon memory, upon the power of what is not us in the past. This dominance by the lost and unreachable (we cannot assail its moment of power for it lies against the flow of time) is most oppressive when we are unaware of it. Paradoxically, we need to remember in order to escape the past and exist more freely (if existing freely is our predilection). But merely to open ourselves to the past through memory is insufficient to free ourselves of it. To gain control it is necessary to assume authorship, not to change what we cannot reach against time, but to create a simulacrum that is experienced in the place of the experience of the past, a replacement that alters the grammar of our servitude, simultaneously a remembering and a forgetting. “In order to liberate myself from the past I have to reconstruct it. I have been a prisoner of my memories and my aim is to get rid of them,” said Louise Bourgeois. Since her mother’s death, Zembrano’s thoughts have been increasingly focussed on her loving but dominating mother, to the extent that her mother is taking over her life (“Sometimes my mouth opens up and my mother’s laugh jumps out. A parlour trick”). Very possibly, this influence was operative when her mother was alive, but it was at least concentrated in a person who could be interacted with and reacted against. Now “she is everywhere by being unable to be located.” Zambreno’s perceptive book is a study, through self-scrutiny, of the ambivalences of grief and of memory, and also of a path beyond grief: “If writing is a way of hoarding memories - what does it also mean to write to disown?” Not that either remembering or forgetting does any favours to the departed. Without an actual person upon whom an identity, a history, a character may be postulated, and without the generation of new information, however minor, that is possible only by living, the definition of that person belongs to anyone and no-one. Identity becomes contested in the absence of the arbiter. What remains but the impress, somewhere in the past, the shape of which must henceforth suffice as a stand-in for the departed? For better or for worse the pull is to the past, towards the unalterable occurrences that have what could almost be considered as a will to persist through whatever has received their impress. And the struggle for authorship is complicated by the persistence of objects. Death instantaneously transforms the everyday into an archive. Zembrano’s visits to her parents’ house in the years after the death of her mother brings her into contact with objects that have lost their ordinariness, the possessions of her mother’s that her father wishes to enshrine, objects that have stultified, that have not been permitted to either lose or accrete meaning. Both comfort and trap, the archive preserves the dominance of the pastper se, preserves the fact of loss more than that which has been lost. Advances in medical science have meant that more of our lives, and more of the end period of our lives, has come to be defined by illness. Increasingly few of us reach our end without being overwritten by the story of its approach. Zembrano captures well her mother’s struggle with the disease that killed her, not so much over her survival or otherwise as over how she would be remembered, over whether the idea others had of her would be replaced by the story of a disease. All memory proceeds as a scuffle between selection and denial, between nostalgia and resentment, between freedom and attachment, between the conflicting needs of actuality and representation. Memory is the first requirement of forgetting. 

Our Book of the Week is the delightful Notes from an Island by Tove Jansson and Tuulikki Pietilä (translated by Thomas Teal). In 1963, Tove Jansson and her partner Tuulikki Pietilä (with the help of Brunström, a local fisherman) built a cabin on Klovharun, a barren skerry in the Gulf of Finland. Here, for the next 26 summers, they found solitude, creative inspiration, and a closeness with nature. This beautiful book conveys their experience of the island, combining Jansson's memories, memorable observations and journal entries, intercut with Brunström's terse and lively diary entries and illustrated with 24 evocative copperplate etchings and wash drawings of the island by Pietilä. The whole book intimates something central to Jansson's world.
>>Stella reviews the book on the radio
>>Some notes.
>>Visit Klovharun.
>>Tove and Tooti in Europe (shot on Klovharun by Pietilä) 
>>Tove and Tuulikki.         
>>Tove Jansson falls in love
>>Much of Jansson's experience of Klovharun is captured in Moominpappa at Sea.
>>Tuulikki appears as Too-Ticky in Moominland Midwinter
>>Books by and about Tove Jansson
>>Your copy of Notes from an Island. 

NEW RELEASES
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Notes from an Island by Tove Jansson and Tuulikki Pietilä (translated by Thomas Teal)       $35
In 1963, Tove Jansson and her partner Tuulikki Pietilä (with the help of Brunström, a local fisherman) built a cabin on Klovharun, a barren skerry in the Gulf of Finland. Here, for the next 26 summers, they found solitude, creative inspiration, and a closeness with nature. This beautiful book conveys their experience of the island, evocatively combining Jansson's memories, observations and journal entries, intercut with Brunström's terse and lively diary entries and illustrated with 24 copperplate etchings and wash drawings of the island by Pietilä. The whole intimates something central to Jansson's world. 
>>Some notes.
>>Visit Klovharun
>>Tove and Tuulikki.          
Allegorizings by Jan Morris             $33
Feeling intimations of mortality, Jan Morris embarked on a series of high-minded letters to her late daughter, but these quickly transformed themselves into a potpourri of mini-essays and vibrant reminiscences, organised around experiences both majestic and mundane, from traveling the world with her lifelong partner, Elizabeth, to sneezing and kissing and simply growing old. Featuring essays largely written in the early twenty-first century, Allegorizings reflects, above all, Morris's steadfast conviction that nothing is only what it seems. In fact, she observes, everything is allegory. 

Free Love by Tessa Hadley             $38
"A woman turns her life upside down and feels the allure of swinging 1960s London in this poignant tale of mid-life desire. Hadley’s drawing together of a situation that’s ‘as fatally twisted as a Greek drama’ shows a writer with boundless compassion. She offers insightful and sensitive understanding of the quiet compromises people make to survive in a deeply compromised world. Almost every page struck me anew with some elegant phrasing, feline irony or shrewdly sympathetic insight." —Guardian
Iris Murdoch, Philippa Foot, Mary Midgley and Elizabeth Anscombe were great friends and comrades in the intellectual trenches, rethinking the possibilities of moral philosophy during the Second World War and taking on the establishment, ultimately embodied by President Truman.
Oppositions: Selected essays by Mary Gaitskill                $40
Gaitskill takes on a broad range of topics from Nabokov to horse-riding with her unique ability to tease out unexpected truths and cast aside received wisdom. Written with startling grace and linguistic flair, and delving into the complicated nature of love and the responsibility we owe to the people we encounter, the work collected here inspires the reader to think beyond their first responses to life and art. 
Confronting Leviathan: A history of ideas by David Runciman             $45
While explaining the most important and often-cited ideas of thinkers such as Constant, De Tocqueville, Marx and Engels, Hayek, MacKinnon and Fukuyama, David Runciman shows how crises — revolutions, wars, depressions, pandemics — generated these new ways of political thinking. What new ideas, practices and social forms will arise from the crises facing us today? 
Frantumaglia: A writer's journey by Elena Ferrante (translated by Ann Goldstein)          $33
Consisting of over twenty years of letters, essays, reflections, and interviews, this volume is a unique depiction of the author whose 'true' identity is unknown. In these pages, Ferrante answers many of her readers' questions. She addresses her choice to stand aside and let her books live autonomous lives. She discusses her thoughts and concerns as her novels are being adapted into films. She talks about the challenge of finding concise answers to interview questions. She explains the joys and the struggles of writing, the anguish of composing a story only to discover that that story isn't good enough. She contemplates her relationship with psychoanalysis, with the cities she has lived in, with motherhood, with feminism, and with her childhood as a storehouse for memories, impressions, and fantasies.
In the Margins: Essays on reading and writing by Elena Ferrante (translated by Ann Goldstein)                $28
"Four essays illuminate the mind of Ferrante in this dazzling new collection. The collection's strength comes from Ferrante's beautiful prose, as well as the fascinating look at where she finds inspiration. The author's legions of fans are in for a treat." —Publishers Weekly
 
Song of Less by Joan Fleming               $25
"The crisis is upon us, but abstraction is a bulwark. Deafness, everywhere. We have come to an edge. I want to find a way of taking the truth into my body, and then putting it down into the ground. From somewhere offstage, a misery of voices begins to murmur in the scrounge. What starts up is a grief work."
A dystopian verse novel from a New Zealand poet, exploring ritual and the limits of language in the ruins of ecological collapse.
Beats of the Pa'u by Maria Samuela           $30
The pa‘u is the pulse of the Cook Islands, a rhythm carrying narratives of a culture to its people. But beyond the reach of its sound, on another shore, a community is working over the course of decades to build a new life. Kura lands in the footsteps of his father, whose twenty-year estrangement has come to a head. Katerina starts planning for a future, but must bend to the whim of another. Ana is received into a sacred sisterhood. And an Island Mama sets out the rules for love. Beats of the Pa‘u is a collection of stories about first- and second-generation Cook Islands New Zealanders living in 1950s to modern-day New Zealand. 
Bauhaus Postcards (Invitations to the first exhibition, Weimar, 1923)          $45
In 1923, Bauhaus founder Walter Gropius commissioned 20 postcards from artists such as Paul Klee and Wassily Kandinsky to use as promotional flyers for the school's first exhibition. Issued here for the first time in their original format, these postcards perfectly express the spirit of the early Bauhaus. The box contains 60 cards (3 of each of the 20).
Looking for Trouble by Virginia Cowles           $40
Madrid in the Spanish Civil War Prague during the Munich crisis, Berlin the day Germany invaded Poland, Helsinki as the Russians attacked Moscow betrayed by the Nazis, Paris as it fell to the Germans, London on the first day of the Blitz— Virginia Cowles saw it all. As a pioneering female correspondent, she reported from Europe from the 1930s into the Second World War, watching 'the lights in the death-chamber go out one by one' from the frontline.


An Attempt at Exhausting a Place in Paris by Georges Perec (translated by Marc Lowenthal)           $30
One overcast weekend in October 1974, Georges Perec set out in quest of the 'infraordinary': the humdrum, the non-event, the everyday—"what happens," as he put it, "when nothing happens." His choice of locale was Place Saint-Sulpice, where, ensconced behind first one cafe window, then another, he spent three days recording everything to pass through his field of vision: the people walking by; the buses and driving-school cars caught in their routes; the pigeons moving suddenly en masse; a wedding (and then a funeral) at the church in the center of the square; the signs, symbols and slogans littering everything; and the darkness that finally absorbs it all. In An Attempt at Exhausting a Place in Paris, Perec compiled a melancholic, slightly eerie and oddly touching document in which existence boils down to rhythm, writing turns into time and the line between the empirical and the surreal grows surprisingly thin. 
Everyday Play: A campaign against boredom edited by Julian Rothenstein           $48
Are you bored by daily routine? Learn how to restore play to the everyday, with games and life tips from artists, writers and thinkers from Louise Bourgeois and Hunter S. Thompson to Lydia Davis and Karl Lagerfeld. "Life must be lived as play," said Plato, and this book will help you rediscover the wonder in the weekly grind, and the extraordinary in the ordinary. Learn how to be someone else for a day; explore how to draw a poem, paint a book and reorient your library; enjoy writers using constraints or languages they don't understand; play the Edible Book Game or become a living sculpture; become a writer and play word games to find new ways of saying what you mean. Everyday Play is the essential compendium of artists' games, philosophers' inquiries and manifestos against the banal. They will challenge our perceptions of work, rest and play, with contributions from, among others, Joan Acocella, Luis Buñuel, Lewis Carroll, Robert Creeley, Adam Dant, Lydia Davis, Jeremy Deller, Dashiell Hammett, Will Hobson, Nina Katchadourian, Andrei Monastyrski, Francis Ponge, Erik Satie and Marc Wahlberg.
The Wolf Age: The Vikings, the Anglo-Saxons, and the battle for the North Sea empire by Tore Skeie (translated by Alison McCullough)               $55
In the eleventh century, the rulers of the lands surrounding the North Sea were all hungry for power. To get power they needed soldiers, to get soldiers they needed silver, and to get silver there was no better way than war and plunder. This vicious cycle drew all the lands of the north into a brutal struggle for supremacy and survival that shattered kingdoms and forged an empire. The Wolf Age takes the reader on a thrilling journey through the bloody shared history of England and Scandinavia, and on across early medieval Europe, from the wild Norwegian fjords to the wealthy cities of Muslim Andalusia.
From Manchester with Love: The life and opinions of Tony Wilson (a.k.a. Anthony H. Wilson) by Paul Morley           $45
To write about Tony Wilson, a.k.a. Anthony H. Wilson, is to write about a number of public and private characters and personalities, a clique of unreliable narrators, constantly changing shape and form. At the helm of Factory Records and The Hacienda, Wilson unleashed landmark acts such as Joy Division, THe Durutti Column and OMD  into the world as he pursued myriad other creative endeavours, appointing himself a custodian of Manchester's legacy of innovation and change. To Paul Morley he was this and much more: bullshitting hustler, flashy showman, aesthetic adventurer, mean factory boss, self-deprecating chancer, intellectual celebrity, loyal friend, shrewd mentor, insatiable publicity seeker. 
Baron Wenckheim's Homecoming by László Krasznahorkai (translated by Ottilie Mulzet)            $28
Nearing the end of his life, Baron Bela Wenckheim decides to return to the provincial Hungarian town of his birth. Having escaped from his many casino debts in Buenos Aires, where he was living in exile, he wishes to be reunited with his high-school sweetheart Marika. What follows is an endless storm of gossip, con men and local politicians, vividly evoking the small town's alternately drab and absurd existence. Spectacular actions are staged, death and the abyss loom, until finally doom is brought down on the unsuspecting residents of the town.
"Baron Wenkcheim's Homecoming is a fitting capstone to Krasznahorkai's tetralogy, one of the supreme achievements of contemporary literature. Now seems as good a time as any to name him among our greatest living novelists." —Paris Review
The Greeks: A global history by Roderick Beaton           $55
The way we think, the way we learn; the forms of entertainment we seek and the systems by which we allow ourselves to be ruled - all of this finds its roots in a small group of people who first emerged in Mycenae over 3,000 years ago. The story of the Greeks is a story that covers the entire globe and four millennia, from the mythical 'Age of the Heroes' to the complex European state of today. For all the fame of the Greek Byzantine Empire and the glorifications of the ancient culture during the Renaissance, this is not a simple, victorious history of a single enduring culture. It is littered with peril and disasters, with oppression and near obliteration.
Granta 157: Should we have styed at home? edited by William Atkins          $28
In 1984, Granta published its first issue devoted to travel writing. Nearly forty years after that genre-defining volume, a new generation of writers from around the globe offers a new vision of what travel writing can be. From Antarctica and the deserts of the US-Mexico border, to a Siberian whale-killing station and the alleyways of Taipei, these dispatches describe a world in perpetual motion (even when it is 'locked-down'). To travel, we are reminded, is to embrace the experience of being a stranger — to acknowledge that one person's frontier is another's home. In this issue: Jason Allen-Paisant remembers the trees of his childhood Jamaica from his home in Leeds; Carlos Manuel Alvarez navigates Cuba's customs system, translated by Frank Wynne; Eliane Brum travels from her home in the Brazilian Amazon to Antarctica in the era of climate crisis, translated by Diane Grosklaus Whitty; Francisco Cantu and Javier Zamora: a former border guard travels to the US-Mexico border with a former undocumented migrant who crossed the border as a child; Jennifer Croft's richly illustrated essay on postcards and graffiti, inspired by Los Angeles; Bathsheba Demuth visits a whale-hunting station on the Bering Strait, Russia; Sinead Gleeson visits Brazil with Clarice Lispector; Kate Harris with the Tinglit people of the Taku River basin, Alaska; Artist Roni Horn on Iceland; Emmanuel Iduma returns to Lagos in his late father's footsteps, Nigeria; Kapka Kassabova among the gatherers of the ancient Mesta River, Bulgaria; Taran Khan with Afghan migrants in Germany and Kabul; Jessica J. Lee in the alleyways of Taipei, Taiwan, in search of her mother's home; Ben Mauk among the volcanoes of Duterte's Philippines; Pascale Petit tracks tigers in Paris and India; Photographer James Tylor on the legacy of whaling in Indigenous South Australia, introduced by Dominic Guerrera.
A Bad Business, Essential stories by Fyodor Dostoevsky (translated by Nicolas Slater Pasternak and Maya Slater)             $28
The stories in this collection range from impossible fantasy to scorching satire. A civil servant finds a new passion for his work when he's swallowed alive by a crocodile. A struggling writer stumbles on a cemetery where the dead still talk to each other. An arrogant but well-intentioned gentleman provokes an uproar at an aide's wedding, and in the marital bed. And a young boy finds unexpected salvation on a cold and desolate Christmas Eve.
Each of the 150 cheeses on Palmer's cheeseboard is accompanied by a morsel of history or a dash of folklore, a description of its flavours, and an illustration.

I Would Prefer Not To, Essential stories by Herman Melville          $28
A lawyer hires a new copyist, only to be met with stubborn, confounding resistance. A cynical lightning rod salesman plies his trade by exploiting fears in stormy weather. After boarding a beleaguered Spanish slave ship, an American trader's cheerful outlook is repeatedly shadowed by paralyzing unease.
"Some of the most brilliant stories of his or any other century. From proto-existentialist Bartleby-whose dry, ironic voice of resistance chimes with our own times-to the dark ocean gothic of Benito Cereno, he surpasses any expectation'." —Philip Hoare




There's a Ghost in this House. Can you see it? In our very enjoyable Book of the Week by Oliver Jeffers, a young girl looks everywhere in a haunted house but cannot find the ghosts that are supposed to live here. The tracing paper overlays show the reader just where they are hiding (and playing), however! A large amount of lightly spooky fun. 
>>Read Stella's review
>>Looking for ghosts
>>An eternity of looking for keys
>>Humour, with a little darkness. 
>>Do you believe in ghosts? 
>>We can send a copy to anyone!

 

 


>> Read all Stella's reviews.
















 

There's a Ghost in this House by Oliver Jeffers    {Reviewed by STELLA}
From the wrap-around translucent tracing paper dust-jacket to the hand-lettered font, to the wonderfully apt dimensions and quality of the paper, There’s a Ghost in this House will immediately draw you in. And this is even before you get to the best bits. This delightful ghostly tale of a girl determined to discover the ghost in her house is another standout from illustrator and author Oliver Jeffers. I loved the muted tones in this picture book, and how Jeffers has integrated his drawings and characters in a collage style with black-and-white images of furniture and interiors gleaned from old books and catalogues — predominately photographic. Add to this the clever use of tracing paper to expose the ghosts who are hiding in plain sight, small detail drawings, and the simple evocative text, and the appeal of this picture book is complete. The young girl who lives in the supposedly haunted house spends her days wandering the large old house looking in all the usual places where ghosts might be: in the attic, in the cupboard under the stairs, in the hall — where she may have heard them rattling their chains, under the bed, and up the chimney, and of course, in the rooms where the lights are off. Alas, to no avail. She wonders what they look like. She’s heard “some say they are white with holes for eyes”. The joy of this picture book lies in the ‘appearance’ of the ghosts as you turn the tracing paper pages. At first, they are quiet and hardly noticeable, but after a while, they become bolder and the relationship between the reader and ghosts, who are still invisible to the young girl, becomes a shared secret. There's plenty of quirky fun here, and Jeffers’s humour comes to the fore: the baby ghost, complete with a dummy, peeping over the edge of the cot. The ghosts under the table — one looking directly out of the page to the reader with a 'shh' finger raised to its lips. Ghosts that swing from chandeliers, ghosts that stop for a cup of tea and a chat, ghosts reading in the library and jumping on the bed. The ghosts are watching our brightly coloured girl and following her every move as she tours the house in her never-ending search, sure that someone is watching her. But where is the ghost?  And the more you look, the more you see! Irresistible.

 


 >> Read all Thomas's reviews. 



 







































 

Tropisms by Nathalie Sarraute (translated by Maria Jolas)   {Reviewed by THOMAS}
In biology, the
 directional response of a plant’s growth either towards or away from an external stimulus that either benefits or harms it is termed tropism. Nathalie Sarraute, in this subtly astounding book, first published in 1939, applies the term to her brief studies of ways in which humans are affected by other humans beneath the level of cognitive thought. In these twenty-four pieces she is interested in describing “certain inner ‘movements’, which are hidden under the commonplace, harmless appearances of every instant of our lives. These movements, of which we are hardly cognisant, slip through us on the frontiers of consciousness, in the form of undefinable, extremely rapid sensations. They hide behind our gestures, beneath the words we speak. They constitute the secret source of our existence.” We are either attracted or repulsed by the presence of others, though attraction and repulsion are indistinguishable at least in the degree of connection they effect, we are either benefitted or harmed by others, or both at once (which is much more harmful), but we cannot act upon or even acknowledge our impulses without making intolerable the life we have striven so hard to make tolerable in order to survive. Neurosis may be a sub-optimal functional mode, but it is a functional mode all the same. We wish to destroy but we fear, rightly, being also destroyed. We sublimate that which would overwhelm us, preferring inaction to action for fear of the reaction that action would attract, but we cannot be cognisant of the extent to which this process forms the basis of our existence for such awareness would be intolerable. We must deceive ourselves if we are to make the intolerable tolerable, and we must not be aware that we so deceive ourselves. Such devices as character and plot, which we both apply to ‘real life’ and practise in the reading and writing of novels, are “nothing but a conventional code that we apply to life” to make it liveable. Sarraute’s brilliance in this book, which is the key to her other novels, and which constitutes an object lesson for any writer, is to observe and convey the impulses “constantly emerging up to the surface of the appearances that both conceal and reveal them.” Subliminal both in its observations and in its effects, the book suggests the urges and responses that form the understructure of relationships, unseen beneath the effectively compulsive conventions, expectations and obligations that comprise our conscious quotidian lives. Many of the pieces suggest how children are subsumed, overwhelmed and harmed by adults: “They had always known how to possess him entirely, without leaving him an inch of breathing space, without a moment’s respite, how to devour him down to the last crumb.” Sarraute is not interested here in character or plot, but in the unacknowledged impulses and responses that underlie our habits, attitudes and actions. Each thing emerges from, or tends towards, its opposite. All that is beautiful moves towards the hideous. Against what is hideous, something inextinguishable moves to rebel, to survive. ‘Tropism’ also suggests the word ‘trop’ in French, in the sense of ‘too much’. The ideas we have of ourselves are flotsam on surging unconscious depths in which there is no individuality, only impulse and response. Sarraute’s tropisms give insight into the patterns, or clustering tendencies, of these impulses and responses, and are written in remarkable, beautiful sentences. “And he sensed, percolating from the kitchen, squalid human thought, shuffling, shuffling in one spot, going round and round, in circles, as if they were dizzy but couldn’t stop, as if they were nauseated but couldn’t stop, the way we bite our nails, the way we tear off dead skin when we’re peeling, the way we scratch ourselves when we have hives, the way we toss in our beds when we can’t sleep, to give ourselves pleasure and to make ourselves suffer, until we are exhausted, until we’ve taken our breath away.”