Kiwi Christmas Books. If you can't imagine the festive season without a pile of good books, remember that there are children whose whānau are experiencing hardship and who have little to look forward to at Christmas. If you would like to give books to needy children in our community, either 1. Make a donation and we will choose books on your behalf; or 2. Choose books from our website yourself and just put "Kiwi Christmas Books" in the 'notes' field as you check out. Thank you for making a difference! >>Find out more about the Kiwi Christmas Books scheme.
| >> Read all Stella's reviews. | |
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Tamara Shopsin has written a personal and lively memoir about growing up in New York in the 1970s, specifically, about growing up in Greenwich Village in the shadow, or more precisely in the arms, of The Store. The Store was famous in spite of itself, and still is an iconic New York institution. What started solely as a grocer became a restaurant of repute in the 1970s, a place with its very own style and culture and a centre of the conversation, happenings and relationships of a neighbourhood. Tamara’s father Kenny Shopsin was a New York personality running The Store with his partner Eve. The five children grew up on the street and in the restaurant - on the sawdust floor, beside the freezer that gave electric shocks, in the arms of regulars, and under the feet of customers. Each had their shop chores and all chipped in as needed. Tamara Shopsin’s memoir is a homage to New York City, a New York that she sees as under threat from developers, increased housing prices and homogenised culture. It’s a homage to her eccentric father who had his own style, constantly changing the vast menu (especially if a dish became too popular) and making crazy customer rules - rules that made his place even more attractive to some and completely repellent to others: no phones, parties of no more than four people (don’t even try to sneak in with a three and a two and then pretend it is a coincidence), and no copying what someone else has just ordered. You could be a friend for life or blacklisted by putting a foot wrong with Kenny. The book is a homage to friends, family, and the importance of neighbourhood. Shopsin recalls the famous and the ordinary, drawing out the stories of those closest to her, particularly her father’s friend Willy, who in his unusual way sees them all through some sticky situations. There is a fascinating account of the development of the crossword puzzle and Margaret Petherbridge’s role in this at the New York Times. Kenny sometimes submitted puzzles and kept up a correspondence with Margaret over numerous years. There are numerous asides and insights making reading this memoir a delight. Arbitrary Stupid Goal is arranged as small pieces loosely connected, pieces that scoot from present day to a Tamara of age five and back, into times before her birth and retold stories. Over the course of the book she shapes a conversation that gives you an insight to her and her siblings’ childhood, the bohemian nature of The Village, the quirks of her father's cooking practices and temperament, the significance of the seemingly ordinary, and the importance of place. The Store was a meeting place that attracted celebrities, eccentrics and local, a place that accepted people for who they were but brokered no quarter for fakes or demanding clientele. In fact, Kenny feared success (and having to work too hard) and shrugged off reviewers and interviews, even going as far as to tell guidebook publishers that the restaurant had closed or that The Store was now a shoe shop. Tamara Shopsin’s writing style is quirky and idiosyncratic. She writes from the point of view a middle child, a keen observer with an agile mind, the point of view of a woman still very much connected to the place that made such an impact on her. Tamara Shopsin cooks weekends at The Store and is passionate about its legacy and the New York City she believes in. Touchingly personal and endlessly fascinating, this is a memoir which moves from hilarious to tragic and back again in a half a breath. |
>>Not a closed book.
>>Protest fiction for a new generation.
>>Protest fiction for a new generation.
>>Against the dogmatism of single-voiced fiction.
>>The urge to write in solidarity.
>>Art, life, and fiction.
>>Fifty years of state fiction.
>>The Last Colony by Philippe Sands tells of the injustices committed on Chagossians.
>>What can be done about half a century of unlawful administration?
>>Your copy.
>>Read the other books on the Goldsmiths short list.
>>The urge to write in solidarity.
>>Art, life, and fiction.
>>Fifty years of state fiction.
>>The Last Colony by Philippe Sands tells of the injustices committed on Chagossians.
>>What can be done about half a century of unlawful administration?
>>Your copy.
>>Read the other books on the Goldsmiths short list.
| >> Read all Thomas's reviews. | |
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You’re soaking in it, he said when I asked him how he was getting on with the review of Renata Adler’s novel Speedboat, the review he was supposedly writing for the newsletter that his bookshop issued each week. You’re soaking in it, he said, but he did not elaborate further, and it was unclear to me what he meant. He was referring, perhaps, to the decades-old advertisement for a dishwashing liquid that softens your hands while you do the dishes, if we are to believe the advertisement, a liquid that undoes the effects of work upon the worker, a liquid that leaves a person who commits a certain act seeming less like a person who would commit that act than they seemed before they committed that act, in this case washing the dishes but presumably the principle could apply to anything, providing that the appropriate liquid could be found. You’re soaking in it, he repeated, and, yes, I thought that perhaps he was right, we are immersed always in something that undoes the effects upon ourselves of our own intentions, something that Adler alludes to when she writes, “For a while I thought that I had no real interests, only ambitions and ties to certain people, of a certain intensity. Now the ambitions have drifted after the interests, I have lost my sense of the whole. I wait for events to take a form.” But there is an uneasy relationship between the narrating mind and the world in which it soaks, in which it is softened as it does its work, he might think. “Situations simply do not yield to the most likely structures of the mind,” wrote Adler. The world in which we soak is comprised of random events, or at least of events sufficiently complex as to appear random or to be treated without fear of correction as random, he might think, a world of discontinuity, of agglomeration and dissolution, of fragmentations, collisions and tessellations, he might think, a world in which the one who is soaking in it instinctively, or, perhaps, instinctually, it’s hard to tell which, searches for meaning even while acknowledging its impossibility, for this, he probably is thinking, is the nature of thought, or the nature of language, if that is not the same thing. We cannot help but narrate, narrate and describe, observe and relate. There is no meaning, I suppose he is thinking as he contemplates, or as I suppose he contemplates, the review he could be writing of the book that he has read, or claims to have read, may well have read, no meaning other than the pattern we impose by telling. Stories both create and consume their subjects, he thinks, I think, or he might as well think. Writing and reading, the so-called literary acts, are concerned with form and not with content, or, he might say, more precisely, concerned primarily with form and only incidentally with content, so to call them, he might think, the literary acts are patterning acts and it is only the patterning that has meaning. Renata Adler writes beautiful sentences, he thinks, and this you can tell by the small pleasant noises he makes while reading them, she turns her sentences upon the sharpest commas. The comma is the way in which life, so to call it, impresses itself upon us. Each assertion Adler makes is mediated by the realisation that it could be otherwise, either in point of fact, or in change of context, perspective, or scope. There is no progress without hesitation: no progress. Each comma is a rotation. There is humour in precision: “Doctor Schmidt-Nessel, sitting, immense, in his black bikini, on a cinder-block in the steam-filled cubicle, did not deign immediately to answer.” Speedboat is filled with such perfect sentences arrayed on commas. Sentences in paragraphs, often brief, filled with the jumble, so to call it, of the life of its ostensible narrator, Jen Fain, but, perhaps, of the life of Renata Adler, if such a distinction can sensibly be made, the narrator does not observe herself but those around her, she is a space in what she observes, she is an outline in the snippets that attach themselves to her. The real subject of the book, though, is language, others’ language and her own. The book might be a novel, it is almost a novel, it is a novel if you don’t expect a novel to do what a novel is generally expected to do, it is information is caught in a sieve, the nearest to a novel that life can resemble, or vice-versa, if this is of any importance. All novels, even the most fantastic, are comprised predominantly of facts, he is probably thinking, if he is in fact thinking, and it is only the arrangement of facts that comprises fiction. Adler’s narrator is entirely extrospective. She reports. She dissolves the distinctions between novelist, gossip columnist, journalist, and spy, the distinctions that were always only conceptual distinctions in any case and not distinctions of practice. Fain wonders what several of her friends actually do who have become spies. “I guess what these spies — if they are spies, and I’m sure they are — are paid to do is to observe trends.” Fain as a journalist cannot conduct an interview, she cannot impose herself to seek an answer, she has no programme, she can only observe. At one point she “receives communications almost every day from an institution called the Centre for Short-Lived Phenomena”. Her news, and it is news, is her own life, but not herself within it. She knows the risks: “The point changes and goes out. You cannot be forever watching for the point, or you will miss the simplest thing: being a major character in your own life.” Is meaning a hostage to circumstance, or is it the other way round? When the narrator starts to think about the world in terms of hostages it is because she has what she sees as a hostage inside her, a pregnancy she has not told her partner about, all things are hostages to other things, this is perhaps a sort of meaning. Hostages are produced by grammar; grammar cannot do other than make hostages. There he sits, hostage, I suppose, to his intention to write a review, or at least to the set of circumstances, odd though they may be, that contrived to expect of him this review, the review he will not write, disinclined as he is to write, though he will say, I am sure, if you ask him, that he enjoyed the book Speedboat very much. He makes no presumption upon you. As Jen Fain or Adler writes, “You are very busy. I am very busy. We at this rest home, this switchboard, this courthouse, this race track, this theatre, this lighthouse, this studio, are all extremely busy. So there is pressure now, on every sentence, not just to say what it has to say but to justify its claim on our time.” |
NEW RELEASES
Needles and Plastic: Flying Nun Records, 1981—1988 by Matthew Goody $70
Stupendously well documented and illustrated, this book takes a clear and generous look at the over 140 records produced by Flying Nun during its prime years in the 1980s, when it was based in Christchurch and was an effective catalyst for homegrown music that rejected the ethos of the corporate labels. The book is packed with information about the bands that were central to an Aotearoan cultural resurgence, and also about bands that you have never heard of or had (sometimes justly) forgotten. Goody's discographic history provides a clear view from a distance, and is even better than you might have hoped it would be.
>>See some of the many, many pages.
>>The best and most interesting period.
>>A faraway fanatic.
>>Somewhere in the room.
>>Our (nonrepresentative) playlist of sorts: Pin Group; The Builders; The Clean; Tall Dwarfs; Sneaky Feelings; Look Blue Go Purple; 25Cents; Victor Dimisich Band; Gordons; DoubleHappys; The Bats; Scorched Earth Policy; All Fall Down; The Fall; Marie and the Atom; The Terminals; &c, &c.
>>See some of the many, many pages.
>>The best and most interesting period.
>>A faraway fanatic.
>>Somewhere in the room.
>>Our (nonrepresentative) playlist of sorts: Pin Group; The Builders; The Clean; Tall Dwarfs; Sneaky Feelings; Look Blue Go Purple; 25Cents; Victor Dimisich Band; Gordons; DoubleHappys; The Bats; Scorched Earth Policy; All Fall Down; The Fall; Marie and the Atom; The Terminals; &c, &c.
Saunders's fist short story collection in ten years explores ideas of power, ethics, and justice, and cuts to the very heart of what it means to live in community with our fellow humans. With his trademark prose — funny, unsentimental, and perfectly tuned — Saunders continues to challenge and surprise: here is a collection of nine stories that encompass joy and despair, oppression and revolution, bizarre fantasy and brutal reality.
"The world's best short story writer." —Telegraph
"The world's best short story writer." —Telegraph
The animal world is endlessly varied, fascinating and inspiring, and needs to be preserved both for its own sake and for the richness it adds to human experience and thought. Rundell considers 22 animals (including the human) whose existence is endangered by humans, and reveals the depths of wonder embodied in these animals. Did you know that the Golden Mole is luminescent, but blind and therefore unable to see its own radiance? This hardback book is beautifully presented (the book even has gilt edges), and illustrated by Tayla Baldwin.
"A rare and magical book. I didn't want it to end." —Bill Bryson
>>Startling astonishments.
>>Startling astonishments.
Playful and unsettling, teeming with the energy of barely contained violence, the stories in Seven Empty Houses dismantle the neat appearance of domesticity to expose the darkness and discomfort that lies beneath. A neighbour looks on as a couple grieve the loss of their son. A young girl makes an unwelcome acquaintance in a hospital waiting room. A woman prepares for death with ruthless precision.
'The Argentine writer Samanta Schweblin loves Franz Kafka and Elizabeth Strout. It's hard to conceive of two more different writers. But imagine a fusion between their styles — dreamlike surrealism and taut domestic drama — and you'll have some idea of Schweblin's uniquely weird storyscapes. What does it mean to inhabit a house, or a body, and what do those spaces become when we're no longer fully there? Haunting, elemental questions that run right through this bold writer's eerie, mysterious oeuvre." —The Sunday Times
"Starting a story by Samanta Schweblin is like tumbling into a dark hole with no idea where you'll end up." —Chris Power
Tauhou envisions a shared past between two Indigenous cultures, set on reimagined versions of Vancouver Island and Aotearoa, two lands that now sit side by side in the ocean. Each chapter in this innovative hybrid novel is a fable, an autobiographical memory, a poem. A monster guards the cultural objects in a museum, a woman uncovers her own grave, another woman remembers her estranged father. On the rainforest beaches or the grassy dunes, sisters and cousins contend with the ghosts of the past—all the way back to when the first foreign ships arrived on their shores. In a testament to the resilience of Indigenous women, the two sides of this family, Coast Salish and Māori, must work together in understanding and forgiveness to heal that which has been forced upon them by colonialism. Tauhou is an ardent search for answers, for ways to live with truth. It is a longing for home, to return to the land and sea.
Cooking is thinking! The spatter of sauce in a pan, a cook's subtle deviation from a recipe, the careful labour of cooking for loved ones: these are not often the subjects of critical enquiry. Cooking, we are told, has nothing to do with serious thought. In this innovative memoir, Rebecca May Johnson rewrites the kitchen as a vital source of knowledge and revelation. Drawing on insights from ten years spent thinking through cooking, she explores the radical openness of the recipe text, the liberating constraint of apron strings and the transformative intimacies of shared meals. Playfully dissolving the boundaries between abstract intellect and bodily pleasure, domesticity and politics, Johnson awakens us to the richness of cooking as a means of experiencing the self and the world — and to the revolutionary potential of the small fires burning in every kitchen.
"One of the most original food books I've ever read, at once intelligent and sensuous, witty, provoking and truly delicious, a radical feast of flavours and ideas." —Olivia Laing
A beautifully drawn subtle and insightful graphic novel, from the author of It's Not What You Thought It Would Be. Alison is newly married, barely twenty and struggling to find her place in the world. A chance encounter with an older artist upturns her life and she forsakes convention and her working-class Dorset roots for the thrumming art scene of London in the late seventies. As the thrill of bohemian romance leads inevitably to disappointment, Alison begins to find her own path — through art, friendship and love.
"This book is a testament to the right to choose your own life. It is a tender, heartbreaking meditation on the bonds between women, the dazzle of the city, the struggle to become a female artist within the bounds of patriarchy, and the desire to make a mark on the world." —Jessica Andrews
In Jordan Castro's inventive, funny, and surprisingly tender first novel, we follow a young man over the course of a single morning as he tries and fails to write an autobiographical novel, finding himself instead drawn into the infinite spaces of Twitter, quotidian rituals, and his own mind. The act of making coffee prompts a reflection on the limits of self-knowledge; an editor's embarrassing tweet sparks rage at the literary establishment; a meditation on first person versus third examines choice and action; an Instagram post about the ethics of having children triggers mimetic rivalry; the act of doing the dishes is at once ordinary and profound: one of the many small commitments that make up a life of stability. The Novelist: A Novel pays tribute to Nicholson Baker's The Mezzanine and Thomas Bernhard's Woodcutters, but in the end is a wholly original novel about language and consciousness, the internet and social media, and addiction and recovery.
>>Just one more click. 
This essay collection subtly uncovers the places where politics and poetics meet, where life and fiction melancholy and amusement within the work of the writer John McGahern to an extraordinary essay on his own cancer diagnosis, Tóibín delineates the bleakness and strangeness of life and also its richness and its complexity. As he reveals the shades of light and dark in a Venice without tourists and the streets of Buenos Aires riddled with disappearances, we find ourselves considering law and religion in Ireland as well as the intricacies of Marilynne Robinson's fiction. The imprint of the written word on the private self, as Tóibín himself remarks, is extraordinarily powerful. In this collection, that power is gloriously alive, illuminating history and literature, politics and power, family and the self.
This is a ‘look and find’ book for all children who want to learn about New Zealand’s wildlife, focusing on wildlife that Kiwi children will encounter in town. Each page illustrates a different urban environment, including a garden both in the daytime and at night, the local botanic gardens, a creek, the sea below a wharf, in long grass and the trees above, and in the country on the edge of town.
One woman’s journey to her moko kauae as an expression of her Kāi Tahu identity. Ariana Tikao grew up in suburban Christchurch in the 1970s and ’80s surrounded by te ao Pākehā. This book tells the story of Ariana exploring her whakapapa, her whānau history and her language. This is one woman’s story, but it is interwoven with the revival of language, tikanga and identity among Kāi Tahu whānau over the last thirty years. Ariana’s journey culminates in her decision to take on Mokorua – her moko kauae – from tā moko artist Christine Harvey. After an emotionally charged ceremony that brought together whānau, young and old, for songs and tautoko, hugs and tears, Ariana writes: "Our whānau had reached another milestone in the decolonisation process – or, rather, in our journey of reindigenising ourselves, becoming who we always were."
>>Look inside.
Anna, a sixteen-year-old schoolgirl in a small town in northern Italy, after a brief romance finds herself pregnant. To save her reputation, she marries an eccentric older family friend and they move to his village in the south. Her relationship with Cenzo Rena is touched by tragedy and grace as the events of their life in the countryside run parallel to the war and the encroaching threat of fascism — and in their wake, a society dealing with anxiety and grief. At the heart of the novel is a concern with experiences that both deepen and deaden existence: adultery and air raids, neighbourhood quarrels and bombings. With her signature clear-eyed wit, Ginzburg asks how we can act with integrity when faced with catastrophe, and how we can love well.
"I'm utterly entranced by Ginzburg's style — her mysterious directness, her salutary ability to lay things bare that never feels contrived or cold, only necessary, honest, clear." —Maggie Nelson
"This is a perfect novel." —Sally Rooney
It is April 1900, in the Levant, on the imaginary island of Mingeria—the (fictional) twenty-ninth state of the Ottoman Empire—located in the eastern Mediterranean between Crete and Cyprus. Half the population is Muslim, the other half are Orthodox Greeks, and tension is high between the two. When a plague arrives—brought either by Muslim pilgrims returning from the Mecca, or by merchant vessels coming from Alexandria—the island revolts. To stop the epidemic, the Ottoman sultan Abdul Hamid II sends his most accomplished quarantine expert to the island—an Orthodox Christian. Some of the Muslims, including followers of a popular religious sect and its leader, Sheikh H, refuse to take precautions or respect the quarantine. And the sultan's expert is murdered. As the plague continues its rapid spread, the sultan sends a second doctor to the island, this time a Muslim, and strict quarantine measures are declared. But the incompetence of the island's governor and local administration and the people's refusal to respect the bans dooms the quarantine to failure, and the death count continues to rise. Faced with the danger that the plague might spread to the West and to Istanbul, the sultan bows to international pressure and allows foreign and Ottoman warships to blockade the island. Now the people of Mingeria are on their own, and they must find a way to defeat the plague themselves. Steeped in history and rife with suspense, Nights of Plague is set more than one hundred years ago but has themes that feel remarkably contemporary.
"Pamuk's lovingly obsessive creation of the invented Mediterranean island of Mingeria is a world so detailed, so magically full, so introverted and personal in emphasis, that it shimmers like a memory palace. The effect is daringly vertiginous, at once floatingly postmodern and solidly realistic. Nights of Plague is a big but swift novel, a novel about pain and death that is fundamentally light and buoyant." —James Wood, The New Yorker
The Tyree Studio Collection, now held in the Nelson Provincial Museum, comprises one of the most important photographic records of life in New Zealand from 1882—1947. The Tyree Studios were founded by brothers William and Frederick Tyree but were largely operated by Rose Frank, and McCarthy's impressively detailed book celebrates Frank's importance to New Zealand photographic history and Nelson provincial culture.
The present can loom very large in a child's mind: all the crises and challenges of the modern world can feel overwhelming and at times dispiriting. This book is a big history of the world, from the beginnings of the universe to now, which places the reader at its centre. It encourages them to think about how and why they experience the world as they do and offers a helpful perspective by placing their thoughts and feelings in the context of our history and evolution.
>>Look inside.
Gaylene Preston has always sought out the stories that have not yet been told, and in this book she reveals the challenges and sometimes heartbreak that have come with that ambition. In both wide lens and close-up, she writes of formative experiences: her childhood in Greymouth in the 1950s, working in a psychiatric institution near Cambridge, England in the 70s, interviewing her tight-lipped father about his life in the war, and a mysterious story of her great-grandfather chiselling a biblical text off a gravestone in the dead of night. Along the way she takes us behind the scenes and into the shadows of some of the most enduring popular classics of New Zealand cinema, including Mr Wrong, Ruby & Rata, War Stories Our Mothers Never Told Us, and My Year With Helen, and how she has worked to realise her vision, come what may.
Thrust by Lydia Yuknavitch $40
"I had no idea Gaylene was so hilarious. I adored this brilliant memoir: part liar, part cowgirl, mouthy and determined Gaylene grows up in Greymouth and migrates into the wild 70s, ending up in the tough-as-gumboots world of New Zealand film. Her book is irresistible." —Jane Campion
It is 2085 and Laisve is learning to use the ancient waterways to travel through water and time. Sifting through the detritus of a fallen city known as The Brook, she discovers a talisman that will connect her with people from the past two centuries, including a squad of labourers at work on a huge, national monument to liberty. As waters rise and a police state encroaches, Laisve must find her way back to the early days of her imperfect country, to forge a bond that might save all their lives — and their shared dream of freedom.
The Poverty of Ethics by Anat Matar $40
"Brilliant and incendiary." —Jeff Vandermeer
The Poverty of Ethics stands the usual moral-political dichotomy on its head. It argues that moral principles do not in fact underlie or inform political decisions. It is, rather, the conceptual primacy of political discourse that rescues ethics from its poverty. Our ethical convictions receive their substance from historical narratives, political analyses, empirical facts, literary-educational models, political activity and personal experience. Yet morality, essentially, doesn't leave room for relativity: not every ethos deserves to be titled 'moral'. Hence the book argues further, it is the left ethos, as it has evolved over years, which forms the basis for ethics: morality is left-wing!
Vanishing Ice: Stories of New Zealand's glaciers by Lynley Hargreaves $60
"It is rare that one sees such a combination of progressive political engagement and deepest philosophical reflection as in The Poverty of Ethics. Matar's book is a guide for all those who are trying to survive with dignity in a topsy-turvy world that is our own." —Slavoj Zizek
Glaciation has had a huge impact on the shape of the New Zealand landscape. Enormous rivers of ice once flowed out onto the Canterbury Plains, stretched beyond the current West Coast shore of Te Waipounamu/ South Island, and spread down the slopes of the volcanoes in central Te Ika-a-Maui/North Island. These glaciers of past ice-ages built plains and vast rocky moraines, sculpted fiords and valleys, and carved out deep lakes. This book tells the stories of our glaciers though the lens of human interaction, with chapters moving through time from first Maori discoverers to colonial explorers, mountaineers and modern glaciologists. In the process, the book investigates the way nature, science and culture interact and sometimes collide, while providing a fascinating insight into the way New Zealand's glaciers work. As the world warms, our glaciers are disappearing at an unprecedented rate.
Faber & Faber Poetry Diary 2023 $28
Our most popular diary! Every week there is either a poem to read or a poetry book cover design to admire, drawn from Faber's incomparable list. We have only limited stock of this sturdy, well produced handbook to the year ahead, so be fast to order.
VOLUME FOCUS : New York
A selection of books from our shelves.
| >> Read all Stella's reviews. | |
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| >> Read all Thomas's reviews. | ||
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Our Book of the Week is The Seven Moons of Maali Almeida by Shehan Karunatilaka, the winner of the 2022 Booker Prize. The judges said, "The Seven Moons of Maali Almeida takes readers on a journey at once horrific and humorous — beyond life and beyond death, to the world’s dark heart. There, astonishingly and encouragingly, we find tenderness, laughter, loyalty and love." The novel addresses the trauma of the civil war in Sri Lanka, but is funny, audacious, and full of verve and compassion. Now back in stock!
>>Read an extract.
>>Jokes rob the tyrants of power.
>>A coping mechanism.
NEW RELEASES
Click through to our website to get your copies!
Te Wehenga: The separation of Ranginui and Papatūānuku by Mat Tait $37
Before the world as we know it could come into being, space had to be made between the Sky and the Earth; their children had somehow to force them apart. Tait's stunning dark illustrations and seamlessly bilingual, typographically exciting text bring this foundation myth alive for a new generation.
>>Just look at these illustrations!
>>Visit Mat Tait's website.
Acting Class by Nick Drnaso $45
"Every single person has something unique to them which is impossible to re-create, without exception." —John Smith, acting coach
Nick Drnaso's graphic novel Acting Class creates a tapestry of disconnect, distrust, and manipulation. Ten strangers are brought together under the tutelage of John Smith, a mysterious and morally questionable leader. The group of social misfits and restless searchers have one thing in common: they are out of step with their surroundings and desperate for change. A husband and wife, four years into their marriage and simmering in boredom. A single mother, her young son showing disturbing signs of mental instability. A peculiar woman with few if any friends and only her menial job keeping her grounded. A figure model, comfortable in his body and ready for a creative challenge. A worried grandmother and her adult granddaughter; a hulking laborer and gym nut; a physical therapist; an ex-con. With thrumming unease, the class sinks deeper into their lessons as the process demands increasing devotion. When the line between real life and imagination begins to blur, the group's deepest fears and desires are laid bare. Exploring the tension between who we are and how we present, Drnaso cracks open his characters' masks and takes us through an unsettling journey. From the author of Sabrina.
>>Look inside!
Demon Copperhead is born to a teenaged single mother in a single-wide trailer, with no assets beyond his dead father's good looks and copper-colored hair, a caustic wit, and a fierce talent for survival. Demon takes us along on his journey through the modern perils of foster care, child labour, derelict schools, athletic success, addiction, disastrous loves, and crushing losses, in a contemporary rural America riddled with poverty and opioids. Through all of it, he reckons with his own invisibility in a popular culture where even the superheroes have abandoned rural people in favor of cities. Inspired by the unflinching truth-telling of David Copperfield, Kingsolver enlists Dickens's anger and compassion, and above all, his faith in the transformative powers of story.
>>Dickens has always been Kingsolver's ancestor.
With little boxes of liquorice, hairbands, and notebooks in her bag, Rafa arrives at the remote Alpine town of Strega to work at the grand Olympic Hotel. There, she and eight other girls receive the stiff uniforms of seasonal workers and are taught to iron, cook, and make the beds by austere matrons. In spare moments between tasks, the girls start to enjoy each other’s company as they pick herbs in the garden, read in the library, and take in the scenery. But when the hotel suddenly fills with people for a raucous party, one of the girls disappears. What follows are deeper revelations about the myths young women are told, what they are raised to expect from the world, the violence they are made to endure, and, ultimately, the question of whether a gentler, more beautiful life is possible.
"A work of mythic reinvention about the power of girls coming of age in a world hellbent on containing their passions and imaginations. Strega left me breathless, angry, and then thrilled by the dare it leaves in the reader's lap. —Lidia Yuknavitch
"If Fleur Jaeggy and Shirley Jackson had ever spent the night together in The Shining Hotel, their love child might have been Strega. As it was, this Strega came into the world through a different yet equally miraculous union: that of a writer and a translator of extraordinary talent. Its hypnotic, off-kilter prose dances the reader into a state of gloried frenzy, pressing the sometimes-nightmarish buttons of imagined memory as it probes the essence of being young, searching, and exploited." —Polly Barton
"As uncompromising and brilliant as it is disturbing." —Olga Ravn
I told you this was a thirst so great it could carve rivers. This fierce debut from indigenous Bundjalung writer Evelyn Araluen confronts the tropes and iconography of an unreconciled Australian nation with biting satire and lyrical fury. Dropbear interrogates the complexities of colonial and personal history with an alternately playful, tender and mournful intertextual voice, deftly navigating the responsibilities that gather from sovereign country, the spectres of memory and the debris of settler-coloniality. This innovative mix of poetry and essay offers an eloquent witness to the entangled present, an uncompromising provocation of history, and an embattled but redemptive hope for a decolonial future.
Bernhard began his writing career in the early 1950s as a poet. Over the next decade, Bernhard wrote thousands of poems and published four volumes of intensely wrought and increasingly personal verse, with such titles as On Earth and in Hell, In Hora Mortis, and Under the Iron of the Moon. Bernhard's early poetry, bearing the influence of Georg Trakl, begins with a deep connection to his Austrian homeland. As his poems saw publication and recognition, Bernhard seemed always on the verge of joining the ranks of Ingeborg Bachmann, Paul Celan, and other young post-war poets writing in German. During this time, however, his poems became increasingly obsessive, filled with an undulant self-pity, counterpointed by a defamatory, bardic voice utterly estranged from his country, all of which resulted in a magisterial work of anti-poetry—one that represents Bernhard's own harrowing experience, with the leitmotif of success-failure, that makes his fiction such a pleasure. For all of these reasons, Bernhard's Collected Poems, translated into English for the first time by James Reidel, is a key to understanding the irascible black comedy found in virtually all of Bernhard's writings.
In spring 2020, Julia Blackburn travelled to the Karoo region of South Africa. She had long been fascinated by the indigenous group called the /Xam, who were brutally forced from their ancestral lands by European settlers in the nineteenth century. Facing extinction and the death of their language, several of the /Xam people related their stories to a European philologist Wilhelm Bleek and his English sister-in-law, Lucy Lloyd. In 12,000 pages of notebooks, Lloyd and Bleek meticulously recorded their words - their dreams, memories, hopes, history and beliefs - creating an extraordinary archive of this now extinct people.
Blackburn's journey to the Karoo was cut short by the outbreak of the COVID pandemic. As the world is plunged into a bewildering new state, she immerses herself in the stories of the /Xam. The /Xam saw themselves as just one small part of the complexity of nature. Their belief system gave voice and dignity to everything that surrounded them, the dead and the living, birds and animals, the wind and the rain, the moon and the stars. All things were once people, they said - everything was speaking to you, if you only knew how to listen. This is a haunting book about loss, colonialism, nature, and about how we live in the world and what we leave behind.
"An astounding, disarming book, full of grief and beauty. It's a requiem for a lost world, but also a powerful dream of an alternative to our own age of extinction."—Olivia Laing
"When I was sent by the Soviet state to London to further my studies in calculus, knowing I would never become a great mathematician, I strayed instead into the foothills of anthropology..." It is 1950 and Nikolai Lobachevsky, great-grandson of his illustrious namesake, is surveying a bog in the Irish Midlands, where he studies the locals, the land and their ways. One afternoon, soon after he arrives, he receives a telegram calling him back to Leningrad for a 'special appointment'. Lobachevsky may not be a great genius but he is not foolish: he recognises a death sentence when he sees one and leaves to go into hiding on a small island in the Shannon estuary, where the island families harvest seaweed and struggle to split rocks. Here Lobachevsky must think about death, how to avoid it and whether he will ever see his home again.
"He brings a mixture of the exact and the visionary—an original voice, a writer who has come to recreate the world on his own terms." —Colm Toibin
Preoccupied by uneasy memories and visions, a group of friends look back on their childhood. Their dreams circle their old classmate Estrella Gonzlez Jepsen. They catch glimpses of her braids, hear echoes of her voice, read old letters. They recall regimented school assemblies, nationalistic class performances and a trip to the beach. It soon transpires that Estrella's father was a ranking government officer implicated in Chile's Pinochet regime and after she simply disappeared, question of what became of her haunts her former friends. Growing up, they were old enough to sense the danger and tension that surrounded them but powerless to resist or confront it. They could control only the stories they told one another and the 'ghostly green bullets' they fired in their favourite video game. Fernndez summons the collective memory of a generation, rescuing felt truth from the oblivion of official history.
"A small jewel of a book. Fernndez's picturesque language and dream-like atmosphere is well worth being invaded by. A book to slip in the pocket to read and reread." —Patti Smith
McCarthy's first novel in over a decade shows his prose even sharper and his late style even tauter. In 1980 Bobby Western dives to a sunken jet near Mississippi, only to find no black box and the bodies of only nine of the ten passengers. A collateral witness to machinations that can only bring him harm, Western is shadowed in body and spirit—by men with badges; by the ghost of his father, inventor of the bomb that melted glass and flesh in Hiroshima; and by his sister. As he is drawn across, or rather through, the American South, Western confronts the ethical harms of the United States, and of the human predicament more generally.
"What a glorious sunset song of a novel this is. It’s rich and it’s strange, mercurial and melancholic. McCarthy started out as the laureate of American manifest destiny, spinning his hard-bitten accounts of rapacious white men. He ends his journey, perhaps, as the era’s jaundiced undertaker." —Guardian
COVID-19 exposed the pre-existing conditions of the current global crisis. Many Western states failed to protect their populations, while others were able to suppress the virus only with social restrictions. In contrast, many Asian countries were able to make much more precise interventions. Everywhere, lockdown transformed everyday life, introducing an epidemiological view of society based on sensing, modeling, and filtering. What lessons are to be learned? The Revenge of the Real envisions a new positive biopolitics that recognises that governance is literally a matter of life and death. We are grappling with multiple interconnected dilemmas—climate change, pandemics, the tensions between the individual and society—all of which have to be addressed on a planetary scale. Even when separated, we are still enmeshed. Can the world govern itself differently? What models and philosophies are needed? Bratton argues that instead of thinking of biotechnologies as something imposed on society, we must see them as essential to a politics of infrastructure, knowledge, and direct intervention. In this way, we can build a society based on a new rationality of inclusion, care, and prevention.
Aziz Shehadeh was many things: lawyer, activist, and political detainee, he was also the father of author, activist (and founder of human rights organisation Al-Haq) Raja. In this memoir, Raja Shehadeh unpicks the snags and complexities of their relationship. A vocal and fearless opponent, Aziz resisted under the British mandatory period, then under Jordan, and, finally, under Israel. As a young man, Raja failed to recognise his father's courage and, in turn, his father did not appreciate Raja's own efforts in campaigning for Palestinian human rights. When Aziz was murdered in 1985, it changed Raja irrevocably.
"Raja Shehadeh is a buoy in a sea of bleakness." —Rachel Kushner
The world does not need a world government to govern itself. Roberto Mangabeira Unger argues that there is an alternative: to build cooperation among countries to advance their shared interests. We urgently need to avert war between the United States and China, catastrophic climate change, and other global public harms. We must do so, however, in a world in which sovereign states remain in command. The opportunity for self-interested cooperation among nations is immense. Unger shows how different types of coalitions among states can seize on this opportunity and avoid the greatest dangers that we face.
Are they paying you extra for this? You'd better be getting something. We'd better be getting something. For the inconvenience I mean. The machine's here for the whole weekend is what they said. What if we had guests? They never asked. And in any case what are the dangers? Being tested like lab-rats we are. Did they even try to provide any assurance it was all perfectly safe? This is the prototype. The first step to a new future. A future that will be easy and abundant. A future in which distance is no longer a barrier to human contact. And all it takes is a simple transport unit, in every home, every street, every town. Quick. Clean. Easy. A future driven by data, not emotion. And so begins the journey of a new technology that will soon change the world and everyone in it - the sceptics and the converts, the innocents and the evangelists. A scientific wonder that quickly becomes an everyday aspect of life. But what of our inherent messiness? In a world preoccupied with progress, what will happen to the things that make us human - the memories, the fears, the loves, the contradictions, the mortality? As we push for a sense of perfection, what do we stand to lose? Questioning, innovative and shot through with a rich humanity, Appliance is a novel that examines our faith in technology, our constant hunger for new things and the rapid changes affecting all our lives. It challenges us to stop and reflect on the future we want, the systems we trust... and what really matters to us.
Red Valkyries: Feminist lessons from five revolutionary women by Kristen Ghodsee $29
Short-listed for the 2022 Orwell Prize for Political Fiction.
Through a series of lively biographical essays, Red Valkyries explores the history of socialist feminism by examining the revolutionary careers of five prominent socialist women active in the 19th and 20th centuries.
- Alexandra Kollontai, the aristocratic Bolshevik
- Nadezhda Krupskaya, the radical pedagogue
- Inessa Armand, the polyamorous firebrand
- Lyudmila Pavlichenko, the deadly sniper
- Elena Lagadinova, the partisan turned scientist turned global women's rights activist
None of these women were 'perfect' leftists. Their lives were filled with inner conflicts, contradictions, and sometimes outrageous privilege, but they still managed to move forward their own political projects through perseverance and dedication to their cause. In brief conversational chapters Ghodsee tells the story of the personal challenges faced by earlier generations of socialist and communist women and renders the big ideas of socialist feminism accessible to those newly inspired by the emancipatory politics of left feminist movements around the globe.
My mother. At night, my mother creaks. The house creaks along with her. Through our thin shared wall, I can hear the makings of my mother gurgle through her body just like the water in the walls of the house…
Teenager Aoileann has never left the island. Her silent, bed-bound mother is the survivor of a private disaster no one will speak about. Aoileann desperately wants a family, and when Rachel and her newborn son move to the island, Aoileann finds a focus for her relentless love.
"Tremendous; the transition from pity to fear, as we warily circle Aoileann’s brutalised psyche, is brilliantly done." —Guardian
"This is a truly different Irish novel. One that entwines Irish myth, the reality of human bodies, life and death, and traditional gothic horror in a macabrely beautiful and, in the end, redemptive dance." —Irish Independent
Everyone has something that makes them feel self-conscious. It might be the smell of your breath, the size of your nose, or the way your shirt sleeves bunch up under your jumper. At the centre of this story is a little boy who has a small but embarrassing problem: every time he pees, a few drops dribble on to his underpants. Curious, he asks other children if they have the same issue. He soon discovers a simple life lesson: everyone is battling some kind of irritation.
Glitter reveals the complexity of an object often dismissed as frivolous. Nicole Seymour describes how glitter's consumption and status have shifted across centuries-from ancient cosmetic to queer activist tool, environmental pollutant to biodegradable accessory-along with its composition, which has variously included insects, glass, rocks, salt, sugar, plastic, and cellulose. Through a variety of examples, from glitterbombing to glitter beer, Seymour shows how this substance reflects the entanglements of consumerism, emotion, environmentalism, and gender/sexual identity.
>>Other interesting books in the 'Object Lessons' series.
>>Other interesting books in the 'Object Lessons' series.
VOLUME FOCUS : Ocean
A selection of books from our shelves.
For more on aquatic life browse here.
Charlie Tangaroa and the Creature from the Sea also available in te reo: Tiare Tangaroa me te Taipō Moana
For more children's books about the ocean and sealife browse here.
Kiwi Christmas Books. If you can't imagine the festive season without a pile of good books, remember that there are children whose whānau are experiencing hardship and who have little to look forward to at Christmas. If you would like to give books to needy children in our community, either 1. Make a donation and we will choose books on your behalf; or 2. Choose books from our website yourself and just put "Kiwi Christmas Books" in the 'notes' field as you check out. Thank you for making a difference! >>Find out more about the Kiwi Christmas Books scheme.
>>Book of the Week: Bird of the Year.
>>Life on the farm.
>>Pecky reviews the book.
>>An excellent conversation with Sara Baume (author of Seven Steeples).
>>"There's a fire under me."
>>The New Zealand 12" Championship.
>>Read Stella's review of The Wish Child.
>>Read Thomas's review of The Beat of the Pendulum.
>>Remote Sympathy was short-listed for the 2021 Acorn Prize.
>>Your copy of The Axeman's Carnival.
| >> Read all Stella's reviews. | |
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| >> Read all Thomas's reviews. | |
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NEW RELEASES
Click through to secure your copies on our website.
A man with a borrowed name steps from a flashy red sports car also borrowed onto the estate of his youth. But all is not as it seems. There is a new family living in the drafty old house: the Godleys, descendants of the late, world-famous scientist Adam Godley, whose theory of existence threw the universe into chaos. And this mystery man, who has just completed a prison sentence, feels as if time has stopped, or was torn, or was opened in new and strange ways. He must now vie with the idiosyncratic Godley family, with their harried housekeeper who becomes his landlady, with the recently commissioned biographer of Godley Sr., and with a woman from his past who comes bearing an unusual request. Banville's eagerly anticipated new novel toys with ways in which 'reality' is constructed, especially in fiction, and forms a kind of echo to any and all of his previous books.
"Gorgeously written and superbly choreographed, The Singularities in its unapologetic complexity and brilliance seems similarly unlikely to please the crowd. On the other hand, isn’t two a crowd, under certain circumstances? Writer, reader: who else do you need to play the supreme game?" —Irish Independent
Declaration: A Pacific Feminist Agenda gathers together some of the Pacific’s leading activists, scholars and critical thinkers in a dynamic discussion about Pacific feminisms in the visual arts, shared histories, literature, cosmologies and everyday experiences. The publication is the first of its kind and its contributors include: Caroline Vercoe, Melenaite Taumoefolau, Emalani Case, Coco Solid, Teresia Teaiwa, Manuha‘apai Vaeatangitau, Phylesha Brown-Acton, Luisa Tora, Selina Tusitala Marsh, J C Sturm, Matariki Williams and Lisa Taouma. Melding critical analysis with poetry and personal narrative, Declaration! provides a challenge and suggests possible directions for future developments in feminist thinking in and about the Pacific, while discussing some of the most pressing issues of our time: the climate crisis, gender equality, Indigenous sovereignty and collective leadership.
In March 2020 Lucy's ex-husband William pleads with her to leave New York and escape to a coastal house he has rented in Maine. Lucy reluctantly agrees, leaving the washing-up in the sink, expecting to be back in a week or two. Weeks turn into months, and it's just Lucy, William, and their complex past together in a little house nestled against the sea. Strout's new 'Lucy Barton' novel uses her typically small palette and clean prose to explore the subtleties and depths of ordinary lives.
"Strout's novels, intricately and painstakingly crafted, overlap and intertwine to create an instantly recognisable fictional landscape, You don't so much read a Strout novel as inhabit it." —Guardian
Usman Khan was convicted of terrorism-related offences at age 20, and sent to high-security prison for eight years. While there, he was a student in an education programme that included a fiction writing course taught by Preti Taneja. In 2019, Khan was permitted to travel to London to attend an event marking the fifth anniversary of the education programme, He sat with others and then killed two people, including the programme supervisor. In this searching lament, Taneja interrogates the language of terror, trauma and grief; the fictions we believe, and the voices we exclude. Contending with the pain of unspeakable loss set against public tragedy, she draws on history, memory, and poetic predecessors to reckon with the systemic nature of atrocity. Blurring genre and form, Aftermath is an attempt to regain trust after violence and to recapture a politics of hope through a determined dream of abolition.
Winner of the 2022 Gordon Burn Prize.
"Aftermath is a major landmark in British narrative non-fiction. It's a beautiful and profoundly important account of creative writing teaching as a radical act of trust and interrogation of power; its anti-racist and abolitionist stance makes it a vitally important as well as deeply moving book to read now in these dismal days for the British political project. It is fearless in the way it shows its agonised workings as it unfolds into a complex map of grief." —Max Porter
"Aftermath is a major landmark in British narrative non-fiction. It's a beautiful and profoundly important account of creative writing teaching as a radical act of trust and interrogation of power; its anti-racist and abolitionist stance makes it a vitally important as well as deeply moving book to read now in these dismal days for the British political project. It is fearless in the way it shows its agonised workings as it unfolds into a complex map of grief." —Max Porter
"It takes a rare talent to respond to a shattering act of violence by reassembling the pieces in a way that refuses easy explanations or platitudes, but is illuminating, daring, world-expanding. Essential, in the truest sense of the word." —Daniel Trilling
Dan Fogarty, an Irishman living in England, is looking after his sister Una, now seventy and suffering from dementia in a care home in Margate. From Dan's anarchic account, we gradually piece together the story of the Fogarty family. How the parents are exiled from a small Irish village and end up living the hard immigrant life in England. How Dots, the mother, becomes a call girl in 1950s Soho. How a young and overweight Una finds herself living in a hippie squat in Kilburn in the early 1970s. How the squat appears to be haunted by vindictive ghosts who eat away at the sanity of all who live there. And, finally, how all that survives now of those sex-and-drug-soaked times are Una's unspooling memories as she sits outside in the Margate sunshine, and Dan himself, whose role in the story becomes stranger and more sinister.
"If you're looking for this century's Ulysses, look no further." —Alex Preston, Observer
"Pitched—deliriously—between high modernism and folk magic, between gorgeous free-verse and hilarious Irish vernacular, Poguemahone is a stunning achievement." —David Keenan
"In A Shock, a clutch of more or less loosely connected characters appear, disappear and reappear. They are all of them on the fringes of London life, often clinging on – to sanity or solvency or a story – by their fingertips. Keith Ridgway, author of the acclaimed Hawthorn & Child, writes about people whose understanding of their own situation is only ever partial and fuzzy, who are consumed by emotions and anxieties and narratives, or the lack thereof, that they cannot master. He focuses on peripheral figures who mean well and to whom things happen, and happen confusingly, and his fictional strategies reflect this focus. In a deftly conjured high-wire act, Ridgway achieves the fine balance between the imperatives of drama and fidelity to his characters. The result is pin-sharp and often breathtaking. A Shock is a perfect, living circle of beauty and mystery, clearsighted and compassionate, and, at times, wonderfully funny." —David Hayden
"A Shock inhabits the secret life of a city, its hidden energies. It dramatizes how patterns form and then disperse, how stories are made and relationships created." —Colm Tóibín
>>Playlist.
Barbara Pym became beloved as one of the wittiest novelists of the late twentieth century, revealing the inner workings of domestic life so brilliantly that her friend Philip Larkin announced her the era's own Jane Austen. But who was Barbara Pym and why was the life of this English writer — an insightful chronicler of the human heart — so defined by rejection, both in her writing and in love? Pym lived through extraordinary times. She attended Oxford in the thirties when women were the minority. She spent time in Nazi Germany, falling, to her later regret, for a man who was close to Hitler. She made a career on the Home Front as a single working girl in London's bedsit land. Through all of this, she wrote. Diaries, notes, letters, stories and more than a dozen novels — which as Byrne shows more often than not reflected the themes of Pym's own experience: worlds of spinster sisters and academics in unrequited love, of powerful intimacies that pulled together seemingly humble lives.
"Byrne's book is outstanding. Just like a Pym novel, this biography is warm, funny, unexpected and deeply moving." —Financial Times
Andrea, a young Indigenous Colombian woman, has returned to the land she calls home. Only nineteen years old, she comes to mourn her lost child, carrying a box in her arms. And she comes with another mission. Andrea has hidden a camera upon herself. If she can capture evidence of the illegal mining that displaced her family, it will mark the first step toward reclaiming their land. This graphic novel examines the injustices of Canizales's home country in a stark, distinctive style.
"Simply powerful, Colombian artist Canizales's illuminating, expressively rendered graphic novel contains moments of great beauty (particularly Andrea's memories of her husband and father) among numerous scenes of deep anguish." —Kirkus
The Book About Everything: Eighteen artists, writers and thinkers on James Joyce's Ulysses edited by Declan Kiberd, Enrico Terrinoni and Catherine Wilsdon $33
Each essayist is an expert in one of the subjects treated in the novel, but what brings them together is a common love of Ulysses. Joseph O'Connor considers the music-saturated Sirens episode and David McWilliams writes about the bigotry and violence of nationalism on display in Cyclops. Irish obstetrician Rhona Mahony responds to Oxen and the Sun, set in a maternity hospital, journalist Lara Marlowe examines the Aeolus episode, which takes place in a newspaper office, and Irish philosopher Richard Kearney reflects on the erudite musings of Stephen Dedalus as he walks along Sandymount strand. The Book About Everything counters the perception of Ulysses as the sole preserve of academics and instead showcases readers' responses to the book.
Written between 1944 and 1947, Minima Moralia is a collection of aphorisms and essays about life in modern capitalist society. Adorno casts his penetrating eye across society in mid-century America and finds a life deformed by capitalism. His thinking and rethinking of the problems of modern life is inexhaustibly relevant to contemporary situations. New edition.
"A volume of Adorno is equivalent to a whole shelf of books on literature." —Susan Sontag
Victoria Blaisdell longs for independence, adventure, and to accompany her father as he sails west in search of real gold. But it is 1848, and Tory isn’t even allowed to go to school, much less travel all the way from Rhode Island to California. Determined to take control of her own destiny, Tory stows away. San Francisco is frenzied and full of wild and dangerous men, but Tory finds freedom and friendship there. Then her younger brother, Jacob, is kidnapped, sending Tory on a treacherous search for him in Rotten Row, a part of San Francisco Bay crowded with hundreds of abandoned ships.
"Containing strong feminist themes, this fast-paced tale vividly contrasts the wildness of 19th-century San Francisco with stuffier New England. Tory is a brave yet naive protagonist, who makes a number of mistakes before proving herself a hero, and her dangerous encounters with unscrupulous villains provide nonstop excitement and suspense." —Publishers Weekly
Twelve-year-old Bird Gardner lives a quiet existence with his loving but broken father, a former linguist who now shelves books in a university library. Bird knows to not ask too many questions, stand out too much, or stray too far. For a decade, their lives have been governed by laws written to preserve “American culture” in the wake of years of economic instability and violence. To keep the peace and restore prosperity, the authorities are now allowed to relocate children of dissidents, especially those of Asian origin, and libraries have been forced to remove books seen as unpatriotic—including the work of Bird’s mother, Margaret, a Chinese American poet who left the family when he was nine years old. Bird has grown up disavowing his mother and her poems; he doesn’t know her work or what happened to her, and he knows he shouldn’t wonder. But when he receives a mysterious letter containing only a cryptic drawing, he is drawn into a quest to find her. His journey will take him back to the many folktales she poured into his head as a child, through the ranks of an underground network of librarians, into the lives of the children who have been taken, and finally to New York City, where a new act of defiance may be the beginning of much-needed change.
"Ng effortlessly combines a character-led family story with a detective tale, a tribute to books and storytelling and a confrontation with history. A story that is exceptionally powerful and scaldingly relevant." —Observer 
This urgent book chronicles the lives of the diverse young people on the frontlines of the environmental crisis around the world, amplifying the stories of those living at the heart of the crisis. Advocating for the protection of both people and the planet, Bella restores the heart to global environmental issues, from air pollution, to deforestation and overconsumption by telling the stories of those most directly affected. Transporting us from the humming bounty of Ecuador's Choco Rainforest and the graceful arcs of the Himalayan Mountains, to the windswept plains and vibrant vistas of life in Altiplano, Bella speaks to young activists from around the world including Dara McAnulty, Afroz Shah and Artemisa Xakriaba and vividly brings the crisis to life.
ROAR SQUEAK PURR: A New Zealand treasury of animal poems selected by Paula Green, illustrated by Jenny Cooper $45
Between the covers of this book you will meet creatures large and small. They might pad, or skitter, swoosh or soar. They could be fuzzy, feathery, suckery, scaly or spiky. These animals might ROAR or squeak or Purrrrrrrrrr. Just like the animals they are about, these poems come in all shapes and sizes!
Fresh from his triumphs in the Trojan War, Odysseus, King of Ithaca, wants nothing more than to return home to his family. Instead, he offends the sea god Poseidon, who dooms him to long years of shipwreck and wandering. In his efforts to get home, Odysseus must battle man-eating monsters, violent storms, and the supernatural seductions of sirens and sorceresses. He will need all his strength and cunning — and a little help, divine and otherwise — to make his way home once more.
>>Look inside!
The Secret History of the Five Eyes: The untold story of the international spy network by Richard Kerbaj $40
Aa to Zz: A pop-up alphabet by David Hawcock $35
An ingeniously constructed pop-up book, throwing the alphabet into three dimensions.
Drawn from five countries — Britain, America, Canada, Australia and New Zealand — the Five Eyes has been steeped in secrecy since its formation in 1956, its existence only publicly acknowledged as recently as 2010. On the one hand, it is an alliance held together by a common language and cause, whose successes range from the takedown of atomic spies in the 1940s to the exposure of Russian collusion in Donald Trump's 2016 presidential campaign. On the other hand, however, the Five Eyes' very existence is not legally binding - it functions as a marriage of convenience riddled with distrust, competing intelligence agendas and a massive imbalance of power that favours the United States.
An ingeniously constructed pop-up book, throwing the alphabet into three dimensions.
VOLUME FOCUS : Libraries
A selection of books from our shelves.
