A selection of books from our shelves.
Click through to find out more:
‘Object Lessons’ is a series of short, beautifully designed books about the hidden lives of ordinary things.
If you love the long-form essay, esoteric facts, or are curious about the world about us, particularly objects in this world, then you will love Bloomsbury Publishing’s ‘Object Lessons’ series. Between us we have read a fair few ‘Object Lessons’, and they are always incisive, interesting, and highly engaging in content and style. To help you discover this excellent series we are offering you 25% off in-stock titles.* Head over to the Object Lessons page and start selecting. Find your favourite objects or explore some new ones. (PS these make excellent gifts!)
* This weekend only. Promotion finishes Tuesday 29th, 10am. Use the promotion code: OBJECT
We use Julia Busuttil Nishimura’s cookbooks frequently at home — her recipes are very user-friendly and her methods and proportions guarantee perfect and delicious dishes that immediately become favourites.
”Every meal is something to celebrate — a casual gathering with friends, a weeknight dinner, a long birthday lunch in the garden. It doesn't matter what the occasion, there is an unspoken joy in sharing food with others.”
This collection of recipes includes a guide to creating menus for any occasion, from a celebration of summer produce to pure comfort food in cooler weather, a simple family dinner to a relaxed lunch with friends. Julia pairs ingredients in harmonious and delicious ways, with recipes for every season.
We can dispatch to anywhere in Aotearoa by overnight courier, or have books ready to collect from our door in Church Street, Whakatū.
Read our latest newsletter. Choose yourself a book.
18 October 2024
A puzzle, he said, noticing that I was attempting a rather easy and common sort of puzzle, one which I nonetheless was finding challenging, possibly due to the fact that he was observing me, a puzzle I was in any case doing only to fill in the time as I waited for him to stop talking, a puzzle is a poor sort of puzzle because everyone recognises it as a puzzle, he said, unlike language, which is a stronger sort of puzzle because it is not obvious whether it is a puzzle or not. I knew better than to ask him what he meant by this statement, partly because I didn’t really want to encourage him to deliver one of his long-winded explanations but mainly because I knew that once he had made a statement like that he would deliver one of his long-winded explanations whether he was asked to explain it or not; it seemed not to occur to him that any long-winded explanation delivered by him might not be received with the enthusiasm with which it was delivered. At least it was good to see him enthusiastic. He had just finished reading Rachel Cusk’s new novel, Parade, and was now, it seemed, ready to explain it to me, although not yet having finished it had not stopped him explaining it to me as he was reading it, or at least from frequently exclaiming about it in such a way that was not sufficiently coherent to pass as an explanation, not that his explanations were in themselves generally in any case coherent. Parade, he explained, splices a series of observations by a narrator who exists only as a gap in the text with a carousel of ‘biographical’ sketches of artists (fictional — all named ‘G’ — but often sharing qualities and trajectories with identifiable artists in the ‘real world’) to explore, distil, and complicate issues of narrative, character, gender politics (especially as transacted in the arts), the irreconcilable ambivalence of intergenerational relations (here he made that irritating gesture in the air with both hands about and throughout the phrase as if to indicate that if anybody were to transcribe the phrase they should put it in inverted commas (even though italics would be to my mind more appropriate)), the problem of subjectivity, and the performance of power and persona that both characterises and occludes collective life on both the intimate and societal scales, or so he said. Parade, he said, continued Cusk’s project of the ‘Outline Trilogy’, of withdrawing the narratorial involvement from the novel, sometimes perfecting an entirely non-participatory, characterless ‘we’, without assuming, or presuming, really, access to the minds of any of the characters other than as evidenced by their actions or their words. “To see without being seen: there was no better definition of the artist’s vocation,” he read suddenly from a place he had marked in the book. Cusk achieves a wonderfully clean and perfectly flat style, he said, achieving an impeccable neutrality, almost an anonymity, on the most passionate and involving subjects, reporting conversations without contributing to them, but from a near perspective, like the parent in the novel filming her child in the school play so closely and so exclusively that, at least in her representation of it, the play itself made no sense other than that contingent upon the performance of her child. “Pure perception that involves no interaction, no subjectivity, reveals the pathos of identity,” he read again, or had memorised, or was pretending to read or to have memorised in order to give his opinions more authority. There is no self, no absolute, no identity, no definitive, he shouted, I think now lost to his own metastasising speculations, at best only barely suppressed, no self, no absolute, no identity, no definitive other than as they exist in language! There are no persons, no characters, he said, and I think he was referring to our lived reality as much as to the book that he had read. It reminds me, he said, calming a little, of Nathalie Sarruate's Planetarium, in that persons are unimportant or are at least shown to be entirely constructed by phrases and thoughts and attitudes clustering together and adhering to each other, a phenomenon that is more the province of language than a property of any living actuality. Again, the impulses, motivations and attitudes that may or may not exist in the unconscious, so to call it, he said, or in the preconscious, and we cannot say anything about these states, which cannot be said even to be states because to do so would be to make them or at least their existence to some extent conscious, he claimed, these impulses, motivations and attitudes require and are also formed by the language that is used to express them in order to be expressed. Was he even making sense, I wondered, but he did not pause, seemingly untroubled by such a possibility. Cusk’s practice, kicking away the novelistic crutches, so to call them, he said, removing the distractions of plot, the illusions of character, or at least by demonstrating that plot is a distraction and character an illusion, helps us to see more clearly, to be both present and not present, both involved and uninvolved, both when reading a novel and when reading our own lives, for want of a better term to call them. Language contains the inclinations, he said, that we usually and by mistake apply to persons. I suppose that this is what he may have meant when he spoke of language being a puzzle of a stronger sort, but he did not give me a chance to ask him this. Undermining our expectations of cohesion on personal, artistic and societal levels, he continued, and with regard to the forms of what we think of as fiction, Parade provokes and enlivens the reader’s own literary faculties and makes them an active participant in this exercise of awareness and destabilisation. I exercised my concentration, finished my rather easy and common sort of puzzle, which at least was readily identifiable as a puzzle, and left the room despite his continuing explanation.
Forgotten in a trunk. Left in the dark. Unwanted. Once they had been on display, crafted with care. They belonged together and they had a story. Would they be together again, and would there be a new story? Kate DiCamillo works her magic with The Puppets of Spelhorst. With the texture of a folk tale, she reveals the story of a girl, a boy, a king, an owl, and a wolf. An old man sees a puppet in the window of a toy shop and the memory of a love is rekindled. He wants to take her home and look into her eyes so like those of his sweetheart long gone, but, bothersome: he has to have all the puppets. And so, it comes to be. In the night the girl sitting atop a dresser sees the moon and describes its beauty to her companions. The old man sleeps and does not awaken. And then an adventure begins. A journey that will take them through the hands of the rag-and-bone man, to an uncle with two inquisitive nieces, where a new story will be made — one which involves all of them; even though they will have their fierce teeth tampered with (the wolf), be mistaken for a feather duster (the owl), left abandoned outside and kidnapped by a giant bird (the boy), be snaffled into a pocket (the girl), and left alone with no one to rule (the king). Yet this is not the only story. Emma is writing, and Martha is making mischief. A story is ready to be told. An extra hand and a good singing voice are needed. In steps the maid, Jane Twiddum — someone who will have a profound impact on the fate of the five friends. The Puppets of Spelhorst is an absolute delight with its clever story. A spellbound tale. "Now it all happens," whispered the boy. "Now the story begins."
This is a delightful book, and the sequel, The Hotel Balzaar, is due here soon — I am really looking forwards to it. Both books are perfect for reading and gifting.
>>Your copy of The Puppets of Spelhorst
>>Order The Hotel Balzaar now (stock is on its way!)
Build your reading pile, and the reading piles of others!
Click through for your copies:
The Remarkables: The most incredible children I’ve met — So far! by Clotilde Perrin $40
A large-format treasure trove, featuring portraits of 40 extraordinary imaginary children with descriptions of each one's superpower. Meet the most extraordinary children you'll ever see — or might ever see. An electric child, a flying child, a stone child, an invisible child, a thunder child, a cake child — what superpower would you wish for? On each spread, the children describe their characteristics, tell anecdotes, and present the superpowers that makes them unique. A ‘class photo’ brings the children together at the end, alongside a quiz for the reader to find out their own superpower. (BTW: The perfect present!)
Episodes by Alex Scott $40
This astoundingly good Aotearoa graphic novel subtly and devastatingly investigates the crushing disjunction between media-mediated popular culture (as distilled in product advertising) and an actual world comprised of ‘atypical’ individuals yearning for authentic contact and acknowledgement. A smart-mouthed kid provokes the wrong flatmate, a misguided teen gets schooled by her crush, and a former child star struggles to escape his past. Seductive advertising fantasies collide headfirst with everyday life in this delicately interwoven tale of identity, desire and coming of age even in adulthood. Episodes is a thrillingly observed and well-drawn critique of our media-obsessed society.
”Episodes is funny, sad and strange in the way that so much of the ordinary and familiar is strange. Like a word you say over and over until its oddness is revealed.” —Sharon Murdoch
Vehicle: A verse novel by Jen Calleja $40
In a time when looking into the past has become a socially unacceptable and illegal act in the Nation, a group of scholars are offered an attractive residency to allow them to pursue their projects. Compiled from the Researchers’ disparate documentation, recollections, and even their imaginations, this title is a metafictional work of literary speculative fiction, and a timely and daring exploration of xenophobia, exploitation, the writing of histories and legacies, and the politics of translation. When the residency transpires to be a devastating trick, these Researchers go on the run, and soon discover that their projects all relate to one major event: the Isletese Disaster – the decline and subsequent devastation fifty years earlier of a long-forgotten roaming archipelago called The Islets. One figure emerges as central to all of their work: Hester Heller, a reformed cult musiker turned student recruited from the Institute for Transmission as an agent of the state and tasked with gathering reconnaissance on the Disaster by using her old band Vehicle as a cover. Heller is the key to the Researchers collective story, which they try to piece together while evading their pursuers.
”A high-stakes speculation, an adventure into a new world order as well as the possibilities of the novel-form, Vehicle is a feat of ungovernable imagination. Bold, bracing, brilliant.” —Kate Briggs
”To say that Vehicle is a feminist Pale Fire for the Brexit generation may not be high enough praise for this intoxicating, thrilling and endlessly inventive work.” —Joanna Walsh
”Jen’s work brilliantly surfs the wave of engagement with translation, marginalised and re-assertive cultures within and beyond Europe, necessarily calling out the connection between colonial and patriarchal attitudes and actions in literary culture. Bringing a deliciously non- realist and wittily self-aware tone that is unusual in UK writing, it strikes an important balance that fits with a new wave of writing that is brilliantly romantic and feminist.” —So Mayer
Ghost Pains by Jessi Jezewska Stevens $40
A selection of short fiction from a purveyor of comical, techno-millenarian unease. Stevens's women throw disastrous parties in the post-party era, flirt through landscapes of terror and war, and find themselves unrecognisable after waking up with old flames in new cities. They navigate the labyrinths of history, love, and ethics in a fractured American present, seeing first-hand how history influences the ways in which we care for — or neglect — one another. The stories examine big questions through the microscope of a shambolic human perspective
”Ghost Pains is a brilliant, sophisticated collection. Jessi Jezewska Stevens is one of the rare writers capable of taking both life and literature seriously while giving you reasons to laugh.” —Nell Zink
”Jessi Jezewska Stevens's stories gleam with their wonderfully bleak comic swerves, keen observation and fresh syntax. The world may be a goner, but short fiction is in good hands here. Ghost Pains is alive, an invigorating pleasure.” —Sam Lipsyte
”I remember the first time I read a short story by Jessi Jezewska Stevens. I was immediately drawn to its strangely rhythmic sentences, its playful sense of humour. There is a brilliant feeling of both absurdity and sincerity in these stories, of the time we are living through. I know I will want to read her always.” —Amina Cain
Good Cooking Every Day: Simple recipes. Beautiful menus. All year round. by Julia Busuttil Nishimura $50
We use Julia Busuttil Nishimura’s cookbooks frequently at home — her recipes are very user-friendly and her methods and proportions guarantee perfect and delicious dishes that immediately become favourites.
”Every meal is something to celebrate — a casual gathering with friends, a weeknight dinner, a long birthday lunch in the garden. It doesn't matter what the occasion, there is an unspoken joy in sharing food with others.” This collection of recipes includes a guide to creating menus for any occasion, from a celebration of summer produce to pure comfort food in cooler weather, a simple family dinner to a relaxed lunch with friends. Julia pairs ingredients in harmonious and delicious ways, with recipes for every season.
He Kupu nā te Māia — He Kohinga Ruri nā Maya Angelou (Ngā Ika a Whiro o Te Panekiretanga o te Reo) $35
Kua haurua rautau te roa o Maya Angelou e whakarākei ana i te ao ki ana kupu me ōna whakaaro, i hua mai ai ko te huhua o ana titonga kanorau, pukapuka mai, tuhingaroa mai, whakaari mai, ruri mai. I runga anō i te whāriki o tana ao toi, kua tuituia ngā kupu whakatuma, ki te kaikiri, ki te tohe, ki te whai ora, ki ngā wheako hoki o te wahine me te kirimangu, mā roto i tōna reo ahurei. Kua huia ngā ruri ki ngā wāhanga e whitu e hāngai ana ki te ao tonu o Maya, e whai pānga ana anō hoki ki a ngāi Māori: te whanaungatanga, te mate kanehe, te oke o te ia rā, te kirimangu, te whakatōrea, te rere o te wā me te whakaao māramatanga. I te pukapuka nei rere ai ko te reo o te kāhui wāhine o Te Panekiretanga o Te Reo, me ōna kanorautanga. Kuia mai, māmā mai, rangatahi mai, teina mai, tuakana mai, he wāhine kua rongo, kua kite i te ihi o te whai reo, me te wehi o te reokoretanga. Ka titi tonu ngā kupu a te māia ki te ngākau o te hunga e āritarita ana ki te reo Māori i tēnei huinga ruri āna.
A selection from the collected poems of Maya Angelou, translated into te reo Māori by thirty-four wāhine from across Aotearoa. This collection of ruri/poems will warm the hearts of Maya Angelou’s most ardent admirers and will also introduce new readers to the legendary poet, activist and teacher. Presented with English and Māori on facing pages, as well as poetic biographies of each translator, this book is a taonga that welcomes a literary icon to Aotearoa.
Recognising the Stranger: On Palestine and narrative by Isabella Hammad $26
Author of The Parisian and Enter Ghost Isabella Hammad delivered the Edward W. Said Lecture at Columbia University nine days before 7 October 2023. The text of Hammad's seminal speech and her afterword written in the early weeks of 2024 together make up a searing appraisal of the war on Palestine during what feels like a turning point in the narrative of human history. In this moving and erudite melding of literary and cultural analysis, Hammad writes from within the moment, shedding light on the Palestinian struggle for freedom.
”Recognising the Stranger combines intellectual brilliance with moral clarity and profound resoluteness of purpose. This is a book that calls us to witness our place in history. Isabella Hammad deserves our thanks for sharing it with the world.” —Sally Rooney
”A pitch-perfect example of how the novelist can get to the heart of the matter better than a million argumentative articles. Hammad shows us how the Palestinian struggle is the story of humanity itself, and asks us not to look away but to see ourselves.” —Max Porter
”Hammad's writing burns with fierce intelligence, humane insight and righteous anger. For those at risk of despair, doubtful of the role literature has to play in times of crisis, it is a reminder of the radical potential of reading and the possibility of change.” —Olivia Sudjic
”Extraordinary and amazingly erudite. Hammad shows how art and especially literature can be much, much more revealing than political writing.” —Rashid Khalidi
The Last Sane Woman by Hannah Regel $25
Nicola Long is a few years out of a fine arts degree, listless and unenthusiastically employed in London. She begins to spend her hours at a small underfunded archive dedicated to women's art. There she discovers one side of a correspondence beginning in 1976 and spanning a dozen years, written from one woman - a ceramics graduate, uncannily like Nicola — to a friend living a contrasting and conventionally moored life. As Nicola reads on, an acute sense of affinity turns into obsession. She abandons one job after another to make time for the archive. The litany of coincidences in the letters becomes uncanny, and Nicola's feeling of ownership begets a growing dread: should she be afraid of where these letters are leading?
”Disquieting and gorgeous, The Last Sane Woman plucks images from the world with the claustrophobic pleasure of picking a scab. It reaches deep into the negative spaces of failure and precarity, and from these resources assembles something caustic, elegant, elusive and foreboding. It's also funny, with an offbeat, sly lightness that comes from knowing exactly how high the odds are stacked against you. I was hooked by the conversation between Regel's protagonists, looping across generations to give voice to the pains of making and the shameful pleasures of destruction.” —Daisy LaFarge
”The Last Sane Woman is a brilliant, slyly funny, and acutely observed meditation on the process both of the making of objects and of one's own life. Regel's prose is gorgeous and deftly rendered on every page.” —Sophie Mackintosh
rock flight by Hasib Hourani $33
Hasib Hourani's rock flight is a book-length poem that, over five chapters, follows a single personal and historical narrative centered on the violent occupation of Palestine. The poem uses refrains of suffocation, rubble, and migratory bird patterns to address the realities of forced displacement, economic restrictions, and surveillance technology that Palestinians face both within Palestine and across the diaspora.
Searing and fierce, tender and pleading, rock flight invites the reader to embark on an exploration of space while limited by the box-like confines of the page. Through the whole, Hourani moves between poetry and prose, historical events and meditations on language, Fluxus-like instructions and interactions with friends, strangers, and family. rock flight adapts themes of displacement and refusal into an interactive reading experience where the book becomes an object in flux.
”rock flight is a work of timelessness, rigour, precision, relationality and guts just like its poet. A must-read for all of us who yearn and stretch and reach for a world beyond colonies, and an even more urgent read for those who don't.” —Alison Whittaker
”Hasib Hourani’s rock flight is propelled by urgent anaphoras and compelling fragmented imagery. Scrolling and sprawling across the page and downward and outward, as attempts to articulate and scrawl the horrors facing the Palestinian people. Out of such scrawls are new languages, new refusals.” —Victoria Chang
Pātea Boys / Ngāti Pātea by Airana Ngarewa $37
A lively and playful bilingual collection of stories about growing up in Pātea. Interlinked and full of recurring characters, these stories are about growing up in small-town Aotearoa — sneaking away during cross country, doing bombs while the lifeguard isn't looking, peeling spuds on the marae, crashing a car at age four, and learning to live by the tikanga 'don't ask, don't tell'. Exuberant, exciting, poignant and heartfelt, each story is featured in English and te reo Māori. The perfect resource for those on their reo learning journeys as well as for readers who enjoyed The Bone Tree.
Nature, Culture, and Inequality by Thomas Piketty $35
In his new work, Thomas Piketty explores how social inequality manifests itself very differently depending on society and epoch in which it arises. History and culture play a central role, inequality being strongly linked to various socio-economic, political, civilisational, and religious developments. So it is culture in the broadest sense that makes it possible to explain the diversity, extent, and structure of the social inequality that we observe every day. Piketty briefly and concisely presents a lively synthesis of his work, taking up such diverse topics as education, inheritance, taxes, and the climate crisis, and makes a lively contribution to the debate on the existence or otherwise of ‘natural inequality’.
”A profound and optimistic call to action and reflection. For Piketty, the arc of history is long, but it does bend toward equality. There is nothing automatic about it, however — as citizens, we must be ready to fight for it, and constantly (re)invent the myriad of institutions that will bring it about. This book is here to help.'“ —Esther Duflo
Headshot by Rita Bullwinkel $28
Headshot is the story of the eight best teenage girl boxers in the United States, told over the two days of a championship tournament and structured as a series of face-offs. As the girls' pasts and futures collide, the specific joy and violence of the sport comes to life with electric energy, and a portrait emerges of the desire, envy, perfectionism, madness and sheer physical pleasure that motivates each of these young women to fight. This is a novel about the radicalness and strangeness of being physically intimate with another human when you are measuring your own body, through competition, against theirs. What does the intimacy of a physical competition feel like? What does it mean to walk through life in the bodies we've been given, and what does it mean to use those bodies with abandon? Funny, propulsive, obsessive and ecstatic, Headshot is equal parts subtle and intense, as it brings us to the sidelines of the ring and above and beyond it, examining closely the eight girls' lives, which intersect for a moment — a universe that shimmers and resonates.
Long-listed for the 2024 Booker Prize.
“As blazing and distinctive a performance as I've beheld in a long while. Bullwinkel's figurative language is tethered at one end to the distant galaxies, at the other to the cellular structure of her young fighters' bodies. Whole lives are strung between. I'm amazed.” —Jonathan Lethem
The Zone: An alternative history of Paris by Justinien Tribillon $43
In The Zone, Justinien Tribillon takes the reader on a tour of an eponymous Parisian hinterland. The site of dreams and nightmares, from Van Gogh's paintings to the cinematic violence of La Haine, the Zone, so often misun- derstood, is the key to understanding today's Paris, and even France itself. Originally the site of defensive walls, alongside which mushroomed makeshift housing, allotments, and dancehalls in the nineteenth century, the Zone has performed many functions and been a place of contention for two centuries. Dismantled in the 1920s, the fortifications were first replaced with gardens, stadia and homes. After the war came the Boulevard Périphérique, a ring road promising seamless travel in a futuristic car-centric Paris. With the ring road came new dreams of modernity in reinvented suburbs: new towns, high-rise architecture and social housing built at record speed. Yesterday's Paris made way for tomorrow's banlieue. But the metropolitan dream was never realised. The Zone became a symbol of division: between inner and outer cities; between the bourgeois centre and the working-class immigrant outskirts; between 'us' and 'them'. The Zone, both a physical space and a powerful myth, came to crystallise the social, spatial and ethno-racial differences between Paris and the banlieue. The Zone is a brilliant anatomy of the true heart of Paris. An essential book for urbanists and historians.
”Shows how to read the recent history of Paris from its edge towards its center. How do the complicated conditions in the banlieue shape life for the Paris of tourists, monuments and bourgeois amenities? This book is innovative in its methods and absorbing in its analysis. More than this, Justinien Tribillon has worked out a way to understand other cities from the outside in.” —Richard Sennett
History for Tomorrow: Inspiration from the past for the future of humanity by Roman Krznaric $40
What can humankind's rich history of radical revolts teach us about the power of disobedience to change climate policy? What inspiration could we take from seventeenth century Japan to create a regenerative economy today? How might the history of financial capitalism help us understand what it takes to bring AI under control? Here, leading social philosopher Roman Krznaric unearths fascinating insights and inspiration from the last 1000 years of world history that could help us confront the most urgent challenges facing humanity in the twenty-first century. From bridging the inequality gap and keeping AI under control, to reviving our faith in democracy and avoiding ecological collapse, History for Tomorrow shows that history is not simply a means of understanding the past but a way of reimagining our relationship with the future. Krznaric shows how, time and again, societies have risen up, often against the odds, to tackle challenges and overcome crises. History can offer a vision for radical hope that could turn out to be our most vital tool for surviving and thriving in the turbulent decades ahead.
”This joyful and informative book opens our minds and souls, helping us to see with new eyes and to believe in ourselves as a species, so we can meet our predicament with a belief that change really is possible.” —Gail Bradbrook, Co-Founder, Extinction Rebellion
”An amazing feat of synthesis and imagination, weaving together many different strands of world history to make a pattern that can guide us in the present toward a vibrant future. Krznaric's book is immensely suggestive of positive actions that have track records; they've worked before, and in new formulations they can work again. Wise and practical inspiration.” —Kim Stanley Robinson
A selection of books from our shelves that give insight into Palestinian experience.
Click through to find out more:
Episodes by Alex Scott $40
This astoundingly good Aotearoa graphic novel subtly and devastatingly investigates the crushing disjunctions between media-mediated popular culture (as distilled especially in product advertising) and an actual world comprised of ‘atypical’ individuals yearning for authentic contact and acknowledgement. A smart-mouthed kid provokes the wrong flatmate, a misguided teen gets schooled by her crush, and a former child star struggles to escape his past. Seductive advertising fantasies collide headfirst with everyday life in this delicately interwoven tale of identity, desire and coming of age even in adulthood. Episodes is a thrillingly observed and well-drawn critique of our media-obsessed society.
”Episodes is funny, sad and strange in the way that so much of the ordinary and familiar is strange. Like a word you say over and over until its oddness is revealed.” —Sharon Murdoch
The GOLDSMITHS PRIZE celebrates fiction that breaks the mould or extends the possibilities of the novel form. This year, all six (excellent!) shortlisted titles “ask uncomfortable questions while nonetheless finding exuberance and joy in a form that makes such questioning both possible and pleasurable: the novel at its most novel.” —judging chair
Click through to our website to get your copies of these enjoyable and interesting books. We can dispatch to anywhere in Aotearoa by overnight courier, or have the books ready to collect from our door in Church Street, Whakatū.
THE WINNER
PARADE by Rachel Cusk
Midway through his life, an artist begins to paint upside down. In Paris, a woman is attacked by a stranger in the street. A mother dies. A man falls to his death. Couples seek escape in distant lands. The new novel from one of the most distinctive writers of the age, Parade sets loose a carousel of lives. It surges past the limits of identity, character, and plot, to tell a true story — about art, family, morality, gender, and how we compose ourselves.
What the judges say: "Every sentence in Parade seems to grapple with an idea. People die, perspective shifts, scenery changes, and yet there remains a clear, sharp line of thought that holds the reader. In effortlessly beautiful prose Cusk challenges the conventions of the novel form as well as addressing the relationship between literature and visual art, and of how each can exist alongside the ordinariness of life. Parade is a ferociously illuminating novel that embraces the exquisite cruelty of the world at this present moment."
“Examining the life of the artist and the composition of the self, Rachel Cusk’s Parade exposes the power and limitations of our alternate selves. Probing the limits of the novel form and pushing back against convention, this is a work that resets our understanding of what the long form makes possible.” —Abigail Shinn, Chair of Judges
"Every sentence in Parade seems to grapple with an idea. People die, perspective shifts, scenery changes, and yet there remains a clear, sharp line of thought that holds the reader. In effortlessly beautiful prose Cusk challenges the conventions of the novel form as well as addressing the relationship between literature and visual art, and of how each can exist alongside the ordinariness of life. Parade is a ferociously illuminating novel that embraces the exquisite cruelty of the world at this present moment." —Sara Baume, judge
THE OTHER SHORT-LISTED BOOKS
ALL MY PRECIOUS MADNESS by Mark Bowles
All My Precious Madness is a story of a man at odds with the world. A man who wants to escape his violent past but who — most emphatically — repeats it. Henry Nash has hauled his way from a working class childhood in Bradford, through an undergraduate degree at Oxford, and into adulthood and an academic elite. But still, he can't escape his anger. As the world — and men in particular — continues to disappoint him, so does his rage grow in momentum, until it becomes almost rapturous. And lethal. A savagely funny novel that disdains moral conventions, All My Precious Madness is also a work of deep empathy — even when that empathy means understanding the darkest parts of humanity. It is, as Terry Eagleton says, “a wonderfully stylish, intelligent piece of work” — and one of the most electric debuts in recent years.
What the judges say: "Mark Bowles’s All My Precious Madness is an exhilaratingly intelligent, hilariously foul-mouthed monologue: partly a crankish rant, railing violently — and digressively — against the crushing idiocies of contemporary life, partly an affecting Bildungsroman, centred on the narrator’s relationship with their father. At once crackling with spontaneity and beautifully controlled, alternating between a curmudgeon’s uproarious disgust and a child’s poignant wonder, Bowles’s novel is a wonderful piece of writing which you will be sorry to finish."
TELL by Jonathan Buckley
Curtis Doyle, a self-made businessman and art collector, has vanished from his palatial home in the Scottish Highlands. In the wake of his disappearance, the woman who worked as his gardener is interviewed for a possible film about her employer. A work of strange and intoxicating immediacy, exploring wealth, the art world, and the intimacy and distance between social classes, Tell is a probing and complex examination of the ways in which we make stories of our own lives and of other people’s.
What the judges say: "For the reader, it is as if we have our ear pressed against a keyhole, listening, or are flies on a wall, witnessing events that seem to portend some momentous revelation about a man. Tell is a relentlessly truthful and absorbing tale about the human condition and a searing account of the complexity of life in the modern world. Employing the simplest of narrative devices but used in the most innovative ways, Jonathan Buckley has produced a profound work of fiction."
CHOICE by Neel Mukherjee
How have we come to live this way? At what cost? Who pays the price? A publisher, who is at war with his industry and himself, embarks on a radical experiment in his own life and the lives of those connected to him; an academic exchanges one story for another after an accident brings a stranger into her life; and a family in rural India have their lives destroyed by a gift. These three ingeniously linked but distinct narratives, each of which has devastating unintended consequences, form a breathtaking exploration of freedom, responsibility, and ethics. What happens when market values replace other notions of value and meaning? How do the choices we make affect our work, our relationships, and our place in the world? Neel Mukherjee’s novel exposes the myths of individual choice, and confronts our fundamental assumptions about economics, race, appropriation, and the tangled ethics of contemporary life. Choice is a scathing, compassionate quarrel with the world, a masterful inquiry into how we should live our lives, and how we should tell them.
What the judges say: "A truly ambitious and compelling fiction from an author at the height of his powers. Choice lays out three narratives exploring 21st-century ethical and political dilemmas. The novel is not only intellectually impressive, it is also immensely moving, and shot through with heart-breaking moments."
SPENT LIGHT by Lara Pawson
A woman contemplates her hand-me-down toaster and suddenly the whole world erupts into her kitchen, in all its brutality and loveliness: global networks of resource extraction and forced labour, technologies of industrial murder, histories of genocide, alongside traditions of craft, the pleasures of convenience and dexterity, the giving and receiving of affection and care. Spent Light asks us to begin the work of de-enchanting all the crap we gather around ourselves to fend off the abyss — because we’ll never manage that anyway, the book warns, the abyss is already in us. But love is too. There might be no home to be found in objects, but there’s one to be made with other people. In the end, this powerful, startling book is a love letter.
What the judges say: "It is impossible to predict, at the beginning of almost every paragraph of Spent Light, where it will have taken the reader by the end. With a remorseless attention to detail Pawson encounters familiar objects and excavates from each a portal to the past, or to a distant corner of the world, or to the shadows of the narrator’s complex mind. Spent Light is an evisceration of solemn reality, a novel that somehow manages to balance horror, humour and incredible tenderness."
PORTRAITS AT THE PALACE OF CREATIVITY AND WRECKING by Han Smith
The almost daughter is almost normal, because she knows how to know and also not know. She knows and does not know, for instance, about the barracks by the athletics field, and about the lonely woman she visits each week. She knows — almost — about ghosts, and their ghosts, and she knows not to have questions about them. She knows to focus on being a woman: on training her body and dreaming only of escape. Then, the almost daughter meets Oksana. Oksana is not even almost normal, and the questions she has are not normal at all. Portraits at the Palace of Creativity and Wrecking is the story of a young woman coming of age in a town reckoning with its brutal past.
What the judges say: "Composed as a series of portraits, some fragmentary, all multi-faceted and allusory, Smith’s novel is a hallucinatory window into what it means to excavate the past in a world committed to its erasure. At once a poignant coming of age story and an exploration of how language is shaped by ideology, Portraits at the Palace of Creativity and Wrecking is tender and merciless in its slanting look at the history of state violence and its unacknowledged but profound effects on individuals and communities. An important reminder that the stories we tell can serve as propaganda and as powerful works of resistance, Portraits at the Palace of Creativity and Wrecking demonstrates how the novel can reflect and resist the double speak of our own time."
BUYING INTERESTING BOOKS MAKES INTERESTING BOOKS POSSIBLE
Read our latest newsletter.
11 October 2024.
Celebrate your bookshop on Aotearoa Bookshop Day.
“People are individuals and fully entitled to their individuality, though they first must be brought into an acceptance of it.” If I write more of this it will mean nothing, but this does not stop me sitting at my little desk, here in the hall of our apartment, writing away each night after the others have gone to sleep. The clock in the sitting room slices away the seconds with each swing of its pendulum; the seconds, the minutes, the hours, each moment a decapitation of all that I have written, these sentences just as deserving of being considered shavings from my pencil as the shavings that accumulate at my page-side. Which is the better monument to my labour? It is hard to begin to write, but I am one who believes that beginning to write is possible, perhaps with superhuman effort, or with effort that is human if superhuman effort is not attainable by humans, but I do not believe that it is possible to bring writing to completion, and so I complete nothing. Not that it is not easy to stop; nothing could be easier. Anyone who writes has an equal ability to stop writing; though the ability to write may be very unequally distributed, to stop writing is within the reach of all. Why then, if stopping is so easy, do so many writers not improve the quality of their work by availing themselves more often of this common ability? If a good writer is one who manages not to write bad books, a reasonable definition, then, and I state this without conceit, though I complete nothing I am a better writer than many writers more famous than me. If it is possible to begin and possible to stop but impossible to complete, at least for me who does not believe in the possibility of completion and who does not believe that the world contains completion, only beginnings and stoppings, what is produced by all this writing? I produce nothing but fragments. I believe in nothing but fragments. Even the great sheaf of pages that I call The Proceedings is a fragment, an interminable fragment, uncompletable, and I would rather this is burned after my death than turned into a work by an editor or executor, no matter how well-intentioned. Will there come a day, perhaps a hundred years from now, when the fragment is recognised as a literary form in itself, perhaps the only literary form, the only form that can approach the truth, no matter that it limps in its approach. The smaller the fragment, then, the more perfectly it expresses its inability to be anything other than a fragment, but how shall these fragments be assembled and arranged? Fragments are best arranged in a fragmentary way. Just as dust accumulates throughout an unswept house, but more in some places than in others, such as in the space between an unclosed door and the wall against which it rests, so fragments naturally become lost within the drifts of which they are part. How shall they be found among all the other fragments in which in plain sight they are as good as lost? There is nothing lost about these lost writings. The writer and the reader are more lost than what is written, but only when they write and read. I write to be rid of myself. I write to be rid of thought. I write to be rid of what I have written but every fragment adds to this burden I write to put down. I sharpen my pencil again as the pendulum swings and add to the pile of shavings that is my more fitting legacy, the one that my executor will not hesitate to burn, should they happen to survive that long. I write as the birds begin to sing in the trees in the street below. I will not complete what I write. It is not possible to complete what I write. Whether I wish to complete what I write or not affects nothing, I will produce a fragment, but the question of whether I should strive for completion remains. I will be found where I am lost. Every opportunity is a trap, but I leap in regardless [...]
Take your pick from the carousel!
Click through to our website for your copies:
All My Precious Madness by Mark Bowles $36
Henry Nash has hauled his way from a working class childhood in Bradford, through an undergraduate degree at Oxford, and into adulthood and an academic elite. But still, he can't escape his anger. As the world — and men in particular — continue to disappoint him, so does his rage grow in momentum until it becomes almost rapturous. And lethal. A savagely funny novel that disdains literary and moral conventions, All My Precious Madness is also a work of deep empathy — even when that also means understanding the darkest parts of humanity.
“This is the best debut I have read in at least a decade. Anyone who has wished for an English Bernhard need look no look no further.” —Stephen Mitchelmore
“A beautiful war machine. Bowles’s novel discovers a language, a mode of narration, to shelter the legitimate madness, the loneliness and rapture of a very singular individual.” —Lars Iyer
“A devastating satire on the way in which class, education and masculinity act as a kind of trap.” —The Telegraph
”All My Precious Madness is an exhilaratingly intelligent, hilariously foul-mouthed monologue: partly a crankish rant, railing violently – and digressively – against the crushing idiocies of contemporary life, partly an affecting Bildungsroman, centred on the narrator’s relationship with their father. At once crackling with spontaneity and beautifully controlled, alternating between a curmudgeon’s uproarious disgust and a child’s poignant wonder, Bowles’s novel is a wonderful piece of writing which you will be sorry to finish." —Goldsmiths Prize judges' citation
Delirious by Damien Wilkins $38
It’s time. Mary, an ex cop, and her husband, retired librarian Pete, have decided to move into a retirement village. They aren’t falling apart, but they’re watching each other – Pete with his tachcychardia and bad hip, Mary with her ankle and knee. Selling their beloved house should be a clean break, but it’s as if the people they have lost keep returning to ask new things of them. A local detective calls with new information about the case of their son, Will, who was killed in an accident forty years before. Mary finds herself drawn to consider her older sister’s shortened life. Pete is increasingly haunted by memories of his late mother, who developed delirium and never recovered. An emotionally powerful novel about families and ageing, Delirious dramatises the questions we will all face, if we’re lucky, or unlucky, enough. How to care for others? How to meet the new versions of ourselves who might arrive? How to cope? Delirious is also about the surprising ways second chances come around.
”A New Zealand novel of grace and humanity. How does Wilkins do it? These are flawed and immensely satisfying characters – you close your eyes at the faulty, circuitous routes they take. Delirious is a marvel of a book.” —Witi Ihimaera
”This is just a beautifully powerful, wonderful book.” —Pip Adam, RNZ
”Funny, sharp, sad and profound, Delirious made me laugh, think, weep and actually beat my breast. A masterpiece.” —Elizabeth Knox, The Conversation
The Book of Disappearance by Ibitsam Azem (translated from Palestinian Arabic by Sinan Antoon) $45
Alaa is haunted by his grandmother's memories of being displaced from Jaffa and becoming a refugee in her homeland after the Nakba. Ariel, Alaa's neighbour and friend, is a liberal Zionist, critical of the military occupation of the West Bank and Gaza yet faithful to the project of Israel. When he wakes up one morning to find that all Palestinians have suddenly vanished, Ariel begins searching for clues to the secret of their collective disappearance. That search, and Ariel's reactions to it, intimately reveal the fissures at the heart of the Palestinian question. Between the stories of Alaa and Ariel are the people of Jaffa and Tel Aviv — café patrons, radio commentators, flower-cutters — against whose ordinary lives these fissures and questions play out.
”In this immensely readable novel, Ms. Azem does not resolve for us the calamity of Palestine's occupation by Israel. But stylishly and with jeweled virtuosity she makes us understand that acts of great and humane imagination will be required, and with this potent book points where and how we must all go.'“ —Richard Ford
”A wonderful book, showing what the Palestinians have suffered and continue to suffer.” —The Modern Novel
“A masterpiece which immediately leads the reader to ponder the historical foundations of the 1948 Nakba, as well as the Zionist intentions and ethnic cleansing of Palestinians from the land where they belong.” —Middle East Monitor
Prairie, Dresses, Art, Other by Danielle Dutton $40
In Prairie, Dresses, Art, Other, Danielle Dutton imagines new models for how literature might work in our fractured times. Dutton's writing is as protean as it is beguiling, using the different styles and different spaces of experience to create a collage of the depths and strangeness of contemporary life. The collection covers an inventive selection of subjects in four eponymous sections which contrast and echo one another, challenging our expectations and pushing the limits of the dream-like worlds and moods that language might create. 'Prairie' is a cycle of surreal stories set in the quickly disappearing prairieland of the American Midwest, replete with wildflowers, ominous rivers, fireflies, cattle lowing and ghostly apparitions; 'Dresses' paints a wild and moving portrait of literary fashions; 'Art' is an imaginative illustrated essay which explores the relationship between fiction and visual art; and 'Other' offers an assemblage of irregular stories and essays that are hilarious or heartbreaking by turns. Out of these varied materials, Dutton builds a haunting landscape of wildflowers, megadams, black holes, violence, fear, virtual reality, abiding strangeness and indefinable beauty.
"Pieces included in Prairie, Dresses, Art, Other are not short stories or essays in the strict (and limited) sense, but spells, incantatory hallucinations, organically shared phantasmagoria, bodily immersions in materials worldly and other-wordly. It is a book and yet it is definitely way more: a field of irruptions. This is Dutton at her best yet." —Cristina Rivera Garza
"Danielle Dutton is a writer whose work I wait for. When a new book comes, I keep it very close, marveling at how her writing combines such extraordinary acts of precision, drawing forth strangeness and new presentations of beauty, with her own singular and searching, expansive style of intelligence. Her growing body of work is among the most formally inventive (and therefore essential) I can think of, and Prairie, Dresses, Art, Other is a vital, enlivening addition to it." —Kate Briggs
The Bloomsbury Cookbook: Recipes for life, love and art by Jans Ondaatje Rolls $55
The Bloomsbury Group fostered a fresh, creative and vital way of living that encouraged debate and communication ('only connect'), as often as not across the dining table. Gathered at these tables were many of the great figures in art, literature and economics in the early twentieth century: E. M. Forster, Roger Fry, J. M. Keynes, Lytton Strachey and Virginia Woolf, among many others. Here the Bloomsbury story is told in seven broadly chronological chapters, beginning in the 1890s and finishing in the very recent past. Each chapter comprises a series of narratives, many of which are enhanced with an appropriate recipe, along with sketches, paintings, photographs, letters and handwritten notes, and featuring original quotations throughout. Part cookbook, part social and cultural history, this book will appeal to lovers of food and lovers of literature alike.
I Will Crash by Rebecca Watson $38
It's been six years since Rosa last saw her brother. Six years since they last spoke. Six years since they last fought. Six years since she gave up on the idea of having a brother. She's spent that time carefully not thinking about him. Not remembering their childhood. Not mentioning those stories, even to the people she loves. Now the distance she had so carefully put between them has collapsed. Can she find a way to make peace - to forgive, to be forgiven - when the past she's worked so hard to contain threatens to spill over into the present? From the acclaimed author of little scratch, this is a powerfully honest novel about how we love, how we grieve and how we forgive.
“I Will Crash places the reader firmly in the consciousness of a narrator confronted with the myriad and often conflicting impulses that arise from childhood trauma. Watson’s scattered sentences produce a deeply mesmeric and almost destabilizing effect on the reader. It’s profoundly moving, funny, and beautifully written. A masterclass on the art of ellipsis.” —Michael Magee
The Tale of a Wall: Reflections on hope and freedom by Nasser Abu Srour (translated from Palestinian Arabic by Luke Leafgren) $50
Nasser Abu Srour grew up in a refugee camp in the West Bank, on the outskirts of Bethlehem. As a child, he played in its shadow and explored the little world within the camp. As he grew older, he began questioning the boundaries that limited his existence. Later, sentenced to life in prison, with no hope of parole, he found himself surrounded by a physical wall.This is the story of how, over thirty years in captivity, he crafted a new definition of freedom. Turning to writings by philosophers as varied as Derrida, Kirkegaard and Freud, he begins to let go of freedom as a question that demanded an answer, in order to preserve it as a dream. The wall becomes his stable point of reference, his anchor, both physically and psychologically. As each year brings with it new waves of releases of prisoners, he dares to hope, and seeks refuge in the wall when these hopes are dashed. And, in a small miracle, he finds love with a lawyer from the outside - while in her absence, the wall is his solace and his curse. A testimony of how the most difficult of circumstances can build a person up instead of tearing them down, The Tale of a Wall is an extraordinary record of the vast confinement and power of the mind.
”The Tale of a Wall is the reason we have literature. Nasser has made art out of poison with his honesty and golden pen. He brings to light the specificity of experience of the Palestinian prisoner in a manner that makes every reader think about the incarcerated in their own countries without forgetting Palestine. It helps us understand the consequences on others when we do not wield whatever power we each hold for solidarity. A profound and important work.” —Sarah Schulman
”A stunning book. A poetic and remarkable account of decades of imprisonment and the effect it can have on the mind, body and soul. This is a story of unimaginable loss, but also of survival.” —Sally Hayden
”Nasser Abu Srour doesn't allow his long incarceration in an Israeli prison to break his spirit. He turns to the wall of his cell that is intended to confine him into his path to freedom, and in the process, out of the darkness of his cell produces a luminous memoir.” —Raja Shehadeh
”A unique, lyrical exploration of what his inhumane confinement has taught him about resistance, love, lies, forgiveness, and the complicated struggle for liberation of his fractured, occupied land. Rather than allow the many walls surrounding him from childhood to break him down, he has turned them into darkly luminous companions on a journey into the heart of cruelty and redemption.” —Ariel Dorfman
Poorhara by Michelle Rahurahu $38
Erun can hear the whaanau whispering, and they won’t tell her why. She’s ditched school to help her aunty clean houses—even though she has a full-time job looking after all the moko. But no one cares, and soon she will be picked clean, like the bones in her maamaa’s bedroom. Star is home for the first time in years, and he’s worn the same clothes for days. Everything feels unfamiliar: the karakia, his nephews, the house that he grew up in. He’s too scared to tell his family that he’s bombing back at uni. And the past is an affliction, a gently rising tide. It is 178 years after colonisation. Together, the cousins escape. Free-wheeling across the countryside in a car without a warrant, they cast their net widely. Their family mythologies, heartaches and rifts will surface, and amidst them the glint of possibility: a return to the whenua where it all began. A tragicomedy set in the confines of a 1994 Daihatsu Mira, Poorhara is a journey of epic proportions — a poignant, expansive and darkly funny first novel written by a true poorhara.
”Poorhara is a hilarious and heartbreaking debut with characters so stunningly well-realised they will walk into your dreams at night. It’s a hero's journey with no easy answers – just harsh, furious life with all the pain, the anger and the beauty we can barely hold in or hold together. Rahurahu is a genius.” —essa may ranapiri
Faces and Flowers: Poems to Patricia France by Dinah Hawken (with paintings by Patricia France) $40
Poet Dinah Hawken responds to the works of Dunedin artist Patricia France, who began painting in her fifties while living at Ashburn Hall, a psychiatric institution in Dunedin. Patricia's psychiatrist encouraged her to 'paint out the past' through her art, and she began in watercolour and gouache before moving on to oils. Her early abstracts evolved into vibrant compositions that often feature women, children, landscapes and flowers. Towards the end of her career her eyesight began to deteriorate, but she continued to paint. Patricia France's works have now been shown in more than 30 exhibitions throughout New Zealand - including, in 2024, at Toi Mahara in Waikanae. In her intimate, unrhymed sonnets, each presented with the work by France to which it responds, Dinah Hawken addresses a friend she never met, seeking to make a connection across time with the artist and her world.
Becoming Aotearoa: A new history of New Zealand by Michael Belgrave $65
In the first major national history of Aotearoa New Zealand to be published for 20 years, Professor Michael Belgrave advances the notion that New Zealand’s two peoples — tangata whenua and subsequent migrants — have together built an open, liberal society based on a series of social contracts. Frayed though they may sometimes be, these contracts have created a country that is distinct. This engaging new look at our history examines how.
”Becoming Aotearoa couldn’t be more timely. While Belgrave references scholarly debates and weighs a multitude of sources, this isn’t an academic text. With its concision and interest in linking past and present, it’s more accessible than its most recent predecessor, Michael King’s The Penguin History of New Zealand. Anyone who hasn’t had the chance to go beyond the basics of our history may find a lot here that surprises them.” —Rachel Morris, NZ Geographic
Te Tiriti o Waitangi Relationships: People, politics and law edited by Metiria Stanton Turei, Nicola R Wheen and Janine Hayward $50
The writers address topics such as Treaty principles, sovereignty, the UN Declaration on the Rights of Indigenous Peoples, and mana whenua relationships to te Tiriti and settlements. The book emphasises the roles of tikanga and rangatiratanga in fostering genuine progress, and envisions a future guided by these principles in advancing Māori-Crown relationships. This is a valuable resource for anyone seeking to deepen their understanding of te Tiriti's role in shaping Aotearoa New Zealand's social, political and cultural landscape.
Ngā Hapa Reo: Common Māori Language Errors by Hona Black and Te Aorangi Murphy-Fell $37
With the surge in interest in te reo Māori in recent years, a range of errors have become common in classrooms and the wider world, many caused by language interference (following the patterns of English rather than te reo). This book hopes to fill that gap with easy-to-follow, fun examples of language errors, providing readers with the correct usages, and explanations in both te reo and English.
How We Walk: Frantz Fanon and the politics of the body by Matthew Beaumont $40
You can tell a lot about people by how they walk. Matthew Beaumont argues that our standing, walking body holds the social traumas of history and its racialized inequalities. Our posture and gait reflect our social and political experiences as we navigate the city under capitalism. Through a series of dialogues with thinkers and walkers, his book explores the relationship between freedom and the human body. How We Walk foregrounds the work of Frantz Fanon, psychiatrist and leading thinker of liberation, who was one of the first people to think about the politics of 'walking while black'. It also introduces us to the renegade psychoanalyst Wilhelm Reich, who wrote that one could discern the truth about a person through their posture and gait. For Marxist philosopher Ernst Bloch, the ability to walk upright and with ease is a sign of personal and social freedom. Through these excursions, Beaumont reimagines the canonical literature on walking and presents a new interpretation of the impact of class and race on our physical and political mobility, raising important questions about the politics of the body.
"In this fascinating and wide-ranging book, Beaumont reminds us that walking is far from a neutral activity. With the help of Frantz Fanon, Beaumont locates freedom at the level of the body; free from the systems of oppression, exploitation, and harassment." —Lauren Elkin
Kiwi Bees Have Tiny Knees: Native Bees of Aotearoa New Zealand by Rachel Weston $30
It’s hard to be noticed when you’re the size of an apple seed! New Zealand’s 28 species of native bees are teeny-tiny and super speedy! Kiwi bees pollinate Aotearoa’s native plants and trees — and they truly are the bee’s knees! Most people are not aware that New Zealand has native bees, but once you meet them, you are sure to fall in love with them! Rachel Weston introduces Aotearoa’s gentle little bees. With 36 photographic images, fun illustrations, diagrams and QR video clips of native bees zipping and zooming, Kiwi Bees Have Tiny Knees is an informative, interactive visual feast. Native bees have been flying under the radar for far too long, until now. Kiwi Bees Have Tiny Knees connects children to the world around them, where native bees (ngaro huruhuru) have had a long evolutionary history.
The Golden Road: How ancient India transformed the world by William Dalrymple $45
Major religions that rose to dominate Earth's largest continent. Trade networks that stretched from Japan to Hadrian's Wall. Innovations such as the numeral system and the very concept of zero, laying cornerstones for all of mathematics and science to come. Music, dance, and visual arts of stunning sophistication. —Premodern India gifted all these and more to the world. Yet today, obscured by other powers, the subcontinent's extraordinary part in global history as the economic, spiritual, and cultural hub of Asia is too often overlooked. In The Golden Road, revered historian William Dalrymple corrects the record, telling the captivating story of ancient India's ascent through a swift and breathtaking tour of the ideas and places Indians created. Treks into the sunless depths of cave monasteries illuminate the origins and spread of Buddhism. Far-flung archaeological expeditions — from the sand-blown Red Sea coast of Egypt, to Afghan mountain refuges, to verdant Cambodian jungles — reveal the impact of Indian commerce. Drawing on a lifetime of scholarship and acclaimed narrative skill, Dalrymple paints a vast canvas populated by merchants and monks, surgeons and sculptors, astronomers, kings, queens, missionaries, and more.
Han Kang's semi-autobiographical The White Book is a contemplation of life and death. It’s her meditative study of her sibling’s death at a few hours old, and how this event shapes her own history. Taking the colour white as a central component to explore this memory, she makes a list of objects that trigger responses. These include swaddling bands, salt, snow, moon, blank paper and shroud. “With each item I wrote down, a ripple of agitation ran through me. I felt I needed to write this book, and that the process of writing would be transformative, would itself transform, into something like a white ointment applied to a swelling, like a gauze laid over a wound.” Han Kang was in Warsaw - a place which is foreign to her when she undertook this project - and in being in a new place, she recalls with startling clarity the voices and happenings of her home and past. The book is a collection of quiet yet unsettling reflections on exquisitely observed moments. These capsules of text build upon each other, creating a powerful sense of pain, loss and beauty. Each moment so tranquil yet uneasy. Han Kang’s writing is sparse, delicate and nuanced. Describing her process of writing she states, “Each sentence is a leap forwards from the brink of an invisible cliff, where time’s keen edges are constantly renewed. We lift our foot from the solid ground of all our life lived thus far, and take that perilous step out into the empty air.” You can sense the narrator’s exploration and stepping out into the unknown in her descriptions of snow, in her observations as she walks streets hitherto unknown, and in her attempts to realise the view of her mother, a young woman dealing with a premature birth, and the child herself, briefly looking out at the world. Small objects become talismans of memory, a white pebble carries much more meaning than its actuality. Salt and sugar cubes each hold their own value in their crystal structure. “Those crystals had a cool beauty, their white touched with grey.” “Those squares wrapped in white paper possessed an almost unerring perfection.” In 'Salt', she cleverly reveres the substance while at the same time cursing the pain it can cause a fresh wound. The White Book is a book you handle with some reverence - its white cover makes you want to pick it up delicately. The text is interspersed with a handful of moody black and white photographs. This is a book you will read, pick up again to re-read passages, as each deserves concentration for both the writing and ideas.
A selection of books found on our shelves.
Click through to find out more:
To mark Aotearoa Bookshop Day, and to celebrate the importance of bookshops to their customers and of customers to their bookshops (it’s a perfect match, really), we are offering 10% off any book purchase this weekend (from now until 10AM on Monday 14 October) — just enter the code RIPEKA when checking out (Rīpeka is the name of Bookshop Day reading taniwha). Also, we will donate $1 for every book sold to the Kiwi Christmas Books campaign, which provides books for children who might otherwise go without.
The 2024 NOBEL PRIZE IN LITERATURE has been awarded to the subtle and fearless Korean writer, HAN KANG.
“Han Kang’s intense poetic prose that confronts historical traumas and exposes the fragility of human life. Her empathy for vulnerable, often female, lives is palpable, and reinforced by her metaphorically charged prose. She has a unique awareness of the connections between body and soul, the living and the dead, and in a poetic and experimental style has become an innovator in contemporary prose.” —Nobel judges’ citation
“Han Kang is one of the greatest living writers. She is a voice for women, for truth and, above all, for the power of what literature can be.” —Eimear McBride
THE VEGETARIAN (translated by Deborah Smith)
Before the nightmares began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams — invasive images of blood and brutality — torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It's a small act of independence, but it interrupts her marriage and sets into motion an increasingly grotesque chain of events at home. As her husband, her brother-in-law and sister each fight to reassert their control, Yeong-hye obsessively defends the choice that's become sacred to her. Soon their attempts turn desperate, subjecting first her mind, and then her body, to ever more intrusive and perverse violations, sending Yeong-hye spiraling into a dangerous, bizarre estrangement, not only from those closest to her, but also from herself.
Winner of the 2016 Man Booker International Prize.
HUMAN ACTS (translated by Deborah Smith)
Gwangju, South Korea, 1980. In the wake of a viciously suppressed student uprising, a boy searches for his friend's corpse, a consciousness searches for its abandoned body, and a brutalised country searches for a voice. In a sequence of interconnected chapters the victims and the bereaved encounter censorship, denial, forgiveness and the echoing agony of the original trauma. Human Acts is a universal book, utterly modern and profoundly timeless.
THE WHITE BOOK (translated by Deborah Smith, with photographs by Choi Jinhyuk)
While on a writer's residency, a nameless narrator wanders the twin white worlds of the blank page and snowy Warsaw. The White Book becomes a meditation on the color white, as well as a fictional journey inspired by an older sister who died in her mother's arms, a few hours old. The narrator grapples with the tragedy that has haunted her family, an event she colors in stark white — breast milk, swaddling bands, the baby's rice cake-colored skin — and, from here, visits all that glows in her memory: from a white dog to sugar cubes. As the writer reckons with the enormity of her sister's death, Han Kang's trademark frank and chilling prose is softened by retrospection, introspection, and a deep sense of resilience and love. The White Book — ultimately a letter from Kang to her sister — offers powerful philosophy and personal psychology on the tenacity and fragility of the human spirit, and our attempts to graft new life from the ashes of destruction.
GREEK LESSONS (translated by Deborah Smith and E. Yaewon)
In a classroom in Seoul, a young woman watches her Greek language teacher at the blackboard. She tries to speak but has lost her voice. Her teacher finds himself drawn to the silent woman, for day by day he is losing his sight. Soon they discover a deeper pain binds them together. For her, in the space of just a few months, she has lost both her mother and the custody battle for her nine-year-old son. For him, it's the pain of growing up between Korea and Germany, being torn between two cultures and languages. Greek Lessons tells the story of two ordinary people brought together at a moment of private anguish — the fading light of a man losing his vision meeting the silence of a woman who has lost her language. Yet these are the very things that draw them to one another. Slowly the two discover a profound sense of unity — their voices intersecting with startling beauty, as they move from darkness to light, from silence to expression.
WE DO NOT PART (translated by E. Yaewon and Paige Aniyah Morris)
One morning in December, Kyungha receives a message from her friend Inseon saying she has been hospitalized in Seoul and asking that Kyungha join her urgently. The two women have last seen each other over a year before, on Jeju Island, where Inseon lives and where, two days before this reunion, she has injured herself chopping wood. Airlifted to Seoul for an operation, Inseon has had to leave behind her pet bird, which will quickly die unless it receives food. Bedridden, she begs Kyungha to take the first plane to Jeju to save the animal. Unfortunately, a snowstorm hits the island when Kyungha arrives. She must reach Inseon's house at all costs, but the icy wind and snow squalls slow her down as night begins to fall. She wonders if she will arrive in time to save Inseon's bird — or even survive the terrible cold that envelops her with every step. Lost in a world of snow, she doesn't yet suspect the vertiginous plunge into the darkness which awaits her at her friend's house. There, the long-buried story of Inseon's family surges into light, in dreams and memories passed from mother to daughter, and in the archive painstakingly assembled at the house, documenting a terrible massacre on the island of 30,000 civilians, murdered in 1948-49. We Do Not Part is a hymn to friendship, a eulogy to the imagination, and above all a powerful indictment against forgetting.
Read our latest newsletter (starting on our fifth century!) Find out which books have been short-listed for the Goldsmiths Prize!
4 October 2024
Humans have continued to evolve, he thought, by making objects that are extensions of themselves, extensions not only in a physical and practical sense but in a mental sense also. Thinking is done mainly outside my head, he thought, my memories and intentions are embodied in and enacted by the great commonwealth of objects in which I hang suspended, displacing my volume perhaps, but entirely at the mercy of objects that mediate my every experience and over which I have only very narrow and limited control. These objects grasp me more tightly than ever I could grasp them, he thought, they define the scope of my thoughts and actions, they call to each other through the qualities they share with each other, and they bind me to all the other people similarly caught in this inescapable infinite web of objects. I am caught, he thought, I am connected through objects to everyone and to everything that everyone does with any object anywhere. I am not sure that I like this. Through the objects around me, both useful and ornamental, through these objects’ connections with and similarities to other and yet other objects, I am implicated in all actions committed by all humans using objects that embody intentions, that are made for a purpose or suggest themselves as suitable for a purpose, that are available for the use of humans, that press their purpose on the minds of humans. We are all connected through objects because all objects are connected. “Everything in this damned world calls for indignation,” states the protagonist, so to call her, of Lara Pawson’s excellent little book, Spent Light. Although the ostensible scope of the book is entirely domestic and simple and small and plausibly claustrophobic, the quotidian household objects that she considers, objects that are seldom considered but merely used, reveal, by similarity, connections with objects used in and enabling acts of violence, injustice and exploitation committed on both humans and the environment anywhere in the world. A pepper mill is connected to a grenade, an egg timer is the same mechanism used to detonate a time bomb, on the toaster given to her by her disconcerting neighbour “above each light is a word printed in the same restrained font found in CIA documents. Together, they form a synopsis of the anthropocene: REHEAT DEFROST CANCEL”. Every characteristic of every thing twitches a web of association and resemblance often leading to her memories or at least knowledge of despicable actions committed with similar objects or implicated by the functions of her objects somewhere distant or else. These associations often reveal Pawson’s close observation of cruelties from her time as a war reporter in parts of the world seemingly different from but in fact not unconnected with her current rather domestic existence. But although the reader never knows when they will next be shocked by Pawson’s association of an object, an object that they very likely have themselves or which is very similar to an object that they have in their own intimate environment, with an act of cruelty, torture or genocide, an association that may change forever the way that the reader looks at their own object, the same world-wide web of objects that links us to these acts contains also associations that connect us, despite or because of the objects that we own, with others in acts of support, nurture or love; acts of support, nurture and love that are all the more angry, vital and beautiful because of the global contexts in which they must be waged. Lara Pawson, he thought, on the evidence of this book, is good company in the waging of such acts.
Welcome back Raccoon, Badger, Fox, Bear, and Crow! Raccoon is reading a great book. It’s a wonderful adventure. It’s so exciting, he decides it’s time for his own expedition;— a journey around the world! For that he will need a boat, and he knows where he can find one. His friend, Badger, is just the fellow. Badger has everything, and all in their allotted places. Check out his storage shelves — so orderly! Badger also thinks he will be the perfect companion for this journey. Everyone needs a friend on such a journey. Boat and paddles in hand, they are ready to go. Setting off for the river, they meet Fox at the market selling her eggs. What about food? I better come along with you, insists Fox. The three friends are now prepared for their journey around the world. Bear is out fishing and reminds them about sea monsters and jellyfish. You’ll need a bear on your crew. Off to the river the four friends go. Crow flies past, and exclaims, I’ll be the look-out. Of course, they need a look-out for such a grand adventure. All together, they get under way. It’s a beautiful day for a journey down the river to the ocean. What a great adventure! Philip Waechter’s Around the World With Friends, like his previous picture book about our five wonderful friends ( A Perfect Wonderful Day with Friends), captures us. The five friends are adorable, their joyful and positive interactions irresistable, and the story moves at just the right pace, and with a gentleness that is sometimes missing in picture books. The illustrations are delightful and there is always more to see with each reading. Each of the friends has their special talent and all this comes in handy on their adventure down the river. An adventure which mostly goes to plan, but isn’t always plain sailing, so there will be some problem-solving along the way. There will be games on a sandy bank, scrambled eggs and oh dear! — rain. Exciting adventures are wonderful, especially with friends, but what about Fox’s chickens, and Bear needs his teddy at night, and Raccoon forgot to bring his book. Heading home is just fine — especially when there are plans for a new adventure very soon! A perfectly charming picture book for young adventurers. Recommended for gift-giving and inspiring summer adventures, filled with imagination and delight.
Love children’s books? Did you know we have dedicated Children’s Book Subscriptions? Share the world of reading with a special child in your life with a VOLUME Book Subscription. Choose here or let us know if you have a special request. We individually select books for a child’s reading level and interests. No two subscriptions are the same! Need to know more, you can book a ZOOM consultation.