Forgotten in a trunk. Left in the dark. Unwanted. Once they had been on display, crafted with care. They belonged together and they had a story. Would they be together again, and would there be a new story? Kate DiCamillo works her magic with The Puppets of Spelhorst. With the texture of a folk tale, she reveals the story of a girl, a boy, a king, an owl, and a wolf. An old man sees a puppet in the window of a toy shop and the memory of a love is rekindled. He wants to take her home and look into her eyes so like those of his sweetheart long gone, but, bothersome: he has to have all the puppets. And so, it comes to be. In the night the girl sitting atop a dresser sees the moon and describes its beauty to her companions. The old man sleeps and does not awaken. And then an adventure begins. A journey that will take them through the hands of the rag-and-bone man, to an uncle with two inquisitive nieces, where a new story will be made — one which involves all of them; even though they will have their fierce teeth tampered with (the wolf), be mistaken for a feather duster (the owl), left abandoned outside and kidnapped by a giant bird (the boy), be snaffled into a pocket (the girl), and left alone with no one to rule (the king). Yet this is not the only story. Emma is writing, and Martha is making mischief. A story is ready to be told. An extra hand and a good singing voice are needed. In steps the maid, Jane Twiddum — someone who will have a profound impact on the fate of the five friends. The Puppets of Spelhorst is an absolute delight with its clever story. A spellbound tale. "Now it all happens," whispered the boy. "Now the story begins."

• Look inside!

  This is a delightful book, and the sequel, The Hotel Balzaar, is due here soon — I am really looking forwards to it. Both books are perfect for reading and gifting.

  >>Your copy of The Puppets of Spelhorst
  >>Order The Hotel Balzaar now (stock is on its way!)

Build your reading pile, and the reading piles of others!
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The Remarkables: The most incredible children I’ve met — So far! by Clotilde Perrin $40

A large-format treasure trove, featuring portraits of 40 extraordinary imaginary children with descriptions of each one's superpower. Meet the most extraordinary children you'll ever see — or might ever see. An electric child, a flying child, a stone child, an invisible child, a thunder child, a cake child — what superpower would you wish for? On each spread, the children describe their characteristics, tell anecdotes, and present the superpowers that makes them unique. A ‘class photo’ brings the children together at the end, alongside a quiz for the reader to find out their own superpower. (BTW: The perfect present!)

• Look inside!

• The author talks without moving her lips.

Episodes by Alex Scott $40

This astoundingly good Aotearoa graphic novel subtly and devastatingly investigates the crushing disjunction between media-mediated popular culture (as distilled in product advertising) and an actual world comprised of ‘atypical’ individuals yearning for authentic contact and acknowledgement. A smart-mouthed kid provokes the wrong flatmate, a misguided teen gets schooled by her crush, and a former child star struggles to escape his past. Seductive advertising fantasies collide headfirst with everyday life in this delicately interwoven tale of identity, desire and coming of age even in adulthood. Episodes is a thrillingly observed and well-drawn critique of our media-obsessed society.
”Episodes is funny, sad and strange in the way that so much of the ordinary and familiar is strange. Like a word you say over and over until its oddness is revealed.” —Sharon Murdoch

• Look inside!

• Making (it) work.

• On the radio: a love letter to television (it's a book).

• Other graphic novels from the wonderful Earth’s End.

Vehicle: A verse novel by Jen Calleja $40

In a time when looking into the past has become a socially unacceptable and illegal act in the Nation, a group of scholars are offered an attractive residency to allow them to pursue their projects. Compiled from the Researchers’ disparate documentation, recollections, and even their imaginations, this title is a metafictional work of literary speculative fiction, and a timely and daring exploration of xenophobia, exploitation, the writing of histories and legacies, and the politics of translation. When the residency transpires to be a devastating trick, these Researchers go on the run, and soon discover that their projects all relate to one major event: the Isletese Disaster – the decline and subsequent devastation fifty years earlier of a long-forgotten roaming archipelago called The Islets. One figure emerges as central to all of their work: Hester Heller, a reformed cult musiker turned student recruited from the Institute for Transmission as an agent of the state and tasked with gathering reconnaissance on the Disaster by using her old band Vehicle as a cover. Heller is the key to the Researchers collective story, which they try to piece together while evading their pursuers.
”A high-stakes speculation, an adventure into a new world order as well as the possibilities of the novel-form, Vehicle is a feat of ungovernable imagination. Bold, bracing, brilliant.” —Kate Briggs
”To say that Vehicle is a feminist Pale Fire for the Brexit generation may not be high enough praise for this intoxicating, thrilling and endlessly inventive work.” —Joanna Walsh
”Jen’s work brilliantly surfs the wave of engagement with translation, marginalised and re-assertive cultures within and beyond Europe, necessarily calling out the connection between colonial and patriarchal attitudes and actions in literary culture. Bringing a deliciously non- realist and wittily self-aware tone that is unusual in UK writing, it strikes an important balance that fits with a new wave of writing that is brilliantly romantic and feminist.” —So Mayer

• Experimental writing and transformative politics.

• Other books from Prototype Publishing.

Ghost Pains by Jessi Jezewska Stevens $40

A selection of short fiction from a purveyor of comical, techno-millenarian unease. Stevens's women throw disastrous parties in the post-party era, flirt through landscapes of terror and war, and find themselves unrecognisable after waking up with old flames in new cities. They navigate the labyrinths of history, love, and ethics in a fractured American present, seeing first-hand how history influences the ways in which we care for — or neglect — one another. The stories examine big questions through the microscope of a shambolic human perspective
”Ghost Pains is a brilliant, sophisticated collection. Jessi Jezewska Stevens is one of the rare writers capable of taking both life and literature seriously while giving you reasons to laugh.” —Nell Zink
”Jessi Jezewska Stevens's stories gleam with their wonderfully bleak comic swerves, keen observation and fresh syntax. The world may be a goner, but short fiction is in good hands here. Ghost Pains is alive, an invigorating pleasure.” —Sam Lipsyte
”I remember the first time I read a short story by Jessi Jezewska Stevens. I was immediately drawn to its strangely rhythmic sentences, its playful sense of humour. There is a brilliant feeling of both absurdity and sincerity in these stories, of the time we are living through. I know I will want to read her always.” —Amina Cain

• Disintegrating worldviews.

• The question of selfhood.

• A new book of grotesques.

Good Cooking Every Day: Simple recipes. Beautiful menus. All year round. by Julia Busuttil Nishimura $50

We use Julia Busuttil Nishimura’s cookbooks frequently at home — her recipes are very user-friendly and her methods and proportions guarantee perfect and delicious dishes that immediately become favourites.
”Every meal is something to celebrate — a casual gathering with friends, a weeknight dinner, a long birthday lunch in the garden. It doesn't matter what the occasion, there is an unspoken joy in sharing food with others.” This collection of recipes includes a guide to creating menus for any occasion, from a celebration of summer produce to pure comfort food in cooler weather, a simple family dinner to a relaxed lunch with friends. Julia pairs ingredients in harmonious and delicious ways, with recipes for every season.

• Look inside!

He Kupu nā te Māia — He Kohinga Ruri nā Maya Angelou (Ngā Ika a Whiro o Te Panekiretanga o te Reo) $35

Kua haurua rautau te roa o Maya Angelou e whakarākei ana i te ao ki ana kupu me ōna whakaaro, i hua mai ai ko te huhua o ana titonga kanorau, pukapuka mai, tuhingaroa mai, whakaari mai, ruri mai. I runga anō i te whāriki o tana ao toi, kua tuituia ngā kupu whakatuma, ki te kaikiri, ki te tohe, ki te whai ora, ki ngā wheako hoki o te wahine me te kirimangu, mā roto i tōna reo ahurei. Kua huia ngā ruri ki ngā wāhanga e whitu e hāngai ana ki te ao tonu o Maya, e whai pānga ana anō hoki ki a ngāi Māori: te whanaungatanga, te mate kanehe, te oke o te ia rā, te kirimangu, te whakatōrea, te rere o te wā me te whakaao māramatanga. I te pukapuka nei rere ai ko te reo o te kāhui wāhine o Te Panekiretanga o Te Reo, me ōna kanorautanga. Kuia mai, māmā mai, rangatahi mai, teina mai, tuakana mai, he wāhine kua rongo, kua kite i te ihi o te whai reo, me te wehi o te reokoretanga. Ka titi tonu ngā kupu a te māia ki te ngākau o te hunga e āritarita ana ki te reo Māori i tēnei huinga ruri āna.
A selection from the collected poems of Maya Angelou, translated into te reo Māori by thirty-four wāhine from across Aotearoa. This collection of ruri/poems will warm the hearts of Maya Angelou’s most ardent admirers and will also introduce new readers to the legendary poet, activist and teacher. Presented with English and Māori on facing pages, as well as poetic biographies of each translator, this book is a taonga that welcomes a literary icon to Aotearoa.

• A good fit.

Recognising the Stranger: On Palestine and narrative by Isabella Hammad $26

Author of The Parisian and Enter Ghost Isabella Hammad delivered the Edward W. Said Lecture at Columbia University nine days before 7 October 2023. The text of Hammad's seminal speech and her afterword written in the early weeks of 2024 together make up a searing appraisal of the war on Palestine during what feels like a turning point in the narrative of human history. In this moving and erudite melding of literary and cultural analysis, Hammad writes from within the moment, shedding light on the Palestinian struggle for freedom.
”Recognising the Stranger combines intellectual brilliance with moral clarity and profound resoluteness of purpose. This is a book that calls us to witness our place in history. Isabella Hammad deserves our thanks for sharing it with the world.” —Sally Rooney
”A pitch-perfect example of how the novelist can get to the heart of the matter better than a million argumentative articles. Hammad shows us how the Palestinian struggle is the story of humanity itself, and asks us not to look away but to see ourselves.” —Max Porter
”Hammad's writing burns with fierce intelligence, humane insight and righteous anger. For those at risk of despair, doubtful of the role literature has to play in times of crisis, it is a reminder of the radical potential of reading and the possibility of change.” —Olivia Sudjic
”Extraordinary and amazingly erudite. Hammad shows how art and especially literature can be much, much more revealing than political writing.” —Rashid Khalidi

• Other books on Palestine/Israel.

The Last Sane Woman by Hannah Regel $25

Nicola Long is a few years out of a fine arts degree, listless and unenthusiastically employed in London. She begins to spend her hours at a small underfunded archive dedicated to women's art. There she discovers one side of a correspondence beginning in 1976 and spanning a dozen years, written from one woman - a ceramics graduate, uncannily like Nicola — to a friend living a contrasting and conventionally moored life. As Nicola reads on, an acute sense of affinity turns into obsession. She abandons one job after another to make time for the archive. The litany of coincidences in the letters becomes uncanny, and Nicola's feeling of ownership begets a growing dread: should she be afraid of where these letters are leading?
”Disquieting and gorgeous, The Last Sane Woman plucks images from the world with the claustrophobic pleasure of picking a scab. It reaches deep into the negative spaces of failure and precarity, and from these resources assembles something caustic, elegant, elusive and foreboding. It's also funny, with an offbeat, sly lightness that comes from knowing exactly how high the odds are stacked against you. I was hooked by the conversation between Regel's protagonists, looping across generations to give voice to the pains of making and the shameful pleasures of destruction.” —Daisy LaFarge
”The Last Sane Woman is a brilliant, slyly funny, and acutely observed meditation on the process both of the making of objects and of one's own life. Regel's prose is gorgeous and deftly rendered on every page.” —Sophie Mackintosh

• I want to read about women who can’t make things.

• The archive as potter’s field.

• Ubiquity.

rock flight by Hasib Hourani $33

Hasib Hourani's rock flight is a book-length poem that, over five chapters, follows a single personal and historical narrative centered on the violent occupation of Palestine. The poem uses refrains of suffocation, rubble, and migratory bird patterns to address the realities of forced displacement, economic restrictions, and surveillance technology that Palestinians face both within Palestine and across the diaspora.
Searing and fierce, tender and pleading, rock flight invites the reader to embark on an exploration of space while limited by the box-like confines of the page. Through the whole, Hourani moves between poetry and prose, historical events and meditations on language, Fluxus-like instructions and interactions with friends, strangers, and family. rock flight adapts themes of displacement and refusal into an interactive reading experience where the book becomes an object in flux.
”rock flight is a work of timelessness, rigour, precision, relationality and guts just like its poet. A must-read for all of us who yearn and stretch and reach for a world beyond colonies, and an even more urgent read for those who don't.” —Alison Whittaker
”Hasib Hourani’s rock flight is propelled by urgent anaphoras and compelling fragmented imagery. Scrolling and sprawling across the page and downward and outward, as attempts to articulate and scrawl the horrors facing the Palestinian people. Out of such scrawls are new languages, new refusals.” —Victoria Chang

• The imperative voice.

• Writing into silence.

Pātea Boys / Ngāti Pātea by Airana Ngarewa $37

A lively and playful bilingual collection of stories about growing up in Pātea. Interlinked and full of recurring characters, these stories are about growing up in small-town Aotearoa — sneaking away during cross country, doing bombs while the lifeguard isn't looking, peeling spuds on the marae, crashing a car at age four, and learning to live by the tikanga 'don't ask, don't tell'. Exuberant, exciting, poignant and heartfelt, each story is featured in English and te reo Māori. The perfect resource for those on their reo learning journeys as well as for readers who enjoyed The Bone Tree.

Nature, Culture, and Inequality by Thomas Piketty $35

In his new work, Thomas Piketty explores how social inequality manifests itself very differently depending on society and epoch in which it arises. History and culture play a central role, inequality being strongly linked to various socio-economic, political, civilisational, and religious developments. So it is culture in the broadest sense that makes it possible to explain the diversity, extent, and structure of the social inequality that we observe every day. Piketty briefly and concisely presents a lively synthesis of his work, taking up such diverse topics as education, inheritance, taxes, and the climate crisis, and makes a lively contribution to the debate on the existence or otherwise of ‘natural inequality’.
”A profound and optimistic call to action and reflection. For Piketty, the arc of history is long, but it does bend toward equality. There is nothing automatic about it, however — as citizens, we must be ready to fight for it, and constantly (re)invent the myriad of institutions that will bring it about. This book is here to help.'“ —Esther Duflo

Headshot by Rita Bullwinkel $28

Headshot is the story of the eight best teenage girl boxers in the United States, told over the two days of a championship tournament and structured as a series of face-offs. As the girls' pasts and futures collide, the specific joy and violence of the sport comes to life with electric energy, and a portrait emerges of the desire, envy, perfectionism, madness and sheer physical pleasure that motivates each of these young women to fight. This is a novel about the radicalness and strangeness of being physically intimate with another human when you are measuring your own body, through competition, against theirs. What does the intimacy of a physical competition feel like? What does it mean to walk through life in the bodies we've been given, and what does it mean to use those bodies with abandon? Funny, propulsive, obsessive and ecstatic, Headshot is equal parts subtle and intense, as it brings us to the sidelines of the ring and above and beyond it, examining closely the eight girls' lives, which intersect for a moment — a universe that shimmers and resonates.
Long-listed for the 2024 Booker Prize.
 “As blazing and distinctive a performance as I've beheld in a long while. Bullwinkel's figurative language is tethered at one end to the distant galaxies, at the other to the cellular structure of her young fighters' bodies. Whole lives are strung between. I'm amazed.” —Jonathan Lethem

• Read an extract.

• Shapeshifting power.

The Zone: An alternative history of Paris by Justinien Tribillon $43

In The Zone, Justinien Tribillon takes the reader on a tour of an eponymous Parisian hinterland. The site of dreams and nightmares, from Van Gogh's paintings to the cinematic violence of La Haine, the Zone, so often misun- derstood, is the key to understanding today's Paris, and even France itself. Originally the site of defensive walls, alongside which mushroomed makeshift housing, allotments, and dancehalls in the nineteenth century, the Zone has performed many functions and been a place of contention for two centuries. Dismantled in the 1920s, the fortifications were first replaced with gardens, stadia and homes. After the war came the Boulevard Périphérique, a ring road promising seamless travel in a futuristic car-centric Paris. With the ring road came new dreams of modernity in reinvented suburbs: new towns, high-rise architecture and social housing built at record speed. Yesterday's Paris made way for tomorrow's banlieue. But the metropolitan dream was never realised. The Zone became a symbol of division: between inner and outer cities; between the bourgeois centre and the working-class immigrant outskirts; between 'us' and 'them'. The Zone, both a physical space and a powerful myth, came to crystallise the social, spatial and ethno-racial differences between Paris and the banlieue. The Zone is a brilliant anatomy of the true heart of Paris. An essential book for urbanists and historians.
”Shows how to read the recent history of Paris from its edge towards its center. How do the complicated conditions in the banlieue shape life for the Paris of tourists, monuments and bourgeois amenities? This book is innovative in its methods and absorbing in its analysis. More than this, Justinien Tribillon has worked out a way to understand other cities from the outside in.” —Richard Sennett

• Some other books about Paris.

History for Tomorrow: Inspiration from the past for the future of humanity by Roman Krznaric $40

What can humankind's rich history of radical revolts teach us about the power of disobedience to change climate policy? What inspiration could we take from seventeenth century Japan to create a regenerative economy today? How might the history of financial capitalism help us understand what it takes to bring AI under control? Here, leading social philosopher Roman Krznaric unearths fascinating insights and inspiration from the last 1000 years of world history that could help us confront the most urgent challenges facing humanity in the twenty-first century. From bridging the inequality gap and keeping AI under control, to reviving our faith in democracy and avoiding ecological collapse, History for Tomorrow shows that history is not simply a means of understanding the past but a way of reimagining our relationship with the future. Krznaric shows how, time and again, societies have risen up, often against the odds, to tackle challenges and overcome crises. History can offer a vision for radical hope that could turn out to be our most vital tool for surviving and thriving in the turbulent decades ahead.
”This joyful and informative book opens our minds and souls, helping us to see with new eyes and to believe in ourselves as a species, so we can meet our predicament with a belief that change really is possible.” —Gail Bradbrook, Co-Founder, Extinction Rebellion
”An amazing feat of synthesis and imagination, weaving together many different strands of world history to make a pattern that can guide us in the present toward a vibrant future. Krznaric's book is immensely suggestive of positive actions that have track records; they've worked before, and in new formulations they can work again. Wise and practical inspiration.” —Kim Stanley Robinson

A selection of books from our shelves that give insight into Palestinian experience.
Click through to find out more:

The Tale of a Wall

rock flight

Against the Loveless World

Recognising the Stranger

[…]

Minor Detail

Enter Ghost

The Book of Disappearance

• Other books on Palestine.

Episodes by Alex Scott $40

This astoundingly good Aotearoa graphic novel subtly and devastatingly investigates the crushing disjunctions between media-mediated popular culture (as distilled especially in product advertising) and an actual world comprised of ‘atypical’ individuals yearning for authentic contact and acknowledgement. A smart-mouthed kid provokes the wrong flatmate, a misguided teen gets schooled by her crush, and a former child star struggles to escape his past. Seductive advertising fantasies collide headfirst with everyday life in this delicately interwoven tale of identity, desire and coming of age even in adulthood. Episodes is a thrillingly observed and well-drawn critique of our media-obsessed society.
”Episodes is funny, sad and strange in the way that so much of the ordinary and familiar is strange. Like a word you say over and over until its oddness is revealed.” —Sharon Murdoch

• Making (it) work.

• On the radio: a love letter to television (it's a book).

• Other graphic novels from the wonderful Earth’s End.

The GOLDSMITHS PRIZE celebrates fiction that breaks the mould or extends the possibilities of the novel form. This year, all six (excellent!) shortlisted titles “ask uncomfortable questions while nonetheless finding exuberance and joy in a form that makes such questioning both possible and pleasurable: the novel at its most novel.” —judging chair

Click through to our website to get your copies of these enjoyable and interesting books. We can dispatch to anywhere in Aotearoa by overnight courier, or have the books ready to collect from our door in Church Street, Whakatū.

THE WINNER

PARADE by Rachel Cusk

Midway through his life, an artist begins to paint upside down. In Paris, a woman is attacked by a stranger in the street. A mother dies. A man falls to his death. Couples seek escape in distant lands. The new novel from one of the most distinctive writers of the age, Parade  sets loose a carousel of lives. It surges past the limits of identity, character, and plot, to tell a true story — about art, family, morality, gender, and how we compose ourselves.

What the judges say: "Every sentence in Parade  seems to grapple with an idea. People die, perspective shifts, scenery changes, and yet there remains a clear, sharp line of thought that holds the reader. In effortlessly beautiful prose Cusk challenges the conventions of the novel form as well as addressing the relationship between literature and visual art, and of how each can exist alongside the ordinariness of life.  Parade is a ferociously illuminating novel that embraces the exquisite cruelty of the world at this present moment."

“Examining the life of the artist and the composition of the self, Rachel Cusk’s Parade exposes the power and limitations of our alternate selves.  Probing the limits of the novel form and pushing back against convention, this is a work that resets our understanding of what the long form makes possible.” —Abigail Shinn, Chair of Judges

"Every sentence in Parade seems to grapple with an idea. People die, perspective shifts, scenery changes, and yet there remains a clear, sharp line of thought that holds the reader. In effortlessly beautiful prose Cusk challenges the conventions of the novel form as well as addressing the relationship between literature and visual art, and of how each can exist alongside the ordinariness of life. Parade is a ferociously illuminating novel that embraces the exquisite cruelty of the world at this present moment." —Sara Baume, judge

• Read Thomas’s review.

• Find out more.

THE OTHER SHORT-LISTED BOOKS

ALL MY PRECIOUS MADNESS by Mark Bowles

All My Precious Madness is a story of a man at odds with the world. A man who wants to escape his violent past but who — most emphatically — repeats it. Henry Nash has hauled his way from a working class childhood in Bradford, through an undergraduate degree at Oxford, and into adulthood and an academic elite. But still, he can't escape his anger. As the world — and men in particular — continues to disappoint him, so does his rage grow in momentum, until it becomes almost rapturous. And lethal. A savagely funny novel that disdains moral conventions, All My Precious Madness is also a work of deep empathy — even when that empathy means understanding the darkest parts of humanity. It is, as Terry Eagleton says, “a wonderfully stylish, intelligent piece of work” — and one of the most electric debuts in recent years.

What the judges say: "Mark Bowles’s All My Precious Madness is an exhilaratingly intelligent, hilariously foul-mouthed monologue: partly a crankish rant, railing violently — and digressively — against the crushing idiocies of contemporary life, partly an affecting Bildungsroman, centred on the narrator’s relationship with their father. At once crackling with spontaneity and beautifully controlled, alternating between a curmudgeon’s uproarious disgust and a child’s poignant wonder, Bowles’s novel is a wonderful piece of writing which you will be sorry to finish."

TELL by Jonathan Buckley

Curtis Doyle, a self-made businessman and art collector, has vanished from his palatial home in the Scottish Highlands. In the wake of his disappearance, the woman who worked as his gardener is interviewed for a possible film about her employer. A work of strange and intoxicating immediacy, exploring wealth, the art world, and the intimacy and distance between social classes, Tell is a probing and complex examination of the ways in which we make stories of our own lives and of other people’s. 

What the judges say: "For the reader, it is as if we have our ear pressed against a keyhole, listening, or are flies on a wall, witnessing events that seem to portend some momentous revelation about a man.  Tell is a relentlessly truthful and absorbing tale about the human condition and a searing account of the complexity of life in the modern world. Employing the simplest of narrative devices but used in the most innovative ways, Jonathan Buckley has produced a profound work of fiction."

CHOICE by Neel Mukherjee

How have we come to live this way? At what cost? Who pays the price? A publisher, who is at war with his industry and himself, embarks on a radical experiment in his own life and the lives of those connected to him; an academic exchanges one story for another after an accident brings a stranger into her life; and a family in rural India have their lives destroyed by a gift. These three ingeniously linked but distinct narratives, each of which has devastating unintended consequences, form a breathtaking exploration of freedom, responsibility, and ethics. What happens when market values replace other notions of value and meaning? How do the choices we make affect our work, our relationships, and our place in the world? Neel Mukherjee’s novel exposes the myths of individual choice, and confronts our fundamental assumptions about economics, race, appropriation, and the tangled ethics of contemporary life. Choice  is  a scathing, compassionate quarrel with the world, a masterful inquiry into how we should live our lives, and how we should tell them. 

What the judges say: "A truly ambitious and compelling fiction from an author at the height of his powers. Choice lays out three narratives exploring 21st-century ethical and political dilemmas. The novel is not only intellectually impressive, it is also immensely moving, and shot through with heart-breaking moments."

SPENT LIGHT by Lara Pawson

A woman contemplates her hand-me-down toaster and suddenly the whole world erupts into her kitchen, in all its brutality and loveliness: global networks of resource extraction and forced labour, technologies of industrial murder, histories of genocide, alongside traditions of craft, the pleasures of convenience and dexterity, the giving and receiving of affection and care. Spent Light asks us to begin the work of de-enchanting all the crap we gather around ourselves to fend off the abyss — because we’ll never manage that anyway, the book warns, the abyss is already in us. But love is too. There might be no home to be found in objects, but there’s one to be made with other people. In the end, this powerful, startling book is a love letter.

What the judges say: "It is impossible to predict, at the beginning of almost every paragraph of Spent Light, where it will have taken the reader by the end. With a remorseless attention to detail Pawson encounters familiar objects and excavates from each a portal to the past, or to a distant corner of the world, or to the shadows of the narrator’s complex mind. Spent Light is an evisceration of solemn reality, a novel that somehow manages to balance horror, humour and incredible tenderness."

• Read Thomas’s review.

PORTRAITS AT THE PALACE OF CREATIVITY AND WRECKING by Han Smith

The almost daughter is almost normal, because she knows how to know and also not know. She knows and does not know, for instance, about the barracks by the athletics field, and about the lonely woman she visits each week. She knows — almost — about ghosts, and their ghosts, and she knows not to have questions about them. She knows to focus on being a woman: on training her body and dreaming only of escape. Then, the almost daughter meets Oksana. Oksana is not even almost normal, and the questions she has are not normal at all. Portraits at the Palace of Creativity and Wrecking is the story of a young woman coming of age in a town reckoning with its brutal past.  

What the judges say: "Composed as a series of portraits, some fragmentary, all multi-faceted and allusory, Smith’s novel is a hallucinatory window into what it means to excavate the past in a world committed to its erasure. At once a poignant coming of age story and an exploration of how language is shaped by ideology, Portraits at the Palace of Creativity and Wrecking is tender and merciless in its slanting look at the history of state violence and its unacknowledged but profound effects on individuals and communities. An important reminder that the stories we tell can serve as propaganda and as powerful works of resistance, Portraits at the Palace of Creativity and Wrecking demonstrates how the novel can reflect and resist the double speak of our own time."

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11 October 2024.

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“People are individuals and fully entitled to their individuality, though they first must be brought into an acceptance of it.” If I write more of this it will mean nothing, but this does not stop me sitting at my little desk, here in the hall of our apartment, writing away each night after the others have gone to sleep. The clock in the sitting room slices away the seconds with each swing of its pendulum; the seconds, the minutes, the hours, each moment a decapitation of all that I have written, these sentences just as deserving of being considered shavings from my pencil as the shavings that accumulate at my page-side. Which is the better monument to my labour? It is hard to begin to write, but I am one who believes that beginning to write is possible, perhaps with superhuman effort, or with effort that is human if superhuman effort is not attainable by humans, but I do not believe that it is possible to bring writing to completion, and so I complete nothing. Not that it is not easy to stop; nothing could be easier. Anyone who writes has an equal ability to stop writing; though the ability to write may be very unequally distributed, to stop writing is within the reach of all. Why then, if stopping is so easy, do so many writers not improve the quality of their work by availing themselves more often of this common ability? If a good writer is one who manages not to write bad books, a reasonable definition, then, and I state this without conceit, though I complete nothing I am a better writer than many writers more famous than me. If it is possible to begin and possible to stop but impossible to complete, at least for me who does not believe in the possibility of completion and who does not believe that the world contains completion, only beginnings and stoppings, what is produced by all this writing? I produce nothing but fragments. I believe in nothing but fragments. Even the great sheaf of pages that I call The Proceedings is a fragment, an interminable fragment, uncompletable, and I would rather this is burned after my death than turned into a work by an editor or executor, no matter how well-intentioned. Will there come a day, perhaps a hundred years from now, when the fragment is recognised as a literary form in itself, perhaps the only literary form, the only form that can approach the truth, no matter that it limps in its approach. The smaller the fragment, then, the more perfectly it expresses its inability to be anything other than a fragment, but how shall these fragments be assembled and arranged? Fragments are best arranged in a fragmentary way. Just as dust accumulates throughout an unswept house, but more in some places than in others, such as in the space between an unclosed door and the wall against which it rests, so fragments naturally become lost within the drifts of which they are part. How shall they be found among all the other fragments in which in plain sight they are as good as lost? There is nothing lost about these lost writings. The writer and the reader are more lost than what is written, but only when they write and read. I write to be rid of myself. I write to be rid of thought. I write to be rid of what I have written but every fragment adds to this burden I write to put down. I sharpen my pencil again as the pendulum swings and add to the pile of shavings that is my more fitting legacy, the one that my executor will not hesitate to burn, should they happen to survive that long. I write as the birds begin to sing in the trees in the street below. I will not complete what I write. It is not possible to complete what I write. Whether I wish to complete what I write or not affects nothing, I will produce a fragment, but the question of whether I should strive for completion remains. I will be found where I am lost. Every opportunity is a trap, but I leap in regardless [...]

Take your pick from the carousel!
Click through to our website for your copies:

All My Precious Madness by Mark Bowles $36

Henry Nash has hauled his way from a working class childhood in Bradford, through an undergraduate degree at Oxford, and into adulthood and an academic elite. But still, he can't escape his anger. As the world — and men in particular — continue to disappoint him, so does his rage grow in momentum until it becomes almost rapturous. And lethal. A savagely funny novel that disdains literary and moral conventions, All My Precious Madness is also a work of deep empathy — even when that also means understanding the darkest parts of humanity.
“This is the best debut I have read in at least a decade. Anyone who has wished for an English Bernhard need look no look no further.” —Stephen Mitchelmore
“A beautiful war machine. Bowles’s novel discovers a language, a mode of narration, to shelter the legitimate madness, the loneliness and rapture of a very singular individual.” —Lars Iyer
“A devastating satire on the way in which class, education and masculinity act as a kind of trap.” —The Telegraph 
”All My Precious Madness is an exhilaratingly intelligent, hilariously foul-mouthed monologue: partly a crankish rant, railing violently – and digressively – against the crushing idiocies of contemporary life, partly an affecting Bildungsroman, centred on the narrator’s relationship with their father. At once crackling with spontaneity and beautifully controlled, alternating between a curmudgeon’s uproarious disgust and a child’s poignant wonder, Bowles’s novel is a wonderful piece of writing which you will be sorry to finish." —Goldsmiths Prize judges' citation

• Bad subsidence.

• Read an extract.

• Quite a small number.

• Evolve and escape.

• Other books on the excellent 2024 Goldsmiths Prize short list.

Delirious by Damien Wilkins $38

It’s time. Mary, an ex cop, and her husband, retired librarian Pete, have decided to move into a retirement village. They aren’t falling apart, but they’re watching each other – Pete with his tachcychardia and bad hip, Mary with her ankle and knee. Selling their beloved house should be a clean break, but it’s as if the people they have lost keep returning to ask new things of them. A local detective calls with new information about the case of their son, Will, who was killed in an accident forty years before. Mary finds herself drawn to consider her older sister’s shortened life. Pete is increasingly haunted by memories of his late mother, who developed delirium and never recovered. An emotionally powerful novel about families and ageing, Delirious dramatises the questions we will all face, if we’re lucky, or unlucky, enough. How to care for others? How to meet the new versions of ourselves who might arrive? How to cope? Delirious is also about the surprising ways second chances come around.
”A New Zealand novel of grace and humanity. How does Wilkins do it? These are flawed and immensely satisfying characters – you close your eyes at the faulty, circuitous routes they take. Delirious is a marvel of a book.” —Witi Ihimaera
”This is just a beautifully powerful, wonderful book.” —Pip Adam, RNZ
”Funny, sharp, sad and profound, Delirious made me laugh, think, weep and actually beat my breast. A masterpiece.” —Elizabeth Knox, The Conversation

• Above water.

The Book of Disappearance by Ibitsam Azem (translated from Palestinian Arabic by Sinan Antoon) $45

Alaa is haunted by his grandmother's memories of being displaced from Jaffa and becoming a refugee in her homeland after the Nakba. Ariel, Alaa's neighbour and friend, is a liberal Zionist, critical of the military occupation of the West Bank and Gaza yet faithful to the project of Israel. When he wakes up one morning to find that all Palestinians have suddenly vanished, Ariel begins searching for clues to the secret of their collective disappearance. That search, and Ariel's reactions to it, intimately reveal the fissures at the heart of the Palestinian question. Between the stories of Alaa and Ariel are the people of Jaffa and Tel Aviv — café patrons, radio commentators, flower-cutters — against whose ordinary lives these fissures and questions play out.
”In this immensely readable novel, Ms. Azem does not resolve for us the calamity of Palestine's occupation by Israel. But stylishly and with jeweled virtuosity she makes us understand that acts of great and humane imagination will be required, and with this potent book points where and how we must all go.'“ —Richard Ford
”A wonderful book, showing what the Palestinians have suffered and continue to suffer.” —The Modern Novel
“A masterpiece which immediately leads the reader to ponder the historical foundations of the 1948 Nakba, as well as the Zionist intentions and ethnic cleansing of Palestinians from the land where they belong.” —Middle East Monitor

• Absence, presence, and disappearance.

• Reclaiming space through absence.

• The lost and disappeared voice.

• Many themes.

• A certain degree.

Prairie, Dresses, Art, Other by Danielle Dutton $40

 In Prairie, Dresses, Art, Other, Danielle Dutton imagines new models for how literature might work in our fractured times. Dutton's writing is as protean as it is beguiling, using the different styles and different spaces of experience to create a collage of the depths and strangeness of contemporary life. The collection covers an inventive selection of subjects in four eponymous sections which contrast and echo one another, challenging our expectations and pushing the limits of the dream-like worlds and moods that language might create. 'Prairie' is a cycle of surreal stories set in the quickly disappearing prairieland of the American Midwest, replete with wildflowers, ominous rivers, fireflies, cattle lowing and ghostly apparitions; 'Dresses' paints a wild and moving portrait of literary fashions; 'Art' is an imaginative illustrated essay which explores the relationship between fiction and visual art; and 'Other' offers an assemblage of irregular stories and essays that are hilarious or heartbreaking by turns. Out of these varied materials, Dutton builds a haunting landscape of wildflowers, megadams, black holes, violence, fear, virtual reality, abiding strangeness and indefinable beauty.
"Pieces included in Prairie, Dresses, Art, Other are not short stories or essays in the strict (and limited) sense, but spells, incantatory hallucinations, organically shared phantasmagoria, bodily immersions in materials worldly and other-wordly. It is a book and yet it is definitely way more: a field of irruptions. This is Dutton at her best yet." —Cristina Rivera Garza
"Danielle Dutton is a writer whose work I wait for. When a new book comes, I keep it very close, marveling at how her writing combines such extraordinary acts of precision, drawing forth strangeness and new presentations of beauty, with her own singular and searching, expansive style of intelligence. Her growing body of work is among the most formally inventive (and therefore essential) I can think of, and Prairie, Dresses, Art, Other is a vital, enlivening addition to it." —Kate Briggs

• Stitches, stems, and pockets.

• Prose possibilities.

• How to say nothing.

• Fictions and forms of reading.

The Bloomsbury Cookbook: Recipes for life, love and art by Jans Ondaatje Rolls $55

The Bloomsbury Group fostered a fresh, creative and vital way of living that encouraged debate and communication ('only connect'), as often as not across the dining table. Gathered at these tables were many of the great figures in art, literature and economics in the early twentieth century: E. M. Forster, Roger Fry, J. M. Keynes, Lytton Strachey and Virginia Woolf, among many others. Here the Bloomsbury story is told in seven broadly chronological chapters, beginning in the 1890s and finishing in the very recent past. Each chapter comprises a series of narratives, many of which are enhanced with an appropriate recipe, along with sketches, paintings, photographs, letters and handwritten notes, and featuring original quotations throughout. Part cookbook, part social and cultural history, this book will appeal to lovers of food and lovers of literature alike.

• Look inside!

I Will Crash by Rebecca Watson $38

It's been six years since Rosa last saw her brother. Six years since they last spoke. Six years since they last fought. Six years since she gave up on the idea of having a brother. She's spent that time carefully not thinking about him. Not remembering their childhood. Not mentioning those stories, even to the people she loves. Now the distance she had so carefully put between them has collapsed. Can she find a way to make peace - to forgive, to be forgiven - when the past she's worked so hard to contain threatens to spill over into the present? From the acclaimed author of little scratch, this is a powerfully honest novel about how we love, how we grieve and how we forgive.
“I Will Crash places the reader firmly in the consciousness of a narrator confronted with the myriad and often conflicting impulses that arise from childhood trauma. Watson’s scattered sentences produce a deeply mesmeric and almost destabilizing effect on the reader. It’s profoundly moving, funny, and beautifully written. A masterclass on the art of ellipsis.” —Michael Magee

• Trauma and memory.

• What are siblings?

• Read Thomas’s review of little scratch.

The Tale of a Wall: Reflections on hope and freedom by Nasser Abu Srour (translated from Palestinian Arabic by Luke Leafgren) $50

Nasser Abu Srour grew up in a refugee camp in the West Bank, on the outskirts of Bethlehem. As a child, he played in its shadow and explored the little world within the camp. As he grew older, he began questioning the boundaries that limited his existence. Later, sentenced to life in prison, with no hope of parole, he found himself surrounded by a physical wall.This is the story of how, over thirty years in captivity, he crafted a new definition of freedom. Turning to writings by philosophers as varied as Derrida, Kirkegaard and Freud, he begins to let go of freedom as a question that demanded an answer, in order to preserve it as a dream. The wall becomes his stable point of reference, his anchor, both physically and psychologically. As each year brings with it new waves of releases of prisoners, he dares to hope, and seeks refuge in the wall when these hopes are dashed. And, in a small miracle, he finds love with a lawyer from the outside - while in her absence, the wall is his solace and his curse. A testimony of how the most difficult of circumstances can build a person up instead of tearing them down, The Tale of a Wall is an extraordinary record of the vast confinement and power of the mind.
”The Tale of a Wall is the reason we have literature. Nasser has made art out of poison with his honesty and golden pen. He brings to light the specificity of experience of the Palestinian prisoner in a manner that makes every reader think about the incarcerated in their own countries without forgetting Palestine. It helps us understand the consequences on others when we do not wield whatever power we each hold for solidarity. A profound and important work.” —Sarah Schulman
”A stunning book. A poetic and remarkable account of decades of imprisonment and the effect it can have on the mind, body and soul. This is a story of unimaginable loss, but also of survival.” —Sally Hayden
”Nasser Abu Srour doesn't allow his long incarceration in an Israeli prison to break his spirit. He turns to the wall of his cell that is intended to confine him into his path to freedom, and in the process, out of the darkness of his cell produces a luminous memoir.” —Raja Shehadeh
”A unique, lyrical exploration of what his inhumane confinement has taught him about resistance, love, lies, forgiveness, and the complicated struggle for liberation of his fractured, occupied land. Rather than allow the many walls surrounding him from childhood to break him down, he has turned them into darkly luminous companions on a journey into the heart of cruelty and redemption.” —Ariel Dorfman

Poorhara by Michelle Rahurahu $38

Erun can hear the whaanau whispering, and they won’t tell her why. She’s ditched school to help her aunty clean houses—even though she has a full-time job looking after all the moko. But no one cares, and soon she will be picked clean, like the bones in her maamaa’s bedroom. Star is home for the first time in years, and he’s worn the same clothes for days. Everything feels unfamiliar: the karakia, his nephews, the house that he grew up in. He’s too scared to tell his family that he’s bombing back at uni. And the past is an affliction, a gently rising tide. It is 178 years after colonisation. Together, the cousins escape. Free-wheeling across the countryside in a car without a warrant, they cast their net widely. Their family mythologies, heartaches and rifts will surface, and amidst them the glint of possibility: a return to the whenua where it all began. A tragicomedy set in the confines of a 1994 Daihatsu Mira, Poorhara is a journey of epic proportions — a poignant, expansive and darkly funny first novel written by a true poorhara.
”Poorhara is a hilarious and heartbreaking debut with characters so stunningly well-realised they will walk into your dreams at night. It’s a hero's journey with no easy answers – just harsh, furious life with all the pain, the anger and the beauty we can barely hold in or hold together. Rahurahu is a genius.” —essa may ranapiri

Faces and Flowers: Poems to Patricia France by Dinah Hawken (with paintings by Patricia France) $40

Poet Dinah Hawken responds to the works of Dunedin artist Patricia France, who began painting in her fifties while living at Ashburn Hall, a psychiatric institution in Dunedin. Patricia's psychiatrist encouraged her to 'paint out the past' through her art, and she began in watercolour and gouache before moving on to oils. Her early abstracts evolved into vibrant compositions that often feature women, children, landscapes and flowers. Towards the end of her career her eyesight began to deteriorate, but she continued to paint. Patricia France's works have now been shown in more than 30 exhibitions throughout New Zealand - including, in 2024, at Toi Mahara in Waikanae. In her intimate, unrhymed sonnets, each presented with the work by France to which it responds, Dinah Hawken addresses a friend she never met, seeking to make a connection across time with the artist and her world.

• Look inside.

Becoming Aotearoa: A new history of New Zealand by Michael Belgrave $65

In the first major national history of Aotearoa New Zealand to be published for 20 years, Professor Michael Belgrave advances the notion that New Zealand’s two peoples — tangata whenua and subsequent migrants — have together built an open, liberal society based on a series of social contracts. Frayed though they may sometimes be, these contracts have created a country that is distinct. This engaging new look at our history examines how.
”Becoming Aotearoa couldn’t be more timely. While Belgrave references scholarly debates and weighs a multitude of sources, this isn’t an academic text. With its concision and interest in linking past and present, it’s more accessible than its most recent predecessor, Michael King’s The Penguin History of New Zealand. Anyone who hasn’t had the chance to go beyond the basics of our history may find a lot here that surprises them.” —Rachel Morris, NZ Geographic

• Read an extract.

• Futures and pasts.

Te Tiriti o Waitangi Relationships: People, politics and law edited by Metiria Stanton Turei, Nicola R Wheen and Janine Hayward $50

The writers address topics such as Treaty principles, sovereignty, the UN Declaration on the Rights of Indigenous Peoples, and mana whenua relationships to te Tiriti and settlements. The book emphasises the roles of tikanga and rangatiratanga in fostering genuine progress, and envisions a future guided by these principles in advancing Māori-Crown relationships. This is a valuable resource for anyone seeking to deepen their understanding of te Tiriti's role in shaping Aotearoa New Zealand's social, political and cultural landscape.

Ngā Hapa Reo: Common Māori Language Errors by Hona Black and Te Aorangi Murphy-Fell $37

With the surge in interest in te reo Māori in recent years, a range of errors have become common in classrooms and the wider world, many caused by language interference (following the patterns of English rather than te reo). This book hopes to fill that gap with easy-to-follow, fun examples of language errors, providing readers with the correct usages, and explanations in both te reo and English.

• Other useful books by Hona Black.

How We Walk: Frantz Fanon and the politics of the body by Matthew Beaumont $40

You can tell a lot about people by how they walk. Matthew Beaumont argues that our standing, walking body holds the social traumas of history and its racialized inequalities. Our posture and gait reflect our social and political experiences as we navigate the city under capitalism. Through a series of dialogues with thinkers and walkers, his book explores the relationship between freedom and the human body. How We Walk foregrounds the work of Frantz Fanon, psychiatrist and leading thinker of liberation, who was one of the first people to think about the politics of 'walking while black'. It also introduces us to the renegade psychoanalyst Wilhelm Reich, who wrote that one could discern the truth about a person through their posture and gait. For Marxist philosopher Ernst Bloch, the ability to walk upright and with ease is a sign of personal and social freedom. Through these excursions, Beaumont reimagines the canonical literature on walking and presents a new interpretation of the impact of class and race on our physical and political mobility, raising important questions about the politics of the body.
"In this fascinating and wide-ranging book, Beaumont reminds us that walking is far from a neutral activity. With the help of Frantz Fanon, Beaumont locates freedom at the level of the body; free from the systems of oppression, exploitation, and harassment." —Lauren Elkin

Kiwi Bees Have Tiny Knees: Native Bees of Aotearoa New Zealand by Rachel Weston $30

It’s hard to be noticed when you’re the size of an apple seed! New Zealand’s 28 species of native bees are teeny-tiny and super speedy! Kiwi bees pollinate Aotearoa’s native plants and trees — and they truly are the bee’s knees! Most people are not aware that New Zealand has native bees, but once you meet them, you are sure to fall in love with them! Rachel Weston introduces Aotearoa’s gentle little bees. With 36 photographic images, fun illustrations, diagrams and QR video clips of native bees zipping and zooming, Kiwi Bees Have Tiny Knees is an informative, interactive visual feast. Native bees have been flying under the radar for far too long, until now. Kiwi Bees Have Tiny Knees connects children to the world around them, where native bees (ngaro huruhuru) have had a long evolutionary history.

• Look inside.

The Golden Road: How ancient India transformed the world by William Dalrymple $45

 Major religions that rose to dominate Earth's largest continent. Trade networks that stretched from Japan to Hadrian's Wall. Innovations such as the numeral system and the very concept of zero, laying cornerstones for all of mathematics and science to come. Music, dance, and visual arts of stunning sophistication. —Premodern India gifted all these and more to the world. Yet today, obscured by other powers, the subcontinent's extraordinary part in global history as the economic, spiritual, and cultural hub of Asia is too often overlooked.  In The Golden Road, revered historian William Dalrymple corrects the record, telling the captivating story of ancient India's ascent through a swift and breathtaking tour of the ideas and places Indians created. Treks into the sunless depths of cave monasteries illuminate the origins and spread of Buddhism. Far-flung archaeological expeditions — from the sand-blown Red Sea coast of Egypt, to Afghan mountain refuges, to verdant Cambodian jungles — reveal the impact of Indian commerce. Drawing on a lifetime of scholarship and acclaimed narrative skill, Dalrymple paints a vast canvas populated by merchants and monks, surgeons and sculptors, astronomers, kings, queens, missionaries, and more.

Han Kang's semi-autobiographical The White Book is a contemplation of life and death. It’s her meditative study of her sibling’s death at a few hours old, and how this event shapes her own history. Taking the colour white as a central component to explore this memory, she makes a list of objects that trigger responses. These include swaddling bands, salt, snow, moon, blank paper and shroud. “With each item I wrote down, a ripple of agitation ran through me. I felt I needed to write this book, and that the process of writing would be transformative, would itself transform, into something like a white ointment applied to a swelling, like a gauze laid over a wound.” Han Kang was in Warsaw - a place which is foreign to her when she undertook this project - and in being in a new place, she recalls with startling clarity the voices and happenings of her home and past. The book is a collection of quiet yet unsettling reflections on exquisitely observed moments. These capsules of text build upon each other, creating a powerful sense of pain, loss and beauty. Each moment so tranquil yet uneasy. Han Kang’s writing is sparse, delicate and nuanced. Describing her process of writing she states, “Each sentence is a leap forwards from the brink of an invisible cliff, where time’s keen edges are constantly renewed. We lift our foot from the solid ground of all our life lived thus far, and take that perilous step out into the empty air.” You can sense the narrator’s exploration and stepping out into the unknown in her descriptions of snow, in her observations as she walks streets hitherto unknown, and in her attempts to realise the view of her mother, a young woman dealing with a premature birth, and the child herself, briefly looking out at the world. Small objects become talismans of memory, a white pebble carries much more meaning than its actuality. Salt and sugar cubes each hold their own value in their crystal structure. “Those crystals had a cool beauty, their white touched with grey.” “Those squares wrapped in white paper possessed an almost unerring perfection.” In 'Salt', she cleverly reveres the substance while at the same time cursing the pain it can cause a fresh wound. The White Book is a book you handle with some reverence - its white cover makes you want to pick it up delicately. The text is interspersed with a handful of moody black and white photographs. This is a book you will read, pick up again to re-read passages, as each deserves concentration for both the writing and ideas. 

A selection of books found on our shelves.
Click through to find out more:

Lost Property

Lost and Somewhere Else

Getting Lost

The Lost Writings

Lost in Thought

In Search of Lost Time

Lost Possessions

Lost Cat

To mark Aotearoa Bookshop Day, and to celebrate the importance of bookshops to their customers and of customers to their bookshops (it’s a perfect match, really), we are offering 10% off any book purchase this weekend (from now until 10AM on Monday 14 October) — just enter the code RIPEKA when checking out (Rīpeka is the name of Bookshop Day reading taniwha). Also, we will donate $1 for every book sold to the Kiwi Christmas Books campaign, which provides books for children who might otherwise go without.

The 2024 NOBEL PRIZE IN LITERATURE has been awarded to the subtle and fearless Korean writer, HAN KANG.

“Han Kang’s intense poetic prose that confronts historical traumas and exposes the fragility of human life. Her empathy for vulnerable, often female, lives is palpable, and reinforced by her metaphorically charged prose. She has a unique awareness of the connections between body and soul, the living and the dead, and in a poetic and experimental style has become an innovator in contemporary prose.” —Nobel judges’ citation

“Han Kang is one of the greatest living writers. She is a voice for women, for truth and, above all, for the power of what literature can be.” —Eimear McBride

THE VEGETARIAN (translated by Deborah Smith)

Before the nightmares began, Yeong-hye and her husband lived an ordinary, controlled life. But the dreams — invasive images of blood and brutality — torture her, driving Yeong-hye to purge her mind and renounce eating meat altogether. It's a small act of independence, but it interrupts her marriage and sets into motion an increasingly grotesque chain of events at home. As her husband, her brother-in-law and sister each fight to reassert their control, Yeong-hye obsessively defends the choice that's become sacred to her. Soon their attempts turn desperate, subjecting first her mind, and then her body, to ever more intrusive and perverse violations, sending Yeong-hye spiraling into a dangerous, bizarre estrangement, not only from those closest to her, but also from herself.
Winner of the 2016 Man Booker International Prize.

HUMAN ACTS (translated by Deborah Smith)

Gwangju, South Korea, 1980. In the wake of a viciously suppressed student uprising, a boy searches for his friend's corpse, a consciousness searches for its abandoned body, and a brutalised country searches for a voice. In a sequence of interconnected chapters the victims and the bereaved encounter censorship, denial, forgiveness and the echoing agony of the original trauma. Human Acts is a universal book, utterly modern and profoundly timeless.

THE WHITE BOOK (translated by Deborah Smith, with photographs by Choi Jinhyuk)

While on a writer's residency, a nameless narrator wanders the twin white worlds of the blank page and snowy Warsaw. The White Book becomes a meditation on the color white, as well as a fictional journey inspired by an older sister who died in her mother's arms, a few hours old. The narrator grapples with the tragedy that has haunted her family, an event she colors in stark white — breast milk, swaddling bands, the baby's rice cake-colored skin — and, from here, visits all that glows in her memory: from a white dog to sugar cubes. As the writer reckons with the enormity of her sister's death, Han Kang's trademark frank and chilling prose is softened by retrospection, introspection, and a deep sense of resilience and love. The White Book — ultimately a letter from Kang to her sister — offers powerful philosophy and personal psychology on the tenacity and fragility of the human spirit, and our attempts to graft new life from the ashes of destruction.

• Read Stella’s review.

GREEK LESSONS (translated by Deborah Smith and E. Yaewon)

In a classroom in Seoul, a young woman watches her Greek language teacher at the blackboard. She tries to speak but has lost her voice. Her teacher finds himself drawn to the silent woman, for day by day he is losing his sight. Soon they discover a deeper pain binds them together. For her, in the space of just a few months, she has lost both her mother and the custody battle for her nine-year-old son. For him, it's the pain of growing up between Korea and Germany, being torn between two cultures and languages. Greek Lessons tells the story of two ordinary people brought together at a moment of private anguish — the fading light of a man losing his vision meeting the silence of a woman who has lost her language. Yet these are the very things that draw them to one another. Slowly the two discover a profound sense of unity — their voices intersecting with startling beauty, as they move from darkness to light, from silence to expression.

WE DO NOT PART (translated by E. Yaewon and Paige Aniyah Morris)

One morning in December, Kyungha receives a message from her friend Inseon saying she has been hospitalized in Seoul and asking that Kyungha join her urgently. The two women have last seen each other over a year before, on Jeju Island, where Inseon lives and where, two days before this reunion, she has injured herself chopping wood. Airlifted to Seoul for an operation, Inseon has had to leave behind her pet bird, which will quickly die unless it receives food. Bedridden, she begs Kyungha to take the first plane to Jeju to save the animal. Unfortunately, a snowstorm hits the island when Kyungha arrives. She must reach Inseon's house at all costs, but the icy wind and snow squalls slow her down as night begins to fall. She wonders if she will arrive in time to save Inseon's bird — or even survive the terrible cold that envelops her with every step. Lost in a world of snow, she doesn't yet suspect the vertiginous plunge into the darkness which awaits her at her friend's house. There, the long-buried story of Inseon's family surges into light, in dreams and memories passed from mother to daughter, and in the archive painstakingly assembled at the house, documenting a terrible massacre on the island of 30,000 civilians, murdered in 1948-49. We Do Not Part is a hymn to friendship, a eulogy to the imagination, and above all a powerful indictment against forgetting.
Publishing in February 2025 — order now!

NEW BOOKS AND BOOK NEWS!

Read our latest newsletter (starting on our fifth century!) Find out which books have been short-listed for the Goldsmiths Prize!

4 October 2024

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Humans have continued to evolve, he thought, by making objects that are extensions of themselves, extensions not only in a physical and practical sense but in a mental sense also. Thinking is done mainly outside my head, he thought, my memories and intentions are embodied in and enacted by the great commonwealth of objects in which I hang suspended, displacing my volume perhaps, but entirely at the mercy of objects that mediate my every experience and over which I have only very narrow and limited control. These objects grasp me more tightly than ever I could grasp them, he thought, they define the scope of my thoughts and actions, they call to each other through the qualities they share with each other, and they bind me to all the other people similarly caught in this inescapable infinite web of objects. I am caught, he thought, I am connected through objects to everyone and to everything that everyone does with any object anywhere. I am not sure that I like this. Through the objects around me, both useful and ornamental, through these objects’ connections with and similarities to other and yet other objects, I am implicated in all actions committed by all humans using objects that embody intentions, that are made for a purpose or suggest themselves as suitable for a purpose, that are available for the use of humans, that press their purpose on the minds of humans. We are all connected through objects because all objects are connected. “Everything in this damned world calls for indignation,” states the protagonist, so to call her, of Lara Pawson’s excellent little book, Spent Light. Although the ostensible scope of the book is entirely domestic and simple and small and plausibly claustrophobic, the quotidian household objects that she considers, objects that are seldom considered but merely used, reveal, by similarity, connections with objects used in and enabling acts of violence, injustice and exploitation committed on both humans and the environment anywhere in the world. A pepper mill is connected to a grenade, an egg timer is the same mechanism used to detonate a time bomb, on the toaster given to her by her disconcerting neighbour “above each light is a word printed in the same restrained font found in CIA documents. Together, they form a synopsis of the anthropocene: REHEAT DEFROST CANCEL”. Every characteristic of every thing twitches a web of association and resemblance often leading to her memories or at least knowledge of despicable actions committed with similar objects or implicated by the functions of her objects somewhere distant or else. These associations often reveal Pawson’s close observation of cruelties from her time as a war reporter in parts of the world seemingly different from but in fact not unconnected with her current rather domestic existence. But although the reader never knows when they will next be shocked by Pawson’s association of an object, an object that they very likely have themselves or which is very similar to an object that they have in their own intimate environment, with an act of cruelty, torture or genocide, an association that may change forever the way that the reader looks at their own object, the same world-wide web of objects that links us to these acts contains also associations that connect us, despite or because of the objects that we own, with others in acts of support, nurture or love; acts of support, nurture and love that are all the more angry, vital and beautiful because of the global contexts in which they must be waged. Lara Pawson, he thought, on the evidence of this book, is good company in the waging of such acts.

Welcome back Raccoon, Badger, Fox, Bear, and Crow!  Raccoon is reading a great book. It’s a wonderful adventure. It’s so exciting, he decides it’s time for his own expedition;— a journey around the world! For that he will need a boat, and he knows where he can find one. His friend, Badger, is just the fellow. Badger has everything, and all in their allotted places. Check out his storage shelves — so orderly! Badger also thinks he will be the perfect companion for this journey. Everyone needs a friend on such a journey. Boat and paddles in hand, they are ready to go. Setting off for the river, they meet Fox at the market selling her eggs. What about food? I better come along with you, insists Fox. The three friends are now prepared for their journey around the world. Bear is out fishing and reminds them about sea monsters and jellyfish. You’ll need a bear on your crew. Off to the river the four friends go. Crow flies past, and exclaims, I’ll be the look-out. Of course, they need a look-out for such a grand adventure. All together, they get under way. It’s a beautiful day for a journey down the river to the ocean. What a great adventure! Philip Waechter’s Around the World With Friends, like his previous picture book about our five wonderful friends ( A Perfect Wonderful Day with Friends), captures us. The five friends are adorable, their joyful and positive interactions irresistable, and the story moves at just the right pace, and with a gentleness that is sometimes missing in picture books. The illustrations are delightful and there is always more to see with each reading. Each of the friends has their special talent and all this comes in handy on their adventure down the river. An adventure which mostly goes to plan, but isn’t always plain sailing, so there will be some problem-solving along the way. There will be games on a sandy bank, scrambled eggs and oh dear! — rain. Exciting adventures are wonderful, especially with friends, but what about Fox’s chickens, and Bear needs his teddy at night, and Raccoon forgot to bring his book. Heading home is just fine — especially when there are plans for a new adventure very soon! A perfectly charming picture book for young adventurers. Recommended for gift-giving and inspiring summer adventures, filled with imagination and delight.

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Click through for your copies:

The Edge of the Alphabet by Janet Frame $40

Janet Frame’s third novel, long out of print, is republished by the esteemed Fitzcarraldo Editions to mark the 100th anniversary of her birth. The Edge of the Alphabet is a piercing, startlingly strange work about identity, the post-colonial experience and the search for connection in a lonely world. Toby Withers, a young man with epilepsy, leaves New Zealand after the death of his mother. While on board a ship to England, he meets Zoe, a middle-aged woman looking for a life of meaning and Pat, an Irishman who claims to have many friends but treats people with carelessness. Alike in their alienation, all three embark on a new life in London, piecing together an existence in the margins of the urban world. This edition includes a new foreword by Catherine Lacey.
”Her writing is engaging and idiosyncratic – full of a character that proves that the best way to strike deep with the reader is not to do what everyone else is doing, but to grasp your distinctive vision of the world and hammer it hard. That is the joy of books like this, out of print for 60 years, but now roaring into view, stronger and brighter than ever. It’s good to have it back.” —JJohn Self, The Times
”Janet Frame’s prose is a highly volatile material. Words, sentences, paragraphs behave like mercury on the page, running this way and that, forming new shapes and smears from one silvery, trembling blob…. Frame’s fiction … made not of some stale conception of verisimilitude but of the shifting stuff of sentences, can take us to a borderless, boundless anywhere.” —Kirsty Gunn, Times Literary Supplement
”‘It is the most Woolfian of Frame’s work: with intense, often dissociated separate monologues and repeated imagery of light, sounds and shapes evoking The Waves, and the long, turbulent journey by sea of Woolf’s first novel, The Voyage Out.” —Catherine Taylor, Guardian
”Intensely personal, her writing is always spiralling in on itself, towards the condition of myth, and yet it nails the moment, pins down experiences so fleeting that others would never grasp them. What eludes ordinary language, she can capture in the extraordinary argot of her imagination.” —Hilary Mantel
”It is a revelatory portrait of the sometimes unbearable unease of being a human, wrapped up in a consummately playful metafiction.” —Ellen Peirson-Hagger, New Statesman
”Frame achieved that supremely difficult task of finding a voice so natural it feels almost as if it were not written.” —Jane Campion, Guardian

• Voyage into delusion.

• Everything is walking through you.

• Why Frame didn’t want the book reprinted (and why it is being reprinted now).

• Red currants.

I Don’t Care by Ágota Kristóf (translated by Chris Andrews) $34

Here, in English at last, is a collection of Ágota Kristóf's short — sometimes very short — stories. Written immediately before her masterful trilogy (The Notebook, The Proof, The Third Lie), Kristof's short fictions oscillate between parable, surrealist anecdotes, and stories animated by a realism stripped to the bone, often returning to the theme of exile: the twin impossibilities of returning home and of reconstructing home elsewhere. The world of the book has very hard edges: cruelty is almost omnipresent, peace and consolation are scarce. Austere and minimalist, but with a poetic force that shifts the walls in the reader's mind, Kristof's penetrating short fictions make for extraordinary and essential reading.
”Pure genius.” — Max Porter
”Mischievous and mournful… moves at a velocity that puts one in mind of Italo Calvino. Readers of modernist European fiction ought to snatch this up.” — Publishers Weekly
”Many of Kristóf's stark vignettes, reported in unflinching detail, have a cool, disturbing power—part documentary-like, part surreal that is fierce and distinctive.” — Kirkus Reviews
”Kristóf’s sentences are like skeletons, commemorations of indescribable sadness that have been meticulously scrubbed of gore and gristle. She seems to sculpt her stories by omission, the great unspoken throughout her books being Hungarian. One might think of Kristóf’s fiction as an act of recuperation, an expression of loss that preserves loss in the form. The brevity of The Illiterate alone tells you that this is not her whole story. It is simply the one she tells.” — Jennifer Krasinski, The New Yorker
”For Kristóf, fiction is the only thing that might provide an escape from solitude... Her novels likewise lead to an engagement with the world. They open things up because of how they undermine what we consider to be true; they shatter a supposed unity. Kristóf’s writing shows us both the pleasure and the necessity of literary refraction.” — Missouri Williams, The Nation

• We can never express precisely what we mean.

• Deprivation exercises.

• The uses of illiteracy.

• The Illiterate.

• Read Thomas’s review of The Notebook.

This Mouth Is Mine by Yásnaya Elena A. Gil (Yásnaya Aguilar) (translated by Ellen Jones) $40

"This Mouth is Mine is an important reminder that the linguistic is political and that linguistic discrimination tends to intersect with racism. The book shows that indigenous languages are modern languages too, as suitable for writing rock lyrics, tweeting jokes, or explaining quantum physics as Spanish and English." —The Times Literary Supplement
A passionate cry for living, vital, indigenous languages and the people who speak them., this book should be required reading for our current government. Despite the more than 200 Indigenous languages spoken in Mexico, including 63 that are officially recognized and celebrated by the Mexican government, linguistic diversity is and has been under attack in a larger culture that says bilingual is good when it means Spanish and English, but bad when it means Nahuatl and Spanish. Yásnaya Aguilar, a linguist and native Mixe speaker, asks what is lost, for everyone, when the contradictions inherent in Mexico's relationship with its many Indigenous languages mean official protection and actual contempt at worst, and ignorance at best. What does it mean to have a prize for Indigenous literature when different Indigenous languages are as far from each other as they are from Japanese? What impact does considering Tzotzil "cultural heritage" have on our idea of it, when it is still being used, and refreshed, and changed (like every other language) today? How does the idea of Indigeneity stand up, when you consider Indigenous peoples outside of the frame of colonialism? Personal, anecdotal, and full of vivid examples, Aguilar does more than advocate for the importance of resistance by native peoples: she offers everyone the opportunity to value and enjoy a world in which culture, language, and community is delighted in, not flattened. "We have sacrificed Mexico in favour of creating the idea of Mexico" she says. This Mouth Is Mine is an invitation to take it back.
"This volume is a collection of denunciations against linguistic discrimination, contempt for speakers of languages other than Spanish, the constant violation of their linguistic rights, and the lack of access to self-determination over their territories. This is evidence that, although it proclaims otherwise, the Mexican state has failed to build a true intercultural relationship. This is a dialogical text that weaves an individual voice with that of the community to reflect on the struggle for linguistic diversity and vitality, in a context of systematic violence against peoples and communities who defend their language and territory." —ONAHCYT
"Thanks to the accessible and unpretentious language used by the author, this book is an undemanding and even fun read without losing the rigour and seriousness that such an important subject deserves. It is difficult to find a book to compare with This Mouth is Mine, since the struggle of Indigenous peoples to bring their own perspectives to the table has been hard and many obstacles are still placed in their way of achieving autonomy. Still, the fact that the foundations are only just being laid to amplify historically marginalised voices in the academy makes this work all the greater an achievement for those whose viewpoints have been ignored because they have been expressed in languages other than Spanish. The publication of This Mouth is Mine is not only a tool for questioning the role that the state has played in the elimination of the native cultures of the national territory, but also constitutes significant progress toward the creation of a socio-cultural policy focused on linguistic diversity." —Idiomatica, revista universitaria de lenguas

• We were not always Indigenous.

• Defending the tongue.

• The necessity of linguistic diversity.

Orbital by Samantha Harvey $26

A team of astronauts in the International Space Station collect meteorological data, conduct scientific experiments and test the limits of the human body. But mostly they observe. Together they watch their silent blue planet, circling it sixteen times, spinning past continents and cycling through seasons, taking in glaciers and deserts, the peaks of mountains and the swells of oceans. Endless shows of spectacular beauty witnessed in a single day. Yet although separated from the world they cannot escape its constant pull. News reaches them of the death of a mother, and with it comes thoughts of returning home. They look on as a typhoon gathers over an island and people they love, in awe of its magnificence and fearful of its destruction. The fragility of human life fills their conversations, their fears, their dreams. So far from earth, they have never felt more part — or protective — of it. They begin to ask, what is life without earth? What is earth without humanity? {Now in paperback}
Short-listed for the 2024 Booker Prize (and a customer favourite).

• Liking Alien — Having Insomnia

• Try orbiting

• A Melville of the Skies

• Viewing from Space

• Live with the Astronauts

• The Shapeless Unease.

The Safekeep by Yael van der Wouden $38

It's fifteen years since the Second World War and the rural Dutch province of Overijssel is quiet. Bomb craters have been filled, buildings reconstructed, and the conflict is well and truly over. Living alone in her late mother's country home, Isabel's life is as it should be — led by routine and discipline. But all is upended when her brother Louis delivers his graceless new girlfriend, Eva, at Isabel's doorstep — as a guest, there to stay for the season. Eva is Isabel's antithesis — she sleeps late, wakes late, walks loudly through the house and touches things she shouldn't. In response Isabel develops a fury-fuelled obsession, and when things start disappearing around the house — a spoon, a knife, a bowl - Isabel's suspicions spiral out of control. In the sweltering heat of summer, Isabel's desperate desire for order transforms into infatuation — leading to a discovery that unravels all she has ever known. The war might not be well and truly over after all, and neither Eva — nor the house — are what they seem. 
Short-listed for the 2024 Booker Prize.
”We loved this debut novel for its remarkable inhabitation of obsession. It navigates an emotional landscape of loss and return in an unforgettable way.” —Booker judges
”Van der Wouden may be familiar as the author of the 2017 essay ‘On (Not) Reading Anne Frank’, which explored what it means to be a Dutch Jewish writer and her complicated relationship to Frank’s legacy. As Isabel and Eva’s connection unfolds, Van der Wouden’s true subject comes into view: how ordinary people were implicated in the ethnic cleansing that took place during World War II. Even in peacetime, Isabel and her peers are quick to notice people who appear different, with a fierce disgust that Isabel risks turning on herself as she comes to terms with her sexuality. A novel of redemption as much as revenge, The Safekeep has the pacing and twists of a thriller, while delving into the deeper issues laid bare by the Holocaust.” —Lauren Bufferd, BookPage
”This is a beautifully realised book, nearly perfect, as van der Wouden quietly explores the intricate nuances of resentment-hued sibling dynamics, the discovery of desire (and the simultaneous discovery of self), queer relationships at a time when they went unspoken, and the legacy of war and what it might mean to have been complicit in its horrors.'“ —Kirkus

• Read an extract.

• On (Not) Reading Anne Frank.

• What the author reads.

⿻ 數位 Plurality : The Future of Collaborative Technology and Democracy by Audrey Tang, E. Glen Weyl et al $68

A superb handbook for wresting digital technology from the hands of those who seek to use it to exploit and control us, and instead for using it to make a better, freer, more inclusive life for all. Digital technology threatens to tear free and open societies apart through polarisation, inequality, and loneliness. But in the decade since the weeks-long occupation of the Taiwan parliament, a diverse island of resilience has shown another way is possible. Taiwan achieved inclusive, technology-fueled growth, withstood the pandemic without lockdowns, and the infodemic without takedowns, entrusted its people to tackle shared challenges like environmental protection while capitalising on a culture of innovation to "hack the government." Here, the architects of Taiwan's internationally acclaimed digital democracy share the secret of their success. Plurality (symbolized ⿻) harnesses digital tools not to replace humans or trust, but to channel the potential energy in social diversity that can erupt in conflict instead for progress, growth and beauty. From intimate digitally empowered telepathy to global trade running on social networks rather than money, ⿻ offers tools to radically enrich relationships while leaving no one behind. ⿻ thus promises to transform every sector from healthcare to media, as illustrated by the way it has been written: as a chorus of open, self-governing collaboration of voices from around the globe. Their work in public on this openly available text shows — as well as tells — how everyone from a devout African farmer to a Hollywood celebrity can help build a more dynamic, harmonious and inclusive world.

• From civic hacker to cabinet minister.

Tree of Nourishment (‘Kāwai’ #2) by Monty Soutar $40

It’s 1818 on the East Coast of Te Ika-a-Māui, New Zealand. Hine-aute, granddaughter of the legendary warrior Kaitanga, is fleeing through the bush, a precious yet gruesome memento contained in her fishing net. What follows is a gripping tale of a people on the cusp of profound change that is destined to reverberate through many generations to come. The Europeans have arrived, and they’ve brought guns and foreign diseases, ushering in a whole new world of terror and trouble. They’ve also brought a new religion, which will cause Māori to question everything they had believed to be true. Hine and her sons Ipumare and Uha are caught in the crossfire of change, creating fractures in their close familial bonds and undermining everything they hold dear. From raids by musket-wielding war parties to heightened internecine warfare; from the influx of whalers, traders and Christian missionaries to the signing of The Treaty of Waitangi, Kāwai: Tree of Nourishment strikes hard and deep into the heart of the initial impact of colonisation on Māori.

• For Such a Time as This (‘Kāwai’ #1)

Cairn by Kathleen Jamie $28

For the last five years poet and author Kathleen Jamie has been turning her attention to a new form of writing: micro-essays, prose poems, notes and fragments. Placed together, like the stones of a wayside cairn, they mark a changing psychic and physical landscape. The virtuosity of these short pieces is both subtle and deceptive. Jamie's intent 'noticing' of the natural world is suffused with a clear-eyed awareness of all we endanger. She considers the future her children face, while recalling her own childhood and notes the lost innocence in the way we respond to the dramas of nature. With meticulous care she marks the point she has reached, in life and within the cascading crises of our times.

Juice by Tim Winton $55

Two fugitives, a man and a child, drive all night across a stony desert. As dawn breaks, they roll into an abandoned mine site. From the vehicle they survey a forsaken place - middens of twisted iron, rusty wire, piles of sun-baked trash. They're exhausted, traumatised, desperate now. But as a refuge, this is the most promising place they've seen. The child peers at the field of desolation. The man thinks to himself, this could work. Problem is, they're not alone. So begins a searing, propulsive journey through a life whose central challenge is not simply a matter of survival, but of how to maintain human decency as everyone around you falls ever further into barbarism.

• New ground.

• Our leaders are collaborators with fossil fuel colonialists.

Self-Esteem and the End of the World by Luke Healy $45

Who is Luke Healy?' For over ten years, a graphic novelist called Luke Healy has invested all of his self-esteem into his career. Then, almost overnight, just as his brother is getting married, both seem to vanish. Spiralling and lacking purpose, he searches for identity — in self-help books, replacement jobs and human connection — and visits cheesy British hotels and abandoned Greek islands. Set against the backdrop of a dangerously changing global climate, with melting ice-caps and flooding cities, Self-Esteem and the End of the World spans two decades of tragicomic self-discovery until the unlikely prospect of a Hollywood revival of Luke's work comes into view — but what might be the cost?Quietly funny, smartly introspective, and grounded in deeply-felt familial highs and lows, Self-Esteem and the End of the World ponders what happens when the person you are isn’t who you need to be, who you are when nobody’s watching, and ultimately, who can you possibly be at the end of the world?

• Look inside!

• Self-obsession and environmental disaster.

Cypria: A journey to the heat of the Mediterranean, A new history of Cyprus by Alex Christofi $40

Think of a place where you can stand at the intersection of Christian and Arab cultures, at the crossroads of the British, Ottoman, Byzantine, Roman and Egyptian empires; a place marked by the struggle between fascism and communism and where the capital city is divided in half as a result of bloody conflict; where the ancient olive trees of Homer's time exist alongside the undersea cables which link up the world's internet. In Cypria, named after a lost Cypriot epic which was the prequel to The Odyssey, British Cypriot writer Alex Christofi writes a deeply personal, lyrical history of the island of Cyprus, from the era of goddesses and mythical beasts to the present day. This sprawling, evocative and poetic book begins with the legend of the cyclops and the storytelling at the heart of the Mediterranean culture. Christofi travels to salt lakes, crusader castles, mosques and the eerie town deserted at the start of the 1974 war. He retells the particularly bloody history of Cyprus during the twentieth century and considers his own identity as traveller and returner, as Odysseus was.

• Takeaways.

• He took a camera, too.

Ideology: An introduction by Terry Eagleton $37

Ideology has never before been so much in evidence as a fact, and so little understood as a concept, as it is today. Eagleton unravels its many definitions, exploring its tortuous history from the Enlightenment to the present. The book provides lucid accounts of the thought of key Marxist thinkers, as well as that of philosophers from Schopenhauer and Nietzsche to Freud and the post-structuralists, and a political reformulation of a vital set of ideas.
”Witty, lucid, and powered by that stinging, militant, ironising intelligence which distinguishes Eagleton's work.” —Guardian

Odyssey by Stephen Fry $40

Troy has fallen. After 10 years of war, the Greeks make their way back to their own lands - but what homes now await them? Agamemnon must return to his wife Clytemnestra, who has been nursing her rage since he sacrificed their daughter to the gods for a favourable wind. Her revenge will know no bounds. Meanwhile, Odysseus has angered the god Poseidon and he is cursed to wander the seas. Follow Odysseus after he leaves the fallen city of Troy and takes ten long dramatic years — battling monsters, resisting goddesses, and suffering the curse of Poseidon — to voyage home to his wife Penelope on the island of Ithaca. The fourth and final volume of Fry’s epic undertaking of retelling Greek myths and legends.

• Mythos.

• Heroes.

• Troy.

• Emily Wilson’s translation of Homer’s The Odyssey.

• Circumspect Penelope.

Patrik, who sometimes calls himself ‘the patient’, is a literary researcher living in present-day Berlin. The city is just coming back to life after lockdown, and his beloved opera houses are open again, but Patrik cannot leave the house and hardly manages to get out of bed. He is supposed to give a paper at a conference in Paris, on the poetry collection Threadsuns by Paul Celan, but he can’t manage to get past the first question on the registration form: “What is your nationality?” Then at a café (or in the memory of being at a café?), he meets a mysterious stranger. The man’s name is Leo-Eric Fu, and somehow he already knows Patrik…

In the spirit of imaginative homage like Roberto Bolaño’s Monsieur Pain, Antonio Tabucchi’s Requiem, and Thomas Bernhard’s Wittgenstein’s Nephew, Yoko Tawada’s mesmerizing novel unfolds like a lucid dream in which friendship, conversation, reading, poetry, and music are the connecting threads that bind us together.

* The New Directions title is Paul Celan and the Trans-Tibetan Angel , the Dialogue Books edition is titled Spontaneous Acts (same book, different titles, different jackets… buy the one you prefer!)

Find out more:

• Read Thomas’s review.

• The present is a constant deferment.

• Removing language from the paper it’s written on.

• Absorbing linguistic stangeness..

• Yoko Tawada on Celan, language and translation

• An Adroit Poetic Novel

• Language as a living thing.

• Between Two Languages - An Interview

• Yoko Tawada on the Moon

• Susan Bernofsky on Translation, Yoko Tawada, and Paul Celan

A selection of books from our shelves.
Take a walk at Volume.
Click through to find out more:

Walking in the Woods

Wanderlust

The Sea Walks into a Wall

Treacle Walker

Walks with Walser

A Philosophy of Walking

Walk the Blue Fields

How We Walk

NEW BOOKS AND BOOK NEWS

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27 September 2024

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From the opening pages, its gothic lettering contents page, an image of a carriage arriving in a small mountain village surrounded by forests, the looming buildings of the sanatorium, you feel as if you have entered the opening scenes of Nosferatu. Olga Tokarczuk’s novel The Empusium, subtitled A Health Resort Horror Story, builds intrigue from the outset. It’s 1913, a year before great turmoil, and curing tuberculosis is all the rage. Our young Polish hero, Mieczyslaw Wojnicz, has been sent to the Silesian village of Gorbersdorf for the fresh air, the cold baths and the expert advice of Dr.Semperweiss. The sanatorium is popular and full. Wojnicz takes a room at the more economical Guesthouse for Gentlemen run by the unseemly Optiz with help of a rugged lad, Raimund. Here his fellow guests, after a day of health procedures and walks in the village, sit down to dinner together. It’s an evening of conversation, often arguments, about existence, human behaviour, psychology, and politics; as well as the purpose of women or more accurately their flawed views on the inferiority of women. This topic of conversation, much to the surprise and annoyance of Wojnicz, who they take pleasure in warning and teasing, is a frequent and recurring theme, helped along by a local speciality, a mushroom-infused liquor— the hallucinatory effects fueling the conversation, as well as driving the gentlemen towards introspection. Wojnicz’s fellow housemates include a serial returnee who seems driven by ennui, a humanist bent on lecturing our dear young hero, a young student of art (dying), and the aptly nicknamed The Lion, his bombastic nature making him easy to dislike. Thrown into this dysfunctional playground, the timid Wojnicz is unnerved, and this is not helped by a suicide by hanging on his first day in the house. A house with strange creakings, with cooing in the attic and the whoosh of that new thing, electricity. Not to mention the horror chair with straps in the room upstairs, the graves in the cemetery with an abundance of November death dates, and the uncanny behaviour of the charcoal burners in the forests. Secrets abound, and Wojnicz has several of his own he’s keeping close to his chest. Tokarczuk builds this multi-layered tale from snippets of Greek mythology, the new ideas of the period (think Freud) and as a response to Thomas Mann’s The Magic Mountain (published 100 years ago). Like Drive Your Plow Over the Bones of the Dead there is a mystery here, a fizzing at the edges, black humour, and a deadly serious exploration of ideas.  While Drive Your Plow is pushing the idea of eco-activist in response to harmful tradition, The Empusium is examining the misogyny of the 20th century canon and by extension the influence of these writers, philosophers and psychologists on the contemporary intellectual landscape. To counter the conversations of the ‘gentlemen’, there is a wonderful sense of being watched, that things are not what they seem, and justice will be done. In Greek mythology, the Empusa were shapeshifting creatures. Appearing as beautiful women they preyed on young men, and as beasts devoured them. Beware of those that have one leg of copper, and the other, a donkey’s. As Wojnicz finds the Guesthouse increasingly repressive, the rigours of treatment intrusive, the hallucinogenic effects of liquor to be avoided, and the tragic decline of the young man Thilo unbearable, he also finds in himself a strength as to date untapped. Whether from curiosity, delusion, avoidance of his own fraught familiar relationships, or an unconscious desire to live, our hero explores the depths of the house and the village in an attempt to discover what drives the men of this village to act so horrifically. Add into this rich psychological horror, rich, fetid descriptions of the forest, its minutiae, the fungi and foliage, an atmospheric mindscape grows. Reading The Empusium is like looking through a telescopic lens, one that fogs over, but a twitch of the controls, and a whisk of a cloth, brings it all into sharp relief. If you haven’t read Tokarczuk, it’s time to start.

TEXT EDITION

FITZCARRALDO EDITION