Autumn means more time indoors and the perfect temperature for kitchen adventures! And VOLUME has some tempting treats for your cookbook shelves and food-reading pleasure. Try a new cuisine, discover an inspiring chef, add to your everyday favourite dishes repertoire, and enjoy creating a delectable feast!
If you think the tasting plate below looks delicious, enter here for more culinary delights!
Build an autumn store of books for the reading days ahead. We can send your books by overnight courier or have them ready to collect from our door.
House of Fury by Evelio Rosero (translated from Spanish by Victor Meadowcroft) $42
Taking place entirely on a single evening — Friday, April 10, 1970 — in a large Bogotá mansion, House of Fury tells a hair-raising story. Nacho Caiciedo, a magistrate of the Supreme Court of Justice, lives with his wife Alma and their six grown daughters. The Caiciedos have planned an enormous celebration in their home. But before the party has even started, the family is shocked by two pieces of news: their teenage daughter Italia is pregnant, and Alma's prodigal brother Jesús is expected at any moment. Guests from all levels of Bogotá society arrive, two earthquakes strike, and the party descends into debauchery; Nacho, out in the city streets, searching for Italia, is kidnapped by a ragtag militia, and its troops eventually invade the party and bring more chaos. House of Fury begins as a black comedy and unravels into a grim portent of the conflict that would rage across Colombia for fifty years. House of Fury is an indelible, fantastical work that with its unforgettable characters and unflinching, poetic, and humane voice, brings to light Colombia's violent history. [Paperback]
”Chekhov would've been mesmerized. In lieu of a single gun, Evelio Rosero sets up the contents of an entire armory. Building the intricate, involute procession of a single terrible night, the Colombian writer braids the many threads of his story with a candor and a knowingness that always hints towards the devastation to come. That House of Fury still manages to astound, then, is a testament to Rosero's finesse of the macabre, his merciless indictment of his nation's brutal history, and his utter disregard for narrative comforts.” —Xiao Yue Shan, Asymptote Journal
On the Clock by Claire Baglin (translated from French by Jordan Stamp) $38
In one strand, a young family bumps and scrapes through life. The hapless father balances demanding factory shiftwork, while the mother constantly prioritises the needs of others over her own. But there is also happiness: a trip to the seaside; sibling squabbles, games and laughter; tenderness and support. In another strand, a young woman describes her days working in a burger chain. It is exhausting, repetitive labour, too often peopled by tricky customers and even trickier managers. Hours pass. Days, weeks, years. It is an existence that marks the body and mind and governs a life. What emerges, alive with eloquent detail, is a compelling exploration of social inequality. Writing with nimble nuance, a sly, subtle wit, and a sharp ear, Claire Baglin marks her debut in On the Clock as a blazingly original talent. [Paperback with French flaps]
”A sophisticated new voice exploring the French working-class experience and the ways in which language may express its precarious specificities.” —Times Literary Supplement
The Accidentals by Guadalupe Nettel (translated from Spanish by Rosalind Harvey) $36
When an albatross strays too far from its home, or loses its bearings, it becomes an 'accidental', an unmoored wanderer. The protagonists of these eight stories each find the ordinary courses of their lives disrupted by an unexpected event and are pushed into unfamiliar terrain: a girl encounters her uncle in hospital, who was cast out of the family for reasons unknown; a menacing force hovers over a fracturing family on a rural holiday; a couple and their children inhabit a stifling world where it is better to be asleep than awake; a man's desire for a solution to his marital dissatisfaction has unforeseen consequences. Deft and disquieting, oscillating between the real and the fantastical. [Paperback with French flaps]
”Guadalupe Nettel yet again walks into uncertain terrain with these mysterious stories. There are secrets everywhere, she says, especially in life's most intimate and familiar aspects. The Accidentals never loses its sense of things being out of joint, and Nettel explores these fears with calm and with beauty.” —Mariana Enriquez
”I adored this collection, it spread its roots out within me. Nettel is an extraordinary writer.'“ —Daisy Johnson
”The Accidentals is a striking and compelling collection that searches for the extraordinary within the ordinary. Each narrative veers seamlessly from the mundane to the existential; the writing is deft, and unsettling prose imbues the work with a profound resonance. I loved these stories, mad and controlled, and brilliant.” —Elaine Feeney
”Nettel is one of the leading lights in contemporary Latin American literature. I envy how naturally she makes use of language; her resistance to ornamentation and artifice; and the almost stoic fortitude with which she dispenses her profound and penetrating knowledge of human nature.” —Valeria Luiselli
Visas Now! Aotearoa’s response to global refugee emergencies by Murdoch Stephens et al $30
This incisive study examines Aotearoa’s history of humanitarian immigrations and then zooms in on the high-stakes, one-off intakes of Syrians, Afghans and Ukrainians in the past decade. The book also includes nine people who share how their communities came together to seek emergency refugee intakes, including some whose calls went unanswered. Essential reading for anyone interested in humanitarian protection in a time of crisis. [Paperback]
Atlas of the New Zealand Wars, Volume 1: 1834—1864, Early Engagements to the Second Taranaki War edited by Derek Leask $90
This splendid and completely fascinating book will add new dimensions to your understanding of this pivotal period, and demonstrates the central place of cartography to the colonial project. In the Atlas of the New Zealand Wars, five decades of maps and plans from 1834 to 1884 provide remarkable new insight into the deep conflicts running through nineteenth-century Aotearoa. Beginning with early skirmishes off the Taranaki coast and at the Chathams, Volume One follows the tracks inland from the Bay of Islands towards the Hokianga in the Northern Wars; it reveals the web of Te Rauparaha's influence radiating out from Kapiti to Port Nicholson and across Cook Strait to the Wairau; it takes us inside the barracks and ramparts of the colony's new towns; and concludes as the brewing unrest around Waitara in Taranaki explodes into war. Through the maps, we meet the people: Hone Heke and FitzRoy, Te Rangitake and Pratt, warriors and missionaries; and we go where they went: from the flagpole at Kororareka to Kawiti's pa at Ruapekapeka, up the Hutt River to Boulcott's farm, across Taranaki from Waitara to Kaitake pa. Through both tangata and whenua we understand the conflicts and their consequences anew. Based on thirty years of research, the Atlas of the New Zealand Wars reveals a complex series of challenges and misunderstandings, skirmishes and negotiations, battles and wars that have profoundly shaped the lives of Māori and Pākeha on these islands ever since. [Hardback]
”Derek Leask’s Atlas is a magnificent labour of love. It adds a whole new — visual — dimension to our understanding of the New Zealand Wars.” — James Belich, Beit Professor of Global and Imperial History, University of Oxford
Surplus Women by Michelle Duff $35
Survival, friendship, love, desire, pain, freedom. Jess is the only one in her group who hasn’t lost her virginity. Genevieve is being held captive in a dug-out with her gymnastics nemesis from 40 years ago. At night, Jade absorbs catcalls like Mario powering up on mushrooms. From heaven, the Dream Team data-analyses human destinies while worrying about their job security. As Whetū and Sia race to the hospital in the rain, Whetū remembers another night that changed everything. This is a collection of stories about women in past, present and future Aotearoa. Michelle Duff’s cast of hungry teenage girls, top detectives who forget to buy milk, frustrated archivists, duplicitous real estate agents, and ‘surplus women’ are all as vivid as wafts of Impulse from a backpack in the 90s. These stories move nimbly from realism to comic overdrive, from the outlandish to the simply true, with characters reappearing from new angles. As they meditate on power and patriarchy, love and bad decisions, these stories remind us of the sweet dreams we used to have and how it feels to wake up from them. [Paperback]
”Vibrant, eclectic, sharp as hell. We’re in the presence of a writer who is acutely aware of the way each story whispers to another — especially, crucially, around what girls and women leave chronically unsaid, the surplus silence in our lives.” —Tracey Slaughter
”The characters are unforgettable. This is a voice I am happy to spend time with, a voice that is offering something new.” —Tina Makereti
Zone by Mathias Énard (translated from French by Charlotte Mandell) $28
”Énard 's text is like a ball-bearing rolling around indefinitely inside a box over surfaces imprinted with every sort of information about the wider Mediterranean, from Barcelona to Beirut, and Algiers to Trieste (the ‘Zone’), past and present. Énard very effectively uses the necessarily one-directional movement of a sentence to sketch out, through endless repetition and variation, the multi-dimensional complexity of the political, cultural, historical, social and physical terrain of the entire Zone. The narrative, so to call it, takes the form of a single 496-page sentence perfectly capturing (or perfectly inducing the impression of) the thought processes of the narrator as he travels, in ‘real’ time by train from Milan to Rome bearing a briefcase of classified information on terrorists, arms dealers and war criminals to sell to the Vatican, speeding on amphetamines, fatigue and alcohol, in his memory through multistranded loops from his experiences, which include his involvement as a mercenary in Croatia and working for the French secret service as well as his string of personal relationships, and in even greater loops of knowledge and association that pertain to the places in which his experiences took place and the history associated therewith. Énard’s prose is so irresistible and so mesmeric that the reader is effortlessly borne along, its forward movement not at all inhibited by the encyclopedic effect of the loops, and the loops upon the loops, upon the strand of the narrator’s journey, nor by the pieces of painful psychological grit not yet abraded from the narrator’s personal history of involvement in the recent traumas of the Zone. By so seductively inhabiting the mind of his less-than-admirable narrator, a mind caught between obsessive focus and restless discursion, Énard provides a panoramic view of the political and personal violence that has shaped the history and cultures of the Zone, and also intimates the way in which an individual is caught irretrievably in the great web of their circumstances, submission to those circumstances being the price of travelling along them.” —Thomas. [New paperback edition]
Death Goddess Guide to Self Love by Carin Smeaton $30
Death Goddess sings loud, proud and offkey about the trauma, mess and gore of our awa atua, red river fox, our frenemy enemy ovaries! This goddess isn’t afraid of nothing. She’s not afraid to spill her moon sickness on the western line. She is not afraid to kick up a storm in colonial institutions. She’s not gonna wear their shame. Rather, this collection kicks these brutal systems high up into the whetu for a pulse check. She’s Carin Smeaton’s third full length collection of new original poetry, her unexpected baby, her new born freedom fighter! [Paperback]
"Carin’s kupu come sideways, they break the rules, they respect the kuia and the power of slang, her poems are a testament to staying sly and aware, her angles are always a beautiful surprise, she embraces the ordinary and the divine, and biting into her mahi is to experience both, like popping candy let loose in the cage of the waha." —Talia Marshall
Going Mainstream: Why extreme ideas are spreading, and what we can do about it by Julia Ebner $28
Incels. Anti Vaxxers. Conspiracy theorists. Neo-Nazis. Once, these groups all belonged on the fringes of the political spectrum. Today, accelerated by a pandemic, global conflict and rapid technological change, their ideas are becoming more widespread: QAnon proponents run for U.S. Congress, neo-fascists win elections in Europe, and celebrity influencers spread dangerous myths to millions. Going Mainstream asks the question: What is happening here? Going undercover online and in person, UK counter-extremism expert Julia Ebner reveals how, united by a shared sense of grievance and scepticism about institutions, radicalised individuals are influencing the mainstream as never before. Hidden from public scrutiny, they leverage social media to create alternative information ecosystems and build sophisticated networks funded by dark money. Ebner's candid conversations with extremists offer a nuanced and gripping insight into why people have turned to the fringes. She explores why outlandish ideas have taken hold and disinformation is spreading faster than ever. And she speaks to the activists and educators who are fighting to turn the tide. Going Mainstream is a dispatch from the darkest front of the culture wars, and a vital wake-up call. [Paperback]
''With unparalleled insight and urgency, Ebner reveals the dangerous spread of extremist beliefs. This book is a must-read for anyone who wants to understand the terrifying new reality we face.'' —Eliot Higgins, author of We Are Bellingcat
Powsels and Thrums: A tapestry of a creative life by Alan Garner $45
In this memoir, Garner traces the line of his life: from a working-class childhood in the landscape of Cheshire during World War II, through a grammar school education and on to the University of Oxford, and then home to see if he could become what he most desired: a writer. We see the serendipitous moments that drove his course, from coming-of-age in a period of great cultural change, to crossing paths with a famous mathematician while out long-distance running, to the fateful day he chanced across Blackden, the medieval hall, miraculously located next to the giant telescope at Jodrell Bank, that was to become his lasting home and the setting for Treacle Walker. As Garner tells us, a lifetime of working with a pen produces the powsels and thrums of research, imagination and story. These oddments can be shaped into something more than its parts: a vivid tapestry of a creative life that will inspire any reader. [Hardback]
”Who could resist such a title? The term derives from handloom weaving, Alan Garner's great-grandfather's trade, and refers to the scraps of cloth that weavers kept for themselves - an evocative metaphor for the writings collected herein. These snippets, produces on the same magical loom, together attain a mesmerizing wholeness, vibrating with life and curiosity.” —Observer
”A sequence of work collected from various sources across the years which offers a remarkable window into Garner's mind and heart. I use the word window advisedly, for Garner's prose is as clear as glass, perfectly conveying the precision of his thought. You don't have to know his work well to become immersed in this little book.” —Spectator
Colony by Annika Norlin (translated from Swedish by Alice E. Olsson) $38
One morning, Emelie can't get out of bed. Her therapist calls it burnout. Her neighbour calls it the tiny work death. She needs to get away from the brightness of the city lights, the noise of the people, the constant demands, so she goes to the woods, pitches her tent overlooking the lake, breathes. And that's where she sees them, the Colony- A man with a sad face. A tall, strong, older woman. A woman in her forties, squatting to examine an ant hill. Another woman in her forties, short, long hair, ample bosom, good posture - the leader? An extremely beautiful man. A slightly younger man, in a Helly Hansen jacket and trucker hat. And a teenage boy, standing a little way from the group. Who are they? What do they mean to each other? And why do they behave in such strange ways- thanking the fish they eat, sleeping under a tree, singing off key, dancing without music, never letting the boy fully in? As Emelie becomes more and more drawn to the Colony, she begins to re-evaluate her own lifestyle. Wouldn't it be nice to live as these seven do? Apart from society and its expectations. But groups always have their dynamics and roles. Which are you? And what if you want to change? [Paperback]
Te Moana o Reo | Ocean of Languages edited by Michelle Elvy and Vaughan Rapatahana $30
This sparkling collection of stories brings more than 40 languages together, highlighting the complex realities of Aotearoa’s multicultural and multilingual society. Including microfictions and creative nonfictions, plus 12 essays from language practitioners and experts, Te Moana o Reo holds words to the light, examining, contemplating and declaring who we are. This is a 21st-century view of Aotearoa, a taonga for our world. Writers include: David Eggleton, Airana Ngarewa, Melanie Kwang, Karlo Mila, Ghazaleh Gol, James Norcliffe, Robert Sullivan, Lynn Jenner, Harry Ricketts, Jana Grohnert, Serie Barford, Lynn Davidson, Renee Liang, Hēmi Kelly. [Paperback]
Mozart in Italy: Coming of age in the land of opera by Jane Glover $28
At thirteen years old Wolfgang Amadeus Mozart was a child prodigy who had captured the hearts of northern Europe, but his father Leopold was now determined to conquer Italy. Together, they made three visits there, the last when Mozart was seventeen, all recounted here by conductor Jane Glover. Father and son travelled from the theatres and concert salons of Milan to the church-filled streets of Rome to Naples, poorer and more dangerous than the prosperous north, and to Venice, the carnivalesque birthplace of public opera. All the while Mozart was absorbing Italian culture, language, style and art, and honed his craft. He met the challenge of writing Italian opera for Italian singers and audiences, and provoked a variety of responses, from triumph and admiration to intrigue and hostility: in a way, these Italian years can be seen as a microcosm of his whole life. [Paperback]
Borderlines: A history of Europe told from the edges by Lewis Baston $40
Europe's internal borders have rarely been 'natural'; they have more often been created by accident or force. In Borderlines, political historian Lewis Baston journeys along twenty-nine key borders from west to east Europe, examining how the map of the continent has been redrawn over the last century, with varying degrees of success. The fingerprints of Napoleon, Alexander I, Castlereagh, Napoleon III and Bismarck are all there, but today's map of Europe is mostly the work of the Allies in 1919 and Stalin in 1945. To journey to the centre of the story of Europe, Baston takes us right to its edges, bringing to life the fascinating and often bizarre histories of these border zones. We visit Baarle, the town broken into thirty fragments by the Netherland-Belgium border, and stop in Ostritz, the eastern German town where Nazis held a rock festival. We meander the back lanes of rural Ireland, and soak up the atmosphere in the Viennese-style coffee houses of the elegant Ukrainian city of Chernivtsi. Through these borderlands, Baston explores how places and people heal from the scars left by a Europe of ethnic cleansing and barbed wire fences, and he searches for a better European future — finding it in unexpected places. [Paperback]
Uprooting: From the Caribbean to the countryside — Finding home in an English garden by Marchelle Farrell $28
What is home? It's a question that has troubled Marchelle Farrell for her entire life. Years ago she left Trinidad and now, uprooted once again, she heads to the peaceful English countryside — and finds herself the only Black woman in her village. Drawn to her new garden, Marchelle begins to examine the complex and emotional question of home in the context of colonialism. As her relationship with the garden deepens, she discovers that her two conflicting identities are far more intertwined than she had realised. Winner of the Nan Shepherd Prize. [Paperback]
Clara and the Birds by Emma Simpson $35
For as long as she can remember, Clara has always been fascinated with birds--where they go, how they take flight, and the way they immediately fly away from her when she comes into contact with them. Like the birds she so admires, Clara is considered shy by those around her. She too feels the urge to flee the company of others, preferring the comforting bubble of solitude instead. Convinced that her desire to be alone is a weakness, she fails to find her voice or recognize her own inner strength. That is, until she has a chance encounter with a bird who doesn't immediately fly away. [Hardback]
Pakistan: Recipes and stories from home kitchens, restaurants, and roadside stalls by Maryam Jillani $65
Thanks to shared borders with Afghanistan, China, India, and Iran, and a history of migration and trade, Pakistani dishes draw upon a marvelous array of flavours and ingredients that make food one of the country's finest qualities. With over 100 recipes for sauces, chutneys, aromatic curries and subtly spiced vegetables, Pakistan is a perfect introduction to readers new to the cuisine and a welcome reminder of favorites to those already familiar. A few of the recipes that await: Spiced Chicken Dumplings, Lentil Fritters in Yogurt, Tangy Potato Curry, Slow-Cooked Lamb, Saffron-Infused Flatbread, and Parsi Wedding Custard. Along with essays profiling each of the country's regions, abundant and dramatic photography, and a show-stopping package, Pakistan is a cookbook to be read, savoured, and cooked from. [Hardback]
Énard 's text is like a ball-bearing rolling around indefinitely inside a box over surfaces imprinted with every sort of information about the wider Mediterranean, from Barcelona to Beirut, and Algiers to Trieste (the ‘Zone’), past and present. Énard very effectively uses the necessarily one-directional movement of a sentence to sketch out, through endless repetition and variation, the multi-dimensional complexity of the political, cultural, historical, social and physical terrain of the entire Zone. The narrative, so to call it, takes the form of a single 520-page sentence perfectly capturing (or perfectly inducing the impression of) the thought processes of the narrator as he travels, in ‘real’ time by train from Milan to Rome bearing a briefcase of classified information on terrorists, arms dealers and war criminals to sell to the Vatican, speeding on amphetamines, fatigue and alcohol, in his memory through multistranded loops from his experiences, which include his involvement as a mercenary in Croatia and working for the French secret service as well as his string of personal relationships, and in even greater loops of knowledge and association that pertain to the places in which his experiences took place and the history associated therewith. Énard’s prose is so irresistible and so mesmeric that the reader is effortlessly borne along, its forward movement not at all inhibited by the encyclopedic effect of the loops, and the loops upon the loops, upon the strand of the narrator’s journey, nor by the pieces of painful psychological grit not yet abraded from the narrator’s personal history of involvement in the recent traumas of the Zone. By so seductively inhabiting the mind of his less-than-admirable narrator, a mind caught between obsessive focus and restless discursion, Énard provides a panoramic view of the political and personal violence that has shaped the history and cultures of the Zone, and also intimates the way in which an individual is caught irretrievably in the great web of their circumstances, submission to those circumstances being the price of travelling along them.
Pick a fruit — pick a book! A selection of books from our shelves. Click through to find out more:
Read our latest newsletter and find out which books you will be reading next.
17 April 2025
Mary and Pete are sorting things out. They are going to make the ‘big move’. Time to downsize, to choose low maintenance over steps one may tumble down. Mary knows Pete’s heart isn’t up to it. Pete knows Mary’s state of mind is tentative. So, no choice really. Or is there? Damien Wilkins’s Delirious is a spotlight on that thing that looms for all of us — old age. A novel on ageing and the problems this conjures, whether practical or philosophical, doesn’t sound very promising. Think again. Wilkins uses his exceptional craft as a writer, a sharp analysis of human behaviour, and an observant eye to bring us a thoughtful novel. One rich in emotion, without being cloying. In these pages are grief and loss: for Mary a phone call triggers a trauma from the past — a trauma which neither she nor Pete have fully resolved. Here is Mary, ex-cop, unsure how to proceed. Here is Pete, ex-librarian, searching for the right words. This is a novel with a heart that beats and not all the beats are the same. Take Pete’s mother. In dementia, Margaret finds an escape, of sorts. An escape from her overbearing husband and from conformity. Her mind’s slippage is both frightening and hilarious.
Mary and Pete are the every-people: people you know and maybe who you are. They are what we might call average. Mary’s a bit more aloof than Pete. Pete’s keen on helping out. The community that revolves around them, friends, family, colleagues and neighbours are all set up a little by Wilkins. Delirious takes a gentle poke at our society, and a less subtle, but delightfully funny, dig at ‘the village’. From Mary’s ex-boss perfecting his bowling, to the snide comments of the narrow-minded, to the heat-pump “we will never have one of those”, to the new but not quite right interior decor, there is something about the retirement village that doesn’t encourage the couple to unpack their boxes. What they don’t say — especially to each other — and don’t do underscores much of the novel. Then something changes. Mary and Pete will make the big move, but not the one you or they expected.
Delirious is by turns sad and funny. It’s profoundly honest about ageing and caring for others in illness, and all the dilemmas this poses, yet cleverly balances this poignancy with sly satire. Up for the big prize — The Acorn* — it’s a worthy contender and in very good company. A village of books waiting for judgement day.
* The Jann Medlicott Acorn Prize for Fiction will be announced May 14th at the Ockham Book Awards. Read the shortlist now!
Capture a moment — capture a book. A selection of books from our shelves. Click through to find out more:
Tara Selter has slipped out of time. Every morning, she wakes up to the 18th of November. She no longer expects to wake up to the 19th of November, and she no longer remembers the 17th of November as if it were yesterday. She comes to know the shape of the day like the back of her hand — the grey morning light in her Paris hotel; the moment a blackbird breaks into song; her husband’s surprise at seeing her return home unannounced. But for everyone around her, this day is lived for the first and only time. They do not remember the other 18ths of November, and they do not believe her when she tries to explain. As Tara approaches her 365th 18th of November, she can’t shake the feeling that somewhere underneath the surface of this day, there’s a way to escape.
“The first volume's gravitational pull — a force inverse to its constriction — has the effect of a strong tranquiliser, but a drug under which your powers of observation only grow sharper and more acute. Give in to the book's logic (its minute movements, its thrilling shifts, its slant wit, its slowing of time) and its spell is utterly intoxicating.”
“On the Calculation of Volume I takes a potentially familiar narrative trope — a protagonist inexplicably stuck in the same day — and transforms it into a profound meditation on love, connectedness and what it means to exist, to want to be alive, to need to share one’s time with others. The sheer quality of the sentences was what struck us most, rendered into English with deft, invisible musicality by the translator. This book presses its mood, its singular time signature and its philosophical depth into the reader. You feel you are in it, which is sometimes unnerving, sometimes soothing, and this effect lingers long after the book is finished.” —International Booker Prize judges’ citation
An essay is at once a wound and an act of piercing. An essay is not only about (‘about’) its subject but also, whether the writer is aware of this or not, about (‘about’) writing about the subject (and also, by extension, about (‘about’) reading about the subject (although Brian Dillon in his excellent and thoughtful book Essayism is interested primarily the writing of essays (or rather in what he terms ‘essayism’: “not the practice of the form but an attitude to the form — to its spirit of adventure and unfinished nature — and towards much else. Essayism is tentative and hypothetical, and yet it is also a habit of thinking, writing and living that has definite boundaries.” (note here, incidentally, the introduction of the subject of this review within (closer to the surface, though, than this observation) two levels of parentheses)))). An essay is a transparent barrier, a means of focus at once providing intimacy with and distance from its subject, or, better metaphor (if any metaphor can be better than another (and better by what criteria, we might ask (though that is another matter))), an essay is a stick at once both joining and separating the writer and the subject, a tool by which the writer can lever weight upon the subject, which, although never able to be wrenched free from its context (what we might call the hypersubject), a context innately amorphous, unwieldable and inconceivable, provides a point of leverage from which the writer may rearrange the disposition of that grab-bag (or “immense aggregate” (William Gass)) of feelings, thoughts and impressions that is, out of convenience and little more, referred to as the self. To write is to continually and simultaneously pull apart and remake the ‘I’ that writes. An essay is, in Dillon’s words, “a combination of exactitude and evasion,” an eschewing of the compulsion for, or the belief in the possibility of, completion or absolutism, an affirming instead of the fragmentary, the transitory, the subjective. The operating principle of the essay is style, the advancing of the text “through the simultaneous struggle and agreement between fragments,” the production of “spines or quills whose owner evades and attacks at the same time.” Style is the application of form to content, or, rather, form results from the application of style to content. Style can be applied to any subject with equivalent results. Essayism is an essay about essays, or a set of essays about essays, about the reading and, more devotedly, the writing of essays, about the approaches to, reasons for and functions of essays. Dillon especially examines the connection, for him at least, between the essay and depression: “Writing had become a matter of distracting myself from the urge to destroy myself” (even though “away from my desk it was possible to suppress or ignore the sense of onrushing disaster” (suggesting perhaps that it was only writing itself that presents the void from which it must then rescue the writer (always at the risk of failure))). Is the essay a cure or palliative for depression, or a contributor to, or ‘styler’ of, depression? “What if the ruinous and rescuing affinity between depression and the essay is what got you into this predicament in the first place? Will a description of how you made your way along the dry riverbeds of prose and self-pity provide any clues as to how to get out of the gulch again? How to connect once more, if in fact you have ever really known it, with the main stream of human experience? Such questions seem too large, too embarrassing even — though they have never been too grand for the essay. Or they may seem too small, too personal. Same answer.” As the best essays do, Essayism provides understanding without answers and leaves the reader with a habit of thinking, writing and living which will help them to ask just the sorts of unanswerable questions about their own experience, so to call it, that will increase both their intimacy with and detachment from it.
These books are all keen to sit on the top of your reading pile. Which will you choose? We can dispatch your books by overnight courier or have them ready to collect from our door.
Phantom Limb by Chris Koehler $45
One evening, Gillis — a young Scottish minister who technically doesn't believe in god — falls into a hole left by a recently dug up elm tree and discovers an ancient disembodied hand in the soil. He's about to rebury it when the hand beckons to him. He spirits it back to his manse and gives it pen and paper, whereupon it begins to doodle scratchy and anarchic visions. Somewhere, in the hand's deep history, there lies a story of the Scottish reformation, of art and violence, and of its owner long since dead. But for Gillis, there lies only opportunity: to reinvent himself as a prophet, proclaim the hand a miracle and use it for reasons both sacred and profane: to impress his ex-girlfriend, and to lead himself and his country out of inertia and into a dynamic, glorious future. [Hardback]
”Thrillingly unfettered. Phantom Limb is its own kind of miraculous relic: disturbing and mesmerising, the work of a writer possessed of a rare power and vision.” —Daily Telegraph
”At once playful and deeply moving, ancient and shockingly new, Phantom Limb is a tremendous read: full of wisdom, madness, kindness and action. You won't read anything quite like it.” —Aidan Cottrell-Boyce
The Ways of Paradise: Notes from a lost manuscript by Peter Cornell (translated from Swedish by Saskia Vogel) $28
A book at the intersection of fiction and essay, on the connections between art, literature, spirituality and the occult through history. In his foreword, Peter Cornell presents this so-called found manuscript as the work of a now-deceased, obscure researcher who spent three decades in the National Library of Sweden working on his magnum opus. Upon his death, no trace of this work remains aside from this set of footnotes notes and fragments which form an enigmatic set of texts. Ranging from the Crusades to Ruskin, Freud to surrealism, cubism, automatic writing, Duchamp, the Manhattan Project, Pollock and Smithson, this cult book, first published in Sweden in 1987, is now translated into English for the first time. [Paperback with French flaps]
”Like a collision between the fantastical libraries of Borges, David Markson’s art obsessed micronarratives and Iain Sinclair’s occult strain of psychogeography. The Ways of Paradise is a labyrinth I never wanted to escape.” —Chris Power
”Who could have imagined that a set of imaginary orphaned footnotes could yield so much pleasure and fascination? More than a study of the labyrinth motif, The Ways of Paradise is itself a labyrinth, an apparently slim volume pulsing with infinite, overlapping worlds, an intricate meditation on the abysses of reality and illusion.” —Joshua Cohen
”The Ways of Paradise is the story of a lost manuscript and the labyrinth of enigmas through which its obscure author wandered, a book that pleasurably situates the reader at the centre of the idea of fiction, a place of everything and nothing from which ever-widening circles of mystery and meaning spread out.” —David Hayden
”Just as any person tracking a spiral or walking a labyrinth will find their sense of space and time collapsed, viewing moments in the past and future of their journey from vividly altered perspectives as they make their way, so the reader of this remarkable ‘manuscript’ will be similarly enlightened. Open, allusive, constantly expanding its appreciation of the covert relations between culture and history, place and belief, The Ways of Paradise embodies its own utopian premise. Assembled with a lightness of touch and a precision in detail, profound in its accumulative insights, it understands that any book aspiring to the fullest incarnation of its potential remains in process more than it offers an arrival. No longer are fragments deployed only formally; rather they serve as waymarkers on a quest passage to the interior, the final labyrinth of human imagination, and the mind’s own mysterious corridors. The spaces between entries are where the doors to this charged site lie. Each traveller will find their own entrance, and each will surely be entranced.’ —Gareth Evans
Mark Adams: A survey — He kohinga whakaahu by Sarah Farrar $80
Photographer Mark Adams is known for his focus on Samoan tatau, Māori–Pākehā interactions in Rotorua, carved meeting houses, locations of significance for Ngāi Tahu in Te Waipounamu, and Captain James Cook’s landing sites reflect his deep engagement with our postcolonial and Pacific histories. This first-ever comprehensive survey of his work honours one of our most distinguished — and continually compelling — photographers. It includes photographs taken across the Pacific, the United Kingdom and Europe that explore the migration of artistic and cultural practices across the globe, and examine the role of museums, and photography itself, in this dynamic and ongoing cross-cultural exchange. [Hardback]
Being, Seeing, Making, Thinking: 50 Years of the Chartwell Project edited by Sue Gardiner and Megan Shaw $50
Since its establishment in 1974, Chartwell has championed the importance of creative visual thinking, shaping an expansive collection of contemporary art and an enduring programme of philanthropic and educational support. Illustrating over 150 images from the Chartwell Collection, the book features new writing on 50 selected artworks from New Zealand, Australia and further afield as well as rarely seen archival images of artists and exhibitions. The book offers unprecedented insight into the art, artists and remarkable story and philosophy of The Chartwell Project. Featuring a preface by Chartwell’s founder, Rob Gardiner, an essay by Chartwell’s chair, Sue Gardiner, a Timeline by co-editor Megan Shaw and 50 accompanying texts on artworks, this landmark book offers unprecedented insight into the art, artists and remarkable story and philosophy of the Chartwell Project. [Flexibound]
Groundwork: The art and writing of Emily Cumming Harris by Michele Leggott and Catherine Field-Dodgson $60
Part inspired creative endeavour and part determined detective work, this long overdue book brings to light one of New Zealand's most significant botanical artists of the nineteenth and early twentieth centuries. Just as Emily Harris's beautiful paintings occupy a liminal space between scientific botanical illustration and art, so this book occupies a shifting ground between biography and imagineered monograph. The result is often moving and always intriguing. Importantly, it restores to Aotearoa art history a figure who had almost disappeared. Emily Harris has been examined alongside her artist peers Sarah Featon and Georgina Hetley, but until this book neither her distinctive voice nor her almost 200 surviving images have been heard or seen in any quantity outside of archival or online spaces. Her life story is remarkable and her diaries, letters, poems and paintings constitute a fascinating legacy. Harris was born in England in 1837 and dies in Nelson in 1925. [Hardback]
Shade and Breeze by Quynh Tran (translated from Swedish by Kira Josefsson) $45
Má dreams of wealth and grandeur, Hieu dreams of Finnish girls. The younger brother, always on the periphery, always an observer, gradually disappears into his schoolwork, mesmerised by his own intellect. The three of them form a solitary world in a small Ostrobothnian town on the west coast of Finland. Má and Hieu, constantly on a collision course with each other and the community’s suffocating social codes. They live among people who want to talk openly about everything, who don’t understand the necessity of sometimes remaining in the shade. In sensitive and transfixing prose that has the effect of a series of tableaux, and with chapter headings reminiscent of the intertitles in a silent film, Tran’s multi-award-winning debut is a moving story about love, the compulsion to create, and the meaning of family. [Paperback]
”A magic voice. Working with the coming-of-age in a smalltown narrative, Quynh Tran creates a world completely of its own kind, a story of belonging and estrangement, and of the refugee experience. In a sensual, dreamy prose, still so very real, with an authority reminiscent of Ocean Vuong’s On Earth We’re Briefly Gorgeous, Tran has written a first novel that shines like a precious gem.” —Monika Fagerholm
”A perceptive debut, where the significant events are intentionally placed in the background, in line with the family’s wishes. Not everything should be discussed, claims the mother whose anger instead turns into a physical condition — a slap here and there. Nobody is capable of seeing how their actions cause a ripple effect, how human darkness is passed down through generations. In different ways, the family members try to find a mutual place where they can love one another. This makes Shade and Breeze a complex, delicate, and wistful debut. It deserves to be pulled into the light.” —Sydsvenskan
The Jade Cabinet by Rikki Ducornet $33
Made speechless by her eccentric father, the beautiful Etheria is traded for a piece of precious jade. Memory, her sister, tells her story, that of a childhood enlivened by Lewis Carroll and an orangutan named Dr. Johnson and envenomed by the pernicious courtship of Radulph Tubbs, Queen Victoria's own Dragon of Industry. The novel travels from Oxford to Egypt where one million ibis mummies wait to be transformed into fertiliser, where Baconfield the architect will cause a pyramid to collapse, and where a scorned and bloated hunger artist who speaks in tongues will plot a bloody revenge. Jade Cabinet is both a riveting novel and a reflection on the nature of memory and desire, language and power. [Paperback]
The History of Medicine in Twelve Objects by Carol Cooper $45
THE TREPHINE, THE BONE SAW, THE MASK. THE MICROSCOPE. THE STETHOSCOPE. THE ETHER INHALER, THE HYPODERMIC SYRINGE, THE OBSTETRIC FORCEPS, THE X -RAY MACHINE, THE E.C.T. MACHINE, THE HIP PROSTHESIS, THE HEART-LUNG MACHINE. Over the course of centuries, the ways in which doctors have engaged with sickness has changed drastically, and so too have the tools at their disposal. The history of these medical tools is truly astounding, revealing the true extent of human ingenuity, curiosity, and compassion. [Hardback]
The Companion to Volcanology by Brent Kininmont $25
The Companion to Volcanology is not a field guide to volcanoes. But tectonic shifts are present in Brent Kininmont's second book of poetry, and so are companions. The child, for instance, carried up a mountain in the titular opening poem, and companions alive to the brevity of their time together. Kininmont, who grew up in Aotearoa, has lived in Japan for many years, and so these poems are of a life between two places and of the body in anxious or joyful motion. [Paperback]
”Kininmont’s terrific second book has that sense of lived experience finding forms which release thought and feeling. I read it in one go as a kind of interrupted story.” —Damien Wilkins
”Luminous, surprising, inventive, original.” —Paula Green
Umai: Recipes from a Japanese Home Kitchen by Millie Tsukagoshi Lagares $65
In this beautiful book, you have precision alongside the simple and relaxed. Discover unfussy lunch dishes and favorite family meals. Find recipes that are a joy to make together and to share. Millie Tsukagoshi Lagares guides you through her home kitchen and out onto the streets to experience food is both serene and exhilarating. From dumplings to fungi to matcha cookies, you will find accessible recipes that will delight and sooth in the making and the eating. [Hardback]
”A vibrant exploration of Japanese cuisine with beautiful writing and exciting recipes to nourish the soul.” —Ixta Belfrage
Caret by Adam Mars-Jones $30
”We make lazy assumptions about the centre of things and its location. Who's to say that the centre of things isn't in a corner, way over there?”; “People in authority are always saying you should know your rights, though I've noticed they don't much enjoy it when you do.”; “Nobody can be a person twenty-fours hours a day - it just can't be done. At night the sets dissolve and the performance falls away... We're off the books.” That's John Cromer talking, in this fresh instalment of his lifelong saga. For John, embarking on a new stage of life in 1970s Cambridge, charm and wit aren't just assets, they are survival skills. It may be a case of John against the world. If so, don't be in too much of a hurry to bet on the world. Conjuring a remarkable voice and mind, Caret is a feast of a novel, served on a succession of small plates, each portion providing an adult's daily intake of literary nourishment. Reading it is guaranteed to help you work, rest and play. [Paperback]
”Thank god for John Cromer and his creator Adam Mars-Jones, one of the funniest, most self-aware characters in English fiction, whose minute observations on everything from constipation to lust are a source of unexpected delight.” —Linda Grant
”Mars-Jones is building a facsimile of existence; a map with a scale that seems, when you’re reading it, to be closing on 1:1. It’s an inordinately bold technique, but in the end it succeeds: it feels, as we follow the seemingly endless meander of Cromer’s thoughts, that we’re not so much reading a story, as living in one.” —The Guardian
God and the Devil: The life and work of Ingmar Bergman by Peter Cowie $40
A chronicle of the life and career of one of film's defining figures, God and the Devil draws on exclusive extracts from Bergman's diaries, letters and production workbooks. Peter Cowie brings us close to the man and the artist, as he wrestled with themes of love, sex and betrayal — with the figure of Death always hovering overhead. [Now in paperback]
"A commanding portrait: one that consistently ties events in his life to specific scenes, themes and locations in his movies. Having met Bergman in 1969 and corresponded with him until 1995, veteran film author Peter Cowie is able to channel first-hand knowledge of Bergman into a book that's respectful without being overly reverential." —Matt Looker, Total Film
"Indispensable, rich, engaging, thorough." —Sight & Sound
Munichs by David Peace $40
February 6, 1958, British European Airways Flight 609 crashed on take-off at Munich Airport. On board were the young Manchester United team, 'the Busby Babes', and the journalists who followed them. Twenty-one of the passengers died instantly, four were left fighting for their lives while six more were critically injured. Twenty-four hours later, Jimmy Murphy, the assistant manager of Manchester United, faced the press at the Rechts der Isar Hospital: 'What of the future, you ask? It will be a long, hard struggle. It took Matt Busby, Bert Whalley and myself twelve years to produce the 1958 Red Devils. It was long, hard, tiring work, but we succeeded. At the moment, I am so confused, so tired and so sad, I cannot think clearly, but what I do know is that the Red Devils will rise again.' Munichs is the story of how Manchester United rose again, of the crash and its aftermath, of those who survived and those who did not, of how Britain and football changed, and how it did not; a novel of tragedy, but also of hope. [Paperback]
”Peace writes the boldest and most original British fiction of his generation.” —Richard Lloyd Parry, The New York Times
Pearl: A graphic novel by Sherrie Smith and Christine Norrie $21
”We are in Japan in the 1940s with Amy, a 13-year-old Japanese American girl born in Hawaii, sent to visit her ailing great-grandmother. After Pearl Harbour is bombed Amy is stuck in Japan, where she is conscripted by the military to be a Monitor Girl listening in and translating U.S. radio messages. The other story thread is the one her great-grandmother tells her: the Japanese annexation of the Ryukyu Kingdom in Okinawa in 1879. Both are stories of survival and hope, and for Amy, identity, the conflict of being both Japanese and American. Christine Norrie’s illustrations capture the confusion and emotion of the situation, and the sharp singular colour palette has great impact.” —Stella
Crack-Up Capitalism: Market radicals and the dream of a world without democracy by Quinn Slobodian $30
An important book right now, showing how capitalist extremists profit from the collapse of the democratic nation. Look at a map of the world and you'll see a neat patchwork of nation-states. But this is not where power actually resides. From the 1990s onwards, globalisation has shattered the map, leading to an explosion of new legal entities — tax havens, free ports, gated enclaves and special economic zones. These spaces are freed from ordinary forms of regulation, taxation and mutual obligation — and with them, ultracapitalists believe that it is possible to escape the bonds of democratic government altogether. Slobodian follows the most notorious radical libertarians — from Milton Friedman to Peter Thiel — around the globe as they search for the perfect home for their free market fantasy. The hunt leads from Hong Kong in the 1970s to South Africa in the late days of apartheid, from the neo-Confederate South to the medieval City of London, charting the relentless quest for a blank slate where capitalism and democracy can be finally uncoupled. [Paperback]
Moderate to Poor, Occasionally Good by Eley Williams $35
Eley Williams returns with a thrilling collection of short stories exploring the nature of relationships both intimate and transient — from the easy gamesmanship of contagious yawns to the horror of a smile fixed for just a second too long. A courtroom sketch artist delights in committing portraits of their lover to paper but their need to capture likenesses forever is revealed to have darker, more complex intentions. A child's schoolyard crush on a saint marks a confrontation with the reality of a teenage body in flux. Elsewhere, an editor of canned laughter loses their confidence and seeks divine intervention, and an essayist annotates their thoughts on Keats by way of internet-gleaned sex tips. Moderate to Poor, Occasionally Good hums with fossicking language and ingenious experiments in form and considers notions of playfulness, authenticity and care as it holds relationships to account: their sweet misunderstandings, soured reflections, queer wish fulfilments and shared, held breaths. [Paperback]
”Stories that work from the inside out: glancing, intriguing.” —Guardian
”Erudite and audacious.” —Kieran Goddard
”Frequently brilliant and deeply pleasurable.” —Caoilinn Hughes
Windswept: Life, Nature and Deep Time in the Scottish Highlands by Annie Worsley $29
Annie Worsley traded a busy life in academia to take on a small-holding or croft on the west coast of Scotland. It is a land ruled by great elemental forces — light, wind and water — that hold sway over how land forms, where the sea sits and what grows. Windswept explores what it means to live in this rugged, awe-inspiring place of unquenchable spirit and wild weather. Walk with Worsley as she lays quartz stones in the river to reflect the moonlight and attract salmon, as she watches otters play tag across the beach, as she is awoken by the feral bellowing of stags. Travel back in time to the epic story of how Scotland’s valleys were carved by glaciers, rivers scythed paths through mountains, how the earliest people found a way of life in the Highlands — and how she then found a home there millennia later. [Paperback]
”Windswept is a wonderful work, prose-painted in bold, bright strokes like a Scottish Colourist's canvas. It is a story of learning to keep time differently, in one of the most spectacular landscapes in Britain. Annie Worsley has written a gorgeous almanac or year-book in which the minutes, hours and months are marked not by the tick of clock-hands but weather-fronts, bird migrations and plant-patterns of growth and decay.” —Robert Macfarlane
”A shaft of golden stormlight, a blast of pure Highland air, Windswept is an exhilarating account of life lived closer to the elements than most of us will ever have the chance to experience.” —Melissa Harrison
”I have read pages and pages of this wonderful book, swept away by its beauty and understanding, its chromatic brilliance, flickering and surging into colour at every turn, moulded to its mountains and all the subtleties of its winds and skies. Honestly it is a great, great book.” —Adam Nicolson
Fog Island by Tomi Ungerer $35
Two young siblings find themselves cast away on mysterious Fog Island. No one has ever returned from the island's murky shores, but when the children begin to explore, they discover things are not quite as they expected. Ungerer's captivating drawings evoke the eerie beauty and magic surrounding this timeless adventure. [Hardback]
Pop-Up Surrealism by Gérard Lo Monaco $454
In this magical book, pop-up engineer Gérard Lo Monaco brings to life eight works of art by leading surrealists: Salvador Dalí, Victor Brauner, Jean Arp, Man Ray, Joseph Cornell, Dora Maar, René Magritte and André Breton. Short texts introduce each work and its historical context, while hand-painted illustrations bring a new dimension to this revolutionary period in modern art. [Hardback]
Read our latest newsletter. Find out about the International Booker Prize short list; about new cooksbooks; and about some graphic novels for young people. Find out what we’ve been reading and recommending. Take one last ride on the People’s Carousel.
11 April 2025
If you haven’t come across Maira Kalman’s work, you’re in for a treat. These seemingly ‘nice’ paintings are loaded with meanings, and double meanings, with irreverence and wit. They can also be morose or mundane, profound and sorrowful; Kalman’s wry humour keeping the darkest emotions at bay. They capture the full gamut of human life and interactions. And within all these complex emotions that Kalman’s picture and text publications provoke, there is a remarkable lightness which is exhilarating, making her books the ones you want to keep close. In Still Life With Remorse: Family Stories Kalman unpicks her own and other family histories. Here are the famous, mercilessly poked at. The Tolstoys’ disfunction, Chekov’s misery, Kafka and Mahler both bilious driven by regret (and family) to create, and here is Cicero regretting everything. But these are mere interludes, along with the musical intervals, to the stories at the heart of this collection of writings and paintings. Here are the empty chairs, the tablecloths, the people gathered, the hallway, the death bed, the flowers in vases and the fruit in bowls, all triggering a memory, all resting not so quietly. Here are the parents, the uncle, the sister. Here is the aging, the forgetting and the not forgiving. Stepping back to the Holocaust, to Tel Aviv, to those that left and to those that were erased. Here are the choices and the impossible sitting around the room still living. Walking through one door and into another place, remorse following. Despite it all, there is a way to step out of one’s shoes and walk free. Still Life With Remorse is, in spite of itself, life, that is, merriment.
Whether you are looking for new ways to cook with staples like potatoes and cabbage, wanting to expand your pantry with ingredients like dried lime, or ready to travel through food to explore new culinary delights, there will be something here to enliven your taste buds, and warm your Autumn days.
Travel across Eastern Europe with some humble vegetables. In Kapusta, Alissa Timoshkina celebrates five key vegetables — cabbage, beetroot, potato, carrot and mushrooms. This is cooking that has affordability, seasonality, sustainability and, above all, great flavor at its heart. The cabbage that stays in the back of the fridge will come to the fore, and new recipes for potatoes are always popular, while the colour and earthy flavours of beetroot can set off any dish. Add in a chapter on pickles and ferments and a dive into dumplings you’ll be well immersed in culinary joys of Eastern Europe.
Maryam Jillani started a food blog in 2017 to highlight the diverse cuisine of Pakistan. Sharing borders with Afghanistan, China, India, and Iran, and a history of migration and trade has ensured an exciting cuisine — abundant in spices with a variety of ingredients and cooking techniques. From home cooking to restaurants and the pleasure of the street stand, Jillani explores the regions from the coast to the highlands giving us a comprehensive survey of Pakistan’s food as well as wonderful story-telling. Packed with recipes from pantry staples to snacks and breads, vegetable, fish and meat dishes, as well as sweets and drinks, this one will fill a gap on your shelves.
"This is the Pakistani cookbook I've been waiting for! A mouthwatering celebration of a beautiful country. These recipes and stories will warm your heart." —Yasmin Khan, author of Zaitoun, Ripe Figs, and The Saffron Tales
If the name Noor Murad sounds familiar, that’s because she’s been involved with the Ottolenghi kitchen and contributed to the ‘Test Kitchen’ books, as well as Flavour and Falastin. In Lugma she draws on her Bahrani family heritage as well as influences from the wider Levantine cooking pot. Bold in flavours, with innovative recipes Noor blends comfort home cooking with fresh ideas perfectly. Here you will find black limes, elaborate rice dishes, abundant herbs, as well as the delights of sour and sweet.
"I adore this book. It's personal, beautifully written — Noor's voice draws you in and holds you there — and the recipes are absolutely glorious." — Diana Henry
In this new Phaidon classic be immersed in the warmth and beauty of the Balearic Islands. Classic Mediterrean ingredients — olive oil, fish, seafood, garlic, tomatoes — combine with practices and recipes passed down through generations. Koehler delves into the food traditions, local markets, and rich cultural history of Mallorca, Menorca, Ibiza, and Formentera. The result is a cookbook packed with information and over 150 recipes for pleasurable home cooking and eating.
In Pranzo Guy Mirabella delves into his Sicilian heritage. Here you will find the gusto of Italian pastas and sauces, alongside herbs and spices, and ingredients like kolhrabi and prickly pear.
Seasonal and sumptuous, Mirabella conveys his zest for food, art, and life in the pages of Pranzo. Designed with a playful eye, the book is a treat and the recipes infused with nourishment and pleasure.
In Umai: Recipes from a Japanese Home Kitchen you have precision alongside the simple and relaxed. Discover unfussy lunch dishes and favorite family meals. Find recipes that are a joy to make together and to share. Millie Tsukagoshi Lagares guides you through her home kitchen and out onto the streets to experience food is both serene and exhilarating.
From dumplings to fungi to matcha cookies, you will find accessible recipes that will delight and sooth in the making and the eating.
”A vibrant exploration of Japanese cuisine with beautiful writing and exciting recipes to nourish the soul.” —Ixta Belfrage
It got so that he could no longer listen to music. He had used to enjoy listening to music but suddenly or gradually it had become intolerable. He could not bear the repetitions of the small and large segments of music while he was listening to it, and what more was music than repetitions of small and large segments of itself, and he could not bear that the music repeated itself endlessly in his head after had listened to it, or, really, after just hearing it without even listening to it: every snatch became an öhrwurm burrowing into him for days. He could not bear even a few bars of music that he knew, because those few bars, that snatch, that hook, drew up the whole of the intolerable music to torment him, and he could not bear music that he did not know as each new bar struck him as inevitable and he always had the dreadful feeling that he had heard and suffered from this music before, or, rather, that his hearing and suffering from this music, whether he had heard it before or not, was a hearing and suffering that stretched into eternity in both or all directions. Of course, it was not only music that he could no longer tolerate: any kind of stimulation of his senses and any kind of self-replicating thought plunged him into the deepest suffering. He could not decide whether to call this suffering imagery repetition syndrome or dysphoric recognition syndrome, for he always felt compelled to nullify his experiences with words, but these terms, once he had thought of them, just repeated themselves in his mind and became examples of the phenomenon that they were a weak attempt to describe. Desperate and weak. He was almost at the point that he could not bear to perform the necessary but necessarily repetitive actions that allowed him to function in the world, or what passed as functioning in his case; he could not bear this constant daily getting up, moving about and eventually going to bed at last, each day the same or each day the same with pathetic little variations that merely reinforced the inescapability of the repetition of the whole, the rolling inevitability of the day. He had not yet tired of going to bed. All he wanted to do was turn his brain off. If he was an insomniac he would not last a week, he thought. Now, though, he thought, that I have thought that thought I will probably lie in bed tonight thinking about how intolerable my imagery repetition syndrome or dysphoric recognition syndrome would be if I was an insomniac and could not turn my brain off, and I will probably think this insomniac thought over and over until I become an insomniac by this repeated thought; thinking about not being an insomniac will make me into an insomniac, he thought. I will not last the week. In Solvej Balle’s seven-volume novel The Calculation of Volume (five volumes of which have been written and published in Danish and two so far in English translation by Barbara Haveland), the narrator finds herself endlessly repeating the eighteenth of November, or, rather the eighteenth of November endlessly repeats itself and she seems to be the only person not caught up in this repetition. Is time somehow caught in a loop, and if so why is she aware of this loop, both trapped in it and outside it, fractured from the endlessly repeating matrix of stopped time; or are all moments in fact like this, is there nothing but an infinite set of static and unpassing moments through which our consciousness shoots itself like a rocket, breaking through each day into a new day, a new set of moments strung together merely on our awareness of them, in which case why can’t the narrator move on, what is it that brings her back to restart each day as the same eighteenth of November? She returns home (she has been away). She hides in her house in a room that her husband does not go into that day. She observes her husband, she observes her garden and the weather, she soon knows exactly when the house will creak, a bird will sing, a car will pass: it is the same each day; each day is the same day. She observes and observes and the scale of her observation alters: the infraordinary bristles with significance but significance amounts to nothing in the end. Everything is reset. The narrator tries making contact with her husband but eventually tires of explaining the situation anew every day: he cannot remember what she told him on the previous iteration of this one repeating day. Without memory there is no time. There is no companionship in the narrator’s husband. Only the narrator experiences a progression of time, only she is moving on though only she is aware that nothing else moves on so, maybe, actually, she is the only one who does not move on. What the narrator consumes is not replenished. Everything else is replenished. What the narrator does is not undone. Everything else is undone. She wonders, what is a person’s impact on the world? She wonders, how much experience can you squeeze from or into a single day without losing your capacity for experience? We wonder, when is even a single day too much? Even though his imagery repetition syndrome or dysphoric recognition syndrome was beginning to make every aspect of his life intolerable, every aspect that is except the relinquishment of consciousness that presents itself as sleep, for some reason his imagery repetition syndrome or dysphoric recognition syndrome was not aggravated by reading On the Calculation of Volume, in fact it was slightly emolliated, if that is the word, his imagery repetition syndrome or dysphoric recognition syndrome was soothed a little by an account of total repetition, although perhaps it was not an account of total repetition but an account of liberation from and within the context of total repetition, which might, he thought, be helpful to him in his imagery repetition syndrome or dysphoric recognition syndrome and its accelerating terrifying approach to total repetition, an approach that could soon make life intolerable. Too much hangs on this, but he was ready, he thought, to read Volume 2.
Graphic novels are an excellent way not only into books for children, but also into social issues and history. With excellent illustrations and styles of drawing to please a variety of tastes, we are always on the lookout at VOLUME for graphic novels that will engage young people in the world, in narrative, and in the wonder of the written word and art on the page.
Here’s a selection of recent titles to pique your curiosity:
Song of a Blackbird, from Dutch author and illustrator Maria van Lieshout, is a skillfully told story of famlly history, the trials of surviving World War II in Europe, and an emotional journey for a young woman trying to help her Oma. Armed with only a few photographs of buildings in Amsterdam, Annick (in 2011) must unpick the mystery of her Oma’s childhood to save her life. A two-handed story, the other strand of this story is set in wartime Holland. It’s 1943 and everything is changing for Emma as she embarks on a dangerous mission right under the noses of the Nazi soldiers. Song of a Blackbird has striking two-tone illustrations with splashes of colour complemented by black-and-white historic photographs. This is a powerful story of courage, compassion and resistance.
Taking another episode from history is Pearl by Sherri L. Smith and Christine Norrie — another dual-time novel. This time we are in Japan in the 1940s with Amy, a Japanese American girl born in Hawaii, sent to visit her ailing great-grandmother. After Pearl Harbour is bombed Amy is stuck in Japan, where she is conscripted by the military to be a Monitor Girl listening in and translating U.S. radio messages. The other story thread is the one her great-grandmother tells her: the Japanese annexation of the Ryukyu Kingdom in Okinawa in 1879. Both are stories of survival and hope, and for Amy, identity, the conflict of being both Japanese and American. Christine Norrie’s illustrations capture the confusion and emotion of the situation, and the sharp singular colour palette has great impact.
Young Hag is another wonderful publication from the pen and wit of Isabel Greenberg. This delightful coming-of-age story takes us into history, into the drama of Arthurian legend. Here we will encounter tales of tales of Merlin, the Lady of the Lake, King Arthur, Morgan le Fay, and Lancelot. Here there is a changeling that needs returning to the Otherworld. The Ancient Crone has left a door open. The magic is leaking through. Young Hag, one of the last real witches in Britain, must find her magic to reverse a wrong. But can she do it? With glorious illustrations, an irrepressible heroine, and a wonderful feminist retelling of Arthurian legends, who could resist this book?
Pick a book and watch it bloom. A selection of books from our shelves. Click through to find out more:
Florilegium: The Book of Plants.
NORTHBOUND: Four Seasons of Solitude on Te Araroa. Walking from Bluff, at the southern tip of the South Island, to Cape Reinga, at the northern tip of the North Island, award-winning journalist, and author of Southern Nights, Naomi Arnold spent nearly nine months following Te Araroa, fulfilling a 20-year dream. Alone, she traversed mountains, rivers, cities and plains from summer to spring, walking on through days of thick mud, blazing sun, lightning storms, and cold, starlit nights. Along the way she encountered colourful locals and travellers who delight and inspire her. This is an upbeat, fascinating, and inspiring memoir of the joys and pains found in the wilderness, solitude, friendship, and love. Signed copies available while stock lasts.
Read what the judges have to say about each of this year’s short-listed books and then click through to our website to secure your copies. We can dispatch your books by overnight courier or have them ready to collect from our door.
The International Booker Prize celebrates works of long-form fiction or collections of short stories translated into English. You will find all of these books very well written and translated, deeply interesting, and satisfyingly horizon-broadening.
A Leopard-Skin Hat by Anne Serre, translated from French by Mark Hutchinson
What the judges said: ”Anne Serre’s short novel is the deeply romantic telling of a platonic love story between the narrator and his complicated childhood friend, Fanny; a story so beautifully realised — and translated so sensitively by Mark Hutchinson — that the pair become part of the life of the reader. A perfectly balanced book, slender in size but bearing significant weight all the way through, A Leopard-Skin Hat is testament to the ways in which we continue to hold the people we love in our memories, with respect and dignity, after they die.”
On the Calculation of Volume: I by Solvej Balle, translated from Danish by Barbara J. Haveland
What the judges said: “On the Calculation of Volume I takes a potentially familiar narrative trope — a protagonist inexplicably stuck in the same day — and transforms it into a profound meditation on love, connectedness and what it means to exist, to want to be alive, to need to share one’s time with others. The sheer quality of the sentences was what struck us most, rendered into English with deft, invisible musicality by the translator. This book presses its mood, its singular time signature and its philosophical depth into the reader. You feel you are in it, which is sometimes unnerving, sometimes soothing, and this effect lingers long after the book is finished.
Under the Eye of the Big Bird by Hiromi Kawakami, translated from Japanese by Asa Yoneda
What the judges said: “Hiromi Kawakami’s Under the Eye of the Big Bird tells the story of humanity’s evolution on an epic scale that spans as far into the future as the human imagination could possibly allow. In each of its chapters, separated by eons but gracefully unified under the crystalline clarity of Asa Yoneda’s seemingly timeless translation, a variegated cast of posthuman characters each interrogate what it means to be not an individual or a nation but an entire species, that unit of being we currently and urgently struggle so much to grasp, much to the cost to the planet we live on and our own survival.”
Perfection by Vincenzo Latronico, translated from Italian by Sophie Hughes
What the judges said: “An astute, discomfiting, cringe-making and often laugh-out-loud funny portrait of everyday privilege and modern aspirations, following an expat couple in Berlin. Tom and Anna are defined by their material lives, working their way through a tick-list of clichés readers will recognise in themselves and experience as a dig in the ribs. Compassionate as well as cynical, the book – in an exquisite, precise and perfectly executed translation from Italian by Sophie Hughes – holds up a mirror up to the way so many people aspire to and are let down by today’s off-the-shelf measures of success. A startlingly refreshing read.”
Small Boat by Vincent Delecroix, translated from French by Helen Stevenson
What the judges said: “Following the disastrous deaths of 27 people, when a dinghy capsises while crossing the Channel, the book’s narrator — who works for the French authorities and who had refused to send a rescue team — attempts to justify the indefensible and clear her conscience. In a world where heinous actions often have no consequence, where humanity’s moral code appears fragile, where governments can condemn whole swathes of society to poverty or erasure, Small Boat explores the power of the individual and asks us to consider the havoc we may cause others, the extent to which our complacency makes us complicit — and whether we could all do better. A gut-punch of a novel.”
Heart Lamp by Banu Mushtaq, translated from Kannada by Deepa Bhasthi
What the judges said: ”In a dozen stories — written across three decades — Banu Mushtaq, a major voice within progressive Kannada literature — portrays the lives of those often on the periphery of society: girls and women in Muslim communities in southern India. These stories speak truth to power and slice through the fault lines of caste, class, and religion widespread in contemporary society, exposing the rot within: corruption, oppression, injustice, violence. Yet, at its heart, Heart Lamp returns us to the true, great pleasures of reading: solid storytelling, unforgettable characters, vivid dialogue, tensions simmering under the surface, and a surprise at each turn. Deceptively simple, these stories hold immense emotional, moral, and socio-political weight, urging us to dig deeper.”
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4 April 2025
“Art is always an overreaction,” writes Yoko Tawada in her lithe and compact novel Paul Celan and the Trans-Tibetan Angel (translated from German by Susan Bernofsky); this statement being in itself an overstatement, as all statements are overstatements. Did we not learn at school, he pondered, that every overreaction provokes an equal and opposite overreaction, that the impact of each overstatement causes another overstatement to leap out at the end of the line, and so forth back and forth until the Newton’s cradle of the mind is finally still if it ever can be still. Does any movement towards certainty destroy the very certainty towards which it moves? Is that for which we reach inevitably destroyed by the reaching? This is no way to start a review, he thought; in his search for clarity he has produced a wash of vague sensations barely distinguishable from life itself, so to call it, a fractality of precisions more complicated than disorder; what is literature for, after all, if not to make life more wieldable, or our thinking about it more wieldable at least? No such luck. If the words for things can be used as substitutes for things, they are subject to linguistic forces and relations to which the things themselves are not subject. There’s an illness in all of this, a linguistic illness, or an illness of consciousness, that blurs, ultimately, or penultimately, or by something preceding the penultimate by one or several or many steps, the distinctions between words and their objects and between words and other words, a blurring that allows for or entails the febrile reconfiguration of language into new forms, he was going to write new and less useful forms, but the utility of language is no measure of its other functions (its other pathologies, he almost wrote). The narrator of Tawada’s novel refers to himself as ‘the patient’ and refers to himself in the third person (“third person is a form of salvation” (as we know)) and gives an account of the stayings-in and goings-out that are constrained by the vagaries of his illness and the vagaries of the illness of the world at large, if these are not one and the same: “The patient leaves the house as seldom as possible, and every time he is forced to go out, he first checks to see if the coast is clear. The coast is seldom clear, hardly ever.” If he ever does go out. He meets and befriends one Leo-Eric Fu, who shares with Patrik (Patrik is the name attached by others to the one who calls himself the patient; the patient's name as he approaches the collective world (plausibly a kind of healing (“A person who can continue to distance himself from home, one step farther each day, is no longer a patient.”))) a love and knowledge of the work of Paul Celan, a poet who made from German, a language broken by the trauma of hosting the Holocaust, a new language of beauty and possibility made entirely of the marked, traumatised and broken pieces of that language, and with whose work this novel is a form of conversation (please note that it is not necessary to the appreciation of the novel to be familiar with the other pole of that conversation, though the novel may lead a reader towards that pole). For the patient it is, we assume from the deliberately inconclusive evidence, the trauma of the Covid 19 pandemic that has broken language, either because of the collective circumstances in which he finds himself or also because he himself is actually in addition to metaphorically ill. I am not unfamiliar, he thought, as he attempted to continue with what was intended as a review but was suffering from an illness which made it both not really a review and very hard to sustain, with the linguistic deliria induced by fever, with the disintegrative and recombinatory compulsions that reveal something about language and are in fact structurally inherent in language but usually suppressed for reasons of utility or ‘health’. Any illness will remake language, given the chance to spread. In the delirium of the novel, the patient’s illness (“an autoimmune disorder of the mind”) attacks the distinctions between the binaries it posits: isolation/connection, illness/health, internal/external, uncertainty/comprehension, experience/identity; and attacks all borders generally: those between persons individually and those set between groups and nations. There are no contradictions. “People say I'm sick because I can simultaneously leave the house and stay home.” The forms of thought that gave rise to the illness, whatever it is, are broken and remade: “I prefer a not-yet-knowing or a no-longer-knowing to actual knowledge. These are the fields in which I'll find my role.” It is possible, even probable, he thought, that the entire book takes place within the patient’s head, if such a place exists (“What if Leo-Eric isn't really sitting here and this is all just taking place in my imagination?”), although, towards the end, the Patrik-impulse begins to gain a little ground from the patient-impulse, and the possibility that the idea of Patrik and also the ideas of Patrik could exist in the minds of others begins at last to emerge. Language, ravaged by trauma and isolation, begins to adopt new forms. Is this healing? Illness, we begin to see, is entangled in time: “The present is a constant deferment.”
